Blake william

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[Blake, William]Biblio.com

Poetical Sketches. By W.B.

178353851783. London: Printed in the Year 1783. London: Noel Douglas 1926. 8vo original paper over boards. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published. Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Wikipedia. unknown

John Windle Antiquarian Bookseller · États-Unis125,00 $US≈ 105,76 €

[Blake, William]Biblio.com

Poetical Sketches. By W.B.

178392461783. London: Printed in the Year 1783. London: Noel Douglas 1926. 8vo original paper over boards. Gift inscription in front endpaper. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published. Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Wikipedia. unknown

John Windle Antiquarian Bookseller · États-Unis125,00 $US≈ 105,76 €

[Blake, William]Biblio.com

Poetical Sketches. By W.B. The Noel Douglas Replicas

17831008001783. London: Printed in the Year 1783 i.e. London: Noel Douglas 1926. 8vo 70pp. Original paper over boards with worn printed glassine wrapper. Pages unopened. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published. Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Wikipedia. unknown

John Windle Antiquarian Bookseller · États-Unis125,00 $US≈ 105,76 €

[Blake, WIlliam] / [Philip Gilbert] / [William Quiller Orchardson] / [John Fullwood] / [John La Farge] Hamerton, PG P GBiblio.com

The Portfolio - Monographs on Artistic Subjects 21 Volumes in 7 with each Volume including three Monographs on a Subject or an Artist's Life and Work. Volumes include for example include: Josiah Wedgwood / John La Farge / William Blake / Japanese Wood-Engraving / Belgian Sculpture etc. see full List below.

