571 résultats
1972176793Brussels Belgium: Imprimerie Laconti 1972. Hardcover. VG. covers worn/scuffed. black scuffs to lower text-block fore-edge. glossy plates edge toned; pgs clean. dustjacket has edge-wear scuffs indentations & tear to top edge. black cloth boards w/ white spine printing. 199 pgs w/ bw & color illustrations/plates. black pictorial dustjacket w/ white printing; protective plastic cover. Text In English. Imprimerie Laconti hardcover books
1976132644Stuttgart: Manus 1976. hardcover. very good. Illustrated with color and black & white plates throughout. 104pp. Slim 4to beige cloth with color pictorial label on front cover large ink stamp from Harry Abrams Editorial Library on flyleaf else near fine. Stuttgart: Manus Presse 1976. Very good .<br/><br/> Text in French German and English.<br/><br/> Manus unknown books
12321NY SIMON & SCHUSTER 1949. 24 HALSMAN PHOTOGRAPHS VERY GOOD. NY, SIMON & SCHUSTER, 1949 unknown books
200555824Koln:: Taschen. Fine in Near Fine dust jacket. 2005. Hardcover. 3822846414 . Black and white photographs throughout. First edition thus. Fine in a near fine light edge wear dust jacket. . Taschen, hardcover books
1969169914New York: Viking 1969. hardcover. very good/very good. Illustrated with many mounted plates in color and b/w. 137 pages 4to cloth d.w. New York: The Viking Press 1969. Very good.<br/><br/> Viking unknown books
19693673New York: Viking 1969. 1st American edition. Hardcover. Orig mauve cloth. Near fine in near fine dust wrapper. 138 pages. Forty-two tipped-in color plates and thirty-four black and white illustrations. English translation by Diana Imber. The first book devoted entirely to French watercolors of the 18th century -- Fragonard David Gabriel de Saint-Aubun Louis Moreau Hoin Hilair and other minor masters. Viking hardcover books
19695726New York. The Viking Press. 1969. Cloth. 4to. Color and monochrome illustration. Fine in Fine dustwrapper. The Viking Press. hardcover books
198034954Portland: Amadeus Press 1980. Hardcover. Fine. Large octavo. Light purple boards. 422 pp. With occasional illustrations. In dustjacket. Amadeus Press hardcover books
1790WRCAM45754Paris: Marie Francois Drouhin 1790. Handcolored oval mezzotint portrait 10 x 8 1/4 inches on a 12 1/2 x 9 1/4-inch sheet. Sheet lightly browned more so around the edges. Overall very good. Matted. An attractive mezzotint portrait of Benjamin Franklin with delicate contemporary coloring. The engraving was done after an original portrait by the famed French painter Charles Philippe Vanloo sometimes spelled Van Loo. The original portrait was done while Franklin resided in Paris in the years during and after the American Revolution and is now in the collection of the American Philosophical Society which was founded by Franklin. Sellers asserts that it is "beyond question a life portrait" done between 1777 and 1785. In Vanloo's original portrait Franklin wears a fur coat. In this print of the painting the fur coat has been replaced by a simpler cloth coat. Franklin wears glasses his hair is long and gray and he has a slight smile on his face. In the caption below the image his name is spelled "Francklin." "The substitution of a simple gray coat for the fur-trimmed costume of the original was undoubtedly in deference to revolutionary feeling" - Sellers. This print was engraved after Vanloo's portrait by the noted French engraver Pierre-Michel Alix who was known for his portraits of leading French citizens and prominent personalities. A handsome contemporary portrait of the American who dazzled France as a diplomat scientist philosopher and gentleman of society. SELLERS BENJAMIN FRANKLIN IN PORTRAITURE p.394. Marie Francois Drouhin hardcover books
1996Embry 186528The New Press 1996. Second printing. Fine in fine dust jacket in mylar cover. The New Press, 1996. Second printing. unknown books
1996UBURFRA00fpNew Press 1996. Very Good. Burrin Philippe. France Under the Germans : Collaboration and Compromise. New York: New Press 1996. 530pp. Indexed. 8vo. Hardcover. Book condition: Very good. Edges lightly rubbed and faded. Both ends of spine lightly bumped. Dust Jacket Condition: Very good. Edges lightly rubbed and spine lightly faded. New Press hardcover books
1988177540Paris: Hazan 1988. Hardcover. VG. light black scuffs/shelf-wear to lower textblock fore-edge. dustjacket back cover has edge-toning scratches & scuffs. light blue cloth boards w/ gilt printing. 399 pgs w/ bw & some color illustrations. glossy pictorial dustjacket. Text in French. Wonderfully illustrated examination of the French baroque era. Hazan hardcover books
179713514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach.<br/> <br/>This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown books
