75 résultats
15931379537Cölln Köln: durch Johannem Gymnicum Johann Gymnich III 1593. Hardcover. Octavo 30 2 671 1 323 1 pages. In Very Good condition. Bound in contemporary blind-stamped pigskin over substantial bevelled wooden boards boards with blind tooled roll-stamps of figurines of "Dur" and "Hei" possibly by Paulus Velthof. Light shelfwear and rubbing. With two clasps one working and one broken in half. Title page with faded ink name dated 1608 other since ink name. Second leaf with pencil. Upper fore corner of title page worn some small chipping to upper fore corner and lower edge. Scarce. Shelved case 3. USTC: 683871. VD16 C 4631. USTC and VD16 recording 6 copies.<br /> <br> <br /> <br> <br /> Philippe de Commines was a writer and diplomat in the courts of Burgundy and France. His Memoirs cover most of the reigns of Kings Louis XI and Charles VIII of France and discuss the psychological insights into the behavior of kings. 1379537. Shelved Dupont Bookstore. durch Johannem Gymnicum [Johann Gymnich (III)] hardcover
154125432CEZY 1541 un document, manuscrit à l'encre brune, sur parchemin velin, format : 13 x 35 cm, signature manuscrite : JEHAN FILLOT, NOTAIRE, TABELLION DE LA CHATELLÉNIE DE CÉZY , FAIT A CÉZY, LE 6 AOUT 1541,
158425434CEZY 1584 un document, manuscrit à l'encre brune, sur parchemin velin, format : 16,7 x 33 cm, signatures manuscrites : PIERRE HENRY NOTAIRE, TABELLION DE LA CHATELLÉNIE DE CÉZY , FAIT A CÉZY, LE 30 AVRIL 1584,
159625474CEZY 1596 un document, manuscrit à l'encre brune, sur parchemin velin, format : 16,7 x 33 cm, signatures manuscrites : PIERRE HENRY NOTAIRE, TABELLION DE LA CHATELLÉNIE DE CÉZY , FAIT A CÉZY, LE 22 AVRIL 1596,
15861648421586. GALLE Philippe. Semideorum marinorum amnicorumque sigillariae imagines perelegantes in picturae statuariaeque artis tyronum usum a Philippo Gallaeo delineatae sculptae et aeditae. Engraved title-page followed by 17 numbered engraved plates. Antwerp: Galle 1586. BOUND WITH: Nimpharum oceanitidum ephydridum potamidum naiadum lynadumque icones in gratiam picturae studiosae ivventutis deliniatae scalptae et editae a Phillip. Gallaeo. Engraved title-page followed by 17 numbered engraved plates. Small 4to. 219 x 165 mm bound in contemporary Flemish vellum with title in manuscript on the spine. Preserved in a green half morocco folding box. Antwerp: Galle 1587. First Editions of both sets of prints designed and meticulously executed by Philipp Galle one of the foremost Flemish engravers of the day. These allegorical depictions of classical water deities and personifications of European waterways set male and then female figures among their appropriate geographical environment. The settings often include topographical or mythological iconography i.e. Nilus or the Nile shows a pyramid and obelisk in the background or Lerna with its Hydra in the distance however it is undoubtedly the figures themselves that are of most interest to the artist. They clearly show the influences of High Renaissance Italy with the musculature of the male figures evoking Michelangelo and the elongation of the female figures reminiscent of Parmigiano's Madonnas. Philippe Galle 1537-1612 ranks among his peers Johannes Stradanus 1523-1605 Martin de Vos 1532-1603 Adriaen Collaert 1560-1618 and Maarten van Heemskerck 1498-1574 as being known for introducing Italian art into the Northern Netherlands and influential on Dutch artists of the great period of pictorial art the Dutch Golden Age in the following century. Both sets of prints are rare. We locate a copy of both at the National Gallery a complete copy of just Semideorum marinorum at the Bibliotheque Nationale and a selection of odd plates at the Metropolitan Museum of Art and British Library. A very desirable copy bound in an un-restored contemporary vellum binding with nice impressions of the plates and wide margins. Some insignificant soiling or spotting. Brief early manuscript notes on the verso of seven plates. hardcover books
1552168861552 Broché - 15,5 x 24 - 246 pp - année 2005 - Editions Pygmalion -
