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176584155Antverpiae: Ex Architypographia Plantiniana 1765. 36 x 24.5 cm contemporary leather binding over boards with raised bands on spine ruled border blind-stamped on covers marbled endpapers title page in red and black 66 624 cxxviii 4 8 2 1 pages printed in red and black throughout engraved frontispiece and full-page engraved illustrations text in Latin. Binding lightly worn with rubbing and scuffing to covers and corners interior pages age-toned browned but clean and complete overall still in very good condition see picture. Issued by the famous Plantin-Moretus press in Antwerp one of the most celebrated printing houses in European history. This edition of the Roman Missal conforms to the Tridentine rite as mandated by the Council of Trent and subsequently revised under Popes Pius V Clement VIII and Urban VIII. Includes Proper of the Time Proper of Saints Common of Saints and chant notation; notable for its fine 9 engraved illustrations. Ex Architypographia Plantiniana hardcover
1506ABC_47741Paris: Thielman Kerver 1506. Gold- and blind-tooled black goatskin morocco 1st half of the 18th century sewn on 4 supports each board with a frame of blind triple fillets the front board also with the date ANNODOMINI1506 in gold in a gold-tooled frame with a saw-tooth edge and a flower in each corner: to make lining numerals the finisher used a J for 1 and an O for 0 and the spine-title MISSALEROMANUM in gold in the 2nd of 5 compartments gilt edges 2 brass hook fastenings with pin catch-plates marbled endpapers so-called Dutch combed pattern - teeth about 6.5 mm apart in red blue orange white and green more subtly curled than Wolfe 34 & 35 and the remains of a tab on the fore-edge of n2 marking the beginning of the Canon. 8vo. Printed in red and black throughout in 2 columns except for the preliminaries and Canon in 1 column with on the title page the first 1497 version of Kervers finely executed armorial device Renouard 499: a shield with T K above a mark with a cross supported by unicorns the shield hanging on a tree surrounded by many flowers 103 x 73 mm with a criblée background and with THIELMAN KERVER in a scroll in the foot; a crucifixion woodcut 120 x 82 mm; hundreds of impressions of at least 28 finely executed lombardic initials 4 series with decorations on a criblée background a 39 mm T with a crucifixion scene; two 28 mm: an R with a heron standing on one leg with an eel or snake in its mouth and an S with floral decorations; three 21 mm with floral and vine decoration; and at least twenty-two 13 mm with floral and vine decoration forming a complete 23-letter alphabet except for K X Y and Z plus alternate blocks for at least C O and S and a couple simple woodcut lombardic initials; as well as dozens of at least mostly 4-line spaces left for manuscript initials about half with printed guide letters filled in with manuscript lombardic initials in blue some with white or white and red decoration except for 3 lombardic initials in red; 3 sizes of cast lombardic initials 11 6 and 3 mm printed in red; a two-impression plainchant music type 10 mm 4-line staff in red with square-head notes and c-clef in black and two small typographic ornaments apparently designed for printing in red and black. The maltese crosses pilcros paragraph marks and Vx and Rx signs are printed in red and the capitals are rubricated throughout. The main text is set in a rotunda gothic type 66 mm/20 lines and the Canon n5r-o2v and the first line of the title in a textura gothic 112 mm/20 lines. The woodcut crucifixion on n4v facing the opening of the Canon Kervers device and the criblée initials are all coloured by a contemporary hand. The rare first missal for the Roman rite to be printed or published by the great Paris printing and publishing family Kerver best known for their luxurious liturgical and devotional printing especially their books of hours. There appears to be no copy in any French library. Kervers first missal in 1501 was made for the Paris rite. Kervers early missals including the present one are extremely rare the USTC recording no more than five copies of any edition printed before 1520. Caerr p. 73 notes that Kervers present first publishers device is universally recognised as a master-piece. It has been suggested that Kervers criblée blocks were metal cuts rather than woodcuts. The crucifixion scene facing the opening of the Canon is a more traditional woodcut. Caerr p. 51 suggests Kerver reached the pinnacle of his success in his stylistic evolution in or around 1506 fully incorporating Renaissance tastes in the period 1505-1514 and perfecting the criblée technique used for his present publishers device and initials. The present edition is also a very early example of the use of abstract typographic ornaments. The preliminaries include a calendar of feast days and most of its less common Saints days printed in red suggest a Franciscan connection.Thielman Kerver Koblenz ca. 1460/70-Paris 1522 appears in Paris imprints as a bookseller and publisher