1 088 résultats
1797104619Large 4to. London: R. Noble 1797. Large 4to pp. 75/76 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104624Large 4to. London: R. Noble 1797. Large 4to pp. 93/94 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104625Large 4to. London: R. Noble 1797. Large 4to pp. 95/96 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaf is quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104585Large 4to. London: R. Noble 1797. Large 4to pp. 15/16 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104611Large 4to. London: R. Noble 1797. Large 4to pp. 55/56 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104613Large 4to. London: R. Noble 1797. Large 4to pp. 63/64 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104604Large 4to. London: R. Noble 1797. Large 4to pp. 39/40 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104599Large 4to. London: R. Noble 1797. Large 4to pp. 27/28 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104586Large 4to. London: R. Noble 1797. Large 4to pp. 23/24 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104622Large 4to. London: R. Noble 1797. Large 4to pp. 89/90 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104616Large 4to. London: R. Noble 1797. Large 4to pp. 69/70 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797123299Large 4to. London: R. Noble 1797. Large 4to viii 1 95 2 pages; with 43 full-page engravings by Blake after his own designs surrounding the letterpress text. “Explanation†leaf bound in at the back. Half brown morocco backstrip gilt gilt top by Riviere; a very large copy measuring 16 1/2 x 13 inches thus preserving almost all the imprints. § First edition with Blake’s illustrations complete with the leaf of “Explanationsâ€. Essick and LaBelle explain in their commentary how Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned by the publisher Edwards to illustrate Young’s masterpiece. Edwards issued only the first four “Nights†or sections and had Blake etch and engrave 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake and Edwards ceased business shortly thereafter. Ironically today the poet Young once compared with Shakespeare and Milton is largely forgotten save for this edition. Colored copies are known in two palettes the earlier of which may have been colored under Blake’s direction. Bentley Blake Books 515. Easson and Essick William Blake Book Illustrator vol. 1 IV. Essick and LaBelle Night Thoughts Dover 1975. Bindman Complete Graphic Works of Blake 357-379. Ray The Illustrator and the Book in England 3. R. Noble unknown books
189328488New York: Harper & Brothers 1893 1893. First edition. BAL 6465 state 1 binding 1; Wright III 2077. Cloth slightly spotted and worn; fine copy. 8vo original pictorial sage-green cloth gilt lettering. Frontis and 23 plates. Four pages of publisher's terminal ads. ¶ The first American novel to take a serious look at life in that uniquely American urban innovation the skyscraper and "the first important American novel with city life at its theme" - Andrews Chicago in Story. Henry Blake Fuller 1857-1929 a native of Chicago was one of the most interesting American realist writers of the late 19th century. See the DAB Wikipedia etc. <br/><br/> New York: Harper & Brothers, 1893 hardcover books
1993207139College Station TX: The Christ Holy Missionary Baptist Church 1993. Magazine. 60p 8.5x11 inches history of the church photos of administrators volunteers pastors members ads memorials etc. very good souvenir booklet in stapled yellow pictorial wraps. The Christ Holy Missionary Baptist Church unknown books
1999CNJL1299London: Enitharmon Press 1999. Limited Edition. Hardcover. Fine. Rego Paula. Number 23 of 75 copies of the deluxe edition folio size 46 pp. signed by Blake Morrison and Paula Rego. Paula Rego b. 1935 a native of Portugal studied art at the Slade School London where she now mainly lives and works. This work is based almost unbelievably so on factual history: "the Children's Crusade of 1212 remains an enigmatic historical episode recorded in only a few contemporary accounts but it captured the imagination of the acclaimed painter Paula Rego as a story steeped in imaginative possibilities and contemporary relevance. It touches not only on children's love of adventure but also on darker issues including fears of the unknown incipient sexuality and exploitation. In his introduction Blake Morrison brilliantly illuminates Rego's twelve hand-coloured etchings and their relation to the crusade and the scene is set by two passages from medieval chronicles. The book concludes with an extensive and revealing interview with Paula Rego in which she explains her fascination with the subject." N.B. from the website of the publisher.