Blake WilliamABAA
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1973263500London: Trianon Press 1973. Copy #1 of 32 special copies. Color facsimile accompanied with a set of paltes showing progressive stages of the collotype and hand stencil process together with a guide sheet and stencil Only in Roman numeral copies and unique to COPY ONE the etched copper plate for the title-page tipped in at back and etched in "Copy 1". 1 vols. 4to 11 x 9 inches ; 22.5 x28 cm. Bound in publisher's full black morocco as new in original slipcase. Blake William. Copy #1 of 32 special copies. Color facsimile accompanied with a set of paltes showing progressive stages of the collotype and hand stencil process together with a guide sheet and stencil Only in Roman numeral copies and unique to COPY ONE the etched copper plate for the title-page tipped in at back and etched in "Copy 1". 1 vols. 4to 11 x 9 inches ; 22.5 x28 cm. COPY NUMBER ONE WITH COPPER PLATE. Trianon Press unknown books
1973225197London: Trianon Press 1973. Total edition of 808 this is copy 438. Color facsimile. 1 vols. 4to. Quarter blue morocco and marbled paper boards as new in original slipcase. Blake William. Total edition of 808 this is copy 438. Color facsimile. 1 vols. 4to. Trianon Press unknown books
1973CNJL1048London: Printed at the Trianon Press for the Trustees of the William Blake Trust 1973. Limited Edition. Hardcover. Fine. Blake William. Number 340 of 750 quarto size unpaginated. "The Book of Ahania" is one of Blake's lesser-known works and is generally agreed to be a continuation of "The Book of Urizen" with Ahania being the feminine manifestation of Urizen signifying pleasure. According to Geoffrey Keynes' Description this text " .along with "The Book of Los" were some of the last of the series of Illuminated Books completed by Blake while living in Lambeth. The manner of their execution suggest that he was wearying with the effort of making the splendid books that preceded them and was seeking for a less laborious method of production. Blake completed only one copy of each book and then laid them aside as if dissatisfied with his experiment. He never included either of them in any list of his productions and is not known to have disposed of them to any customer or patron. They therefore remained unknown until late in the nineteenth century." <br/><br/>William Blake 1757-1827 is arguably the most original and highly-regarded English author - unusual in that he excelled both as an author and an artist. Although thought mad by his contemporaries he was held in high regard for his expressiveness and for the synthesis of philosophical and mystical senses within his work. Blake's work has been spectacularly reproduced through the pochoir technique by Arnold Fawcus and his Trianon Press which has an undeniable claim to being the finest press of its kind in the last century and has long been known for their unrivaled artworks in fine colour printing. <br/><br/>___DESCRIPTION: Original quarter blue morocco with hand-marbled paper sides backstrip lettered in gilt six colour plates reproduced by the collotype and pochoir process printed on Arches pure rag paper made to match the paper used by Blake; quarto size 11.5" by 9.25" unpaginated 6 plates and 5 pp. commentary limited edition no. 340 of 750 of the regular edition with 808 total copies. Housed in publisher's slipcase covered with the same hand-marbled paper with matching morocco guards at the head and tail of the backstrip. <br/><br/>___CONDITION: A fine copy internally bright and free of prior owner markings covers are clean with only a hint of age-toning to backstrips corners are straight text block is tight and square; overall a fine copy. Slipcase is fine bright and clean with no shelfwear; a fine example. <br/><br/>___CITATION: Bentley Blake Books no. A15. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Trianon Press for the Trustees of the William Blake Trust hardcover books
19791090338vo. London: The Collector Ltd 1979. 8vo 176 pp.Very good in magenta wrappers. § There are 5 essays covering Blake and Palmer including those by Michael Phillips Sir Geoffrey Keynes Raymond Lister and Arnold Fawcus. The Collector Ltd unknown books
