203 résultats
1962311626Paris: Gallimard 1962. First trade edition. 171 3pp. 4to. Printed wrappers. Fine. First trade edition. 171 3pp. 4to. INSCRIBED TO COLETTE'S HUSBAND. This collection of poems Cocteau's final book published just a year before his death. This copy warmly inscribed at length by Cocteau and signed by him with his characteristic star flourish to his good friend Maurice Goudeket who was married to Cocteau's dear friend Colette until her death in 1954. Gallimard unknown books
1926D1873Paris: Editions Briant-Robert 1926. Limited Edition. Paperback. Near Fine. Number 383 from a limited edition of 200 copies "sur velin 180 sur arches 20 sur rives" signed by Cocteau on the limitation page. Total limitation 500 copies. <br/><br/> Editions Briant-Robert paperback books
1948140937499Paris: Gallimard 1948. Eleventh Edition. Very Good. Eleventh edition onzieme edition. Signed by Jean Cocteau inscribed to a former owner on the half-title page. Very Good with toning light reading creases to spine and previous owner bookplate to verso of front cover. Revised price-over label on spine is lifted on one edge. Signed by the French writer poet playwright designer and filmmaker. Gallimard unknown books
1915278250Paris 1915. First. paperback. fine. 8 issues out of a complete run of 20. Folio pictorial wrappers bound with one staple. Paris January - July 1915.J<br/><br/> Sardonic vitriolic anti-German World War I bi-monthly periodical a collaboration of Iribe & Cocteau including the illustrations of both Cocteau signing his drawings as "Jim". Consists of issues No. 4 9 12 & 16 -20. Unusually fine copies of a fragile publication.<br/><br/> unknown books
19644807Paris: Galerie Jean Giraudoux 1964. Quarto unpaginated. 20 original illustrations in red on ivory cloth pages. First edition limited to 800 copies with this being number 64 of 770 unsigned copies. A collection of recipes by the chef of Le Grand Vefour the first grand restaurant of Paris which originally opened in 1784. The restaurant was revived with Oliver in charge in 1948 having been closed in 1905. It was awarded a third Michelin star in 1953. In this book Oliver shares dishes he makes for his friends. A touch of very light foxing to edges of text block otherwise fine in ivory cloth in very lightly soiled slipcase with chemise. With an additional suite of twelve lithographs on B.F.K. Rives labelled in pencil "Avantages Réservés aux membres de "Tradition et Qualité" Galerie Jean Giraudoux hardcover books
1945LD17659Paris: Francois Bernouard 1945. Paperback. Good. Thin quarto; original wrappers. 16 hand-colored illustrations by Cocteau. Copy 158 of 392 on "papier Isle de France". The issue of 1650 is relatively common but any of this first 392 numbers on fine paper much less so. Wrappers foxed a bit of wear to cellophane jacket. Contents quite lovely. <br/><br/> Francois Bernouard paperback books
1944LD17675Paris: Editions Rombaldi 1944. First Edition. Hardcover. Very Good. 4to. Rebound in plain magenta cloth. Preliminary leaves coming loose; otherwise a bright copy. Number 87 of 165 in all one of 125 on Arches. Text printed in blue and black. One of Cocteau's nicest books lithographs of his own drawings co-mingle with the text. <br/><br/> Editions Rombaldi hardcover books
1926007604London: Faber and Gwyer 1926. RARE in dust wrapper and this one quite nice Near Fine a hint of toning to end pages prior owner name front end page in a Near Fine dust wrapper tiny chips at head of spine small old tape mends internally at fold edges. Written between the years 1918 and 1926 and including "Cock and Harlequin" "Professional Secrets" and other critical essays. With a frontispiece titled "A portrait of the artist by himself". . First Edition. Cloth. Near Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. Faber and Gwyer Hardcover books
193211464New York: Longmans Green and Co 1932. Cloth. Jean Cocteau. The 1932 1st American edition translated from Cocteau's original French by Ernest Boyd. Solid and VG with very light sunning to the spine ends and upper edges in a bright price-intact VG- example of the 1st state dustjacket with the "$2.00" price. Light interior and inconspicuous staining to the jacket 2 small pieces of internal white tape re-inforcing the spine crown and a closed tear. Light chipping and creasing as well to the fragile Cocteau-illustrated dustjacket. Still though very presentable and attractive. 12mo 27 illustrations by the author complementing the text. <br/><br/> Longmans, Green and Co hardcover books
1965LD17674Paris: Nouveau Cercle Parisien du Livre 1965. First Edition. Hardcover. Very Good. Large folio. Copy 103 of 150. With 10 original etchings by Léopold Survage. Publisher's pictorial wrappers with contents loose as issued. Housed in publisher's slipcase corners split. Some foxing to front wrap but with contents very bright and clean. Another of the many ambitious Cocteau book publications. <br/><br/> Nouveau Cercle Parisien du Livre hardcover books
