Misal, BaluBiblio.com
389 résultats
6209354033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209351476.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209348912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209356591.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209343791.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3659509302.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
*XS029995.- Dijon. 1867. Typ. Firmen Didot et Cie. 14x10 cm. 1 tomo. 501 pgs. Con una lámina. Bonita horla en todas las páginas. Plena piel. Cortes dorados. Buen estado. . . unknown
45967hardcover. Printed in red & black with 13 copperplates by Suor Isabella Piccini numerous engr. initials and tailpieces. Thin tall folio full cont. red morocco richly gilt- tooled with garlands & fan-shaped corners back gilt g.e. Venetiis: Balleoniana 1784.<br/><br/> unknown books
1912220125010Verlagskontor 1912. Leather . Clean & Unmarked /Acceptable. Text in fraktur script. Gilt tooled leather. All edges gilt. A gently read copy. Scarce dust-jacket in pieces with chips. 879 pp. Verlagskontor hardcover
3631839251.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1700002263Paris: Par la Compagnie des Libraires affociez au Livre de la Semaine Sainte 1700 1700. WITH THE GILT ARMS OF PHILIPPE II DUC D'ORLEANS. 1 vol. 752pp. 7-11/16" x 5-1/4" 4 full page engraved plates bound in contemporary full red morocco over cords gilt spine panels with double "PP" covers ruled in gilt gilt double "PP" corner pieces gilt crest of Philippe II to the center of both covers all edges gilt marbled pastedowns and endpapers internally clean and bright hinges fine head and foot of spine fine a VERY GOOD copy. Paris: Par la Compagnie des Libraires affociez au Livre de la Semaine Sainte, 1700 unknown
4649Hardcover. Fine. Missale Romanum ad usum Dioecesis Maclovien- sis 1795. 84 138 28 149-456 cvi pp. Neatly handwritten in ink throughout two columns mostly in cursive script; one inserted leaf of printed music; mounted wash drawing of Christ on the cross. 9x7 period boards vellum spine. Exceptionally well executed late 18th century manuscript missal in what appears to be several hands. With three bookplates: Very Rev. Francis J. Hall of St. Charles Rectory Hull; Monaterii S. Mariae & S. Petri de Prinknash; and Ronald Knox Library Prinknash Abbey. Several pencil notations on title-page including one seeming to indicate St. Malo as place of origin. One of the nicest such books we have seen. <br/><br/> hardcover books
16454529Antuerpiae Ex Officina Plantiniana Balthasaris Moreti 1645. 1645 8vo. 48 752 cxlvii 9 p. Ten engraved plates titlepage printed in red and black with an engraved vignette. Musical notation. Text in red and black throughout printed in double columns. Modern vellum over boards. Old stains to fore edge from the original clasps and thongs othewise a very good crisp copy. Antuerpiae, Ex Officina Plantiniana Balthasaris Moreti, hardcover
194325386Mellottee Limoges 1943. Sm. 8vo. with sepia-toned frontispiece pictorial title in blue and lack illustrated text in blue and black; contemporary full roan upper board blocked in gilt and black back with flat bands second compartment lettered in gilt gilt edges radial corners marbled endpapers coloured silk marker short split in upper joint but binding entirely sound a very good clean copy. VERY SCARCE Mellottee, Limoges, unknown
Sm. 8vo., with sepia-toned frontispiece, pictorial title in blue and lack, illustrated text in blue and black; contemporary full roan, upper board blocked in gilt and black, back with flat bands, second compartment lettered in gilt, gilt edges, radial corners, marbled endpapers, coloured silk marker, short split in upper joint (but binding entirely sound), a very good, clean copy. VERY SCARCE
0005997259.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
200844574Madison WI: University of Wisconsin 2008. First printing. 8vo pp. xii 267. Notes index. Illustrated with photographs and reproductions. As new in dj. A cultural history of the project. University of Wisconsin unknown books
