MISAL:Biblio.com
389 résultats
*XS029995.- Dijon. 1867. Typ. Firmen Didot et Cie. 14x10 cm. 1 tomo. 501 pgs. Con una lámina. Bonita horla en todas las páginas. Plena piel. Cortes dorados. Buen estado. . . unknown
In 16. Dim. 16x9,5 cm. Pp. 448. Delizioso messale delle Chiese Martiri della fine del XIX secolo. Prefazione a cura di Mr. Pechenard. All'interno: Preghiere diverse, Litanie della Santa Vergine, dei Santi, Messa, Officio della Santa Vergine, La Circoncisione, Festa della Santisisma Trinità, del santissimo sacramento, Proprio dei Santi (Giuseppe, La natività di Giovanni Battista, Nostra Signora del Rosario ecc...), Morti, Messa di Matrimonio, Salmi, Inni, Prose, Antenne, Cantici, Canti ecc... Bellissime pagine con illustrazioni in cornice. Il testo è impreziosito da quattro planches coperte da velina che mostrano Chiese (Reims, Arras, Ypres, Albert). Bellissima copertina in cuoio con decorazioni floreali a rilievo e a secco e decorazioni in oro. Testo francese. In ottime condizioni. Copertina in piena pelle con titolo e decorazioni a secco e rilievo in ottime condizioni generali con lievi usure ai margini e dorso. Legatura in ottime condizioni. All'interno le pagine si presentano in ottime condizioni. Nice Missel of Martyres Churches of the end of XIX century. Prefation by Mr. Pechenard. Inside: different prayers, Litanies of Holy Virgin, of Saints, Mass, Office of Holy Virgin, Circoncision, Feast of Very Holy Trinity, of very hole sacrament, Propre of Saints (Giuseppe, Nativity of Giovanni Battista, Our Lady of Rosario ecc...), Deaths, Marriage mass, Psalms, Hymns, Proses, Antenne, Canticles, Chants ecc... Very beatiful pages with illustrations in frame. The text is enriched by four planches covered by tissue paper representing Churches (Reims, Arras, Ypres, Albert). Very beautiful full leather cover with relief and embossed flower decorations in the spine and cover. Testo francese. In very good condtions. Full leather cover with golden and relief decorations in very good general conditions slightly worn in the edges and spine. Binding in very good conditions. Inside pages are in very good conditions with occasional foxings.
in-16, 888 pages imprimées sur papier Bible, couverture skyvertex souple, toutes tranches dorées. Bon état. [VA-3]
français Sans date (1905). In-16 de XXVI-463 pp.; reliure ornée de l'éditeur, estampée de Jeanne d'Arc au centre des plats, tranches dorées. Illustrations en noir de J. et L. Beuzon.
Paris Sanchez éditeur 1887, petit In-8 plein maroquin marron, dos à nerfs orné de fleurons dorés, plats trés décorés de flerons et arabesques dorés, roulettes intérieures, filets dorés sur les coupes, gardes de tissu moiré, toutes tranches dorées, 507 pages. Gravures sous serpentes en hors texte, chaque dans un joli encadrement dessiné à motifs de fleurs et d'oiseaux, différent à chaque page. Trés bel exemplaire.
Sanchez 1888, In-12 plein maroquin marron, dos à nerfs et plats déorés de guirlandes de feuillage dorées, toutes tranches dorées, gardes de soie créme et roulettes dorées d'encadrement inétrieures. 507 pages. Texte dans un encadrement composé par H. ALLOUARD, différent à chaque page, dessins hors texte par Ludovic MOUCHOT et Henri CAROT, gravures sur bois de MEULLE, gravures au burin de J. MASSARD. Bel exemplaire.
Dijon Peillet et Marchet vers 1890. In-12 relié plein maroquin bordeaux, dos à nerfs, initiales de laiton entrelacées au 1er plat V et D, gardes de tissu moiré bordeaux, large dentelle d'encadrement dorée intérieure, filets dorés sur les coupes, toutes tranches dorées. 511 pages chacune dans un encadrement différent, gravure de G. JOHANNET. Dans son coffret. Très bel exemplaire.
91950Limoges: Barbou o.A. Unpaginiert. Mit zahlreichen Illustrationen. 12° (10-15 cm). Halblederband mit goldgeprägtem Rückentitel und Goldschnitt. [Hardcover / fest gebunden].
