389 résultats
15005Paris, Louis-Guillaume de Hansy, 1774 ; in-12. Frontispice-XL-715 pp.-(1)-LX pp. Maroquin vermillon, dos à nerfs ornés de fers dorés, pièce de titre bronze, plats encadrés dune large dentelle dorée avec des petits fers floraux aux angles, tranches dorées, roulette dorée sur les coupes et les chasses, étiquette du libraire Pallandre à Paris sur le contreplat supérieur. Léger frottement sur les plats, manque à la coiffe supérieure et coiffe inférieure arasée, petites rousseurs, coins frottés. Marque du libraire sur la page de titre. Texte en latin et français.
189811027Regensburg, Friedrich Pustet, 1898. 14. Auflage 12° (15-18,5 cm). CXIV S., 1 Bl., 716, 292, 23 SS. Halbleder der Zeit mit goldgeprägtem Rückentitel und Ganzkopfrotschnitt
195212371Regensburg, Pustet, 1952. 28. Auflage (Editio XXVIII juxta Typicam Vaticanam) 8° (18,5-22,5 cm). 75*, 712, [212], 36, 7** S. Ganzleder mit goldgeprägtem Rückentitel und Deckelverzierung sowie 6 Lesebändchen in Oschuber [3 Warenabbildungen]
1770047085Angelopoli Puebla: Typis Seminarii Palafoxiani 1770. First Edition. Hardcover Full Leather. Very Good Condition. José de Nava. Contemporary full calf wear at edges surface scrapes to leather old paper spine label and private library label to spine paste paper endpapers stamp from library of Rev. L. Kenzel and a printed in Germany stamp to verso of title. SLight browning to page edges some offsetting and acidification from the ink used in the musical notation and engravings; generally a bright fresh copy internally. 8 1-137; Frontispiece 1-198 pages 133-135 incorrectly numbered 233-235 pp. Sabin 49459 Palau V195.<br /> <br /> A high point of Mexican printing. Finely printed in Puebla with 3 very fine engravings by de Nava. The Mozarabic rites were used by the Visigothic and Mozarabic Christians of medieval Spain until replaced in the the 11th century. They were reauthorized for use in Toledo in the 15th century where they continue in some form to be used. Size: Folio. Illustrator: José de Nava. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Religion & Theology; Antiquarian & Rare. Inventory No: 047085. Typis Seminarii Palafoxiani hardcover
23189Vanves, Vic et Amat, 1902, petit in 12 relié plein chagrin marron, dos à faux nerfs orné, roulette dorée intérieure, tranches dorées, initiales dorées "J P" frappées sur le plat supérieur, 622pp. ; illustrations hors-texte ; un cahier légèrement déboité ; infimes défauts à la reliure.
1956LFA-126745061Un ouvrage de 1950 pages, format 110 x 170 mm, relié cartonnage souple, publié en 1956, Editions Tardy / Action Catholique Rurale / Editions Ouvrières, bon état
1966LFA-126748442Un ouvrage de 1950 pages, format 110 x 170 mm, relié cartonnage souple, publié en 1966, Editions Tardy / Action Catholique Rurale / Editions Ouvrières, bon état
1825110554Paris, Chez Le Fuel, Relieur-Libraire, impr. Imprimerie de J.-M. Eberhart, à Paris 1825 In-32 11,5 x 7 cm. Cartonnage romantique moire rose de l’éditeur, dos lisse orné de roulettes et de petits fers dorés, plats et contreplats encadrés de roulettes dorées, tranches dorées, XII-395 pp., texte en partie à 2 colonnes français / latin, 5 gravures hors-texte dont en frontispice “Les derniers adieux de Louis XVI à sa famille”, table des matières. Cartonnage terni, avec petites salissures et et mouillure, intrérieur frais. Joint une image pieuse. édition peu courante.
186721889Dijon Pellion et Marchet Frères 1867 in-16 ivoire un volume, reliure rigide (dos et plats en "IVOIRE") in-16 Editeur avec fermoirs ( binding ivory in-16 Editor) (10,6 x 7,5 cm), Décor en relief à motif sculpté "coupe, coeur et grappes de raisins" sur le premier plat, dos muet, toutes tranches dorées, gardes blanches moirées, orné d'un Frontispice et d'un titre gravé en couleurs par L. DOPTER et d'une gravure hors-texte en noir représentant Notre-Dame du Rosaire, 576 Pages, 1867 Dijon Pellion et Marchet Frères Editeurs,
002555Kevelaer, Jansen y Derricks, sd (ca.1890). In-16 (104*69mm), 253p. Petite édition allemande d'un missel en espagnol, ornée d'un frontispice et de 17 gravures représentant les différentes etapes de la messe. Reliure en celluloïd, premier plat gaufré. Bon état, papier jauni.