16002945Paris: the Associated Booksellers to the Church apud Societatem Typographicam Librorum Officii Ecclesiastici 1600. Folio 362 x 245 mm. Collation: ã6 ê6 î4 i4 blank õ6 ũ6 ãã6 êê4; A-Z Aa-Yy6. 38 228 42 leaves. Double column printed in red and black double rule page-borders throughout. 57 pages with printed music staves red-printed. Woodcut title illustration of Saints Peter and Paul seven full-page woodcuts the first in two blocks: a woodcut border and small Annunciation cut five small woodcut vignettes including two repeats and approximately 368 historiated initials in various sizes and from various series. Small tear to corner of title-leaf occasional foxing very occasional offsetting of red ink small stains in gutters in quire O finger-soiling in Canon quire X small rust-hole in f. 212 NN2 affecting 3 letters last few leaves with narrow marginal dampstain and slight creasing to upper fore-corners. Bound in contemporary French gold-tooled and -stamped light brown goatskin covers paneled with double fillets inner panel with fleurons at outer corners inner corners with large stamp of leafy branches emerging from a small medallion with winged cherub's head large central oval medallion of the Crucifixion on upper cover and Annunciation on lower cover smooth spine with recessed cords decorated with overall double fillet panel with tiny fleurons at corners gilt edges plain endpapers remains of numerous fore-edge tabs in paper pale green or pink silk and black silk for the Mass for the Dead. Corners bumped slight wear front cover slightly rubbed a few small holes to lower cover foxing to endpapers. Provenance: contemporary inscription in French on front flyleaf listing "Messes pour tous les iours de la sepmaine" Masses for every day of the week; loosely inserted armorial papercut unidentified arms lion rampant on a chief three roses.An imposing post-Tridentine Missal an unrecorded issue in a fine Parisian gold-tooled binding. The illustrations of this copy differ from the other known copies of this edition. The binding tools appear on other books published by the same publishing consortium and have been associated with religious lay confraternities founded by Henri III in the 1580s.In 1570 with the papal bull "Quo primum" Pope Pius V imposed uniformity on the rites of Mass previously a hodge-podge of different local traditions. That bull was printed in all subsequent missals; it is accompanied here by papal and royal privileges which supply crucial information concerning the publishing history of this edition. Jacques Kerver was the first French libraire to obtain a privilege for the publication of liturgical works. When he died in 1583 the privilege passed to his widow who ceded it to a consortium of booksellers: Sebastian Nivelle Guillaume Chaudière Guillaume de la Noue Michel Sonnius and Thomas Brumen cf. Renouard Imprimeurs et libraires parisiens du XVIe siècle IV 22. That privilege expired on 22 December 1595. This edition includes Papal and Royal renewals of the Kerver privilege for the printing of "sacred books" Missals Breviaries and Offices of the Virgin granted respectively by Clement VIII and Henri IV both on 4 April 1596. For Thomas Brumen who had died in 1588 the Royal privilege substitutes his son-in-law and heir Jean Corbon II and adds the names of Claude Chapelet identified as bookseller to the Academy and Jamet Mettayer and Pierre L'Huillier respectively Royal printer and Royal bookseller Mettayer was also the official printer for the Royal confraternities.The preliminary matter further includes the reformed Gregorian Paschal calendar for the years 1582 to 1700 a table of moveable feasts for 1589 to 1621 the Rubricae generalis missae the Ritus servandus in celebratione Missae and an index of Saints' names. The second part of the Missal separately paginated contains the Commune Sanctorum. The subjects of the full-page illustrations are: the Annunciation: a small cut within an historiated woodcut border in twelve compartments showing four scenes from the life of the Virgin alternating with angels and the four Evangelists fol. êê4v; the Nativity B4v Crucifixion T6v opening the Canon Resurrection X4v Pentecost AA1v Last Supper BB3r and Last Judgment PP2v. These monumental woodcuts influenced by Italian and Flemish mannerism derive from various engraved sources including at least one engraving the