Sm. 8vo., with sepia-toned frontispiece, pictorial title in blue and lack, illustrated text in blue and black; contemporary full roan, upper board blocked in gilt and black, back with flat bands, second compartment lettered in gilt, gilt edges, radial corners, marbled endpapers, coloured silk marker, short split in upper joint (but binding entirely sound), a very good, clean copy. VERY SCARCE
194325386Mellottee Limoges 1943. Sm. 8vo. with sepia-toned frontispiece pictorial title in blue and lack illustrated text in blue and black; contemporary full roan upper board blocked in gilt and black back with flat bands second compartment lettered in gilt gilt edges radial corners marbled endpapers coloured silk marker short split in upper joint but binding entirely sound a very good clean copy. VERY SCARCE Mellottee, Limoges, unknown
19001Impression Darantière pour la librairie Leullier Paris 1900. in/16 9.5 x 6 cm reliure plein veau marbré plats à filets dorés et frise à froid dentelle intérieure moire verte sur les gardes doré trois tranches chaque feuillet comporte une enluminure imprimée et réhaussée à la main réhaut datés en fin d'ouvrage : 1922. Joli petit ouvrage précieux aux enluminures tout en nuances. unknown
195212371Regensburg, Pustet, 1952. 28. Auflage (Editio XXVIII juxta Typicam Vaticanam) 8° (18,5-22,5 cm). 75*, 712, [212], 36, 7** S. Ganzleder mit goldgeprägtem Rückentitel und Deckelverzierung sowie 6 Lesebändchen in Oschuber [3 Warenabbildungen]
1722208<p><i>MISSALE ROMANUM Ex Decreto Sacrosancti Concilij Tridenttini Restitutum S. PII V PONTIFICIS MAXIMI JUSSU EDITUM CLEMENTIS VIII ac URBANI VIII AUCTORITATE RECOGNITUM; Cui novissimè additae sunt Missae SS. à pluribus Summis Pontificibus USQUE AD SS. D. N. INNOCENTIUM XIII NOVO RITU DECORATE Tam Praecepto quà m ad Libitum ac suis locis ordinatim & congruè dispositae. </i>Venetiis: Sumptibus Andreae Poleti sub signo Italiae MDCCXXII.</p><p> xxxii; 480; lxxvii Leaves added between Q2 and Q3 dated 1724 between Aa1 and Aa2 dated 1714 and between Dd8 and Ee1 dated 1725. Tooled contemporary brown leather over wooden boards gilt decorated covers. Six raised bands. Two working clasps. 33 cm x 23.5 cm. Red and black letter. Historiated initials. 8vo. Book plate and signature of medieval scholar Isa Ragusa dated 1978. Pencil note "incisioni di Faldoni."</p>Three full-page engravings. Two signed "Joan Antonius Faldonus" one unsigned in the same style. Title page engraving. Chants notated in neumes. This copy was disbound and leaves dated 1714 1724 and 1725 were added in or after 1725. Resewn old internal binding repair. Sumptibus Andreae Poleti, sub signo Italiae hardcover books
In 4. Dim. 34,5x25x7 cm. Pp. 36 (n.n.)+460+XCI+(8)+36+(2)+(2)+(2)+(2)+(2). Peso Kg. 2,900 Splendido messale di grandi dimensioni e peso del 1730 in folio interamente scritto a caratteri rosso e neri con splendidi capilettera decorati, almeno 1 per pagina (ad esclusione dei canti gregoriani). All'interno del testo tre bellissime incisioni a piena pagina che raffigurano delle scene religiose (l'annunciazione, la crocifissione, la resurrezione). Bella vignetta al frontespizio. All'inizio del messale un introduzione dedicata alla memoria dei tre Papi che si erano occupati di redigerlo (Pio V; Clemente VIII; Urbano VIII) e una sorta di prefazione all'opera con delle tabelle indicanti il calendario liturgico che rimanda alle parti del messale da recitare.