002553Braine-Le-Comte, Zech et fils, sd (ca.1890). In-16 (105*70mm), 382p. Petite édition belge ornée d'une gravure représentant la Crucifixion et d'une titre gravé en chromolithographie. AM pour Ave Maria en relief sur le premier plat. Reliure en celluloïd, premier plat gaufré, fermoir en métal, tranches dorées. Très bien conservé, petits défauts.
002552Dijon, Pellion et Marchet frères, 1885. In-16 (98*70mm), 512p. Petite édition bourguignonne ornée d'une gravure en frontispice illustrant la Sainte Trinité. Reliure en celluloïd, premier plat gaufré d'une grande croix en relief, fermoir en métal argenté, tranches dorées. Premier plat un peu jauni, plats comme toujours un peu gondolé.
004150Tours, Mame, 1891. In-16 (105*75mm), 512pp. Très joli missel avec son porte-louis dans la boîte d'origine. Le missel est en celluloïd incrustée de nacre et d'argent, fermoir en celluloïd, tranches dorées. L'ouvrage est illustré de quelques gravures sous serpentes dont une en chromolithographie (en frontispice). Le porte-louis est en celluloïd incrusté d'argent uniquement avec un intérieur de moire, monture en métal. Cadeau de communion typique, celui-ci a été offert en 1893 à une communiante. Il a été peu utilisé et est dans un état quasi-parfait. Le seul défaut est la présence de quelques rousseurs dans l'ouvrage. Ensemble dans sa boîte d'origine en bois recouverte d'un papier imitant le cuir, avec des défauts sur le papier comme toujours mais toujours parfaitement solide. Superbe exemplaire, ensemble qu'on voit rarement aussi bien conservé.
1770131404à Paris, chez Louis-Guill. de Hansy 1770 In-18 12,5 x 6,5 cm. Reliure de l’époque maroquin grenat à long grain, dos lisse orné de petits fers encadrés de roulettes dorés, plats et contreplats encadrés de roulettes dorés, tranches dorées, vignette au titre avec la figure de saint Nicolas signée Beugnet, XLVIII-286 pp., frontispice et certaines figures dans le texte signées Papillon, table.
1784AQ14409Olispone i.e. Lisbon: Typographia regia et privilegio 1784. 30 672pp cxlvi 10 58. Several engraved devotional images within pagination. Contemporary red morocco richly gilt marbled endpapers and gilt gauffered edges yellow metal clasps. Rubbed small incision to lower joint paper label to upper board. Tears to FFEP occasional marginal loss/tearing some occasional marking. A handsomely bound Portuguese-printed Roman missal which despite later confusion in an inscription to a blank fly-leaf earlier manuscript letters inserted suggest that this was seized from the flagship of the usurper Dom Miguel the 80-gun Don Juan during the 1833 Battle of Cape St. Vincent passing through the hands of several clergymen before being presented to Grayfriar's Oxford. . Folio. Typographia regia, et privilegio unknown
189254954Dijon:: Pellion et Marchet Freres 1892. full morocco gilt; a.e.g. Very slight rubbing to joints and corners; very attractive. 12mo. Frontispiece in color; decorative borders on every page. Pellion et Marchet Freres, unknown
1673134<p>Extremely Rare Venetian Missal in a fine contemporary leather binding.</p><p>No copy of this edition recorded on WorldCat</p><p>Roman Church.<em> Missale Romanum ex Decreto Sacrosancti Concilii Tridentini Restitutum Pii V Pontificis Maximi Iussu Editum Clementis VIII Urbani VIII Alexandri VII Clementis IX et SS D.N. Clemente Papa X Novissime Suis Locis. </em>Venetiis Venezia apud Cieras MDCLXXIII 1673.</p><p>Folio 384 x 258 mm full black leather binding single ruler with floral decoration on boards charming metal plaque in the centre of the front board depicting two winged cherubs; spine with seven raised bands pp. 40 422 4 423-527 1 CXX 6 CXXI-CXXIII i.e. CIII 1. Original clasps preserved. Title page in red and black ink with a beautiful engraved vignette at f. a¹ <em>Commune sanctorum</em>. Signature: ¹Ⱐ2⸠3² A-2K⸠a-e⸠f-gâ¶</p><p>1 full-page engravings: Annunciation signed by the Sienese Engraver Giovanni Maria Ferri and four by Giacomo Piccini father of Sister Isabella. Several historiated initials. Pages of music engraved within the text in red ink.</p><p>Apparently the only existing copy of this edition of the Missale Romanum.</p><p>After the Council of Trent 1545-1563 liturgical norms underwent significant changes with the aim of unifying and strengthening the practice of the Catholic faith in response to the divisive tendencies of the Protestant Reformation.