Jean Theodore CocteauBiblio.com
829 résultats
028284371X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484340069.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
4450Paris: Editions Sciaky 1979. First edition. A beautiful example of this scarce portfolio; Jean Cocteau's most visible testimony in favour of Europe takes the form of a series of studies for a stamp project: unpublished drawings on the theme "We believe in Europe". Limited to 600 copies in the colophon. This is copy 199. Hardback folder with lithograph by Cocteau to the front board. A touch of bumping and marking to the white boards only. Complete copy. Contents comprise: Introductory text beautifully produced full page anonymous portrait of Cocteau. Blue glassine folder with the European stars to the front. This contains two sheets of stamps. Each are complete. 12 full pages high quality colour lithographs of the stamp art including one double page lithograph. A discourse on the European parliament by Louise Weiss. The inside rear board of the folder is a Cocteau face. A lovely copy. 445 by 335mm 17½ by 13¼ inches. . Première édition. Le témoignage le plus visible de Jean Cocteau en faveur de l'Europe prend la forme d'une série d'études pour un projet de timbre : dessins inédits sur le thème "Nous croyons en l'Europe". Limité à 600 exemplaires dans le colophon. Il s'agit de l'exemplaire 199. Chemise cartonnée avec lithographie de Cocteau sur le premier plat. Quelques petits chocs et marques sur les planches blanches uniquement. Exemplaire complet. Le contenu comprend : le texte d'introduction un magnifique portrait anonyme de Cocteau en pleine page un feuillet en glassine bleue avec les étoiles européennes au recto. Ce feuillet contient deux feuilles de timbres. Chaque feuille est complète. 12 lithographies couleur pleine page de haute qualité de l'art du timbre dont une lithographie double page. Un discours sur le Parlement européen par Louise Weiss. L'intérieur du dos de la chemise représente un visage de Cocteau. Un bel exemplaire. 445 x 335 mm 17½ x 13¼ pouces. Editions Sciaky hardcover
24569Paris Éditions des Réverbères s.d. 8 mars 1939. 1 vol. 100 x 200 mm de 2 12 et 2 f. Cousue imprimée sur un papier népal fin. Édition originale. Tirage unique à 137 exemplaires hors commerce n° 87 justifié par le poète au crayon bleu avec son étoile au même crayon au feuillet précédent la justification. Étrange et précieuse publication : le poème l'un des plus beaux de Cocteau condense son mystère dans un texte bref sans clé ni clôture fidèle à son titre : Énigme. Le frontispice également gravé représente un écu couronné et un profil d'homme signé « Jean » accompagné de l'étoile emblématique qui jalonne son oeuvre graphique. Tirage annoncé à 137 exemplaires hors commerce mais que l'auteur lui-même juge incertain. Dans une lettre adressée en 1952 à la BnF Cocteau confesse : « De très jeunes gens firent cette édition. Il me semble bien que le papier des Réverbères est un papier très quelconque et du genre papier d'emballage. . Je ne possède plus moi-même aucun exemplaire. » Tous les exemplaires furent justifiés de la main de Cocteau au crayon bleu souvent accompagnés de son étoile manuscrite : ici notre exemplaire porte le n° 87 justifié et marqué de cette même étoile au feuillet liminaire. L'extrême fragilité du papier et la difficulté technique de l'impression ont contribué à faire de cette plaquette l'un des Cocteau les plus rares à rencontrer complet et en bon état et « il se peut que le tirage ait été inférieur à celui annoncé » Cocteau OC La Pléiade 1999. Très bel exemplaire. Jean Cocteau et son temps cat. BnF 1966 n° 401 - D. Gullentops in Jean Cocteau OEuvres poétiques complètes coll. Pléiade Gallimard 1999. Paris, Éditions des Réverbères, s.d. [8 mars 1939]. 1 vol. (100 x 200 mm) de [2], 12 et [2] f. Cousue, imprimée sur un papie unknown
25789z.pl. z.d. 8 p. Gebrocheerd. Omslag verkleurd. 28 x 19 cm. l Colofon: Réimpression pour les usines Pannekoek & Cie. Franse poëzie unknown
2711626598.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