<BR>Presente anche Commune Sanctorum e Missae Propriae Sanctorum ad uso dei Frati Minori di San Francesco. Pagine e pagine di canti gregoriani all'interno. Il messale è del 1730, ma alla fine sono state aggiunte alcune parti: la Missae Propriae Sanctorum ad usum fratrum minorum S. Francisci del 1731, commemorazione di Maria Santissima della Madia di Monopoli della metà del 1700, commemorazione di Santa Pulcheria Vergine del 1753, San Gennaio Vescovo (numerosi strappi e pagina staccata) del 1731, San Stanislao del 1750 circa (staccato dalla legatura) e tre fogli anticamente manoscritti (uno con strappi e numerose mancanze). Imponente copertina in piena pelle settecentesca con borchie (vedere foto). Segnalibri di stoffa che aiutavano il sacerdote nella lettura. Era un testo che veniva abitualmente utilizzato quindi presenta dei segni d'uso come segni di restauro, cera e rare macchie di sporco (vedere specifica sotto). Antico manoscritto alla prima carta bianca e alle ultime pagine. Alto valore. Copertina in piena pelle settecentesca a cinque nervi con borchie e decorazioni a secco in discrete condizioni generali con usure e parti mancanti: le borchie al centro del piatto e la borchia inferiore destra del piatto posteriore risultano mancanti. Legatura in buone condizioni generali ma rottura alle sguardie, qualche pagina in parte staccata e alcuni fogli finali staccati. All'interno le pagine si presentano in buone condizioni generali con mende, rare fioriture, rari segni di sporco e di cera. Segno di tarlo al margine destro e inferiore dalla prima pagina sino alla fine senza perdita di testo. Strappo al margine inferiore di pag. 193 inficiante testo e incisione. Segno di restauro al margine inferiore di pag. 195 e 198. Very beautiful missal of big dimension and weight of 1730 in folio enterely written in black and red charachters with faboulous decorated initial letters, at least 1 for page (excluding Gregorian music).<BR>Inside the text there are three beautiful full page engravings representing some religious scenes (annunciation, crucifission, resurrection). Very beautiful vignette in the title page. At the beginning three introductions dedicated to the memories of the three Popes that wrote it (Pio V; Clemente VIII; Urbano VIII) and a sort of introduction to the work with some charts indicating the liturgic calendar which indicates the part of the missal to be read. There are also Commune Sanctorum and Missae Propriae Sanctorum for the usage of Grey Friars. There are pages and pages of Gregorian music inside (see the photoes). The missal if of 1730, but as usual, at the end some parts were added: the Missae Propriae Sanctorum ad usum fratrum minorum S. Francisci of 1731, commemoration of Maria Santissima della Madia di Monopoli of 1750 circa, commemoration of Santa Pulcheria Vergine of 1753, San Gennaio Vescovo (different tears and page detached) of 1731, San Stanislao of 1750 circa (detached from binding) and three pages manuscripted in ancient times (one with tears and different missing parts). Imponent full skin decorated cover of the XVIII century. Very beautiful decorated initial letters. Fabric bookmarks to get easier the reading to the priest. It was a text that was normally used, so we find some signs of usage as restoration signs, rare wax signs and rare dirt's signs (see details in the description below). High value. Full leather cover of the XVIII century with five nerfs and studs in fair conditions with wearings and missing parts: the central studs and the lower right stud of back plate are missing. Binding in good general conditions apart for a crack in the frontspice, some page almost detached and some final pages detached. Inside pages are in good conditions with usage signs, occasional foxings, wax and dirt's signs. Worming in the right edge and lower edge in the whole volume with no loss of text. Tear in the lower edge of pag. 193 ruining text and engraving. Restauration sign in the lower edge of pag. 195 and 198.