working with various printers and co-publishers from 1497 beginning with books of hours which always remained his greatest speciality. He added his own printing office in 1498 though he continued to work with others and expanded into a wide variety of genres. He also added other kinds of liturgical books including breviaries from 1499 a psalter in 1500/01 and missals from 1501 apparently publishing about 16 missals to his death in 1522 first using the present form of the title in the present edition. He was sworn in as official bookseller to the University in Paris in 1501 and soon after also printer hence the In alma Parisiorum Academia in the present title and colophon. Kervers widow continued the firm from 1522 to her death in 1557 their son Jacques continued it to his death in 1583 and its materials were sold in 1586.The fact that both the wording of the title and the exact date differ between the title page and the colophon the latter is 40 days later has led nearly every reference work from Weale in 1886 to the present USTC to turn one 1506 edition into two most describing a folio edition by Kerver a ghost and an anonymous 8vo edition supposedly with no copy known. David Shaw provided an accurate description on-line based on the British Library copy.With an inscription in the head margin of the title page partly shaved and difficult to read; the engraved publishers device of the Antwerp printer and publisher Jean Baptiste III Verdussen 1698-1773 on the front and back pastedown serving as his bookplate see above. Also with an 1831 owners inscription of S. De Ram on a free endleaf facing the title page. The rubricator or an early owner has added several notes in red in the calendar. Further with an occasional early marginal manuscript note some shaved. Four words in the Canon have been deliberately erased as an editorial revision. With an 8 cm tear into one leaf the running heads of a few others shaved the title-page slightly soiled a 3 mm hole in leaf 232 E4 affecting 2 or 3 words some tiny marginal wormholes in a few leaves and some water stains in the endpapers otherwise in very good condition. The binding shows a few small defects one slightly affecting the gold lettering on the front board but is also generally very good. A rare and beautifully produced missal and the second major display of Kervers stunning criblée initials all coloured by a contemporary hand as are the woodcut and Kerver's device.l Thierry Caerr Imprimerie et réussite sociale à Paris .: Thielman Kerver . 2000 2 vols. www.enssib.fr/bibliotheque-numerique 117 4 copies erroneously described as a folio; Catalogue . bibliothèque de feu . Jean de Meyer Ghent 2-5 November 1869 lot 33 8vo 23 March 1506 not mentioning Kerver but with alma Parisiorum Academia; Pettegree French books 68270 not noting Kervers name & 68271 erroneously described as a folio 1 of the same 4 copies; Frank Isaac reworked by David Shaw frenchpostincunables.djshaw.co.uk IS000343; USTC 68270 not noting Kervers name & 180236 erroneously described as a folio same copy as Pettegree; Catalogue . de la bibliothèque de M. Jean François van de Velde Ghent 1831 lot 1360 with an extra woodcut inserted facing leaf 58; Catalogus librorum Joannis Baptistae Verdussen Antwerp widow of Hieronymous Verdussen 15 July 1776 liturgy lot 45 the present copy; Weale & Bohatta Bibliographia liturgica 1928 982 23 March 1506 2 copies & 985 11 February 1506 not noting Kervers name no copy located both on p. 147 in the 1886 ed.; WorldCat 152428895 315474570 843131050 843131052 906577964 1063178422 5 copies plus 2 ghosts; not in Adams no Kerver missal before 1515; Davis Fairfax Murray French no Kerver missal; Mortimer Harvard French no Kerver missal before 1574; SUDOC; catalogue.bnf.fr. Thielman Kerver, unknown
0259077720.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331849003.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1770047085Angelopoli Puebla: Typis Seminarii Palafoxiani 1770. First Edition. Hardcover Full Leather. Very Good Condition. José de Nava. Contemporary full calf wear at edges surface scrapes to leather old paper spine label and private library label to spine paste paper endpapers stamp from library of Rev. L. Kenzel and a printed in Germany stamp to verso of title. SLight browning to page edges some offsetting and acidification from the ink used in the musical notation and engravings; generally a bright fresh copy internally. 8 1-137; Frontispiece 1-198 pages 133-135 incorrectly numbered 233-235 pp. Sabin 49459 Palau V195.<br /> <br /> A high point of Mexican printing. Finely printed in Puebla with 3 very fine engravings by de Nava. The Mozarabic rites were used by the Visigothic and Mozarabic Christians of medieval Spain until replaced in the the 11th century. They were reauthorized for use in Toledo in the 15th century where they continue in some form to be used. Size: Folio. Illustrator: José de Nava. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Religion & Theology; Antiquarian & Rare. Inventory No: 047085. Typis Seminarii Palafoxiani hardcover