<br/><br/>___DESCRIPTION: Original gray linen covered boards with the illustration "Voices II" inlaid to the upper board fore- and tail-edges uncut color printed reproductions of the original etchings tipped in; text has been hand-set in Monotype Caslon printed on Arches Vélin paper folio size 12.75" by 10" pagination: 1-6 7-45 1 colophon limited edition this number 23 of 75 copies of the deluxe edition total edition 190 signed by Blake Morrison and Paula Rego. Rego's signed original etching "Bait" is laid loose into a wallet in the slipcase; the etching has been printed on 300 gsm Somerset Velvet; the book and the etching are housed in a matching gray linen slipcase with a printed label inlaid to the upper board.<br/><br/>___CONDITION: A fine copy; crisp clean like new; no prior owner markings the separate etching also fine absolutely clean and without wear; the slipcase is fine overall strong and sturdy the cloth is unrubbed with no frayed edges; a few minor stray spots of faint foxing to the case else fine.<br/><br/>___CITATION: Rosenthal "Paula Rego the Complete Graphic Work" pp. 130-145.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Enitharmon Press hardcover books
1845WRCLIT82289Boston: T.H. Carter and Company 1845. viii951pp. 12mo 12 x 10 cm. Gilt cloth a.e.g spine gilt extra. Colored frontis. Decorations and plates. Some mild spotting to upper cover minor foxing spot of browning in upper margin of title; 19th century bookplate on pastedown and pencil gift inscriptions otherwise a very good copy. First edition of this annual assembled by Mrs. Colman and published with her husband under their subsidiary Boston imprint. Mrs. Colman an active Swedenborgian has come under recent academic scrutiny due to her early republishing of verse and adapted artworks by William Blake in her annuals and periodicals: "The Little Boy Lost" and "The Little Boy Found" in the case of this work. Oddly uncommon -- OCLC locates only 7 copies. BENTLEY & NURMI 223. Deck Raymond H. Jr: "An American Original ." BLAKE AN ILLUSTRATED QUARTERLY XI:1 Summer 1977 pp. 4-18. OCLC: 40971715. T.H. Carter and Company hardcover books
189013847Boston: Joseph George Cupples © 1890. 8vo. 6 168 6 pp. <br><br>First book by an important Chicago author. Stamped "third edition" on the copyright page this is the last of three printings issued before the expanded fourth edition appeared and is in the binding from the second edition stamped as such. <br>Â Â Â Â <br>Â Â Â Â BAL 6462 first ed. Wright III 2076. Publisher's half cloth over marbled paper-covered sides spine with gilt-stamped title and author information; spine very gently sunned with cloth a bit rubbed over corners and spine extremities. Front free endpaper excised. Title-page with two tiny "freckles" pages otherwise clean Joseph George Cupples hardcover books
1992UBLACHE00LRBerkshire House 1992. Very Good. Blake Allison. The Chesapeake Bay Book: A Complete Guide. Stockbridge Massachusetts: Berkshire House 1992. 304pp. Indexed. Illustrated. 8vo. Paperback. Book condition: Very good with a few dogearred pages. Berkshire House paperback books
1892133128New York: The Century Co. 1892. 12mo illustrations original gray-green cloth stamped in red silver gold and blind top edge stained silver other edges untrimmed. First edition. The author's second novel. BAL 6464. Wright III 2075. Cloth a bit dust soiled a very good copy with bright cover stamping. #133128 The Century Co. unknown books