189811027Regensburg, Friedrich Pustet, 1898. 14. Auflage 12° (15-18,5 cm). CXIV S., 1 Bl., 716, 292, 23 SS. Halbleder der Zeit mit goldgeprägtem Rückentitel und Ganzkopfrotschnitt
16002945Paris: the Associated Booksellers to the Church apud Societatem Typographicam Librorum Officii Ecclesiastici 1600. Folio 362 x 245 mm. Collation: ã6 ê6 î4 i4 blank õ6 ũ6 ãã6 êê4; A-Z Aa-Yy6. 38 228 42 leaves. Double column printed in red and black double rule page-borders throughout. 57 pages with printed music staves red-printed. Woodcut title illustration of Saints Peter and Paul seven full-page woodcuts the first in two blocks: a woodcut border and small Annunciation cut five small woodcut vignettes including two repeats and approximately 368 historiated initials in various sizes and from various series. Small tear to corner of title-leaf occasional foxing very occasional offsetting of red ink small stains in gutters in quire O finger-soiling in Canon quire X small rust-hole in f. 212 NN2 affecting 3 letters last few leaves with narrow marginal dampstain and slight creasing to upper fore-corners. Bound in contemporary French gold-tooled and -stamped light brown goatskin covers paneled with double fillets inner panel with fleurons at outer corners inner corners with large stamp of leafy branches emerging from a small medallion with winged cherub's head large central oval medallion of the Crucifixion on upper cover and Annunciation on lower cover smooth spine with recessed cords decorated with overall double fillet panel with tiny fleurons at corners gilt edges plain endpapers remains of numerous fore-edge tabs in paper pale green or pink silk and black silk for the Mass for the Dead. Corners bumped slight wear front cover slightly rubbed a few small holes to lower cover foxing to endpapers. Provenance: contemporary inscription in French on front flyleaf listing "Messes pour tous les iours de la sepmaine" Masses for every day of the week; loosely inserted armorial papercut unidentified arms lion rampant on a chief three roses.An imposing post-Tridentine Missal an unrecorded issue in a fine Parisian gold-tooled binding. The illustrations of this copy differ from the other known copies of this edition. The binding tools appear on other books published by the same publishing consortium and have been associated with religious lay confraternities founded by Henri III in the 1580s.In 1570 with the papal bull "Quo primum" Pope Pius V imposed uniformity on the rites of Mass previously a hodge-podge of different local traditions. That bull was printed in all subsequent missals; it is accompanied here by papal and royal privileges which supply crucial information concerning the publishing history of this edition. Jacques Kerver was the first French libraire to obtain a privilege for the publication of liturgical works. When he died in 1583 the privilege passed to his widow who ceded it to a consortium of booksellers: Sebastian Nivelle Guillaume Chaudière Guillaume de la Noue Michel Sonnius and Thomas Brumen cf. Renouard Imprimeurs et libraires parisiens du XVIe siècle IV 22. That privilege expired on 22 December 1595. This edition includes Papal and Royal renewals of the Kerver privilege for the printing of "sacred books" Missals Breviaries and Offices of the Virgin granted respectively by Clement VIII and Henri IV both on 4 April 1596. For Thomas Brumen who had died in 1588 the Royal privilege substitutes his son-in-law and heir Jean Corbon II and adds the names of Claude Chapelet identified as bookseller to the Academy and Jamet Mettayer and Pierre L'Huillier respectively Royal printer and Royal bookseller Mettayer was also the official printer for the Royal confraternities.The preliminary matter further includes the reformed Gregorian Paschal calendar for the years 1582 to 1700 a table of moveable feasts for 1589 to 1621 the Rubricae generalis missae the Ritus servandus in celebratione Missae and an index of Saints' names. The second part of the Missal separately paginated contains the Commune Sanctorum. The subjects of the full-page illustrations are: the Annunciation: a small cut within an historiated woodcut border in twelve compartments showing four scenes from the life of the Virgin alternating with angels and the four Evangelists fol. êê4v; the Nativity B4v Crucifixion T6v opening the Canon Resurrection X4v Pentecost AA1v Last Supper BB3r and Last Judgment PP2v. These monumental woodcuts influenced by Italian and Flemish mannerism derive from various engraved sources including at least one engraving the Resurrection used by Jamet Mettayer in an Office of the Virgin published in 1586.The five smaller woodcuts printed from three blocks include a Crucifixion showing Longinus piercing the side of Jesus repeated twice the Last Supper and a smaller primitive Crucifixion cut. Noteworthy are the many historiated