Missal, KevinBiblio.com
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9354407331.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
935440149X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
939533987X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1939769329.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
16002945Paris: the Associated Booksellers to the Church 1600. <p>Folio 362 x 245 mm. Collation: ã6 ê6 î4 i4 blank õ6 Å©6 ãã6 êê4; A-Z Aa-Yy6. 38 228 42 leaves. Double column printed in red and black double rule page-borders throughout. 57 pages with printed music staves red-printed. Woodcut title illustration of Saints Peter and Paul seven full-page woodcuts the first in two blocks: a woodcut border and small Annunciation cut five small woodcut vignettes including two repeats and approximately 368 historiated initials in various sizes and from various series. Small tear to corner of title-leaf occasional foxing very occasional offsetting of red ink small stains in gutters in quire O finger-soiling in Canon quire X small rust-hole in f. 212 NN2 affecting 3 letters last few leaves with narrow marginal dampstain and slight creasing to upper fore-corners. Bound in contemporary French gold-tooled and -stamped light brown goatskin covers paneled with double fillets inner panel with fleurons at outer corners inner corners with large stamp of leafy branches emerging from a small medallion with winged cherub’s head large central oval medallion of the Crucifixion on upper cover and Annunciation on lower cover smooth spine with recessed cords decorated with overall double fillet panel with tiny fleurons at corners gilt edges plain endpapers remains of numerous fore-edge tabs in paper pale green or pink silk and black silk for the Mass for the Dead. Corners bumped slight wear front cover slightly rubbed a few small holes to lower cover foxing to endpapers. Provenance: contemporary inscription in French on front flyleaf listing “Messes pour tous les iours de la sepmaine†Masses for every day of the week; loosely inserted armorial papercut unidentified arms lion rampant on a chief three roses.<br /> <br /> Unrecorded issue of an imposing post-Tridentine Missal in a fine Parisian gold-tooled binding. The woodcut illustrations of this copy differ from the other known copies of this edition which are illustrated with engravings. The binding tools appear on other books published by the same publishing consortium and have been associated with religious lay confraternities founded by Henri III in the 1580s.<br /> <br /> This exceptional copy is of interest for the history of publishing printing illustration and binding; it raises questions about the very concept of an edition about the transmission of images and about the relations between printer-publishers bookbinders and book buyers in the hand-press period. <br /> <br /> In 1570 with the papal bull “Quo primum†Pope Pius V imposed uniformity on the rites of Mass previously a hodge-podge of different local traditions. That bull was printed in all subsequent missals; it is accompanied here by papal and royal privileges which supply crucial information concerning the publishing history of this edition. Jacques Kerver was the first French libraire to obtain a privilege for the publication of liturgical works. When he died in 1583 the privilege passed to his widow who ceded it to a consortium of booksellers: Sebastian Nivelle Guillaume Chaudière Guillaume de la Noue Michel Sonnius and Thomas Brumen cf. Renouard Imprimeurs et libraires parisiens du XVIe siècle IV 22. That privilege expired on 22 December 1595. This edition includes Papal and Royal renewals of the Kerver privilege for the printing of “sacred books†Missals Breviaries and Offices of the Virgin granted respectively by Clement VIII and Henri IV both on 4 April 1596. For Thomas Brumen who had died in 1588 the Royal privilege substitutes his son-in-law and heir Jean Corbon II and adds the names of Claude Chapelet identified as bookseller to the Academy and Jamet Mettayer and Pierre L’Huillier respectively Royal printer and Royal bookseller Mettayer was also the official printer for the Royal confraternities.