19691107272 vols. London: Heinemann 1969. 2 vols. oblong 8vo text vol. xiv 40 pp. with 12 illustrations; facsimile vol. to match in calf-backed green buckram slipcase faded backstrip scuffed on volumes 1 and 2. Facsimile volume with loose leaves repaired. § Limited to 800 copies. The facsimile of the notebook was printed by the Trianon Press. This is the “small†notebook which was broken up and sold at auction a few years ago. Almost invariably the facsimile volume is sprung with many leaves coming loose. Bentley BB 401: “includes 36 Visionary Drawings by Blakeâ€. Heinemann hardcover books
19711007144to. New York: The Pierpont Morgan Library 1971. 4to 65pp. plus 30 plates. Printed wrappers with mild edgewear. Signs of water damage to bottom corner especially rear. Very good. § Limited edition: 1500 copies. Noble collection of Blake given to the Morgan Library; this catalogue was written by G.E. Bentley with an introduction by Charles Ryskamp. Bentley Blake Books 706. The Pierpont Morgan Library unknown books
20081307241Jonathan Cape 2008. Limited Edition. Hardcover. New. Signed limited edition Jonathan Cape 2008. Limited and numbered edition: only 500 printed. An attractive collection of illustrated children's stories & verse on the theme of birthdays. Illustrators include John Lawrence Nicola Bayley Michael Foreman Post Simmonds Chris Wormell David Gentleman Quentin Blake & many others. The anthology is edited by Michael Morpurgo & Quentin Blake who both SIGN THE BOOK on the half title page. Foreword by HRH The Prince of Wales. Hardback book p.326 illustrations mainly in color no dust jacket as issued blue boards with paste on Quentin Blake illustration on front cover. New still in wraps. Jonathan Cape hardcover books
1976MMRM1102Bethesda:: U.S. Department of Health Education and Welfare 1976. 1976. 8vo. 6 33 1 pp. Red gilt-stamped cloth. Fine. Foreword by Martin M. Cummings 1920-2011. Other essays: The Role of a Medical Library W. N. Hubbard Jr.; Quo Vadis U.S. Medicine Philip Handler. U.S. Department of Health, Education, and Welfare, 1976. hardcover books
1982109358London: Jonathan Cape 1982. First edition of this Dahl classic which has sold over 20 million copies. Octavo original cloth illustrated by Quentin Blake. Boldly inscribed by the author on the front pastedown "Nicola Love Roald Dahl." Additionally inscribed by the illustrator Quentin Blake opposite Dahl's inscription. Fine in a near fine dust jacket. Uncommon signed by both Dahl and Blake. Roald Dahl is now considered one of the most beloved storytellers of the twentieth century. Dahl's ability to twist words into a clever and creative new language is fascinating to children and is evident in BFG. The gruesome descriptions of the horrid giants and the subtle allusions to other stories will entertain children young and old. An animated adaptation was released in theatres in 1987 with David Jason providing the voice of the BFG and Amanda Root as the voice of Sophie. It was also the basis for the 2016 film directed and co-produced by Steven Spielberg written by Melissa Mathison and starring Mark Rylance Ruby Barnhill Penelope Wilton Jemaine Clement Rebecca Hall Rafe Spall and Bill Hader. Jonathan Cape hardcover books
1982RDAHBFG00TWJonathan Cape 1982. Very Good. Dahl Roald. The BFG. Uncorrected Proof. Blake illustrator Quentin. London: Jonathan Cape 1982. Uncorrected Proof. 224pp. Illustrated. 8vo. Red printed wraps. Book condition: Very good with lightly rubbed edges. Rare. Jonathan Cape paperback books
110760London: Baldwin Cradock and Joy 1822. Single leaf. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. § Blake’s one plate was first included in Hogarth’s Works 1790 and is here present in the third state of seven. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Baldwin unknown books
19381284385New York: Harper & Brothers 1938. First Edition. Hardcover. Octavo; VG/G; light blue spine black/white text; jacket has protective mylar cover chipping and several open and closed tears around edges rubbing back of jacket colored black to try to conceal edgewear; boards are strong spine slightly cocked rubbing and age toning around edges staining at back bottom hinge; textblock has edgewear stain and name written on front pastedown staining along hinge at front endpaper and title page a few small stains throughout all text clean; pp 260; FLP Collection; shelved Case 6 Dupont. 1284385. Shelved Dupont Bookstore. Harper & Brothers hardcover books