initials. Ruth Mortimer describing an edition by Kerver from 1574 noted that the elaborate historiated initials containing "figures of the saints the Evangelists and . New Testament scenes may be attributed to the same artists who worked on the illustrations. The blocks are so detailed as to give the impression of additional illustrations rather than initials." As in previous editions the initials were chosen carefully here to match the text: for example the four Rs opening the word Requiem in the Mass for the Dead ff. XX5 ff. incorporate a skeleton and funeral scenes.The full-page woodcuts had appeared previously in the Kerver-consortium's 1588 edition cf. an illuminated copy offered by Breslauer in 1981 cat. 104/II no. 192. Only a few copies of these repeatedly printed Paris post-Tridentine Missals survive in public collections and precise descriptions are few. The most thorough description is that by Ruth Mortimer of the Harvard copy of the 1574 Kerver edition. Both that edition and the 1583 edition of which there is a copy at the Newberry Library are illustrated with only two full-page woodcuts including the canon cut of the Crucifixion used here and numerous smaller woodcuts. The title of the 1574 edition bears the same Peter and Paul cut while the 1583 edition has Kerver's device.The present copy represents a previously unrecorded variant issue of the 1600 edition of which the two other copies located at the Austrian National Library digitized and with Sokol Books catalogue 65/64 are illustrated with engravings all but one of which differ iconographically from the present woodcuts. The exception is the aforementioned Resurrection woodcut which is copied in reverse from the engraving. The typesetting other than the title appears to be identical but rather than a letterpress title-page and woodcut full-page illustrations the other copies have an engraved title and seven full-page engravings. Another variant setting occurs in quires M and N: both issues have the small Longinus woodcut on M1v but the spaces here filled by 3 small woodcuts one used twice are left blank in the cited copies.The existence of multiple editions of these post-Tridentine Paris Missals has been documented; Mortimer for example noted that in 1574 Kerver printed two folio editions as well as quarto and octavo editions. From the early 1570s to the end of the century these liturgical books now rare were churned off the presses to meet the needs of priests and clerics throughout France and beyond several copies of the Kerver or Kerver-consortium editions survive in Spanish and Italian libraries. Under these circumstances the existence of multiple editions and variant issues is not surprising.The attractive Parisian binding shows signs of hasty finishing: the cornerpieces using a popular cherub's head and leafy branch motif are single stamps and those on the upper cover are unevenly placed so that three of them overlap the double fillet panel. It is however a luxury binding of high-quality goatskin and its decoration is charged with meaning which remains to be completely teased out. Several variants of the Crucifixion and Annunciation medallions were used on the bindings of a number of devotional books published by the present publishing consortium or by its individual members. A few of those bindings bear a motto Spes mea Deus used by members of the Confraternity of Penitents of the Annunciation founded by Henri III in 1583. Possibly by extension the Crucifixion stamp itself has been associated with the confraternity and with the three other "congregations" established by that devout monarch in 1583-85. The same large Crucifixion and Annunciation medallion stamps were used in a similar center- and cornerpiece design on the aforementioned Breslauer copy of the 1588 edition of this Missal and in a dated binding from 1599 covering a 1508 Verard book of hours in the British Library shelfmark c29f16 reproduced in the BL Database of Bookbindings. In both cases the corner feuillage stamps are different but the central medallions appear to be identical to those on this binding.Similar but not identical stamps besides those cited in the sources below are found on: a copy of Mettayer's 1586 Pseaultier de David recently offered by the Paris booksellers Laurent Coulet and Ariane Adeline in their catalogue "1586: Jamet Mettayer et les Confréries de Pénitents"; an Officium beatae Mariae Virginis Paris: apud Societatem Typographicum 1586 using both the Annunciation and Crucifixion medallions set within a fanfare design Bibliothèque Sainte Geneviève Réserve 8 Z 6685 INV 9940; and an Office de La Vierge published by Mettayer in 1586 BnF Réserve B. 1654 Lacombe 486. A book of hours for the use of Amiens Paris: for Guillaume de La Noue 1589 bound with several devotional tracts BnF Réserve B-27949; Lacombe 492 has a different