1 088 résultats
185244806Auburn NY: Derby Miller 1852. First Edition. 8vo pp. xii 13-654. Index. Original blind-stamped black leather with gilt spine decorations and titles. Marbled endpapers and edges. Frontis engraving and several other illustrations. Hinges tender cover scuffed and worn at edges and spine occasional lilght foxing and notes o/w VG. Advice to farmers and their wives on a multitude of subjects. Pages bordered with "twelve hundred laconics and apothegms relating to ethics relligion and general literature. Derby, Miller unknown books
4265In 1921 Blake and longtime collaborator Noble Sissle wrote the Broadway musical "Shuffle Along" one of the first Broadway musicals to be written and directed by African Americans. Blake signs in blue ink on the cover "Eubie Blake " above the composers' names. The first pages of the music pages three and four have become detached otherwise in good condition; remnants of small label on verso upper right corner. unknown books
179565786Boston MA: Printed and sold by Benjamin Edes 1795. First edition. 8vo. 28 pp. Wanting the half-title. Ownership signature "Sam Dana's 1795" at head of title page; Samuel Dana 1767-1835 Boston lawyer politician and judge served in many local offices and in the U.S. House of Representatives 1814-1815. Sabin 5770. Evans 28307. Original self-wrappers stitched. Scattered foxing else very good. <br/><br/> Printed and sold by Benjamin Edes unknown books
191757249NY: McGraw-Hill Book Company 1917. First Edition. Signed presentation from Jackson on the front endpaper: "To my cheery friend Charles Rufus Harte. Nov. 3/17. W. Jackson." Harte was a civil engineer and a member of the Connecticut Historical Society writing several books on the state's early iron industry and its civil engineers. Jackson was the editor of the "Electric Railway Journal. Tall 8vo. black cloth spine stamped in gilt; 487 pages. Illustrated. Very Good covers nice & bright; contents clean & tight. McGraw-Hill Book Company unknown books
193024724New York: Charles Scribner's Sons 1930. FIRST AMERICAN EDITION. A few nicks to cloth. Else very good to near fine with bright gilt stamping in a nearly fine dust jacket with a closed tear at top edge. <br/><br/> Charles Scribner's Sons hardcover books
19733033Inscribed/signed by Seidler. He was of the generation of Paul Rudolph Craig Ellwood & James Stirling. Well illus.<br /> hardcover books
19731636Sydney 1973. Hardcover. Very Good. Well illus. Square 4to. Presentation copy. <br/><br/> hardcover books
1968WRCLIT80195New York: Grossman 1968. Large octavo. Printed boards. Illustrated with wood engravings by Baskin. Two small dots of rust to spine otherwise about fine in slipcase First trade edition boardbound issue rendered in facsimile of the Gehenna Press edition. Laid in front is a printed card with manuscript note conveying this as a seasonal greeting from Robert Motherwell. Grossman hardcover books
19567499n.p. Nonesuch Press. 1956. Bound in gilt titled cloth covered boards. 4to. This edition printed on Dutch mould-made paper is limited to 1440 copies. Illustrated throughout with full page monochrome pencil drawings. A Fine crisp copy in a lightly chipped Near Fine dustwrapper. Nonesuch Press. hardcover books
1926615581926. BLAKE William. THE PROPHETIC WRITINGS OF WILLIAM BLAKE. In two volumes. Edited and with a general introduction glossarial index of symbols commentary and appendices by D.J. Sloss and J.P.R. Wallis. Oxford; Clarendon 1925. 8vo. navy cloth gilt unopened and uncut. Very slight rubbing shelwear to edges of boards. Hint of bubbling to cloth at one spine one hinge just starting slight dust soil to top-edge. Still tight and near fine overall. unknown books
193547923New Rochelle NY: Peter Pauper Press 1935. One of an edition limited to 50 copies this being #14. Hardcover. Very good/No jacket issued. New Rochelle NY: Peter Pauper Press 1935. One of an edition limited to 50 copies this being #14. 58 pp. Hardcover. 12mo. Light blue Leather. Gilt title label to spine and gilt decorative device to front board. Lightly bumped and rubbed at head heel and corners; sun-toning to spine and upper edge of cover and rear board; interior tight and clean. Very good/No jacket issued. Peter Pauper Press hardcover books
19811087898vo. Isle of Ely: Waterside Press 1981. 8vo 20 pp 3 with letterpress the remainder blank but one with Sir Geoffrey Keynes’s inscribed dedication of this copy to Terry Buckley. Near fine in original green calf over marble papered boards. § #59 of 100 copies in all of a poem believed by Keynes to have been originally written by Blake for publication in Poetical Sketches. The attribution to Blake was made by Keynes in 1980 although it is not supported by some Blake scholars at present. Bentley BBS p140. Waterside Press hardcover books
187522709New York: D. Van Nostrand Publisher 1875. First edition. Hardcover. Orig. dark salmon cloth lettered in gilt. Near fine. 148 pages of text. 23 x 15 cm. The author was United States Centennial Commissioner and Delegate to the International Jury Group 1 Vienna. This book from the volume of Reports of the Massachusetts Commission to Vienna. 7 pages of adverts and 48 pages of Scientific Van Nostrand titles. Signed presentation copy. Illustrated. Chromolithograph of Minton floor tiles from Miller & Coates. Fresh clean copy. Nicks to backstrip head and foot. D. Van Nostrand, Publisher hardcover books