122998London: Kegan Paul Trench & Co. January 1886 - October 1888 and London: The Chiswick Press January 1889 - October 1892. 4to. 28 volumes illustrated by woodcut and photogravure in the original printed wrappers. Expectable browning to the untrimmed edges and occasional foxing and offsetting; issue no. 9 front wrapper spotted and rear wrapper very creased; issue 12 slight red staining to rear wrapper; issue 21 upper wrapper torn with large loss; issue 28 lower wrapper soiled and with a large chip. Despite the few flaws listed above the overall condition is in general clean and quite beautiful remarkably well-preserved for a large format elegant journal in its original wrappers. All enclosed in modern cloth boxes. § A complete run of the main series of the Century Guild Hobby Horse the first significant magazine dedicated to the visual arts in England preceding both the The Yellow Book and The Savoy and more egalitarian than either in its mission to create a unified vision of the arts and crafts in Victorian Britain. The quarterly magazine was the collaboration of architects Arthur Mackmurdo and Herbert Horne and the designer Selwyn Image who together formed the small but influential Century Guild of Artists. It featured essays on the fine and decorative arts architecture literature typography book design and collecting along with much original poetry. The Guild members were clearly well-connected particularly with the Pre-Raphaelites and regular contributors included W.M. Rossetti Christina Rossetti and Frederic Shields. Oscar Wilde contributed an essay on Keats May Morris one on embroidery and William Morris' lecture on "The Influence of Building Materials upon Architecture" appeared for the first time in print in its pages. There is an essay by Hubert Parry on English song writing original poetry from Matthew Arnold and Christina Rossetti and several essays by Alfred Pollard on book design. The contributors were particularly interested in the influence of William Blake and different issues featured several very important Muir facsimiles as well as the first typographic printing of The Marriage of Heaven and Hell.A prepublication issue had been printed by George Allen for Mackurdo in 1884. After Mackmurdo and Image stepped away at the end of 1892 the magazine was renamed simply The Hobby Horse and survived for two more years before ending in 1894 the year The Yellow Book first appeared. Neither the prepublication issue nor these later issues are included in this series.An ambitious and quite beautiful production suffused with the spirit of the Arts & Crafts movement the issues are finely printed on handmade paper at the Chiswick Press illustrated with woodcut decorations and with photogravures of notable artworks. From the frontispiece art reproduced with the permission of many famous names to the appended directories of recommended craftsmen and women May Morris William Muir W.M. Rossetti among them the issues form a rich record of the thoughts and activities of a fascinatingly intertwined group of artists authors and designers in the act of revolutionizing the visual arts in England.Complete runs like this are very uncommon in institutions and in the trade. Kegan Paul hardcover books
199729603Edinburgh:: Keele University Press. Near Fine in Fine dust jacket. 1997. Hardcover. 1853312258 . Color and black and white photographs. First edition. Remainder mark on bottom edge else fine in a fine dust jacket. . Keele University Press, hardcover books
2009185644Cambridge/ New York: Cambridge University Press 2009. Hardcover. VG/VG Ex-library with stamps and labels on spine inside front and rear covers ffep and block. Pages are very clean and clear. Six volumes bound in red cloth boards black title blocks with gilt lettering on front and spine. Volume 1 has a tan black and red dj. Volumes 2-6 have a yellow and black dj. Mylar covers on all volumes. Bw illustrations and maps. Various printings from 1992 to 2009. Volume 1 Beginnings to 1066: This volume deals with the history of English up to the Norman Conquest and contains chapters on Indo-European and Germanic phonology and morphology syntax semantics and vocabulary dialectology onomastics and literary language. Each chapter as well as giving a chronologically-oriented presentation of the data surveys scholarship in the area and takes full account of the impact of developing and current linguistic theory on the interpretation of the data. The chapters have been written with both specialists and non-specialists in mind. Volume 3 1476-1776: This volume begins at the time of the establishment of Caxtons first press in England and concludes with the American Declaration of Independence the notional birth of the first non-insular extraterritorial English. It encompasses three centuries which saw immense