180813510London: Published by I. & W. Macgavin No. 107 New Bond Street 1808. Coloured aquatint. Printed on wove Whatman paper. In excellent condition. Image size: 13 5/8 x 20 1/4 inches. A dramatic view of fishermen at Worthing from Philippe Loutherbourg's great work "Picturesque Scenery of Great Britain".<br/> <br/>This impressive aquatint is plate six of Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." This accomplished text is comprised of six large aquatint views engraved after Loutherbourg's acclaimed paintings. The work which was first engraved in 1801 by J. C. Stadler was later re-engraved in 1808 by J. Hill. Reminiscent of Rowlandson's superb paintings this image depicts fisherman rowing out from the seashore on a stormy day. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism.<br/> <br/>Abbey Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860 no.6 plate 6. Published by I. & W. Macgavin, No. 107 New Bond Street unknown books
22412184 x 137 mm. plus margins. With letterpress text below engraving and to verso. <br/><br/>Extracted from Bullart: Académie des Sciences et des Arts Bruxelles 1682. Komma 256. <br/><br/>"Monte was an important representative of the last generation of the great Flemish composers of the Renaissance and was one of the major composers of Italian madrigals." Robert Lindell and Brian Mann in Grove Music Online. unknown books
195826073New Haven: Department of Graphic Arts Yale University 1958. First edition thus. Hardcover. Fine/very good . Wide hardbound 8vo in dustwrapper. 85 pp. With illustrations by James Higa and Harry Harringer. One of 350 hand-numbered copies. Set in Bembo types and printed on Mohawk Superfine paper. Translated from the Latin and introduced by an essay on The Birth of Modern Acting by Albert B. Weiner. A handsome fine copy in lightly used dustwrapper. Department of Graphic Arts, Yale University hardcover books
2008106045New York: Marlborough Chelsea 2008. Softbound. VG. Color pictorial wraps. 32 pp. 24 large color plates. A delightful presentation of this Chinese artists works. Marlborough Chelsea unknown books
1991159751Paris: Editions Vecteurs 1991. hardcover. fine/fine. Profusely illustrated with large color plates of women as depicted by many famous artists in the 16th-20th centuries. 253 pages. 4to brown cloth d.w. Paris: Editions Vecteurs 1991. Text in French. A fine copy in a fine dust wrapper.<br/><br/> Editions Vecteurs unknown books
1994106929Princeton: Princeton University Press 1994. Hardbound. VG/VG. Blue cloth w/ ill dj; xiii and 273 pp. text with bw illus. Princeton University Press hardcover books
179713300331797. An engraving by French artist Jacques Philippe Levilly active 1780-1800. Condition: good. Light age toning and some age spots; several small closed tears and holes in margins. Several small creases around the edges and one faint central crease. Some faint water staining to right edge particularly in margin. Matted but not framed.<br /> <br><br /> <br><br /> Dimensions<br /> <br><br /> mat w 19 5/8 in x h 17 5/8 in<br><br /> print w 15.25 in x h 13.25 in. 1330033. Shelved Dupont Bookstore. unknown books
2016163830New York: New York Studio School of Drawing Painting & Sculpture 2016. Paperback. VG. Some subtle soiling on covers but otherwise in excellent condition. White stapled wraps with color illustrations. 32 pp. 43 BW and color illustrations. Catalogue of an exhibition held March 21-April 24 2016. Curated by Paula R. Hornbostel. New York Studio School of Drawing, Painting & Sculpture paperback books
1993029817Chicago & London: University of Chicago Press 1993. x 308p. stiff wrappers. University of Chicago Press unknown books
1993241788Chicago: University of Chicago Press 1993. First. hardcover. good. 8vo black cloth cloth and top margins throughout lightly dampstained. Chicago: University of Chicago Press 1993.<br/><br/> From the library of Wendell Garrett with his ownership signature and ink marks in some margins.<br/><br/> University of Chicago Press unknown books
196130222Paris: Presses Univ. de France 1961. First edition. Paper wrappers. A good copy spine crudely taped. 116 pp. plates. Illus. with 89 b/w drawings & 68 plates. 4to. Publications de Musee Guimet. Recherches et documents d'art et d'archeologie tome 7. The great stupa was built in the 2nd c. A.D. Presses Univ. de France unknown books
19919599New York: Metropolitan Museum of Art 1991. Hardcover. VG/VG. Teal cloth boards with gilt lettering color-illustrated dust jacket. 213 pp. 16 color 168 bw plates. Published in conjunction with the exhibition at the Metropolitan Museum of Art New York April 10 1991 - 16. June 1991. Metropolitan Museum of Art hardcover books