19892090502113709982Not Available 1989. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1967588632New York: The Viking Press 1967. Hardcover. Fine/Near Fine. First edition. Introduction by Alfred Kazin. 368pp. Illustrated. Fine in an about near fine dust jacket with slight wear to the extremities. Interviews with William Carlos Williams Jean Cocteau Evelyn Waugh Lillian Hellman William Burroughs Saul Bellow Allen Ginsberg Harold Pinter and more. The Viking Press hardcover
19732091502135201051Mori Kai-sha 1973. Soft Cover. Fine. Volume: 1 Mori Kai-sha paperback
B205457-1Frankfurt am Main Fischer Taschenbuch Verlag 1988. 12 vols. Prof. illus. Wraps. Slipcase. Frankfurt am Main (Fischer Taschenbuch Verlag), 1988. paperback
1988BN157683S. Fischer 1988. 1988. Softcover. Werkausgabe in zwölf Bänden Die große Kluft Das Weißbuch/ Thomas der Schwindler Das Phantom von Marseille/ Kinder der Nacht/ Die Hochzeit . Orpheus Die Höllenmaschine/ Die geliebte Stimme Der Doppeladler/ Opera Choral/ Spiegelschriften/ Das Blut eines Dichters Die Schöne und das Tier Orphee/ Das Berufsgeheimnis/ Opium/ Die Schwierigkeit zu sein/ Die Farben der Erinnerung Der Lebensweg eines Dichters Mit mehr als 230 Zeichnungen Cocteaus und zahlreichen Fotos <br/><br/>Werkausgabe in zwölf Bänden Die große Kluft Das Weißbuch/ Thomas der Schwindler Das Phantom von Marseille/ Kinder der Nacht/ Die Hochzeit . Orpheus Die Höllenmaschine/ Die geliebte Stimme Der Doppeladler/ Opera Choral/ Spiegelschriften/ Das Blut eines Dichters Die Schöne und das Tier Orphee/ Das Berufsgeheimnis/ Opium/ Die Schwierigkeit zu sein/ Die Farben der Erinnerung Der Lebensweg eines Dichters Mit mehr als 230 Zeichnungen Cocteaus und zahlreichen Fotos Jean Cocteau S. Fischer paperback
19932111902153300562Shiromizu-sha 1993. Soft Cover. Fine. Number of pages: 298 pages Size: 46 size Shiromizu-sha paperback
2070322424.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1922D1073Paris: Editions de la Sirene 1922. First Edition. Paperback. Fine. Wraps. Number 1089 from a limited edition of 1138 copies this variation on "papier alfa velin d'Ecosse." Lovely copy. <br/><br/> Editions de la Sirene paperback
1961374953Paris: La Voix de L'auteur 1961. Unbound. Fine. Original 33 1/3 rpm vinyl album. Fine in a fine pictorial cardboard sleeve. La Voix de L'auteur unknown
2002201054Saint Clement de Riviere: Fata Morgana 2002. Paperback. VG Light edgewear/shelfwear to wraps; retail sticker on rear cover. White wraps with black and blue lettering; unpaginated many unopened; richly illustrated. Text in French. Fata Morgana paperback
1910178987Paris: Société Générale d'Impression 1910. A veritable love letter to Nijinsky First edition one of 934 regular copies on japon of Jean Cocteau's tribute to Vaslav Nijinsky. The work arranges Cocteau's pair of Nijinsky-inspired poetic triplets into single lines to form captions for Paul Iribe's Beardsley-esque illustrations. "Nijinsky fascinated Cocteau most on account of his potent mixture of animality and fragility at once desirable and androgynous half-angel and half-leopard. He presented for Cocteau a unique hybrid spectacle of desire pain and sacrifice. In this little-known volume. Cocteau signed a veritable love letter to Nijinsky" Williams p. 46. Paul Iribe 1883-1935 came to prominence when the couturier Paul Poiret used his fluid decorative line to create a modern style of fashion plate subsequently collected in the volume Les Robes de Paul Poiret racontée par Paul Iribe. He worked in Hollywood during the 1920s and was Coco Chanel's lover from 1931 until his death. Quarto pp. 16. Six plates from line drawings by Paul Iribe. Publisher's silk-tied light card wrappers printed in red and black. Wrappers a little soiled and creased: a near-fine copy. unknown