189432183AB1894. Original / First Edition. 21 Volumes bound in seven Volumes. London Seeley and Co. 1894-1896. Quarto 19.2 cm wide x 27.2 cm high. c. 1600 pages with a total of 37 Etchings / Engravings. Hardcover / All Volumes in their original very decorative Art Nouveau-Bindings with gilt lettering and ornament on spine and frontcover. All Bindings in protective Collectors-Mylar. Excellent actually stunning condition with only minor signs of wear and occasional foxing to some of the illustrations only. One layer loosened in the 1895-Volume. This collection of 21 Volumes Bound in seven Volumes includes: 1. 1894 - Annual Volume One 3 Volumes in 1: I. William Sharp - "Fair Women In Painting and Poetry" With Etchings by Alma-Tadema / Sir Peter Lely / Daniel Mytens etc. II. C.J.Cornish - "The New Forest" Illustrated by Lancelot Speed Alexander Ansted and John Fullwood III. Walter Armstrong - "Thomas Gainsborough" _______________________________________________________ 2. 1894 Annual Volume Two - 3 Volumes in 1: I. P.G.Hamerton - "The Etchings of Rembrandt" With Plates Etched in Facsimile by Amand Durand The four wonderful Rembrandt-Etchings are: a. Rembrandt with the Broad Hat and Embroiderd Mantle b. The Rat Killer c. Johannes Lutma d. Rembrandt's Mother seated looking to the right II. Rev. W.K.R.Bedford - "MALTA and the Knights Hospitallers" With Plates etched: a. "Isola Point" - Etched by A. Ansted b. "Rabato Gozo" - Drawn by T.H.Crawford and Engraved by Walter L. Colls c. "Citta Vecchia" - Etched by A. Ansted from a drawing by Edward Lear d. "Chapel of our Lady of Philermos" - Engraved by Walter L. Colls III. A.H. Church - "Josiah Wedgwood - Master-Potter" His Precursors / His Early Years / As Master-Potter / His Ceramic Improvements / His Invention of the "Jasper" Body / The Barberini or Portland Vase / Cameo His Cameos Medallions and Plaques / His Portrait Cameos / Vases in the Jasper Body / Miscellaneous Productions in Jasper / Later Years / Position as an Art-Potter / Collections and Collectors // Illustrations in the Wedgwood-Volume include: 1. Portland Vase / 2. Plaque Sacrifice of Iphigenia / 3. Two Medallions A Zephyr / 4. Medallion Portrait of Flaxman __________________________________________________ 3. 1895 - Annual Volume One - 3 Volumes in 1: I. C.J.Cornish - "The Isle of Wight" a. With an original etching by John Fullwood: "Freshwater Gate" Frontispiece b. With an original etching after E.Duncan: "Isle of Wight - The Fleet leaving Portsmouth" c. With an original etching by John Fullwood: "Bonchurch" d. With an original etching by Thomas Huson: "Sandown Bay" Also includes several text-illustrations of the Isle of Wight II. Julia Cartwright - "Raphael in Rome" III. L.Binyon - "Dutch Etchers" _____________________________________________________ 4. 1895 - Annual Volume Two - 3 Volumes in 1: I. Julia Cartwright Mrs. Henry Ady - "The Early Work of Raphael" Illustrated II. Walter Armstrong - "The Art of William Quiller Orchardson" WIth original engravings and text-illustrations III. George Grahame - "Claude Lorrain - Painter & Etcher" Illustrated _______________________________________________________ 5. 1895 - Annual Volume Three - 3 Volumes in 1: I. Richard Garnett - "William Blake - Painter and Poet" With an etching "The Sons of God" and several illustrations also in colour: a. "The Sons of God" From the Book of Job b. "The Lamb and Infant Joy" from Songs of Innocence c. "The Fly and the Tiger" From Songs of Experience d. "The Book of Thel Title-page in two facsimiles by W.Griggsl e. "America" With 19 further text-illustrations by William Blake including a rare portrait of Blake II. Olivier Georges Destree - "The Renaissance of Sculpture in Belgium" Illustrated III. W.H.James Weale - "Gerard David - Painter and Illuminator" Illustrated ______________________________________________________________________ 6. 1895 - Annual Volume Four - 3 Volumes in 1: I. W.J.Loftie - "Whitehall" With many interesting historical illustrations on Whitehall and Scotland-Yard II. Professor Anderson - "Japanese Wood-Engravings" Illustrated beautifully some in colour after Utagawa Toyokuni Utamaro Katsugawa Shuncho etc. III. Claude Phillips - Antoine Watteau Illustrated _______________________________________________________________ 7. 1896 - Annual Volume - 3 Volumes in 1: I. Claude Phillips - The Picture Gallery of Charles I. Illustrated II. Cecilia Waern - "John La Farge - Artist and Writer" Illustrated with a stunning engraving of "Prosperitas" an illustration of "The Wolf Charmer" etc. etc. III. Richard Garnett - Richmond on The Thames Illustrated with stunning engravings by a. John Fullwood "Richmond Hill" - Engraving b. Clough Bromley "The Thames from Buccleugh Gardens" - Engraving c. T.Huson "The View from Richmond Hill" - Engraving d. T.Huson "Richmond Bridge" - Engraving and many text-illustrations "The Portfolio" was a British monthly art magazine published in London from 1870 to 1893. It was founded by Philip Gilbert Hamerton and promoted contemporary printmaking especially etching and was important in the British Etching Revival. Early contributors included Francis Turner Palgrave 18241897 and Sidney Colvin 18451927. The mid-nineteenth century in France and Britain saw a rise in the interest in etching. Hamerton had spent the 1860s in France with his French wife Eugénie. The impetus for the launch of The Portfolio came in the wake of the foundation in Paris of the Société des aquafortistes in 1862 and to a lesser extent from the longer established Etching Club from 1838. Etchings by many French etchers such as Paul Rajon 18431888 and Alfred Brunet-Debaines 18451939 were a marked feature of the publication. Indeed The Standard remarked in 1874 that the publication's "speciality as probably most people know is the etchings with which it is adorned." Rajon published twelve etchings in the periodical before his untimely death. The New York Times lavished praise on the publication when in 1875 it remarked that it could not "eulogize too highly the merits of this periodical in all its departments. It is without question the most beautiful in regard to illustration which emanates from the press." The late nineteenth-century British author George Gissing wrote in his diary for December 1895 sic. that he took the magazine for his son because of its good pictures. In a survey of the etching revival in 1878 the Magazine of Art highlighted the centrality of Hamerton and his monthly magazine which had "so ably and unceasingly pleaded the cause of etching" in Britain. Wikipedia ______________________________________________________________________ Philip Gilbert Hamerton 10 September 1834 4 November 1894 was an English artist art critic and author. He was a keen advocate of contemporary printmaking and most of his writings concern the graphic arts. He was an important theorist of the English Etching Revival. Hamerton was born at Laneside a hamlet near Shaw and Crompton Lancashire England. His mother died giving birth to him and his father died ten years later. When he was about five he was sent to live with his two aunts at an estate called the Hollins1 on the edge of Burnley where he attended Burnley Grammar School. Hamerton's first literary attempt a volume of poems was unsuccessful leading him to devote himself for a time entirely to landscape painting; he camped out in the Scottish Highlands where he eventually rented the former island of Inistrynich in Loch Awe upon which he settled with his wife Eugénie Gindriez the daughter of a French republican magistrate in 1858. Discovering after a time that he was more suited to art criticism than painting he moved to Sens and later to Autun3 where he produced his Painter's Camp in the Highlands 1863 which was very successful and prepared the way for his standard work on Etching and Etchers 1866. In the following year he published Contemporary French Painters and in 1868 a continuation Painting in France after the Decline of Classicism. He had by now become art critic to the Saturday Review which necessitated frequent visits to England forcing him to give it up. He proceeded in 1870 to establish and edit an art journal of his own The Portfolio a monthly periodical each number of which included of a monograph upon some artist or group of artists often written by him. The journal championed printmaking especially etching. He selected and wrote the accompanying text for Etchings by French and English Artists London: Seeley 1874 which included work by Alphonse Legros and Léon Gaucherel. The discontinuation of his painting gave him time for writing and he successively produced The Intellectual Life 1873 perhaps the best known and most valuable of his writings; Round my House 1876 notes on French society by a resident; and Modern Frenchmen 1879 admirable short biographies. He also wrote two novels Wenderholme 1870 and Marmorne 1878. In 1884 Human Intercourse another volume of essays was published and shortly afterwards Hamerton began his autobiography which he brought down to 1858. In 1882 he issued a finely illustrated work on the technique of the great masters of various arts under the title of The Graphic Arts and three years later another splendidly illustrated volume Landscape which traces the influence of landscape upon the mind of man. His last books were: Portfolio Papers 1889 and French and English 1889. In 1891 he removed to Villa Clématis in the Parc des Princes district of Boulogne-Billancourt in the southwest suburbs of Paris. He died there suddenly on 4 November 1894 aged sixty occupied to the last with his labours on The Portfolio and other writings on art. In 1897 'Philip Gilbert Hamerton: an Autobiography 18341858; and a Memoir by his wife 18581894' was published. Wikipedia hardcover