</p><p>Among the key reforms was a revision of sacred texts particularly the <em>Roman Missal</em> which was standardized and promulgated by Pope Pius V in 1570 through the bull <em>Quo Primum Tempore</em>. This new missal known as the <em>Tridentine Missal</em> standardized liturgical rites across the Latin Church eliminating local variations that had developed over the centuries except those with at least 200 years of tradition. Latin was retained as the official liturgical language and the gestures prayers and readings were clearly defined establishing a strict canon.</p><p>This liturgical reform endured for centuries until a new wave of changes introduced by the Second Vatican Council in 1962 which led to the creation of an updated Roman Missal with greater openness to vernacular languages and more active participation of the faithful.</p><p>Imprimatur: "We Brother Bassanus Galliciolus of Brescia of the Order of Preachers Master of Sacred Theology and General Inquisitor against heretical depravity in the City of Venice and throughout its Most Serene Dominion specially delegated by the Holy Apostolic Office.</p><p>We have compared the Roman Missal recently printed by Mr. Bonifacio Ciera with another already duly approved and since it is found to agree with it in all respects as well as with the Decrees of the Sacred Congregation of Rites and of the Supreme Pontiffs we therefore grant permission for it to be published.</p><p>And in testimony thereof etc.</p><p>Given at Venice from the offices of the Holy Inquisition on the 1st of January 1673.</p><p>Thus it is Brother Bassanus as above by his own hand."</p><p>Conditions: Few small wormholes along the text light marks of use. Overall a good copy.</p><p>Provenance: Paper <em>Ex libris</em> " Luigi Carpaneto " on front pastedown.</p><p>Wider description and more images:</p><p>https://tinyurl.com/1673Missal-PDF</p> apud Cieras
1587ABC_48453Antwerp: Christoffel Plantin 1587. Contemporary elaborately blind-tooled pigskin over bevelled wooden boards sewn on 4 double supports with the corresponding raised bands on the spine the manuscript title in the first compartment and the original manuscript shelf mark label "H.36" of the Monastery of Buxheim in the fifth compartment both boards with an ornamental roll and a roll with the portraits of Salvater sic! Maria S. Bruno and S. Johannes in a panel design two original brass clasps and catches ornamented with a small star leather tabs and six original bookmarkers plaited into a big knot. 8vo. With a woodcut vignette with Peter and Paul by Peeter van der Borcht on the title page 6 full-page woodcuts ca. 112 x 75 mm by Antoon van Leest after Peeter van der Borcht 6 half-page square woodcuts 55 x 55 mm in border one signed by Antoon van Leest one woodcut 90 x 76 mm by Antoon van Leest after Peeter van der Borcht and 2 smaller oval woodcuts. The work is printed in red and black. Plantin edition of the revised Roman Missal following the directives of the Council of Trent first published in Rome in 1570 by order of pope Pius V 1504-1572 and later approved by Clemens VIII 1536-1605 and Urbanus VIII 1568-1644. The work was quite popular as Plantin published a new missal nearly every year from 1571 onwards. All editions were printed in different sizes and in two issues one with woodcut illustrations and one with engravings. The present copy is the octavo edition with woodcut illustrations and comes from the library of the famous Carthusian monastery of Buxheim Maria Saal near Memmingen Bavaria.The monstery of Buxheim was founded in 1402 and dissolved after the secularisation in 1803. The rich library was auctioned in 1883 by Förster and in 1884 by Ludwig Rosenthal in Munich. The Museum of the Charterhouse Buxheim today is actively studying the history of the library and the present location of its books and manuscripts. The present copy is bound in contemporary pigskin which was likely bound for the monastery itself as the rolls depict Saint Bruno who was the founder of the Carthusian order. The Missal is therefore probably bound in a South-German bindery in the surroundings of the monastery.With an ownership annotation on the title page "Cartusiae Buxheim". The binding is somewhat rubbed and soiled. The leaves are lightly browned some of the leaves are slightly stained especially around the leather tabs. Otherwise in good condition.l Belg. Typ. 6335; Imhof Plantins 1574 Missale Romanum in octavo in: De Gulden Passer 73 1995 pp. 67-82; Nagler I 1459; USTC 406791; Voet 1701 A; Weale-Bohatta no. 1269; not in Haebler. Christoffel Plantin, hardcover
3585Tours, Alfred Mame et Fils, Éditeurs, 1898, in-16, 578 pp. rel. chag. noir d'ép. dos à nerf, 1er plat décor à froid Croix - Frontispice Ruhierre sc.