146825Athens: Apostoaiki Ministry of Ekkaisias of Greece 1956. Hardcover 451pp. Very good no dust jacket. Card covers inserted in vinyl binding. Ribbon page marker borders headings and capitals in red index. Text in Greek Language. Religion Missal Religion. Apostoaiki Ministry of Ekkaisias of Greece Hardcover
8119180550.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002319224Collegeville MN: The Liturgical Press 2002. Second Typical Edition. Hardcover. Very Good. 1971p. A dark red cloth hardcover book in very good condition with two attached ribbon bookmarks. Spine lightly creased; otherwise text clean and binding tight. Volume 2 only Year I weekdays. All text is in English. Measures approx. 9.25" x 7.25 The Liturgical Press hardcover
172218639AB1722. Paris Quillau et Desaint 1722. 16 : 105 cm. XLVIII 356 off 3 leaves pages IX-XLIV 290 pages CCXV pages. Contemporary calf with two claps. On the front fly-leaf dedication with the initials E.M.E. With exlibirs Marie-Francoise Comtesse d'Esterhazy née Marquise de Roissin. unknown
1700002263Paris: Par la Compagnie des Libraires affociez au Livre de la Semaine Sainte 1700 1700. WITH THE GILT ARMS OF PHILIPPE II DUC D'ORLEANS. 1 vol. 752pp. 7-11/16" x 5-1/4" 4 full page engraved plates bound in contemporary full red morocco over cords gilt spine panels with double "PP" covers ruled in gilt gilt double "PP" corner pieces gilt crest of Philippe II to the center of both covers all edges gilt marbled pastedowns and endpapers internally clean and bright hinges fine head and foot of spine fine a VERY GOOD copy. Paris: Par la Compagnie des Libraires affociez au Livre de la Semaine Sainte, 1700 unknown
9354407331.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3631839251.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1821L024972Chez J.M. Garrigan 1821. First Edition. Leather Binding. Good/No Jacket. 16mo - over 5¾" - 6¾" tall. 12mo 432pp Text in Latin and French title page in French only. Includes the Latin text of the Ordinary of the Mass and Vespers plus the litanies of the saints and other rites particularly those appropriate to the diocese of Mende in the south of France. Introductory letter and permission statement in French signed 'Jean-Francois' the bishop of Avignon. Notable for the portrait woodcut illustration of Saint Nicolas on title page verso. Bound in full contemporary dark brown calf gilt-stamped red morocco spine label plain endpapers. Good edges and corners worn and rubbed; some rubbing and staining to spine and covers; lacks front and rear preliminaries and blanks few signatures shaken some internal browning and foxing.1 b/w engr illus; title vig. Chez J.M. Garrigan unknown
1912220125010Verlagskontor 1912. Leather . Clean & Unmarked /Acceptable. Text in fraktur script. Gilt tooled leather. All edges gilt. A gently read copy. Scarce dust-jacket in pieces with chips. 879 pp. Verlagskontor hardcover
6209356591.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209348912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6209351476.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
37730346-nnew. unknown
37730346like new. unknown
9788557170315BENVIRA. new. Simoni Missel acostumou-se a garimpar potencialidades identificar afinidades e n�o permitir que as empresas percam talentos por conta de problemas causados pelo estresse e pela dificuldade de relacionamento. Especialista em desenvolver pessoas tendo em vista as necessidades do neg��cio Simoni Ǹ uma defensora ferrenha do uso do feedback como ferramenta de desenvolvimento humano e profissional. Para escrever Feedback corporativo - Como saber se estǭ indo bem a autora usou como base mais de 15 pesquisas que desenvolveu e aplicou em seus mais de 30 anos de carreira alǸm de casos que p�de observar in loco com seus clientes. Para os gestores este livro servirǭ como um guia para aplicar um feedback e ciente e enriquecedor tanto para a empresa como para os funcionǭrios mostrando que o mǸtodo Ǹ uma ferramenta para ajudar seus colaboradores a se desenvolver profissional e pessoalmente. Para os funcionǭrios mostrarǭ a import�ncia do feedback e como agir perante um retorno ""positivo ou construtivo"" aprendendo a separar o pessoal do profissional. Em 2016 Simoni juntamente com sua equipe desenvolveu o Feedback Manager um software para a sistematiza��o da metodologia do Feedback Corporativo atravǸs de formulǭrios prǭticos e didǭticos totalmente adaptados �� realidade de reuni��es produtivas e com foco no desenvolvimento imediato do colaborador. BENVIRA unknown
V9-N7OW-MDUPBenvir��. New. Benvir�� unknown
2003Q-1401824196Course Technology 2003-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Course Technology paperback
2005Q-1401862969Cengage Learning 2005-10-20. Paperback. New. In shrink wrap. Looks like an interesting title! Cengage Learning paperback
2005SKU0464375Cengage Learning 2005-10-20. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Cengage Learning paperback
61078061Thomson Learning xviii 377 24 of lates 1st Edition . Papeback. Used. Thomson Learning unknown