1910D7471Paris 1910. Limited Edition. Hardcover. Very Good. Original paper-covered boards; small folio with 6 plates by Paul Iribe. One of 934 copies "sur Japon." Spine and corners lightly chipped; a little faint foxing or dust-smudges here and there; nternally nice and clean. <br/><br/> hardcover books
11646France: Draeger No date. First edition. Paperback. Very Good . Tall folio edition 15" tall by 12" wide. Text in French by Cocteau. Contains eleven loose color plates by Charles Martin demonstrating the prolific printing talents of Draeger. Art Deco illustrations. Contents very clean and ready for separate framing if one so desired. Thick paper covers show some light wear and mild staining but an exceptional copy overall of this scarce book. No date listed but likely from the mid 1920's. Draeger paperback books
1947LD17666Paris: Nouvelles Editions Francaises 1947. First Edition. Hardcover. Near Fine. Copy 167 of 525 total one of the 375 copies on Rives a La Forme paper. Large 4to. Original wrappers with contents loose as issued. 152 pp. with 21 mounted black and whites photos from the film interspersed. Finely printed in red and black. The contents are near fine. The publisher's boxed slipcase is stained battered and broken. <br/><br/> Nouvelles Editions Francaises hardcover books
1949211175Paris 1949. Gelatin silver print. 1 vols. 9-7/8 x 8 inches. Embossed stamp at lower right atelier stamp on verso with pencilled notations giving the subject of the photograph the date and the number of the negative. Gelatin silver print. 1 vols. 9-7/8 x 8 inches. Portrait of Cocteau leaning over the balustrade of a rooftop. unknown books
194626663Paris: Les Editions du Compas 1946. Binding a little split at the spine ends with loss at the head of the spine a good to very good copy in printed French-folded wrappers. First Edition. Quarto. Number 59 of 450 press-numbered copies. Manuscript page in facsimile bound-in. A fine presentation copy inscribed by the book's publisher Rene Zuber to publisher Nicholas Callaway and dated in 1978 when a young Callaway was a photo dealer working for Virigina Zabriskie in Paris. Collaboration between writer Jean Cocteau and photographer Pierre Jahan whose images of broken destroyed or otherwise ravaged statuary ably capture the spirit of postwar Paris. Parr / Badger v1 194-195. Paris: Les Editions du Compas unknown books
50459Unpaginated 54 pp. volume produced in conjunction with the 1949 French film festival organized by the film club "Objectif 49" under the presidency of Jean Cocteau with the help of of Cinematheque Française with a jury composed of Cocteau René Clément Jean Grémillon Raymong Queneau Alexandre Astruc and Claude Mauriac each of whom contributed a text to the catalog program with illustrations and vignettes by Arthur Rimbaud Pablo Picasso Victor Hugo Charles Baudelaire Cocteau and others and reproductions from photographs. Some extremely minor toning to a few pages. Oblong 8vo. Original tie-bound wrpps. very minor dust-staining. Paris Editions Mazarine 1949. The term 'film maudit' "cursed film" was coined for the legendary 1949 Festival du Film Maudit held in Biarritz and organized by a group of writers filmmakers and critics united under the label "Nouvelle Critique". A jury led by Jean Cocteau curated and honored a group of films thought of as overlooked at the time. The term was also applied to a number of deliberately shocking and outré films at the festival. In writing about the festival Cocteau said "The time has come to honor the masterpieces of film art which have been buried alive and to sound the alarm. Cinema must free itself from slavery just like the many courageous people who are currently striving to achieve their freedom. Art which is inaccessible to young people will never be art." The festival had long-lasting effects on the intellectual appreciation of film and helped created the phenomenon of French cinephilia. Scarce; as of December 2019 WorldCat locates only three copies of this volume in North American institutions. unknown books
4651Cocteau's long interest in the Orpheus myth is seen in the drawing and content of this illustrated letter to fellow playwright. Translation:<br/>Dear Audiberti<br/>What joy to have poems letters and drawings of yours.! Art attaches itself to cork and rises to the surface.<br/>I am very fond of you and will stay close to you<br/>Yours<br/>Jean<br/><br/>Original French: <br/>Mon cher Audiberti<br/>Quelle joie j'avoir des poèmes des lettres et des dessins de vous. L'art s'attache au liege et remonte à la surface.<br/>Je vous aime et je reste auprès de vous<br/>Votre Jean<br/>------------. Condition: Visible margin folds some wrinkling as paper is attached to a lined sheet which shows at top margin very slight foxing and sunned margins. The letter measures 8.5 x 10.5 inches land floats on a dark gray mat overlaid with a white mat and framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/ inch black satin wood. Frame measures 15.75 x 18.4. unknown books