15695032541569. Book. A lengthy series of royal edicts / decrees / writs produced by the court under Philippe's close scrutiny in 1569 regarding financial and other obligations on the part of the persons in the area of Castro del Rio and elsewhere. 49 vellum leaves 98pp of manuscript 4 blank pages. The last page of which bears the date 18 November 1569 and the elaborate signatures and marks of the King and a number of his courtiers. Each page of the text bears 2 flourishes ie initials likely by the King and by the person responsible for the production of the document. In the original leather covers much rubbing and wear with remnants of the binding ribbons but the document still well-bound and with we think the original tri-coloured spine-cord binding the text to the cover. The first page with ornate decoration and illustrations in ink embellished with gold detailing and flourishes. Exquisite calligraphy throughout on well-preserved vellum. No seals present. 14" x 10". hardcover
151931942Les Humanoïdes Associés / Revue Métal Hurlant n° 17 de 1977. Revue in-4 agrafée de 82 pages au format 27 x 21 cm. Magnifique couverture illustrée par Jean-Michel Nicollet. Plats et intérieur frais. 17ème numéro de cette revue mythique avec bandes dessinées de Jean Giraud dit Moebius, Paul Gillon, Philippe Caza, Chantal Montellier, F'Murr, Enki Bilal, Serge Clerc, Jacques Lob, Nicole Claveloux, Jean-Pierre Dionnet, etc. Rare édition originale en superbe état général de fraicheur.
1523177771523 broché - 15x23.5 - 398pp - éditions FAYARD - 1990
159941174Frankfurt 1599. Image size to platemark 142 x 107 mm; sheet size 178 x 138 mm. The composer is depicted bust-length within an oval border lettered "Philippus de Monte Belga DD Max et Rod 11 Impp Musici Canon et Thesaur Camaracensis" within a decorative border incorporating floral motifs. He wears a short full beard is in simple dress and wears a tall cap. With 2 lines of text to cartouche below. On lightweight laid paper. Komma 256. Le Blanc 143. Hollstein 255-314.<br /> <br /> The present engraving was also published in the famous 16th century biographical work "Icones Quinquaginta virorum illustrium doctrina & eruditione" Icons of Fifty Illustrious Men Outstanding in Doctrine and Erudition by Jean Jacques Boissard 1528-1602 containing engraved portraits of prominent cultural figures by noted goldsmith and engraver de Bry. It is most probably after the Raphael Sadeler portrait of 1594. <br /> <br /> "Monte was an important representative of the last generation of great Flemish composers of the Renaissance and was one of the major composers of Italian madrigals." Robert Lindell and Brian Mann in Grove Music Online. unknown
159728045Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 37 au crayon en haut à gauche, PLANCHE N°37: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728046Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 16 au crayon en bas au centre, PLANCHE N°16: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728047Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 28 au crayon en haut à gauche, PLANCHE N°28: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728048Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 19 au crayon en haut à gauche, PLANCHE N°19: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728049Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 25 au crayon en haut à gauche, PLANCHE N°25: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728050Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 26 au crayon en haut à gauche, PLANCHE N°26: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728051Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette, contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 35 au crayon en haut à gauche, PLANCHE N°35: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728052Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette avec léger manque de papier en bas à droite (moins d'1/5ème de cm2), contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 16 au crayon en haut à gauche, PLANCHE N°16: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728053Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette avec léger manque de papier en bas à gauche (moins d'1/5ème de cm2), contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 18 au crayon en haut à gauche, PLANCHE N°18: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
