Jean GENET - Jean COCTEAUBiblio.com
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194791769n. l.: Paul Morihiens. n. 1947. Fine. One of a 9-copy issue of this celebrated clandestine novel with an original drawing by Cocteau Paul Morihien s. n. n. l. s. d. 1947 ; lettre : fin mars 1944 25 x 32.5 cm En feuilles sous chemise et étui First edition. One of 10 copies on vélin de Lana lettered G around which Genet has signed in blue ink signed by Genet at the limitation page most limited deluxe issue except for a unique copy. Complete with the loose leaf beginning with Une brusque lassitude.. With an autograph letter signed by Jean Genet on one page with customary fold marks from mailing published in Edmund White Jean Genet pp. 260-261. Illustrated with 29 erotic lithographs by Jean Cocteau and an original pencil drawing by Cocteau as well as a suite of the illustrations presenting some foxing on certain plates. Loose leaves in the publishers wrappers and laced slipcase with the upper board detached wood slipcase square spine with slide mechanism on the spine bearing the title and author engraved in red. An exceptional copy with a suite of the illustrations on Chine paper and an original drawing by Cocteau also featured in the book on p. 177. Also with an important autograph letter signed dating from late March 1944 written by Jean Genet to Maurice Toesca thanks to whom he avoided being sent to a concentration camp. Maurice Toesca a senior official at the Prefecture of Police as well as a prolific novelist biographer and literary critic had met Genet in 1944 on the request of Cocteau to secure his release: Sir Even had Monsieur Jean Cocteau not told me I would have understood the part you played in my release for you are poetrys representative at the Prefecture and my simple thanks would seem poor recompense for the marvellous gift you have given me. I am deeply sorry not to be able to offer you of all people a poem; but at least my heart is full of warm feeling toward you. Do not laugh Monsieur Toesca if you hear me speak of friendship it is still the finest thing I have to give. Please accept mine. Need I tell you again how desperate I was sunk in a darkness from which I no longer hoped to emerge and truly darkness it was for I had contemplated staking everything on an escape attempt whose most likely outcome was death the guards were terribly well armed! I tell you this nonetheless so that you may know my joy when the inspector came to announce my release. Monsieur Dubois was splendid; I should be glad if he could learn from you that I hold him in the deepest gratitude. My happiness is such that I could embrace everyone who helped bring this about. Monsieur Toesca it is a very thankful old thug who dares to shake your hand. translation our own Querelle de Brest was published clandestinely by Paul Morihien Jean Cocteaus secretary. Cocteau is responsible for the masterly and sensuous and unsigned illustrations. A portion of the five hundred and twenty-four copies printed were seized by the police the following year during a raid on the bookshop run by Morihien just steps from Cocteaus apartment at the Palais-Royal. After Genets wartime tribulations Cocteau came once more to his aid this time to spare him a life sentence: convicted for a third time and facing transportation to a penal colony Genet obtained a Presidential pardon through the intervention of Cocteau and Sartre. Querelle de Brest was adapted for the screen in 1982 by Rainer W. Fassbinder. A superb copy of this masterpiece a true cornerstone of homosexual and queer literary culture where the criminal underworld mingles with almost metaphysical ecstasy. [Paul Morihien]s. n. unknown
012311No Binding. Fine. Three scratchboards two 12'x 15" the other 16" x 12" depicting critical scenes from Jean Genet's classic Querelle. Two are uniform in size and are matted and framed in the style of the oblong one which wads originally matted and framed by the artist. The life of Sam Steward 1909 - 1983 the subject of Justin Spring's biography "Secret Historian: The Life and Times of Samuel Steward Professsor; Tattoo Artist and Sexual Renegade "Farrar Strauss Giroux 2010 took Steward from a small town Ohio upbringing to personal friendships with Gertrude Stein and Alice B. Toklas associations with George Platt Lynes Glenway Wescott and other literati and a close relationship with sex researcher Alfred Kinsey. Steward's life may well be most provocatively known for his explicit diaries journals photography and art that both recorded his sexual life in detail and which he shared with Kinsey. Starting out as an English professor at DePaul University with literary aspirations and after writing several commercially unsuccessful books Steward attempted mid-life in the early 1950s to seek approval from Jean Genet to publish his own English translation-with his own original illustrations - of Querelle de Brest. When it became clear to Steward that Genet was disinterested he dropped the project: these three scratchboards the art he he created for it. Steward's pursuit of "serious" literary expression ebbed and later in the 1960s under the pseudonym Phil Andros he authored a series of gay paperback novels STUD The Greek Way etc. regarded as the most literate of homoerotic fiction featuring his alter-ego hustler. He turned his artistic energies to tattooing operating parlors catering to naval and military servicemen in Chicago Milwaukee and finally Oakland. And his sexual activities increasingly involved sadomasochism in which he had always been interested All three of these drawings were reproduced in "An Obscene Diary: The Visual World of Sam Steward" Antonius Press/ Elysium Press 2010. During Steward's lifetime the "Lucky Strike" image was published in the Zurich-based Der Kries an early homophile publication introduced to Steward by Dr. Kinsey and also in the rare anthology of homoerotic art published by Der Kries in 1960 Der Mann in der Zeichnung under one of Steward's pseudonyms Philip von Chicago. Spring writes: "Noteworthy among Steward's many illustrations for Der Kries is one that was originally created for Steward's 1951- 1952 English language translation of Querelle de Brest. Working form Polaroid photographs taken of himself in various poses Steward fashioned three scratchboard illustrations for the story. In the first a man lights a cigarette for a sailor; in the second Querelle strangles the Armenian pederast; in the third Querelle is penetrated by the bartender husband of Madame Lysiane. The illustration of the sailor having his cigarette lit subsequently appeared in Der Kreis under the caption "Lucky Strike." Indeed Steward etched "LUCKY STRIKE" in the cigarette in the picture on the verso it is signed "Sam Steward 1951 1952". The strangulation picture has in Steward's hand on the verso: "From Genet's Querelle de Brest. Querelle strangles the Armenian". In the picture itself Steward etched his signature and date in the design on the Armenian's shirtcuff: "Sparrow Phil 1951". The picture of Querelle and the bartender in sexual union hung on the wall of Steward's apartment for many years. It is pictured in one of Steward's sex Polaroids reproduced in "Obscene Diary". On the verso of it Steward wrote "L'Execution De Querelle 9-19-51" Steward did not work in scratchboard alone. His art was quite versatile: murals in his apartments tempera watercolor pastel pen/ink and some wire sculpture and collage. These drawings could be regarded as the most important of his visual art. While they were motivated by literary aspiration they in effect represented a real turning point in his lif. unknown