<br /> <br /> The preliminary matter further includes the reformed Gregorian Paschal calendar for the years 1582 to 1700 a table of moveable feasts for 1589 to 1621 the Rubricae generalis missae the Ritus servandus in celebratione Missae and an index of Saints’ names. The second part of the Missal separately paginated contains the Commune Sanctorum. The subjects of the full-page illustrations are: the Annunciation: a small cut within an historiated woodcut border in twelve compartments showing four scenes from the life of the Virgin alternating with angels and the four Evangelists fol. êê4v; the Nativity B4v Crucifixion T6v opening the Canon Resurrection X4v Pentecost AA1v Last Supper BB3r and Last Judgment PP2v. These monumental woodcuts influenced by Italian and Flemish mannerism derive from various engraved sources including at least one engraving the Resurrection used by Jamet Mettayer in an Office of the Virgin published in 1586.<br /> <br /> The five smaller woodcuts printed from three blocks include a Crucifixion showing Longinus piercing the side of Jesus repeated twice the Last Supper and a smaller primitive Crucifixion cut. Noteworthy are the many historiated initials. Ruth Mortimer describing an edition by Kerver from 1574 noted that the elaborate historiated initials containing “figures of the saints the Evangelists and . New Testament scenes may be attributed to the same artists who worked on the illustrations. The blocks are so detailed as to give the impression of additional illustrations rather than initials.†As in previous editions the initials were chosen carefully here to match the text: for example the four Rs opening the word Requiem in the Mass for the Dead incorporate a skeleton and funeral scenes.<br /> <br /> The full-page woodcuts had appeared previously in the Kerver-consortium’s 1588 edition cf. an illuminated copy offered by Breslauer in 1981 cat. 104/II no. 192. Only a few copies of these repeatedly printed Paris post-Tridentine Missals survive in public collections and precise descriptions are few. The most thorough description is that by Ruth Mortimer of the Harvard copy of the 1574 Kerver edition. Both that edition and the 1583 edition of which there is a copy at the Newberry Library are illustrated with only two full-page woodcuts including the canon cut of the Crucifixion used here and numerous smaller woodcuts. The title of the 1574 edition bears the same Peter and Paul cut while the 1583 edition has Kerver’s device.<br /> <br /> The present copy represents a previously unrecorded variant issue of the 1600 edition. I have located two other copies of the edition at the Austrian National Library digitized and with Sokol Books catalogue 65/64; they are illustrated with engravings instead of woodcuts all but one of which differ iconographically from the woodcuts in our copy. The exception is the aforementioned Resurrection woodcut which is copied in reverse from the engraving. The typesetting other than the title appears to be identical but rather than a letterpress title-page and seven woodcut full-page illustrations the other copies have an engraved title and seven full-page engravings. Another variant setting occurs in quires M and N: both issues have the small Longinus woodcut on M1v but the spaces here filled by 3 small woodcuts one used twice are left blank in those copies.<br /> <br /> The existence of multiple editions of these post-Tridentine Paris Missals has been documented; Mortimer for example noted that in 1574 Kerver printed two folio editions as well as quarto and octavo editions. From the early 1570s to the end of the century these liturgical books now rare were churned off the presses to meet the needs of priests and clerics throughout France and beyond several copies of the Kerver or Kerver-consortium editions survive in Spanish and Italian libraries. Under these circumstances the existence of multiple editions and variant issues is not surprising though the outright replacement of engravings with woodcuts or vice-versa seems unusual.  <br /> <br /> The attractive Parisian binding shows signs of hasty finishing: the cornerpieces using a popular cherub’s head and leafy branch motif are single stamps and those on the upper cover are unevenly placed so that three of them overlap the double fillet panel. It is however a luxury binding of high-quality goatskin and its decoration is charged with meaning which remains to be completely teased out. Several variants of the Crucifixion and Annunciation medallions were used on the bindings of a number of devotional books published by the present publishing consortium or by its individual members. A few of those bindings bear a motto Spes mea Deus used by members of the Confraternity of Penitents of the Annunciation founded by Henri III in 1583. Possibly by extension the Crucifixion stamp itself has been associated with the confraternity and with the three other “congregations†established by that devout monarch in 1583-85. The same large Crucifixion and Annunciation medallion stamps were used in a similar center- and cornerpiece design on the aforementioned Breslauer copy of the 1588 edition of this Missal and in a dated binding from 1599 covering a 1508 Verard book of hours in the British Library shelfmark c29f16 reproduced in the BL Database of Bookbindings. In both cases the corner feuillage stamps are different but the central medallions appear to be identical to those on this binding.<br /> <br /> Similar but not identical stamps besides those cited in the sources below are found on: a copy of Mettayer’s 1586 Pseaultier de David recently offered by the Paris booksellers Laurent Coulet and Ariane Adeline in their catalogue “1586: Jamet Mettayer et les Confréries de Pénitentsâ€; an Officium beatae Mariae Virginis Paris: apud Societatem Typographicum 1586 using both the Annunciation and Crucifixion medallions set within a fanfare design Bibliothèque Sainte Geneviève Réserve 8 Z 6685 INV 9940; and an Office de La Vierge published by Mettayer in 1586 BnF Réserve B. 1654 Lacombe 486. A book of hours for the use of Amiens Paris: for Guillaume de La Noue 1589 bound with several devotional tracts BnF Réserve B-27949; Lacombe 492 has a different Annunciation stamp but apparently the same Crucifixion stamp. Coulet and Adeline established a typology of 9 different Crucifixion stamps or 8 stamps and one variant the one used here being no. 8. <br /> <br /> Given these facts the possibility cannot be excluded that the publishers were involved in commissioning the bindings of this copy and of the other “Crucifixion medallion†bindings found on their imprints.<br /> <br /> USTC 137500 Austrian National Library only variant issue - not in their OPAC. Cf. Harvard/Mortimer French 378 8 June 1574 edition. Not in Weale-Bohatta or Amiet. On the binding cf. Hobson & Culot Italian and French 16th-century Bookbindings 1991 62; Claude La Charité “Henri III Le miroir des religieux 1585 de Louis de Blois et `la troisiesme couronne à frere Henri de Valois’†Revue de Bibliothèques et Archives du Québec no. 2 2010 online; Needham Twelve Centuries of Bookbindings 1979 82.</p> the Associated Booksellers to the Church unknown
1276555237.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025__3648183060Haufe Lexware GmbH 2025. Paperback. New. 260 pages. German language. 6.61x0.51x8.90 inches. Haufe Lexware GmbH paperback
48760Romae - Tornaci : Typis Societatis S. Joannis Evangelistae. Desclee et Socii S. Sedis Apost. et S. Rituum Congreg. Typograph. C. 1921 . A very good full leather binding. 8vo. 30.0cm x 23.5cm x 6.5cm . Red calf over thick boads. Gilt cross to both boards. Corners and hinges carefully strengthened. Smooth spine with gilt banding and gilt title: "Missale Romanum". Rubbed gilt page edges with 11 silk tabs firmly attached. Inner gilt dentelles. Coloured endpapers lightly foxed and soiled. Free-endpapers blank but creased. Title-page and Dedicatory also creased. No date on the title-page but Dedicatory dated 1921. Clear Latin text in red and black with some written notes and numerous illustrations within text. Many pages strengthened along the edges due to wear. Pagination: pp.xlvi/4pp./pp.262/pp.273-656/pp.200/pp2./pp.2/pp.4/pp.72/pp.89-96 11 blank leaves at the end. Romae - Tornaci : Typis Societatis S. Joannis Evangelistae., Desclee et Socii, S. Sedis Apost. et S. Rituum Congreg. Typograph. hardcover