1882108773Oblong quarto. London: George Bell 1882. Oblong quarto bound in original pale brown cloth with gilt title on cover lightly worn at edges and corners. The Hesiod Works and Days and Theogeny follows the Iliad and Odyssey and collates: - 4 half title and contents list of plates 37 plates being original engraved title plus 36 of the Blake engravings. The Aeschylus follows as the last. Generally very good internally with occasional foxing at ends of the volume. The binding has been repaired at some stage: due to the oblong format and weight of the pages the first signature is loose but the remainder holding firm. § Bentley BB 456. This reduced-size edition appears to be a re-issue of Bentley's C edition of 1881 by Bell only the Hesiod being present is implied by Bentley for that edition. 4 volumes in one of Flaxman's designs reduced to half size from Blake’s original prints for use by art students including Blake's designs for Hesiod published in 1817. George Bell hardcover books
19261012554to. Oxford: Clarendon Press 1926. 4to ix pp. illustrated facsimiles of the original letters. Quarter gray cloth marbled boards printed label on upper cover. § Limited to 325 copies. Facsimiles of the only 10 letters known to have survived written by Blake to his friend and patron of thirty years Thomas Butts 1759-1846. Also included are a rough draft of Butts’ reply to Blake’s first letter and a debtor and creditor account between them for the year 1805. This is the first time they were reproduced in facsimile and the first time Butts’ letter has been printed in full. Bentley Blake Books 90. Clarendon Press hardcover books
192692468vo. London: Printed in the Year 1783. London: Noel Douglas 1926. 8vo original paper over boards. Gift inscription in front endpaper. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Printed in the Year 1783. London Noel Douglas hardcover books
192653858vo. London: Printed in the Year 1783. London: Noel Douglas 1926. 8vo original paper over boards. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Printed in the Year 1783. London Noel Douglas hardcover books
19261008008vo. London: Printed in the Year 1783 i.e. London: Noel Douglas 1926. 8vo 70pp. Original paper over boards with worn printed glassine wrapper. Pages unopened. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Printed in the Year 1783 i.e.) London Noel Douglas hardcover books
19691107272 vols. London: Heinemann 1969. 2 vols. oblong 8vo text vol. xiv 40 pp. with 12 illustrations; facsimile vol. to match in calf-backed green buckram slipcase faded backstrip scuffed on volumes 1 and 2. Facsimile volume with loose leaves repaired. § Limited to 800 copies. The facsimile of the notebook was printed by the Trianon Press. This is the “small†notebook which was broken up and sold at auction a few years ago. Almost invariably the facsimile volume is sprung with many leaves coming loose. Bentley BB 401: “includes 36 Visionary Drawings by Blakeâ€. Heinemann hardcover books
19051006298vo. Oxford: At the Clarendon Press 1905. 8vo xxxvi 384 pages. Folding frontispiece facsimile manuscript. Original brick-red cloth printed paper label. backstrip a little darkened; a very good copy. § First edition. Bentley Blake Books 300: “This is a work of pioneer scholarly importance well informed meticulously accurate well-balanced and intelligentâ€. At the Clarendon Press hardcover books
190557088vo. Oxford: At the Clarendon Press 1905. 8vo xxxvi 384 pages. Folding frontispiece facsimile manuscript. Original brick-red cloth printed paper label Dryburgh House St. Bowells N.B. bookplate backstrip a little darkened; a very good copy. § First edition. Bentley Blake Books 300: “This is a work of pioneer scholarly importance well informed meticulously accurate well-balanced and intelligentâ€. At the Clarendon Press hardcover books
1957109112Slim folio. London: British Museum 1957. Slim folio 32 pp.Mimeographed typescript catalogue typed double-sided good in wrappers staple bound with no spine ; lightly browned at edges. § This extremely scarce pamphlet is a most useful and fascinating catalogue of an extraordinary exhibition at the BM; there are over 100 entries and the exhibition in addition to showing all the treasures of the BM was augmented with many items loaned by Geoffrey Keynes. The catalogue is a typescript reproduced on cheap paper and few copies can have survived. Bentley BB 680. British Museum unknown books
19731080364to. London: Trianon Press 1973. 4to 6 color facsimile leaves 5 pp. of commentary. Quarter black morocco with marble boards. Black mockup slipcase with edge wear and splitting that has been partially repaired with tape. Notes at front in pencil. Book is in fine condition. § Unnumbered maquette. Trianon Press hardcover books
18761029004to. London: Spottiswoode & Co. 1876. 4to 71pp. Tipped-in illustrations between pages 14 & 15. Original wrappers worn contents good. § An astonishing exhibition catalogue of 333 entries with a 9pp. introduction by William B. Scott. Bentley Blake Books 571. Spottiswoode & Co unknown books
107687London: Trianon Press: 1976. 4to 155 pp. 51 plates. Original quarter brown morocco a bit worn. § The Trianon Press mock-up for the published edition which was limited to 562 copies. The definitive work on all known portraits of Mr. and Mrs. Blake this example annotated by Arnold Fawcus and Ted Dring noting that Keynes wanted it it be called “The Portraiture†whereas in this mock-up it is titled “Portraits and Sketches of William and Catherine Blakeâ€. Numerous corrections to the text by hand. Trianon Press 1976. 4to unknown books