Resurrection used by Jamet Mettayer in an Office of the Virgin published in 1586.The five smaller woodcuts printed from three blocks include a Crucifixion showing Longinus piercing the side of Jesus repeated twice the Last Supper and a smaller primitive Crucifixion cut. Noteworthy are the many historiated initials. Ruth Mortimer describing an edition by Kerver from 1574 noted that the elaborate historiated initials containing "figures of the saints the Evangelists and . New Testament scenes may be attributed to the same artists who worked on the illustrations. The blocks are so detailed as to give the impression of additional illustrations rather than initials." As in previous editions the initials were chosen carefully here to match the text: for example the four Rs opening the word Requiem in the Mass for the Dead ff. XX5 ff. incorporate a skeleton and funeral scenes.The full-page woodcuts had appeared previously in the Kerver-consortium's 1588 edition cf. an illuminated copy offered by Breslauer in 1981 cat. 104/II no. 192. Only a few copies of these repeatedly printed Paris post-Tridentine Missals survive in public collections and precise descriptions are few. The most thorough description is that by Ruth Mortimer of the Harvard copy of the 1574 Kerver edition. Both that edition and the 1583 edition of which there is a copy at the Newberry Library are illustrated with only two full-page woodcuts including the canon cut of the Crucifixion used here and numerous smaller woodcuts. The title of the 1574 edition bears the same Peter and Paul cut while the 1583 edition has Kerver's device.The present copy represents a previously unrecorded variant issue of the 1600 edition of which the two other copies located at the Austrian National Library digitized and with Sokol Books catalogue 65/64 are illustrated with engravings all but one of which differ iconographically from the present woodcuts. The exception is the aforementioned Resurrection woodcut which is copied in reverse from the engraving. The typesetting other than the title appears to be identical but rather than a letterpress title-page and woodcut full-page illustrations the other copies have an engraved title and seven full-page engravings. Another variant setting occurs in quires M and N: both issues have the small Longinus woodcut on M1v but the spaces here filled by 3 small woodcuts one used twice are left blank in the cited copies.The existence of multiple editions of these post-Tridentine Paris Missals has been documented; Mortimer for example noted that in 1574 Kerver printed two folio editions as well as quarto and octavo editions. From the early 1570s to the end of the century these liturgical books now rare were churned off the presses to meet the needs of priests and clerics throughout France and beyond several copies of the Kerver or Kerver-consortium editions survive in Spanish and Italian libraries. Under these circumstances the existence of multiple editions and variant issues is not surprising.The attractive Parisian binding shows signs of hasty finishing: the cornerpieces using a popular cherub's head and leafy branch motif are single stamps and those on the upper cover are unevenly placed so that three of them overlap the double fillet panel. It is however a luxury binding of high-quality goatskin and its decoration is charged with meaning which remains to be completely teased out. Several variants of the Crucifixion and Annunciation medallions were used on the bindings of a number of devotional books published by the present publishing consortium or by its individual members. A few of those bindings bear a motto Spes mea Deus used by members of the Confraternity of Penitents of the Annunciation founded by Henri III in 1583. Possibly by extension the Crucifixion stamp itself has been associated with the confraternity and with the three other "congregations" established by that devout monarch in 1583-85. The same large Crucifixion and Annunciation medallion stamps were used in a similar center- and cornerpiece design on the aforementioned Breslauer copy of the 1588 edition of this Missal and in a dated binding from 1599 covering a 1508 Verard book of hours in the British Library shelfmark c29f16 reproduced