Annunciation stamp but apparently the same Crucifixion stamp. Coulet and Adeline established a typology of 9 different Crucifixion stamps or 8 stamps and one variant the one used here being no. 8. Given these facts the possibility cannot be excluded that the publishers were involved in commissioning the bindings of this copy and of the other "Crucifixion medallion" bindings found on their imprints.This exceptional copy is of interest for the history of publishing printing illustration and binding; it raises questions about the very concept of an edition about the transmission of images and about the relations between printer-publishers bookbinders and book buyers in the hand-press period. USTC 137500 Austrian National Library only variant issue - not in their OPAC. Cf. Harvard/Mortimer French 378 8 June 1574 edition. Not in Weale-Bohatta or Amiet. On the binding cf. Hobson & Culot Italian and French 16th-century Bookbindings 1991 62; Claude La Charité "Henri III Le miroir des religieux 1585 de Louis de Blois et `la troisiesme couronne à frere Henri de Valois'" Revue de Bibliothèques et Archives du Québec no. 2 2010 online; Needham Twelve Centuries of Bookbindings 1979 82. the Associated Booksellers to the Church (apud Societatem Typographicam Librorum Officii Ecclesiastici) unknown books
1763LD15791Venice: Apud Nicolaum Pezzana 1763. Hardcover. Very Good. 18th-century Italian tan morocco gilt-stamped to both covers with central armorial device: a double-headed crowned eagle after Rome and over three sets of seven balls after De Medici all surmounted by crown and with four gilt foliate cornerpieces spine gilt in six compartments enclosing acorn device green and pink silk headbands red speckled pastedowns two blue silk index tabs all edges gilt; circular stain - not too bad - on front cover remnants of silk index tabs some light edgewear. 4to 245 x 165mm. 632 pp. cxci. Sold as a binding. <br/><br/> Apud Nicolaum Pezzana hardcover books
RATISBONAE, ROMAE et NEO EBORACI, Sumptibus, chartis et typis Friderici Pustet - 1890 - In-4 - Reliure Pleine Percaline de l'époque - Dos à nerfs, à caissons dorés et ornés - 1 er Plat orné d'un crucifix au centre, entouré d'écoinçons dorés avec une croix dans chaque coin - 4 è plat identique à l'exception d'un coeur remplassant le crucifix - Toutes tranches dorées - Filets dorés sur les coupes - Gardes ornées avec lisérés ornés dorés - Frontispice en couleurs - Bandeaux (couleurs ou NB), Lettrines en couleurs, Bandeaux - Texte en N ou rouge encadré d'un filet rouge - Musique - (42)-572 pages + Commune Sanctorum 216 pages + Suppementum : Ex. Piteux Fratres, 1892 : 61 pages - Bel exemplairze
a29572Rome 1794 Exudebant Joachim et Michael Puccinelli Fratres. Restitutum Sancti PII V. Pontificis Maximi Jussu editum Clementis VIII. et Urbani VIII actoritate recogniutm; nunc denuo sub auspiciis Sancitissimi Domini nostri PII Sexti Pont. Max. Folio 26x38x4 cm. Hardcover. Title in red and black with 1/4 page vignette. Text in double columns. Two fullpage engravings. About 20 pages have lower blank corner cut off and cloth tabs have been added to 6 pages 2 tabs have since worn off. Rebound in early or mid 20thc to brown paper-covered boards with green cloth spine. Includes much black block letter music scoring. One text page has lower corner torn off just into text loss of about 4 lines of words and one bottom line of music is torn off on another page. Occasional spotting and foxing throughout. Binding very secure. near Good. . hardcover
2A8599Ex officina typographica Everardi Kints & Clementis Plomteux Lüttich 1767. 30 Blatt 652 CXXXVI S. 3 Blatt 4 S. 3 Blatt mit 5 Leder-Registerbändchen versehen Ledereinband der Zeit auf 5 Schmuckbünden mit goldgeprägtem Rückentitel sowie farbigem Schnitt quart teils etwas fleckig/kleinere Wasserränder/Buchblock mittig etwas verzogen/Einband bestoßen/Kapitale eingerissen/Schließer fehlen. - Messbuch der römisch-katholischen Kirche auf Latein / Beigebunden: Parvum Missale Coloniense Romano Substructum Et unà cum hoc Juxta Ritum Coloniensem Aequé ac Romano-Coloniensem Commodè utendum 1749 96 S. / Missae Propriae Dioecesis Paderbornensis. Accedunt Missae Novissime per Summos Pontifices Concessae. Auctoritate et Jussu Reverendissimi Ordinariatus 1835 44 S. - unknown
