18 344 résultats
193222466London: J M Dent. 1932. Facsimile. Hardcover. A fine copy in fine but price-clipped dust jacket. ; Small Quarto . J M Dent hardcover books
28047-J M Dent 1932-. First printing thus 1932. Reproduced in Facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. Single sided printing in full colour plus 25 pages of text. Pale cloth with gilt lettering cloth grubby no dustjacket otherwise very good. Visions of the Daughters of Albion -J M Dent (1932)- hardcover
193273967London: J. M. Dent 1932. Facsimile Edition. Hardcover. Good Condition/Good. A facsimile of a copy in the British Museum in full colour. This edition has an essay by J. Middleton Murray included after the colour pages. A nice copy in a complete jacket which has darkened a little over time. Size: Royal 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Poetry. Inventory No: 73967. . J. M. Dent hardcover
PJH56663Dent 1923. Ownership Inscription on endpaper Small mark to fore - edge and edge of dustjacket otherwise bright and clean copy in publishers cloth in like dustjacket. 1st edition thus of well realised facsimile edition in full colour 25p text. Dent 1923 hardcover
20021-087328187XHuntington Library Pr 2002. Hardcover. New. 1st edition. 78 pages. 10.00x8.00x0.75 inches. Huntington Library Pr hardcover
1932415468London Toronto : J. M. Dent & Sons 1932. Facsimile Edition. Hardcover. Very good copy in the original gilt-blocked cloth bordered in gilt. Spine bands and panel edges somewhat dust-toned and rubbed as with age; minor foxing to prelims. Remains particularly well-preserved overall; tight bright and strong. Physical description;25 p. : illustrations color facsimiles ; 25 cm. Notes; Facsimile of the British museum copy 1793 edition. Printed by Temple Press Letchworth. Printer's device to rear. Subjects; Blake William 1757-1827. Visions of the daughters of Albion ; Illustrations. Illumination of books and manuscripts Facsimiles. English poetry 18th century. Illustrated books. London, Toronto : J. M. Dent & Sons hardcover
087328187XNew. New. Satisfaction Guaranteed or your money back. unknown
193272663London and Toronto:: J. M. Dent and Sons 1932. First of this edition. publisher's gilt-lettered cloth in dust jacket printed in red. . Slight use to cloth; tiny chips slight dust-soiling and use to jacket. . Large 8vo. Full-colour Facsimile. Reproduced in Facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. With a Note by John Middleton Murry. J. M. Dent and Sons, hardcover
087328187X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1957509940Pawlet U.S.A. Vermont: Set and Printed by Claude Fredericks 1957. Softcover. Fine. First edition thus. Folio measuring 11½" x 15". 12pp. Marbled wrappers with paper spine label. First two leaves with very light foredge toning from the wrappers a bit of light wear at the spine else fine. A handsome production published at Christmas by Fredericks "for the pleasure of his friends." Copy number 130 of 180 copies published. Fredericks was a poet playwright printer writer and longtime professor of literature at Bennington College in Vermont. He was the proprietor of the Banyan Press and also noted for the journal he kept throughout most of his life ultimately consisting of over 65000 pages. (Set and Printed by Claude Fredericks) unknown
19590822550clairvaux France: The Trianon Press for the William Blake Trust 1959. Facsimile Edition. Hardcover. Near Fine/No Dust Jacket as issued. Color And b/w Facsimile Illustrations. Folio - between 12" - 15" Tall. Quarter orange leather over marbled boards; gilt title to spine housed in publisher's matching marbled paper slipcase folio unpag. Another spectacular facsimile production from the Trianon Press under the direction of Arnold Fawcus - and reproducing Blake's Illustrations on Arches rag paper mimicking Blake's originals. One of a limited edition 446 copies total - This copy is not numbered on colophon. The Trianon Press for the William Blake Trust hardcover
19320824470London and Toronto: J. M Dent 1932. Facsimile Edition. Hardcover. Very Good/Very Good. Color and B&W Illustration. 4to - over 9¾" - 12" Tall. In tan jacket over tan cloth with gilt titling 4to 25pp. A facsimile from an original copy of the work printed and illuminated by the author in 1793 now in the British Museum. jacket flaps clipped; short closed tear to jacket at upper tip. J. M Dent hardcover
55369Trianon Press Facsimiles for the William Blake Trust. Paris. 1959. First Edition Thus. Special Publisher's copy signed with "Special publishers copy" in his own hand by Arnold Fawcus owner of the Trianon Press. Tall slim 4to. Salmon quarter morocco gilt with gilt top-edge and hand-marbled paper covered boards in marbled paper-covered slipcase. Facsimile copy of the 1793 original edition unpaginated on arches pure rag paper to match that used by Blake and watermarked with his monogram. Bibliographical statement to rear by Geoffrey Keynes. A couple of slight marks to leather at head of spine and to upper board o/w a very handsome copy in sl. worn slipcase. Near fine. hardcover
1885303029Edmonton 1885. No. 39 of 50 copies on Hodgkinson wove paper. William Muir facsimile. Preface and 11 hand-colored plates. 1 vols. 4to. Full dark green levant preserving wrappers with an unrecorded folding announcement from Muir bound in at front. No. 39 of 50 copies on Hodgkinson wove paper. William Muir facsimile. Preface and 11 hand-colored plates. 1 vols. 4to. Bentley 249c unknown
1884303008Edmonton: John Pearson for Bernard Quaritch 1884. One of 50 copies. Hand-colored facsimile by William Muir. With 11 hand-colored plates bound without wrappers or the preface addressed to Muir's patron. 1 vols. 4to. Full green straight-grain morocco covers gilt with triple gilt fillets spines lettered in gilt within decorative framing lines board edges gilt marbled endpapers t.e.g. Faint wear to extremities else fine; probably the publisher's special binding. One of 50 copies. Hand-colored facsimile by William Muir. With 11 hand-colored plates bound without wrappers or the preface addressed to Muir's patron. 1 vols. 4to. Keynes 217c; Bentley pp. 28-9 John Pearson for Bernard Quaritch unknown
201299488Liverpool University Press. New. 2012. Hardcover. 184631111X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 544 pp. ; 66 illus. -- with a bonus offer-- . Liverpool University Press hardcover
500649Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500639Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500638Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500652Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500636Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500637Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
500651Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1793. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