Inanna Rare Books Ltd. · Irlande1 480,00 €

Blake william

TO THE RESCUE OF AMERICAN COMMERCE

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TO THE RESCUE OF AMERICAN COMMERCE

Candy Making at Home

Candy Making at Home

All Religions Are One. Description And Bibliographical Statement at end by Geoffrey Keynes 1887-1982

Burlington Fine Arts Club Exhibition of the Works of William Blake

Life of William Blake with Selections from his Poems and Other Writings

Life of William Blake "Pictor Ignotus." With Selections from his Poems and Other Writings

Poetical Sketches. By W.B.

Poetical Sketches. By W.B.

Poetical Sketches. By W.B. The Noel Douglas Replicas

The Drawings and Engravings of William Blake

The Engraved Designs of William Blake.

The Engravings of William Blake.

The Grave A Poem; "The Councillor King Warrior Mother & Child in the Tomb

The Grave A Poem; "Death's Door

The Illuminated Blake

The Life and Posthumous Writings of William Cowper Esqr.

The Life of William Blake.

The Notebook of William Blake A Photographic and Typographic Facsimile.

The Selected Poems of William Blake.

The Wit's Magazine; or Library of Momus. Being a Compleat Repository of Mirth Humour and Entertainment

The Wit's Magazine; or Library of Momus. Being a Compleat Repository of Mirth Humour and Entertainment

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