162351006Paris Lutetiae Parisiorum: Associated Booksellers to the Church Apud Societatum Typographicam Librorum Officij Ecclesiastici 1623. Hardcover. 12mo. Rebound in full brown velour over heavy boards likely late 19th century. 94pp 735pp 1p i-cxxxvj. Small title page engraving and single full-page engraving unnumbered p. 94. Overall very good. Binding a bit edgeworn and rubbed with a few spots but strong; text block tightly cropped as is typical but tight and quite nice with corner or edge chips on title page not affecting text unnumbered p. 33-34 slightly affecting several words and pp. 367-72 not affecting text; cloth fore-edge tabs marking leaf 363-64 and 365-66; old but neat archival paper gutter reinforcements to inner hinges; 19th c. bookplate on inner flyleaf of Wisconsin religious academy couple of pencilled 19th c. ownership signatures on facing leaf and miniscule Wisconsin convent inkstamp at bottom of title page and one text page. Fairly attractive quite handleable later printing of the Council of Trent's 1570 official issue as authorized by Pope Pius V and corrected by Pope Clement VIII in 1604 but preceding the further revisions authorized by Pope Urban VIII in 1634. The Roman Missal contains in two-column large typeface format with extensive varying-sized historiated initials numerous texts for the celebration of the most common liturgy and Mass of the Catholic Church with numerous hymns scattered throughout. Many portions throughout printed in red. Interestingly on display at Moseley Old Hall in Wolverhampton in central England is a copy of this same Paris 1623 prayer book believed to be the edition that a Father Huddleston possibly used to convert Charles II to Catholicism on his deathbed when the King summoned the Benedictine priest to his bedside at Whitehall Palace in London in 1685. Associated Booksellers to the Church [Apud Societatum Typographicam Librorum Officij Ecclesiastici] hardcover
1673134<p>Extremely Rare Venetian Missal in a fine contemporary leather binding.</p><p>No copy of this edition recorded on WorldCat</p><p>Roman Church.<em> Missale Romanum ex Decreto Sacrosancti Concilii Tridentini Restitutum Pii V Pontificis Maximi Iussu Editum Clementis VIII Urbani VIII Alexandri VII Clementis IX et SS D.N. Clemente Papa X Novissime Suis Locis. </em>Venetiis Venezia apud Cieras MDCLXXIII 1673.</p><p>Folio 384 x 258 mm full black leather binding single ruler with floral decoration on boards charming metal plaque in the centre of the front board depicting two winged cherubs; spine with seven raised bands pp. 40 422 4 423-527 1 CXX 6 CXXI-CXXIII i.e. CIII 1. Original clasps preserved. Title page in red and black ink with a beautiful engraved vignette at f. a¹ <em>Commune sanctorum</em>. Signature: ¹Ⱐ2⸠3² A-2K⸠a-e⸠f-gâ¶</p><p>1 full-page engravings: Annunciation signed by the Sienese Engraver Giovanni Maria Ferri and four by Giacomo Piccini father of Sister Isabella. Several historiated initials. Pages of music engraved within the text in red ink.</p><p>Apparently the only existing copy of this edition of the Missale Romanum.</p><p>After the Council of Trent 1545-1563 liturgical norms underwent significant changes with the aim of unifying and strengthening the practice of the Catholic faith in response to the divisive tendencies of the Protestant Reformation.</p><p>Among the key reforms was a revision of sacred texts particularly the <em>Roman Missal</em> which was standardized and promulgated by Pope Pius V in 1570 through the bull <em>Quo Primum Tempore</em>. This new missal known as the <em>Tridentine Missal</em> standardized liturgical rites across the Latin Church eliminating local variations that had developed over the centuries except those with at least 200 years of tradition. Latin was retained as the official liturgical language and the gestures prayers and readings were clearly defined establishing a strict canon.</p><p>This liturgical reform endured for centuries until a new wave of changes introduced by the Second Vatican Council in 1962 which led to the creation of an updated Roman Missal with greater openness to vernacular languages and more active participation of the faithful.</p><p>Imprimatur: "We Brother Bassanus Galliciolus of Brescia of the Order of Preachers Master of Sacred Theology and General Inquisitor against heretical depravity in the City of Venice and throughout its Most Serene Dominion specially delegated by the Holy Apostolic Office.</p><p>We have compared the Roman Missal recently printed by Mr. Bonifacio Ciera with another already duly approved and since it is found to agree with it in all respects as well as with the Decrees of the Sacred Congregation of Rites and of the Supreme Pontiffs we therefore grant permission for it to be published.</p><p>And in testimony thereof etc.</p><p>Given at Venice from the offices of the Holy Inquisition on the 1st of January 1673.</p><p>Thus it is Brother Bassanus as above by his own hand."</p><p>Conditions: Few small wormholes along the text light marks of use. Overall a good copy.</p><p>Provenance: Paper <em>Ex libris</em> " Luigi Carpaneto " on front pastedown.</p><p>Wider description and more images:</p><p>https://tinyurl.com/1673Missal-PDF</p> apud Cieras