3501Londoni et Leamingtoniae London : Art and Book Company 1898. Editio Tertia". pp.68. Nihil Obstat: C. J. Cronin S.T.D. Re-imprimatur: Eduardus Epus Birmingham. Die 19 Julii 1898. Latin text in double columns. Red page edges. Dark brown cloth gilt title to front board. Minor browning to endpapers. Fading to front board. G Gavantius 1569 - 1638 liturgist and member of the Barnabite order was named perpetual consultor to the Congregation of Rites by Pope Urban VIII. Londoni et Leamingtoniae ( London ) : Art and Book Company, 1898 hardcover
1821L024972Chez J.M. Garrigan 1821. First Edition. Leather Binding. Good/No Jacket. 16mo - over 5¾" - 6¾" tall. 12mo 432pp Text in Latin and French title page in French only. Includes the Latin text of the Ordinary of the Mass and Vespers plus the litanies of the saints and other rites particularly those appropriate to the diocese of Mende in the south of France. Introductory letter and permission statement in French signed 'Jean-Francois' the bishop of Avignon. Notable for the portrait woodcut illustration of Saint Nicolas on title page verso. Bound in full contemporary dark brown calf gilt-stamped red morocco spine label plain endpapers. Good edges and corners worn and rubbed; some rubbing and staining to spine and covers; lacks front and rear preliminaries and blanks few signatures shaken some internal browning and foxing.1 b/w engr illus; title vig. Chez J.M. Garrigan unknown
193782951Ratisbonae: Friderici Pustet 1937. 36 x 26 cm red leather hardcover metal clasps and fittings 4 blanc pages frontispiece in colour title page in red and black 4 2 5-50 2 748 2004 36 2 18 2 pages. minor wear few gift notes in ink on endpaper few pages with some spots although in very good condition see pictures. Weight is 5.4 kg! Roman Catholic liturgical missal according to the Tridentine rite revised and issued following the Council of Trent and later papal updates. Printed in red and black with musical notation for chant and decorative metal bindings. Metal ornaments and claps by 'Hamers Edelsmidse'. Friderici Pustet hardcover
176584155Antverpiae: Ex Architypographia Plantiniana 1765. 36 x 24.5 cm contemporary leather binding over boards with raised bands on spine ruled border blind-stamped on covers marbled endpapers title page in red and black 66 624 cxxviii 4 8 2 1 pages printed in red and black throughout engraved frontispiece and full-page engraved illustrations text in Latin. Binding lightly worn with rubbing and scuffing to covers and corners interior pages age-toned browned but clean and complete overall still in very good condition see picture. Issued by the famous Plantin-Moretus press in Antwerp one of the most celebrated printing houses in European history. This edition of the Roman Missal conforms to the Tridentine rite as mandated by the Council of Trent and subsequently revised under Popes Pius V Clement VIII and Urban VIII. Includes Proper of the Time Proper of Saints Common of Saints and chant notation; notable for its fine 9 engraved illustrations. Ex Architypographia Plantiniana hardcover
172218639AB1722. Paris Quillau et Desaint 1722. 16 : 105 cm. XLVIII 356 off 3 leaves pages IX-XLIV 290 pages CCXV pages. Contemporary calf with two claps. On the front fly-leaf dedication with the initials E.M.E. With exlibirs Marie-Francoise Comtesse d'Esterhazy née Marquise de Roissin. unknown
Dijon Peillet et Marchet vers 1890. In-12 relié plein maroquin bordeaux, dos à nerfs, initiales de laiton entrelacées au 1er plat V et D, gardes de tissu moiré bordeaux, large dentelle d'encadrement dorée intérieure, filets dorés sur les coupes, toutes tranches dorées. 511 pages chacune dans un encadrement différent, gravure de G. JOHANNET. Dans son coffret. Très bel exemplaire.
Sanchez 1888, In-12 plein maroquin marron, dos à nerfs et plats déorés de guirlandes de feuillage dorées, toutes tranches dorées, gardes de soie créme et roulettes dorées d'encadrement inétrieures. 507 pages. Texte dans un encadrement composé par H. ALLOUARD, différent à chaque page, dessins hors texte par Ludovic MOUCHOT et Henri CAROT, gravures sur bois de MEULLE, gravures au burin de J. MASSARD. Bel exemplaire.
Roux et Marchet 1901. In-12 carré pleine reliure éditeur au plat décoré à motif doré, incrusté de vert. Tranches dorées, gardes de soie verte avec roulette intérieure dorée. Coupes dorées. 510 pages illustrées par CHAPUIS. Dans un coffret. Parfait état.