159728054Anvers Philippe Galle 1597 une gravure à l'eau-forte en noir (format : 26,7 x 20 cm), gravure coupée au ras de la cuvette avec léger manque de papier en haut à droite (moins d'1/2 cm2), contrecollée sur papier vergé épais, noté en bas dans la gravure : Phls Gall. excud., Joan Strad. inv. , noté N° 24 au crayon en haut à gauche, PLANCHE N°24: "SCÈNE DE LA VIE DE JÉSUS" Tirée de : "Passio, Mors et Resurrectio DN. Nostri Iesu Christi..., a celeberrimo pictore Joanne Stradano Brugensi, Belga delineata a Philippo Gallaeo, aeneis formis... incisa" [Anvers, Philippe Galle editeur, 1587]
1552170921552 Broché - 15,5 x 24 - 478 pp - année 1996 - Editions France-Empire - illustrations -
153098711530 velin (XVIIe ?) sur cartonnage. (les premiers ff. sont rognés de qq. mm. dans la marge ) in-8, (8ff.), 160ff., (Haguenau) Haganoae per Iohan Secerium Anno 1530 mense Martio,
158787613A Paris: Chez Mamert Patisson 1587. Fine. Chez Mamert Patisson A Paris 1587 8.50 x 15 cm relié New edition following the original of 1573. A handsome edition well printed in italics. It contains the Christian poetry absent from the 1600 edition. Copy enhanced with a portrait of the author from around 1820. Full glazed blonde calf Restoration binding signed at foot F. Bozérian jeune. Spine with raised bands decorated with 5 fleurons fillets and roulettes on the bands. Date at foot in blind. Boards ruled in blind with frame roulette composed of interlaced circles. Interior Greek key border. Edges gilt. A small fragment missing from head. Some traces of rubbing. Paper very fresh the engraving has caused slight uniform foxing on the title page. A handsome copy. The volume contains: Les amours de Diane; Les amours d'Hippolyte; Les dernières amours de Cléonice; Les Elégies; Les imitations de l'Arioste; Les meslanges contenant Les diverses amours les bergeries et masquarades les épitaphes les prières et oeuvres chrétiennes. Desportes' poetry was durably influenced and shaped by Italian literature. The author indeed returns to France after a journey to Italy where he underwent the influence of Petrarch - his first poems are moreover criticized as neo-Petrarchan. His first book appeared in a collective collection and gathered his poetry imitated from Ariosto. His clear frank mannerist and refined poetry court poetry eclipsed that of Ronsard at the court of Henri III. It was in turn criticized and replaced by that of Malherbe. Desportes' literature nonetheless constitutes an important aspect of Renaissance poetry. Chez Mamert Patisson hardcover
1559new2<p><em> EX-DONO FROM THE XVIth CENTURY </em></p><p><em> COPY OF SIMON GIRARD DES BERGERIES</em></p><p><em>PROFESSOR OF GREEK IN LAUSANNE </em></p><p><em> LATER GIVEN BY HIS SON TO A COUNCILOR IN BERNE TO "REPAY HIS DEBT OF AFFECTION AND STUDY" </em></p><p><em>-</em></p><p><strong>COMMYNES Philippe de </strong></p><p><em><strong>Les Mémoires . sur les principaux faicts et gestes de Louis onziéme et de Charles huictiéme son filz Roys de France</strong></em></p><p><strong> Lyon Jean de Tournes 1559.</strong></p><p>Folio 6 ff. 264 p. 4 ff. Modern tan half calf elegantly decorated spine old red title label. Dimensions: 32.9 x 20.9 cm.</p><p>References: Cartier Tournes II 436. Tchemerzine-Scheler II 464c.</p><p>Provenance: 1. Simon Girard des Bergeries c. 1545 -1598 originally from Bourges refugee in Lausanne after the St. Bartholomew's Day massacre professor of Greek at the Académie de Lausanne handwritten bookplate "À Simon Girard ce 18 février 1575". 2. Jean Girard with a long dedication dated Bern November 27 1599 to Marquard Zehender 1542-1610/11 State Councilor of Bern former bailiff of Lausanne. 3. Jean Estève engraved bookplate.