18 344 résultats
Mm 150x210 Collana "Testimonianze". Brossura originale, 212 pagine con numerose figure in nero e a colori nel testo in lingua italiana. Buona copia, spedizione in 24 ore dalla conferma dell'ordine.
Robin Hamlyn, Michael Phillips William Blake. Londra, Tate Publishing 2000 english, 300 Opera in lingua inglese con copertina morbida in brossura, immagini a colori e in b/n. slb21
25Les Editions Rieder, Maîtres de l'art moderne, Paris, 1928. In-12, broché, env. 140 pp. William Blake -Note bibliographique - Table des planches - Planches.
4173Editions du Chêne, collection "Les Arts de l'Imaginaire", Paris, 1977. In-4, broché sous couverture illustrée en couleur, s.p. [50 pp.]. Introduction - Planches commentées.
ART7072M1977, Chêne. In-4, broché, non paginé, 40 reproductions couleurs. Quelques rousseurs sur premières pages. Exemplaire satisfaisant
200241025London: Alan Cristea Gallery 2002. First edition. 4to. 63 1 pp. Publisher's grey cloth black lettered to the spine dust jacket with wide flaps with loosely inserted two letters between McKeever and the Blake Trust regarding the copyright of Morton Paley's transcription of the Blake's text and a photocopies of their reply and their forwarding on of the query to Paley. Colour illustrated. A lovely copy. London: Alan Cristea Gallery unknown
200098719Tate Publishing London. 2000. Tate Publishing. 2000. 4to paperback. PRESENTATION COPY from Marilyn Butler with handwritten postcard signed by Marilyn loosely inserted. Slight wear to covers o/w contents very clean and fresh. paperback
104966The William Blake Trust / Princeton University Press. 1998. The William Blake Trust / Princeton University Press. Princeton. 1998. First edition thus. Large 4to paperback. Illustrated in colour. Head and tail of spine slightly worn otherwise a lovely clean and fresh copy. paperback
1969612797Providence: Brown University Press 1969. Hardcover. Near Fine/Near Fine. First edition. Edited by Alvin H. Rosenfeld. Introduction by Malcolm Cowley. Tall octavo. 498pp. 32 plates. Foxing on the foredge else near fine in very slightly spine-toned near fine dust jacket. Not marked as such but Malcolm Cowley's copy. Provenance on request. Brown University Press hardcover
34431-Tate Publishing 2019-. Exhibition catalogue. First edition Tate Publishing 2019. 224 pages illustrated in colour. Paperback spine uncreased. Very good indeed. Ask to see our other William Blake titles. From the library of artist Bryan Kneale. British artist William Blake 9781849766333 -Tate Publishing (2019)- paperback
42249Lavenham: The William Blake Trust 2009. Limited edition one of 36 special copies from a total edition of 150 copies. Folio. 95 1 pp. Publisher's wine red half calf over black moiré silk gilt lettered to the spine with a matching gilt lettered label to the upper board slipcase in matching moiré silk. Illustrated in colour and black and white; slipcase also housing a matching red full calf portfolio enclosing a card wallet holding fine reproductions of Blake's original watercolours mounted on card as per the originals. Just some slight dustiness to the slipcase a sumptuous production. An out-of-series set marked as such on the watercolours wallet being John Commander's own copy. Although not inscribed by him directly the set was acquired from Commander's estate. Loosely inserted is a 12 page typescript of a review of the work by his fellow Blake scholar Robert N. Essick with Commander's pencilled annotations at intervals concerning some of Essick's observations. Also enclosed is an original 6" x 4" colour photograph captioned in pencil on the rear "John Commander Bob Essick Detto unknown" dated "October 21 1991". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. He also wrote about Blake and is credited with the design and production of this work on the verso of the title page. The story of the origins and subsequent disappearance of William Blake's designs for "The Grave" are long and complicated. Blake had been commissioned by Robert Hartley Cromek to produce illustrations for Blair's poem in late 1805 intending for a published edition. Blake assumed he would also be employed to engrave the images and be paid accordingly. However Cromek had other ideas and gave the work to the Italian engraver Luigi or Louis Schiavonetti. Various miscommunications and provocations ensued causing Blake and Cromek to fall out. The published work eventually appeared in 1808 and Cromek passed away four years later at the age of 42. The whereabouts of Blake's designs for the next two decades are broadly known but after their sale in 1836 they completely disappeared. Nineteen of the watercolours in their original red portfolio reproduced faithfully here eventually turned up in Glasgow in 2001. Originally offered for sale together as a collection the ownership passed to a London art dealer who failed to find a buyer. They were subsequently individually lotted up including the case and sold at Sotheby's New York in 2006. Now split between "four different countries and two continents" the auction was the last time the collection was held in one place. Lavenham: The William Blake Trust unknown