Paris Sanchez éditeur 1887, petit In-8 plein maroquin marron, dos à nerfs orné de fleurons dorés, plats trés décorés de flerons et arabesques dorés, roulettes intérieures, filets dorés sur les coupes, gardes de tissu moiré, toutes tranches dorées, 507 pages. Gravures sous serpentes en hors texte, chaque dans un joli encadrement dessiné à motifs de fleurs et d'oiseaux, différent à chaque page. Trés bel exemplaire.
0243876807.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9788557170315BENVIRA. new. Simoni Missel acostumou-se a garimpar potencialidades identificar afinidades e n�o permitir que as empresas percam talentos por conta de problemas causados pelo estresse e pela dificuldade de relacionamento. Especialista em desenvolver pessoas tendo em vista as necessidades do neg��cio Simoni Ǹ uma defensora ferrenha do uso do feedback como ferramenta de desenvolvimento humano e profissional. Para escrever Feedback corporativo - Como saber se estǭ indo bem a autora usou como base mais de 15 pesquisas que desenvolveu e aplicou em seus mais de 30 anos de carreira alǸm de casos que p�de observar in loco com seus clientes. Para os gestores este livro servirǭ como um guia para aplicar um feedback e ciente e enriquecedor tanto para a empresa como para os funcionǭrios mostrando que o mǸtodo Ǹ uma ferramenta para ajudar seus colaboradores a se desenvolver profissional e pessoalmente. Para os funcionǭrios mostrarǭ a import�ncia do feedback e como agir perante um retorno ""positivo ou construtivo"" aprendendo a separar o pessoal do profissional. Em 2016 Simoni juntamente com sua equipe desenvolveu o Feedback Manager um software para a sistematiza��o da metodologia do Feedback Corporativo atravǸs de formulǭrios prǭticos e didǭticos totalmente adaptados �� realidade de reuni��es produtivas e com foco no desenvolvimento imediato do colaborador. BENVIRA unknown
199450645Zagreb, 1994. 8°. 215 num., 1 nn. Bll. u. 24 S. (Beiheft), Blindgepr. OKunstldr.-Bd.
90445Lyon, 2003, broché, exemplaire numéroté 129/150, bon état.
1770047085Angelopoli Puebla: Typis Seminarii Palafoxiani 1770. First Edition. Hardcover Full Leather. Very Good Condition. José de Nava. Contemporayr full calf wear at edges surface scrapes to leather old paper spine label and private library label to spine paste paper endpapers stamp from library of Rev. L. Kenzel and a printed in Germany stamp to verso of title. SLight browning to page edges some offsetting and acidification from the ink used in the musical notation and engravings; generally a bright fresh copy internally. 8 1-137; Frontispiece 1-198 pages 133-135 incorrectly numbered 233-235 pp. Sabin 49459 Palau V195.<br/><br/>A high point of Mexican printing. Finely printed in Puebla with 3 very fine engravings by de Nava. The Mozarabic rites were used by the Visigothic and Mozarabic Christians of medieval Spain until replaced in the the 11th century. They were reauthorized for use in Toledo in the 15th century where they continue in some form to be used. Size: Folio. Illustrator: José de Nava. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Religion & Theology; Antiquarian & Rare. Inventory No: 047085. Typis Seminarii Palafoxiani hardcover books
R36161s.l., s.d. 6pp.+ 1 planche hors-texte, br., extrait du Bulletin de la Société de l'histoire de Paris et de l'Ile-de-France" T.32 (1905), non coupé, bel état
R36162s.l., s.d. 6pp.+ 1 planche hors-texte, br., extrait du Bulletin de la Société de l'histoire de Paris et de l'Ile-de-France" T.32 (1905), dédicacé par l'auteur, bel état
6pp.+ 1 planche hors-texte, br., extrait du Bulletin de la Société de l'histoire de Paris et de l'Ile-de-France" T.32 (1905), non coupé, bel état