</p><p><strong>Commynes' Memoirs were intended to serve as material for the Archbishop of Vienne Angelo Cato for a history of Louis XI that he planned to write in Latin. </strong>They recount the complexities of this reign without skimping on the numerous intrigues and political bargaining. The six original books by Commynes which end with the death of Louis XI in 1483 are followed by a continuation books VII-VIII covering the reign of Charles VIII. According to Marc Fumaroli this project was part of an "offensive against the 'Ciceronian' conception of an eloquent history à la Paul Émile and Paul Jove" 1994 pp. 218-219.</p><p><strong>A remarkable copy from the libraries of the Protestant Girard des Bergeries family. The work was acquired in 1575 by Simon Girard des Bergeries a Hellenist from Bourges </strong>who fled to Switzerland after the St. Bartholomew's Day massacres and taught Greek in Lausanne until his death in 1598 see De l'Académie à l'université de Lausanne pp. 54 59 263. In his will he bequeathed to his children a library estimated to be worth 1700 florins "Lettre de Partages entre Nobles Jehan Nicolas et Jehanne Girard frères et soeur / En datte du 2. Hapvril / 1599" Bibl. Cant. et Univ. de. Lausanne Ms. Fonds Constant II/6bis cited by C. Abraham 2020 p. 40 n. 149.</p><p><strong>This volume was part of the bequest to his son Jean who decided to dedicate it immediately in the same year 1599 to the man he called his patron </strong>the Bernese councillor Marquard Zehender 1542-1610/11 as indicated in the dedication on the title page. He presented the work to him <strong>"to repay his debt of affection and study and as a pledge and token of his enduring esteem" </strong> in debiti amoris et studii addictae et numquam intermoriturae observantiae pignus kai sumbolon. <strong>Zehender playedan important role in the suppression of the conspiracy led by the mayor of Lausann</strong>e Isbrand Daux in 1588 which aimed to hand over the city to the Duke of Savoy see Vuilleumier vol. II p. 17.</p><p><strong>Bibliography:</strong></p><p>H. Vuilleumier Histoire de l'Église réformée du Pays de Vaud sous le régime bernois History of the Reformed Church of the Vaud Region under Bernese Rule Lausanne 1927. De l'Académie à l'université de Lausanne 1537-1987 From Academy to University of Lausanne 1537-1987 Lausanne 1987. C. Abraham "La Bibliothèque de l'Académie de Lausanne au XVIe siècle" The Library of the Academy of Lausanne in the 16th century master's thesis Lausanne 2020. M. Fumaroli "Les mémoires ou l'historiographie royale en procès" Memoirs or royal historiography on trial in La Diplomatie de l'esprit 1994.</p> Jean de Tournes
159316171Geneva: Pour Jaques Chouet De l'imprimerie de Antoine Blanc 1593 A new edition of the revised version of Commines' work edited by Denis Sauvage. Contemporary limp vellum with hand lettered spine and beveled edges. . Twelvemo. Woodcut border on title page; three copper engraved portraits with descriptive text on two leaves it is worth noting that these two leaves are often lacking in other copies but are present in this copy. Some staining to covers and lacking the leather ties. Some soiling on the title page in addition to some staining from an old ink armorial stamp on the verso which has bled through. Intermittent foxing and overall light browning. Contemporary ownership signature at bottom of the title page. A very good copy. Philippe de Commines was a writer and diplomat in the courts of Burgundy and France. He has been called "the first truly modern writer" Charles Augustin Sainte-Beuve and "the first critical and philosophical historian since classical times" Oxford Companion to English Literature. His analyses of the contemporary political scene are what made him virtually unique in his own time. The Mémoires are divided into "books" the first six of which were written between 1488 and 1494 and relate the course of events from the beginning of Commines' career 1464 up to the death of King Louis. The remaining two books were written between 1497 and 1501 printed in 1528 and deal with the Italian wars ending in the death of King Charles VIII of France. Denis Sauvage 1520-1587 is known for his four-volume edition of Froissart's Chronicles 1559-1561. Pour Jaques Chouet [De l'imprimerie de Antoine Blanc], hardcover