51-6561Paris: Société générale d'impression 1910. Large 4to. 30 x 31cm Oringal wraps and cloth tie. 16pp.One of 934 copies on Japan for sale. copies Luc Monood no. 2943; OCLC Number / Unique Identifier:963728423 no print copies on OCLC.Vaslav Nikinsky. Paris Société générale d'impression sd 1910. Edition of 1000 copies one of 934 on Japanese paper released for sale. Very good.Iribe's six drawings depict Nijinsky in Les Sylphides created in 1909 and in Schéjérazade created in 1910.See: Nijinsky. Musée d'Orsay Paris 2000-2001. Pages 119 125 and on the cover of the catalogue.In-4 carré broché couv. imprimée un peu empoussiérée.Luxueuse plaquette réalisée pour Le Témoin consacré aux Balletsrusses sorti des presses de la Société générale d’impressionl’imprimerie des Robes de Paul Poiret. 6 vers de Jean Cocteauillustrés de 6 délicates gravures de Paul Iribe représentant VaslavNijinski 1889-1950 dans deux ballets : Giselle et Shéhérazade.Cocteau cherchait à travers cet hommage à Nijinski labienveillance de Diaghilev dans l'optique d'une collaborationfuture avec les Ballets russes. ""Je ne sais plus s'il m'étonnedavantage par le miracle de ses vols ou par l'intensité de son jeu. Le Spectre de la rose c'est Nijinsky. Dans un costume auxpétales frisés auquel le rêve de la jeune fille ajoute peut-êtrel'image précise d'un récent danseur il pénètre parmi lescretonnes bleues avec la chaude nuit de juin. Il mime etconcentre tout ce qui jusqu'alors me semblait intraduisible d'untriste et superbe assaut d'arôme. Orgueilleux de sa rougeturbulence il tournoie en suaves remous imprègne les rideaux demousseline et enveloppe la dormeuse d'un voile tenace. Rien deplus extraordinaire ! La magie est telle qu'il recommence la fêtepeuple un sommeil enfantin de douces voltiges et tout à coupaprès un adieu final à sa chère victime par la fenêtre béante ils'évapore d'un bond si pathétique si contraire à toutes les loisd'équilibre si courbe et si haut que jamais plus la fuite et le retourd'un parfum de rose ne pourront m'assaillir sans que mon odorats'augmente d'un fantôme ineffaçable. J'éprouve à voir Nijinsky leplaisir illimité de l'art et l'allégresse précise des mathématiques. Ilfait sans cesse la preuve de son génial problème et son prestigeémane de cet équilibre."" Jean Cocteau Comoedia illustré du 15juin 1911. Édition limitée à 999 exemplaires ; un des 934 surJapon.Expertise by Cécile Ritzenthaler Paris. Paris: Société générale d'impression , [1910] paperback
122189Paris Société générale d'impression 1910. . Limited edition one of 999 copies on papier japon; 4to 30.7 x 30.1 cm; 6 plates by Paul Iribe each with verse by Jean Cocteau; original printed wrappers replacement black cord tie some staining to lower cover a very good copy.<br /> Iribe was a French designer and fashion illustrator who for a while was a member of the Ballets Russes circle hence these depictions of the troupe's most celebrated dancer. Nijinsky is shown here dancing in the ballets Giselle and Scheherazade. The poet Jean Cocteau was keen to have his work associated with that of the Ballets Russes in the hope that Serge Diaghilev would in turn want to collaborate with him.<br /> Paris, Société générale d'impression, [1910]. unknown
1910136928Paris: Société générale d'impression 1910. A veritable love letter to Nijinsky First edition one of 934 standard copies from an edition of 1000 on japon inscribed by the illustrator on the recto of the limitation leaf "A Madame Suzanne Süe son admirateur et son ami respectueux Paul Iribe août 1910". "Nijinsky fascinated Cocteau most on account of his potent mixture of animality and fragility at once desirable and androgynous half-angel and half-leopard. He presented for Cocteau a unique hybrid spectacle of desire pain and sacrifice. In this little-known volume. Cocteau signed a veritable love letter to Nijinsky" Williams p. 46. The book arranges Cocteau's pair of Nijinsky-inspired poetic triplets into single lines to form captions for Iribe's Beardsley-esque illustrations. Paul Iribe 1883-1935 worked in Hollywood during the 1920s and was Coco Chanel's lover from 1931 to his death. He came to prominence when couturier Paul Poiret used his fluid decorative line to create a modern style of fashion plate subsequently collected in the volume Les Robes de Paul Poiret racontée par Paul Iribe. These images of uncorseted young women enjoying the luxurious pastimes of the affluent were contentious. Cocteau said in Portraits-Souvenirs that "Iribe's album disgusts mothers". The recipient was the wife of Louis Süe the painter architect and interior designer. Süe visited Vienna with Poiret in 1910 and was inspired by the Wiener Werkstätte to create a similar design collective being a co-founder of L'Atelier Français in 1912 later establishing the Compagnie des Arts Français with André Mare. Quarto 300 x 310 mm. Six plates from line drawings by Iribe. Publisher's silk-tied light card wrappers printed in red and black. Some wear and soiling to the wrappers with scratches to the back wrapper and a light corner crease not affecting the illustrations. unknown