193211771JNew York: Longmans Green 1932. First Edition - American. Translated by Ernest Boyd. With 27 illustrations drawn by Jean Cocteau. A little fading to cloth else near fine in a bright lightly used dust jacket with a little sunning at spine a tiny bit of rubbing and a few minute edge nicks. An attractive copy of a classic work of drug literature. Longmans, Green hardcover books
19565045<p>Témoignage.Jean Cocteau. Pierre Bertrand Editeur Paris 1956. Homage to Pablo Picasso in occasion of its seventy-fifth birthday. Limited in 125 numbered copies of which this copy is n. 57. Illustrated with an original etching by Picasso depicting a nude turned on the back dated signed and inscribed in plate and an original etching by Paul Lemagny a portrait of Picasso. </p><p>In very good condition. Complete condition report on request as well extra pictures. </p> Pierre Bertrand Editeur. paperback books
1939983845<b>BALLETS RUSSES DE DIAGHILEW</b> 1909 A 1929 Musee des Art Decoratifs. Palais Du Louvre. Pavillon de Marsan. Exposition organisee par Serge Lifar. Mars a Juin 1939. <br /><br />Lithographic poster on paper printed in color with lettering and full margins. Signed "Jean Cocteau" in the stone lower right. Sheet size: 61" x 34"; mounted on silk rolled. Fine copy. <br /><br /><br />Our 1939 poster was restruck from the original lithograph of 1911 to advertise this the first major exhibition concerning Diaghilev and the Ballets Russes.<br /><br /><br />The poster shows Karsavina in Le Spectre de la Rose in her costume as the young girl in the ballet "standing on point her hands crossed in front of her her eyes closed facing to the left side of the image." The popularity of the exhibition caused its dates to be extended to 1 July as is advertised on ourposter.<br /> Louvre books
1925D16870Paris: Librairie Stock 1925. First Edition. Paperback. Near Fine. Folio original printed wrappers. 381x285 mm. Light wear only; glassine dust jacket. One heliogravure by Man Ray laid in at the front. Number 29 on Holland van Gelder paper from a total edition of 300 pages loose in binding as issued. Additionally inscribed and signed by Cocteau on half-title. <br/><br/> Librairie Stock paperback books
1923D17821Paris: Librairie Stock 1923. First Edition. Paperback. Near Fine. 4to original printed wrappers; custom cloth clamshell box. 129 reproductions of his drawings plus an original pen drawing of a dog captioned and initialed by Cocteau on front blank. <br/><br/> Librairie Stock paperback books
1930D17620Paris: Librairie Stock 1930. First Edition. Hardcover. Very Good. This is number XI one of 10 copies hors commerce on velin pur fil du marais. Inscribed by Cocteau to John Kobler on the half-title with a fine original drawing dated 1960. 43 illustrations by the author. 8vo Dark blue morocco by Andréas Relìeur top edges gilt spine and board edges unevenly discolored joints rubbed; original wrappers bound in. John Kobler bookplate tipped to front pastedown. <br/><br/> Librairie Stock hardcover books
192712206Paris: Librairie Stock 1927. First Edition. Used; Like New/Used; Like New. 12mo. 94 pp. Original wrappers front cover illustrated by Christian Bérard bound into full crimson cloth with leather title to spine by James Macdonald New York. Inscribed by the author on the ffe "A Monsieur -- name erased / ce souvenir / de / Jean Cocteau / drawing of a star / 1927" and with an original drawing by Cocteau of a bending female tennis player with racquet and ball measuring 27 x 21 cm pasted along the left edge between pages 72 and 73 "Le Printemps" signed "Jean star" very lightly lower right folds small tears lower left edge else fine. <br><br><br />A nearly identical version of this drawing appears in Cocteau's 1923 volume of line cuts of his drawings "Sports Dessins" dedicated to Picasso with the apology: "Poets do not draw. They untie the knots in handwriting and then retie them differently." Librairie Stock hardcover books
192531775Paris: Librairie Stock 1925. First edition. Man Ray. Folio 22 leaves printed recto only with photogravure frontispiece by Man Ray. Loose as issued in printed wrappers. The frontispiece has left a transfer on the colophon leaf as is usual. A fine unopened copy. Housed in a newly made chemise of paper over boards with a morocco spine titled in silver ink housed in a matching paper over boards slipcase. For Cocteau the Angel Heurtebise was both his guardian and a demon; written during a feverish period of seven days this is one of his best known poems ".Your beauty angel of white lead caught in a photograph by an explosion of magnesium." from an English translation. Jean Cocteau collaborated on many photographically illustrated editions this was the first. This photogravure from a Rayogram is one of Man Ray's most subtle and beautiful. <br/><br/>Of a total edition of 300 numbered copies 25 were printed on Whatman 25 were printed on Hollande Van Gelder and 250 were printed on Vélin D'Arches. This is copy number 47<br/>printed on Hollande Van Gelder. Additionally this copy is SIGNED by Cocteau with his customary five point star and the following "Viens au ralenti folle etoile" slow down crazy star. <br/><br/> Librairie Stock hardcover books