1587ABC_48453Antwerp: Christoffel Plantin 1587. Contemporary elaborately blind-tooled pigskin over bevelled wooden boards sewn on 4 double supports with the corresponding raised bands on the spine the manuscript title in the first compartment and the original manuscript shelf mark label "H.36" of the Monastery of Buxheim in the fifth compartment both boards with an ornamental roll and a roll with the portraits of Salvater sic! Maria S. Bruno and S. Johannes in a panel design two original brass clasps and catches ornamented with a small star leather tabs and six original bookmarkers plaited into a big knot. 8vo. With a woodcut vignette with Peter and Paul by Peeter van der Borcht on the title page 6 full-page woodcuts ca. 112 x 75 mm by Antoon van Leest after Peeter van der Borcht 6 half-page square woodcuts 55 x 55 mm in border one signed by Antoon van Leest one woodcut 90 x 76 mm by Antoon van Leest after Peeter van der Borcht and 2 smaller oval woodcuts. The work is printed in red and black. Plantin edition of the revised Roman Missal following the directives of the Council of Trent first published in Rome in 1570 by order of pope Pius V 1504-1572 and later approved by Clemens VIII 1536-1605 and Urbanus VIII 1568-1644. The work was quite popular as Plantin published a new missal nearly every year from 1571 onwards. All editions were printed in different sizes and in two issues one with woodcut illustrations and one with engravings. The present copy is the octavo edition with woodcut illustrations and comes from the library of the famous Carthusian monastery of Buxheim Maria Saal near Memmingen Bavaria.The monstery of Buxheim was founded in 1402 and dissolved after the secularisation in 1803. The rich library was auctioned in 1883 by Förster and in 1884 by Ludwig Rosenthal in Munich. The Museum of the Charterhouse Buxheim today is actively studying the history of the library and the present location of its books and manuscripts. The present copy is bound in contemporary pigskin which was likely bound for the monastery itself as the rolls depict Saint Bruno who was the founder of the Carthusian order. The Missal is therefore probably bound in a South-German bindery in the surroundings of the monastery.With an ownership annotation on the title page "Cartusiae Buxheim". The binding is somewhat rubbed and soiled. The leaves are lightly browned some of the leaves are slightly stained especially around the leather tabs. Otherwise in good condition.l Belg. Typ. 6335; Imhof Plantins 1574 Missale Romanum in octavo in: De Gulden Passer 73 1995 pp. 67-82; Nagler I 1459; USTC 406791; Voet 1701 A; Weale-Bohatta no. 1269; not in Haebler. Christoffel Plantin, hardcover
1784AQ14409Olispone i.e. Lisbon: Typographia regia et privilegio 1784. 30 672pp cxlvi 10 58. Several engraved devotional images within pagination. Contemporary red morocco richly gilt marbled endpapers and gilt gauffered edges yellow metal clasps. Rubbed small incision to lower joint paper label to upper board. Tears to FFEP occasional marginal loss/tearing some occasional marking. A handsomely bound Portuguese-printed Roman missal which despite later confusion in an inscription to a blank fly-leaf earlier manuscript letters inserted suggest that this was seized from the flagship of the usurper Dom Miguel the 80-gun Don Juan during the 1833 Battle of Cape St. Vincent passing through the hands of several clergymen before being presented to Grayfriar's Oxford. . Folio. Typographia regia, et privilegio unknown
1896AQ28784Mechliniae i.s. Mechelen: H. Dessain 1896. xli 502 60 24pp 2. With a half tile. Printed in red and black. Elaborately bound in contemporary richly gilt-tooled red morocco device of seated christ proffering book with Greek letters alpha and omega within ornate border to both boards A.E.G. with eight divisional red moire cloth tabs one partially perished gilt dentelles decorated endpapers. Slightest of rubbing to extremities. Internally immaculate. An exquisitely bound late nineteenth-century Continental edition of the Roman Missal. The Roman Missal with origins in the high middle ages is the liturgical book from which the text and rubrics for the celebration of Catholic Mass with both prayers and music. One of the major advances of the Council of Trent the Catholic counter to the Protestant Reformation was to standardise the Missal. Pope Pius V acting on the concilliar deciion formalised this in his Quo Primum on 14 July 1570 - insisting that the standard form of the Missal was used throughout the Church except where a local missal could be proved to be of two centuries antiquity. Perhaps one of the most controversial Counter-Reformation decisions made at Trent the use of a standard Missal prevented the celebration of the Mass in vernacular languages and signified a further strengthening of Papal authority: particularly as all printed editions were prefaced by the Pope's order of standardisation. The Missal of Pius V was further edited by Clement VIII in 1604 and later by Urban VIII in 1634. . Large 8vo. H. Dessain hardcover