179012684Lyon Societatis Bibliopolarum Impensis 1790 Un volume in-8 pleine basane noisette, dos lisse muet, [bl.], titre, [7] ff., xxx pp., praeparatio ad missam paginée de 47 à 62, 434 pp., cxxxi pages, 6 pl. hors-texte. Travail de vers au dernier plat et traversant l'ouvrage.
1803505666Typis Societatis 1803. Leather. VERY GOOD. Tall 12mo full brown calf with brass clasps intact; all edges gilt with neat single-line gauffering along the outer edges leather stamped in gilt with fleur-de-lis to panels and all 5 points of both covers ruled in simple single-line dots matching the gauffered edges. Printed in red and black. Missal text in Latin with Spanish afterword. Red and black title page with engraving of Lam and book with seven seals. Leather shows some light rubbing single wormhole through the center of the text; contemporary owner's inscription in Spanish to FFEP very clean and sound otherwise with tight binding fresh pages and bright gilt. A lovely copy. Typis Societatis unknown
1986LFA-126730635Un ouvrage de 2300 pages, format 105 x 155 mm, relié simili cuir, publié en 1986, Editions Brepols, bon état
1964LFA00bafUn ouvrage de 1872 pages, format 105 x 165 mm, relié couverture souple, publié en 1964, Biblica, bon état
3596Limoges, Dalpayrat & Depelley, Éditeurs, 1902, 542 pp. 9,5 X 13 cm, rel. maroquin noir glacé d'ép. dos à nerfs, décoré fleurons, filets, roul, plats décor doré, chasses, tr. dorées, gardes de soie pourpres, belle roul. int. plats, frontispice P. de Champaigne dess. héliogravure . Encadrements gravés des pages de textes.
162351006Paris Lutetiae Parisiorum: Associated Booksellers to the Church Apud Societatum Typographicam Librorum Officij Ecclesiastici 1623. Hardcover. 12mo. Rebound in full brown velour over heavy boards likely late 19th century. 94pp 735pp 1p i-cxxxvj. Small title page engraving and single full-page engraving unnumbered p. 94. Overall very good. Binding a bit edgeworn and rubbed with a few spots but strong; text block tightly cropped as is typical but tight and quite nice with corner or edge chips on title page not affecting text unnumbered p. 33-34 slightly affecting several words and pp. 367-72 not affecting text; cloth fore-edge tabs marking leaf 363-64 and 365-66; old but neat archival paper gutter reinforcements to inner hinges; 19th c. bookplate on inner flyleaf of Wisconsin religious academy couple of pencilled 19th c. ownership signatures on facing leaf and miniscule Wisconsin convent inkstamp at bottom of title page and one text page. Fairly attractive quite handleable later printing of the Council of Trent's 1570 official issue as authorized by Pope Pius V and corrected by Pope Clement VIII in 1604 but preceding the further revisions authorized by Pope Urban VIII in 1634. The Roman Missal contains in two-column large typeface format with extensive varying-sized historiated initials numerous texts for the celebration of the most common liturgy and Mass of the Catholic Church with numerous hymns scattered throughout. Many portions throughout printed in red. Interestingly on display at Moseley Old Hall in Wolverhampton in central England is a copy of this same Paris 1623 prayer book believed to be the edition that a Father Huddleston possibly used to convert Charles II to Catholicism on his deathbed when the King summoned the Benedictine priest to his bedside at Whitehall Palace in London in 1685. Associated Booksellers to the Church [Apud Societatum Typographicam Librorum Officij Ecclesiastici] hardcover