in the BL Database of Bookbindings. In both cases the corner feuillage stamps are different but the central medallions appear to be identical to those on this binding.Similar but not identical stamps besides those cited in the sources below are found on: a copy of Mettayer's 1586 Pseaultier de David recently offered by the Paris booksellers Laurent Coulet and Ariane Adeline in their catalogue "1586: Jamet Mettayer et les Confréries de Pénitents"; an Officium beatae Mariae Virginis Paris: apud Societatem Typographicum 1586 using both the Annunciation and Crucifixion medallions set within a fanfare design Bibliothèque Sainte Geneviève Réserve 8 Z 6685 INV 9940; and an Office de La Vierge published by Mettayer in 1586 BnF Réserve B. 1654 Lacombe 486. A book of hours for the use of Amiens Paris: for Guillaume de La Noue 1589 bound with several devotional tracts BnF Réserve B-27949; Lacombe 492 has a different Annunciation stamp but apparently the same Crucifixion stamp. Coulet and Adeline established a typology of 9 different Crucifixion stamps or 8 stamps and one variant the one used here being no. 8. Given these facts the possibility cannot be excluded that the publishers were involved in commissioning the bindings of this copy and of the other "Crucifixion medallion" bindings found on their imprints.This exceptional copy is of interest for the history of publishing printing illustration and binding; it raises questions about the very concept of an edition about the transmission of images and about the relations between printer-publishers bookbinders and book buyers in the hand-press period. USTC 137500 Austrian National Library only variant issue - not in their OPAC. Cf. Harvard/Mortimer French 378 8 June 1574 edition. Not in Weale-Bohatta or Amiet. On the binding cf. Hobson & Culot Italian and French 16th-century Bookbindings 1991 62; Claude La Charité "Henri III Le miroir des religieux 1585 de Louis de Blois et `la troisiesme couronne à frere Henri de Valois'" Revue de Bibliothèques et Archives du Québec no. 2 2010 online; Needham Twelve Centuries of Bookbindings 1979 82. the Associated Booksellers to the Church (apud Societatem Typographicam Librorum Officii Ecclesiastici) unknown books
8755Oxford: Printed At The University Press By Samuel Collingwood And Co. Printers to the University. Sold by E. Gardner G. B. Whittaker H. Mozley 1835 . 4to. 32.5cm x 25.5cm x 2.6cm. Printed title. Pages of the Holy Communion carefully strengthened with linen not obscuring text. A few pages slightly soiled due to regular use but not detracting from the overall appearence of the book. Inner gilt dentilles. Aegfaded in places . Contemporary full calf with gilt decoration and gilt title: "Parish Church "St. Johns" Weston-Super-Mare." Spine with 5 raised bands gilt decorated compartments and gilt title: "Altar Services". Edges slightly bumped. G Oxford: Printed At The University Press, By Samuel Collingwood And Co. Printers to the University. Sold by E. Gardner, G. B. Wh hardcover
146825Athens: Apostoaiki Ministry of Ekkaisias of Greece 1956. Hardcover 451pp. Very good no dust jacket. Card covers inserted in vinyl binding. Ribbon page marker borders headings and capitals in red index. Text in Greek Language. Religion Missal Religion. Apostoaiki Ministry of Ekkaisias of Greece Hardcover
1726311716Venice 1726. Printed in red & black; Engravings including initial letters & title page vignette depicting St Peters and a papal crown by Sister Isabella Piccini. Short thick folio red velvet worn over boards With silver escutcheons & corner pieces on back & front covers. Venetiis: Typographia Balleoniana 1726<br/> <br/> unknown
2008x-0299229408Univ of Wisconsin Pr 2008. Hardcover. New. 1st edition. 336 pages. 9.26x6.30x0.89 inches. Univ of Wisconsin Pr hardcover
2008Q-0299229408University of Wisconsin Press 2008-11-30. Hardcover. New. In shrink wrap. Looks like an interesting title! University of Wisconsin Press hardcover
2008DADAX0299229408University of Wisconsin Press 2008-11-30. 1. hardcover. New. 9.26x6.30x0.89. Buy with confidence. Excellent Customer Service & Return policy. University of Wisconsin Press hardcover
19691206273PN. New. 1969. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