cultural change over the whole of Europe: the late middle ages the renaissance the reformation the enlightenment and the beginnings of romanticism. During this time Middle English became Early Modern English and then developed into the early stages of indisputably modern if somewhat old-fashioned English. In this book the distinguished team of six contributors traces these developments covering orthography and punctuation phonology and morphology syntax lexis and semantics regional and social variation and the literary language. The volume also contains a glossary of linguistic terms and an extensive bibliography. Contents: I. The beginnings to 1066 -- II. 1066-1476 -- III. 1476-1776 -- IV. 1776-1997 -- V. English in Britain and overseas: origins and development. -- VI. English in North America.; v. 1.; The beginnings to 1066 --; Introduction /; Richard M. Hogg --; The place of English in Germanic and Indo-European /; Alfred Bammesberger --; Phonology and morphology /; Richard M. Hogg --; Syntax /; Elizabeth Closs Traugott --; Semantics and vocabulary /; Dieter Kastovsky --; Old English dialects /; Thomas E. Toon --; Onomastics /; Cecily Clark --; Literary language /; Malcolm R. Godden.; v. 2.; 1066-1476 --; Introduction /; Norman Blake --; Phonology and morphology /; Roger Lass --; Middle English dialectology /; James Milroy --; Syntax /; Olga Fischer --; Lexis and semantics /; David Burnley --; The literary language /; Norman Blake --; Onomastics /; Cecily Clark.; v. 3.; 1476-1776 --; Introduction /; Roger Lass --; Orthography and punctuation /; Vivian Salmon --; Phonology and morphology /; Roger Lass --; Syntax /; Matti Rissanen --; Early modern English lexis and semantics /; Terttu Nevalainen --; Regional and social variation /; Manfred Gorlach --; Literary language /; Sylvia Adamson.; v. 4.; 1776-1997 --; Introduction /; Suzanne Romaine --; Vocabulary /; John Algeo --; Syntax /; David Denison --; Onomastics /; Richard Coates --; Phonology /; Michael K.C. MacMahon --; English grammar and usage /; Edward Finegan --; Literary language /; Sylvia Adamson.; v. 5.; English in Britain and Overseas : origins and development --; Introduction /; Robert Burchfield --; Part I.; Regional varieties of English in Great Britain and Ireland --; English in Scotland /; J. Derrick McClure --; English in Wales /; Alan R. Thomas --; English in Ireland /; Jeffrey L. Kallen --; The dialects of England since 1776 /; Ossi Ihalainen --; Part II.; English overseas --; English in Australia /; George W. Turner --; English in the Caribbean /; John A. Holm --; English in New Zealand /; Laurie Bauer --; English in South Africa /; William Branford --; English in South Asia /; Braj B. Kachru.; v. 6.; English in North America --; External history /; John Algeo --; British and American continuity and divergence /; John Hurt Fisher --; British and Irish antecedents /; Michael Montgomery --; Contact with other languages /; Suzanne Romaine --; Americanisms /; Frederic G. Cassidy and Joan Houston Hall --; Slang /; Jonathan E. Lighter --; Dialects /; Lee Pederson --; African-American English /; Salikoko S. Mufwene --; Grammatical structure /; Ronald R. Butters --; Spelling /; Richard L. Venezky --; Usage /; Edward Finegan --; Canadian English /; Laurel J. Brinton and Margery Fee --; Newfoundland English /; William J. Kirwin --; American English abroad /; Richard W. Bailey. Cambridge University Press hardcover books
1984191083Collector Grade Publications 1984. First Edition. Hardcover. Good/Good. First Edition 1984. Dust jacket and book are clean with minor wear. Green cloth boards. Has a good binding no marks or notations. Foxing to the page edges. Dust jacket is wrapped. 273 pages. Collector Grade Publications hardcover books
199893146New York: Universe Publishing 1998. Paperback. 128p. with 120 illus. including photos of the male fashion twins by Bruce Weber and Herb Ritts among others very good first edition trade paperback in pictorial wraps. Whatever the twins' sexuality many of the photos are quite homoerotic! Universe Publishing paperback books
1969101395Small 8vo. Florida: University of Miami Press 1969. Small 8vo 54pp. plus 27 black and white plates. Printed wrappers. Signs of wear. Very good. § Second edition. Bentley BB 41B: “ dealing largely with Gnosticismâ€. University of Miami Press unknown books