1910D7471Paris 1910. Limited Edition. Hardcover. Very Good. Original paper-covered boards; small folio with 6 plates by Paul Iribe. One of 934 copies "sur Japon." Spine and corners lightly chipped; a little faint foxing or dust-smudges here and there; nternally nice and clean. <br/><br/> hardcover
1929011835Brussels: Varietes Publisher 1929. Wraps. Good. Printed wraps. Pagination run 473-544 plus 36 pages of ads and black and white plates unpaginated throughout. All text in French. An issue of this Belgian magazine devoted to contemporary views of various subjects of the day with a lean toward Modernism and Surrealism especially in the art world. This issue includes black and white line drawings by George Grosz and Jean Cocteau; black and white reproductions of paintings by Picasso Joan Miro Max Ernst etc. Edited by Paul Gustave Van Hecke a Belgian journalist art promoter and art dealer noted for his affinity for Surrealism. GOOD condition. Moderate uneven browning to the covers. Some creasing and bumping at the corners and extremities. Wrappers chipped with some loss along the spine. Varietes, Publisher unknown
1929D17614Abbeville: Les Amis d'Edouard 1929. Paperback. Near Fine. Original wraps. One of 210 copies printed for "les Amis d'Edouard." Inscribed by the publisher to Joyce scholar Paul Jordan Smith in 1932. Nice copy. <br/><br/> Les Amis d'Edouard paperback
19565045<p>Témoignage.Jean Cocteau. Pierre Bertrand Editeur Paris 1956. Homage to Pablo Picasso in occasion of its seventy-fifth birthday. Limited in 125 numbered copies of which this copy is n. 57. Illustrated with an original etching by Picasso depicting a nude turned on the back dated signed and inscribed in plate and an original etching by Paul Lemagny a portrait of Picasso. </p><p>In very good condition. Complete condition report on request as well extra pictures. </p> Pierre Bertrand Editeur. paperback
26889'Property of: Owen Edwards 112 Fitzjohns Avenue London NW3' Written before 1956 when Marsh moved from 112 Fitzjohns Avenue to Tanza Road. Typescript 242pp. 4to brown paper wraps damage to top of spine but no loss label on front with author "Owen Edwards" and title. A semi-autobiographical novel based on Marsh's experiences during the Second World War in the London Ambulance Service. Initially a "Notice" "The characters in this book are fictitious. Some of the incidents are naturally based on real happenings during the war but they are none of them wholly accurate.". The novel starts with the hero Lang joining the Service. Subjects include: the work environment and fellow-workers; routine work on the Station; shifts; London background; women workers even a "girl driver" ; state of repair of the ambulances; a German colleague; a Welsh colleague; bridge and solo; transporting wounded American soldiers from St Pancras Station; billiards; bedding arrangements inc. "peephole to the girls' room"; the canteen inc. personnel; a communist; inter-station contests first-aid etc; "auxiliaries who cracked up in the raids"; incidents during Blitz; practice and lectures; a "biting" lady instructor; hero wrote first aid based doggerel examples given inc. "The Ballad of the Bones by A. Bonypart" p.99; .; "Occurrence Book"; etc. etc. A comprehensive portrait of the ambulance service and its personnel after the Blitz although Marsh is said to have served during the Blitz.Box 41 'Property of: Owen Edwards, 112 Fitzjohns Avenue, London, NW3' [Written before 1956 when Marsh moved from 112 Fitzjohns Avenue t paperback
