5 002 résultats
19830252921983 De arbeiderspers Soft cover
1983R320164947Uitgeverij de Arbeiderspers. 1983. In-12. Broché. Etat d'usage, 2ème plat abîmé, Dos satisfaisant, Intérieur frais. 150 pages - couverture contrepliée - ouvrage en néerlandais - 2ème plat tâché - quelques traces de stylo sur la tranche de gouttière.. . . . Classification Dewey : 430-Langues germaniques. Allemand
6209980171.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
233Amiot-Dumont. 1950. Fort in-8° broché. 362 pages. Couverture jaune, titre en rouge. E.O. sur papier ordinaire.
195031439Editions Amiot-Dumont 1950. In-8 broché de 360 pages au format 19 x 13,5 cm. Couverture avec titre imprimé. Dos carré. Plats et intérieur frais. Exemplaire non coupé, complet de la rare bande annonce. Dessin de Albert Paraz, représentant le " Chacal-Ane-Scorpion " en frontispice. Défense de Louis-Ferdinand Céline avec de très nombreuses lettres inédites de ce dernier. Valsez saucisse est le deuxième volet d'un triptyque, consacré à la défense de Céline, commencé deux ans auparavant avec le " Gala des vaches " en 1948 et qui s'achèvera avec " le Menuet du haricot " en 1958. Un des 200 exemplaires numérotés sur Vélin B.F.K de Rives, du tirage de tête, signés par Albert Paraz ( n° 129 ). Seul grand papier. Rare, surtout dans un tel état général de fraicheur, proche du parfait. Edition originale.
195077734Amiot-Dumont | Paris 1950 | 12.50 x 18.50 cm | relié
44553Paris : Editions Amiot-Dumont, 1950 - un volume 13,5x18,8cm broché de 362 pages - bon état - Edition originale sur papier courant - Contient des lettres de Louis-Ferdinand Céline adressées à l'auteur (pages 307 à 360) -
195077734Paris: Amiot-Dumont 1950. Fine. Amiot-Dumont Paris 1950 12.50 x 18.50 cm relié First edition on ordinary paper. Half green shagreen binding smooth spine faded and scuffed tan shagreen title label paper-covered boards a modest contemporary binding. Exceptional dated and signed presentation inscription from Albert Paraz to his master and friend Louis-Ferdinand Céline and his wife Lucette: ""A vous deux et je serais sic tellement heureux si valsez saucisses pouvait distraire Lucette et l'amuser. Vence 24 juin 1950. AParaz."" Amiot-Dumont hardcover
1962R150211874FAYARD. 1962. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 123 pages. . . . Classification Dewey : 230-Christianisme. Théologie chrétienne
1508631727.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20171-384167545XÉditions universitaires européennes 2017. Paperback. New. 160 pages. French language. 8.66x5.91x0.37 inches. Éditions universitaires européennes paperback
20172-2718414413Arnette Blackwell 2017. Paperback. New. 198 pages. French language. 7.09x5.12x0.39 inches. Arnette Blackwell paperback
1933Celine10<p><strong>CÉLINE Louis-Ferdinand 1894-1961</strong></p><p>Autograph letter signed " Destouches " to Évelyne Pollet<br />Paris 14 Sept. 1933 2 p. in-8°<br />Pigall's Tabac letterhead<br />Light ink smudge on upper margin<br />Usual central fold</p><p><strong>Upcoming speech in tribute to Zola and translation of <em>Journey to the End of the Night</em></strong></p><p><strong><em>" Good heavens I really don't like Zola at all so I'll talk about myself — though I don't like myself much either. " </em></strong></p><p><strong>When Céline confesses that he never wants to reread his novel — a work widely regarded as one of the greatest in 20th-century French literature</strong></p><p><em>" Chère Amie</em><br /><em>Vous voici toute stimulée par le changement de domicile. Je vous vois partie pour de longs romans. Certainement j'irai à Anvers en décembre pas avant. Je ne puis plus m'absenter cette année. Je me suis assez ennuyé en Bretagne et au surplus je n'étais pas très bien. <strong>Il faut encore que je parle sur Zola le 1er octobre et voilà qui m'achève. Pour faire plaisir à Descaves et à ses amis. Juste cieux je n'aime pas du tout Zola alors je parlerai de moi-même mais je n'aime pas beaucoup non plus</strong>. Tout cela est bien ennuyeux. Tout Paris parle de l'Affaire Nozières</em>¹ sic<em>. Il va y avoir dans l'ombre des incestes en masse. Cet été n'en finit pas. Je n'aime pas le soleil. On s'en doute un peu. <strong>Le Voyage va être traduit en hollandais.</strong></em><br /><em>Je reprends samedi mon dispensaire</em>²<em>. Tout cela est une telle farce !</em><br /><strong><em>Je vois que vous finirez par connaître le Voyage par cœur. Moi je ne l'ai jamais relu et ne le relirai jamais. Je trouve tout cela ennuyeux et plat à vomir. C'est curieux que tout ce cabotinage finisse par séduire le lecteur</em></strong><em>. Je crois qu'il a envie d'en faire autant. Tout es là. Enfin on se connaît mal. <strong>Nous sommes recouverts d'immondices civilisés</strong>. N'oubliez pas de me donner votre nouvelle adresse.