19382202720Harper & Brothers 1938. First Edition. Hard Cover. Very Good/No Jacket. First American edition. Lacks jacket. Portion of front jacket flap mounted on front endpaper beneath dealer bookplate. Cover lightly smudged. 1938 Hard Cover. 255 pp. 8vo. A novel written pseudonymously by Irish author and British Poet Laureate Cecil Day Lewis father of actor Daniel Day Lewis. The book was adapted into an Argentinian film entitled La Bestia debe morir in 1952. Harper & Brothers hardcover books
193524758NY: Tomorrow Publishers 1935. First Edition. 8vo pp. 63. Foreword by John Howard Lawson. Wraps. Cover little faded o/w VG. Social or left-wing drama during the Depression. The New Theatre Movement. Tomorrow Publishers unknown books
1928100249Slim 8vo. London: Ernest Benn 1928. Slim 8vo 31pp. Original printed wrappers. § One in a series of printings of English poets this one containing 34 of Blake’s best known poems. Ernest Benn unknown books
1957109190Small 4to. Washington: National Gallery of Art Smithsonian Institution 1957. Small 4to 46pp. Color illustration on front cover plus 21 plates in black and white. Yellow printed wrappers chipping to spine. Some sun-fading. Very good. § Bentley Blake Books 674. National Gallery of Art Smithsonian Institution unknown books
1957100726Small 4to. Washington: National Gallery of Art Smithsonian Institution 1957. Small 4to 46pp. Color illustration on front cover plus 21 plates in black and white. Yellow printed wrappers chipping to spine. Some sun-fading. Very good. § Bentley Blake Books 674. National Gallery of Art Smithsonian Institution unknown books
1957100730Small 4to. Washington: National Gallery of Art Smithsonian Institution 1957. Small 4to 46pp. Color illustration on front cover plus 21 plates in black and white. Yellow printed wrappers. Some sun-fading. Very good. § Bentley Blake Books 674. National Gallery of Art Smithsonian Institution unknown books
1957100725Small 4to. Washington: National Gallery of Art Smithsonian Institution 1957. Small 4to 46pp. Color illustration on front cover plus 21 plates in black and white. Yellow printed wrappers chipping to spine. Some sun-fading. Very good. § Bentley Blake Books 674. National Gallery of Art Smithsonian Institution unknown books
1957100731Small 4to. Washington: National Gallery of Art Smithsonian Institution 1957. Small 4to 46pp. Color illustration on front cover plus 21 plates in black and white. Yellow printed wrappers. “K. Preston†in Pencil to top right corner. Some sun-fading and edgewear. Invitation program of events and newspaper clippings related to the opening of the exhibit loosely inserted. Very good. § Bentley Blake Books 674. National Gallery of Art Smithsonian Institution unknown books
1973132996NY: Harry N. Abrams Inc 1973. Hardcover. VG- some soiling to cloth at edges. clear wrapper is split at top in back and is chipped at base of spine. some foxing to page edges. White cloth with color figure pasted on front. Clear dust wrapper. 438 pp. 763 illustrations 351 in color. Harry N. Abrams, Inc hardcover books
1927145117London: Oxford University Press 1927. Hardcover. G-Moderate wear and soiling to this well-used book with writing from previous owners; soiling to bottom edge of book block; some pages had been folded; page surfaces are generally clear. Tan paper boards with gold cloth spine 414 pp. many BW illus. Subtitle: "A study both of the practice of drawing and of its aesthetic theory as understood among different peoples and at different epochs; especial reference being made to the construction of the human form from the practical draughtman's point of view." Still a terrific way to learn how to draw. Oxford University Press hardcover books
199993427Basel:: Birkhauser. Near Fine. 1999. Hardcover. 3764359056 . Black and white photographs and line drawings throughout. First printing. Light abrasion to title page else near fine in pictorial boards. No dust jacket as issued. ; 198 pages . Birkhauser, hardcover books
195046983Garden City: Doubleday & Company 1950. First Edition. Octavo 22cm.; publisher's cloth in pictorial dust jacket greenish black topstain; 6438pp. Some chipping and tiny closed tears to jacket extremities corners bumped else Near Fine in Very Good jacket. Doubleday & Company unknown books
1984018076Midland Counties Publications 1984. Cloth Hard Cover. Fine/Near Fine. 4to - over 9¾" - 12" tall. 296p. appendices map extensive technical information many photographs. Midland Counties Publications unknown books