31427-Tate Publishing 2019-. Exhibition catalogue. First paperback edition first impression 2019. 224 pages. Illustrated in colour throughout. Superb catalogue for Blake followers. Spine uncreased. Paperback near fine. William Blake is a universal artist an inspiration to visual artists musicians poets and performers worldwide as well as everyone who aspires to the ideals of personal spiritual and creative liberty. His heroic story has inspired and invigorated generations: his personal struggles in a period of political terror and oppression his technical innovation his vision and political commitment are perhaps never more pertinent. This book presents Blake as a visual artist for the twenty-first century. Accompanying the first major survey of William Blake s work to be held since 2000 William Blake: the Artist presents a comprehensive overview of his work as a printmaker poet and painter foregrounding his relationship with the art world of his time and telling the stories behind some of the most iconic images in the history of British art. The chronological narrative and biographical focus helps the reader understand the life and the historical forces at work; and provides a framework for presenting up-to-date scholarship with an emphatically art historical rather than literary focus. Chapters include: 1. Blake be an Artist! - Blake and the Academy aspiring to history painting 2. Prophetic and Visionary art - Blake in the 1790s Illuminated Books Songs of Innocence and Experience America Europe Newton 3. Blake among the Civil Servants - Blake s patrons and their boring day jobs watercolours and paintings of 1790s and 1800s / Visions of Albion -1800-3 turning point in his career as a visionary artist Milton and Jerusalem begun this was two separate chapters but Martin and Amy plan to elide the two parts into one 4. Fresco Painting Restored key exhibition and publication projects 1808-1812 the failed 1809 exhibition Blake s aspirations as a public artist 5. Hidden Blake late works retiring from the world but rediscovered by a new generation Dante Illustrations Jerusalem. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 40 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. British artist Blake William Martin Myrone & Amy Concannon 9781849766333 -Tate Publishing (2019)- paperback
1976264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown
197851873Los Angeles: Printed by William & Victoria Dailey. The Press of the Pegacycle Lady 1978. First edition 365 copies have been set in Bulmer & printed on Rives paper by Patrick Reagh Number 124. 9 full-page illustrations including 6 in color. 1 vols. 4to. Boards. Fine. First edition 365 copies have been set in Bulmer & printed on Rives paper by Patrick Reagh Number 124. 9 full-page illustrations including 6 in color. 1 vols. 4to. <br/><br/> Printed by William & Victoria Dailey. The Press of the Pegacycle Lady hardcover
1911221559Liverpool: The Liverpool Booksellers 1911. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bevelled brown cloth. Minor bubbling to cloth else fine. First edition. 18 pages of text printed rectos only 42 pages of plates. 1 vols. 4to. Bentley Blake Books 516 The Liverpool Booksellers unknown
1927ST7608London: Printed at the Burleigh Press Bristol for Fanfrolico Press 1927. FIRST EDITION. 203 x 133 mm. 8 x 5 1/4". 4 p.l. including a blank 55 1 pp. <br/> Original green paper boards and burgundy cloth spine with gilt lettering. With an etching by Lindsay at the front. ◆Light staining on front pastedown vestiges of bookplate otherwise very fine.<br/> <br/> A substantial analysis divided into six parts this as the book indicates "is not a critical essay on Blake's poetry but an effort to define the condition of mind his work represents and to expose its psychological machinery from the inside by employing an idiom which is as close poetically as Lindsay can make it to the nature of the subject and by accepting life as existing in terms of the values Blake creates.". [Printed at the Burleigh Press, Bristol, for] Fanfrolico Press unknown
189577254London:: Seely and Co. 1895. publisher's printed wrappers. The text block is separated from the wrappers and essentially disbound. A few chips to wrappers. 8vo. Illustrated. The Portfolio: Monographs on Artistic Subjects with Many Illustrations; Published Monthly. Seely and Co., unknown
1953635746The Grolier Club of New York 1953. Hardcover. Used-Very Good. Light wear to cloth. Previous owener's bookplate on fpep. Otherwise fine. The Grolier Club of New York hardcover
20006030New York: Harry N. Abrams Publishers 2000. First Edition. Cloth. As New/As New. William Blake Glossy B&W plates / June 2019. Quarto 12" x 9 1/2" x 1 1/4" gray cloth with gold lettering on spineprofusely illustrated with 250 images of William Blake's art 240 in full color with small frontispiece portait of WB in color by Thomas Phillips archival mylar-protected pictorial dust jacket unclipped with Blake's "Angel of Revelation" & jacket back with his "Dante & VIrgil" maroon endpapers 304 pages. Weight: 4 lbs. 1 oz. A very well illustrated reference with commentary on Blake's works. Catalogue for an important Blake exhibition at the Tate and then The Met. William Blake 1757 - 1827 was an English poet painter and printmaker. Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. Condition: As New: Tight very clean copies in a brilliant dust jacket unclipped. Bright plates without foxing. No remainder marks. Bentley Blake Books. Harry N. Abrams, Publishers hardcover
0930606388.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
DADAX0930606388Brand: Yale Center for British Art 0000-00-00. First Edition. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Yale Center for British Art paperback
19571007191957. London: British Museum 1957. <br /> <br /> 4t0 32pp. Blue printed wrappers stapled some fading and soiling. Very good. <br /> <br /> § This extremely scarce pamphlet is a most useful and fascinating catalogue of an extraordinary exhibition at the BM; there are over 100 entries and the exhibition in addition to showing all the treasures of the BM was augmented with many items loaned by Geoffrey Keynes. The catalogue is a typescript reproduced on cheap paper and few copies can have survived. Bentley Blake Books 680. unknown
143520Oxford Clarendon Press 1978. 2vols. lvi7461074pp. 8vo. Original blind-stamped cloth with gilt lettering in dustwrapper with own slipcase. Black and white plates and maps. A fine copy. Oxford, Clarendon Press 1978. hardcover
20002602H-94987A-58AThames & Hudson 2000-10-01. hardcover. Good. 8x1x11. 2 BLUE SPOTS ON SIDE PAGE EDGES OTHERWISE this Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity check your package for this month's charity. Reuse-Recycle-Rebook! Thames & Hudson hardcover
0500510148-7-1-13_29Thames & Hudson. Acceptable. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Thames & Hudson unknown