</em><br /><em>Amicalement</em><br /><em>Destouches "</em></p><p><u>A breakaway speech:</u><br />In the summer of 1933 Lucien Descaves approached his friend Céline asking him to deliver a speech in tribute to Zola at the annual Médan pilgrimage. Céline did not hold the naturalist writer in high esteem and it was out of friendship for Descaves that he agreed. Thus on October 1st 1933 before an audience composed of the Parisian literary elite and other notable figures the writer took the floor.<br />Where previous speeches had remained within the expected register of homage Céline's intervention stood in stark contrast — and caused a scandal. The audience had no idea what was coming. Already a master of staging his public persona Céline deliberately chose to go against expectations and handed the floor to Ferdinand Bardamu the protagonist of <em>Journey to the End of the Night</em>. He even hinted at this shift when he said "Good heavens I really don't like Zola at all so I'll talk about myself."<br />Through Bardamu Céline delivered a dark and deeply critical vision of contemporary French society. Though the speech begins as a genuine tribute to the father of the <em>Rougon-Macquart</em> series it soon gives way to the characteristic disillusionment of Céline's universe.<br />The writer clearly signals a definitive break with Zola's naturalism: the Great War had in Céline's eyes discredited the modernist hopes pinned on scientific progress and the promise of a fairer society. In this speech Céline effectively buries the legacy of naturalism that Zola had championed.</p><p><u>Translation of Journey to the End of the Night:</u><br />Published the previous year <em>Journey to the End of the Night</em> had caused a sensation and catapulted Céline to the forefront of the Parisian literary scene. Already translated into several languages he reassured his Dutch translator J.A. Sandfort in a letter dated September 10th demanding that his text be translated in full:<br /><em>"Under no circumstances should there be any abridgment of Journey. I do not want it — not a quarter not a page nor a line </em>…<em>" </em>He added <em>"There are already 10 foreign translations of this book all absolutely complete"</em> <em>Lettres</em> no. 3393.</p><p>1- Violette Nozière 1915–1966 barely 18 years old was arrested accused of poisoning her parents. While her mother was resuscitated her father did not survive. Although her mother initially joined the civil lawsuit she eventually forgave her daughter. Sentenced to death on October 12 1934 — a sentence commuted to life imprisonment on August 29 1945 — Violette Nozière was granted early release on August 29 1945.</p><p>2- Céline attempted to practice medicine privately by opening a practice in Clichy in November 1927 which he quickly closed due to lack of patients. He eventually took a position as a suburban doctor at the Clichy dispensary directed by Grégoire Ichok. Dr. Destouches resigned from the Communist municipality of Clichy on December 10 1937.</p><p>Born in Antwerp in 1905 Évelyne Pollet took the initiative to write to Céline after reading <em>Journey to the End of the Night</em> eventually coming to "know it by heart." They met in May 1933 and became lovers. She went on to write eight novels and collections of short stories including a fictionalized account of her relationship with Céline written in 1942 and published in 1956 under the title <em>Escaliers</em> La Renaissance du livre. Évelyne is also the name of the heroine in <em>La Naissance d'une fée</em> the first of the three ballets in <em>Bagatelles pour un massacre</em>.</p><p><u>Provenance:<br /></u>Private collection</p><p><u>Bibliography:</u><br /><em>Lettres</em> éd. Henri Godard et Jean-Paul Louis Pléiade 2009 n°33-94</p>
B9781009535311Hardback. New. This Element examines Walter Scott's work by investigating the influence of his French wife Charlotte Charpentier later Lady Scott through her transcultural upbringing and international connections. It emphasises Scott's collaborative literary approach and argues that Lady Scott greatly assisted him in his work. hardcover
2025x-1009535315Cambridge University Press 2025. Hardcover. New. 98 pages. 6.00x0.25x9.00 inches. Cambridge University Press hardcover
50875700-nnew. unknown
50875700like new. unknown
1009535315.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1009535315New. Brand new and still unused unknown
2018BN266317Diogenes Verlag Ag Diogenes 2018. 2018. Hardcover. Unsere kleine Höhle <br/><br/>Unsere kleine Höhle Céline Claire Diogenes Verlag Ag, Diogenes hardcover
1990500107536Sony Music Catalog (Sony Music) 1990 12 63x14 09x1 37cm. 1990. audioCD.
1985173761985 A.G. Nizet (1985) - In-8 broché de 136 pages - Couverture illustrée d'un dessin en noir et blanc - Avant-propos - Introduction - Annexe et Bibliographie - Exemplaire en très bon état
1997173611997 Collection " L'Univers des discours " (1997) - In-8 broché de 240 pages - Couverture illustrée d'un dessin en couleurs de Céline par Laurent Lavaill - Introduction et Notes - Conclusion, Notes et Bibliographie - Exemplaire en très bon état
2017100067041Les Editions de Saxe 2017 88 pages 21x27x1cm. 2017. Broché. 88 pages.
2017100064860Les Editions de Saxe 2017 88 pages 21x27x1cm. 2017. Broché. 88 pages.