40 613 résultats
19752092902141701251Benseisha 1975. Soft Cover. Fine. Number of books: 18 Benseisha paperback
1958140939327Paris: Editions La Terrain Vague 1958. First Edition Trade Issue. Very Good. Inscribed in French by Marcel Duchamp on page following front transparency then signed and dated. Translated the inscription reads "Dear Alma I appreciate the catalogues you sent me etc. and here's another book with no pretense. Salutations Marcel Duchamp New York City 1960." 231 pp. with b&w folding transparency of La Marieé Mise a Nu par ses Célibataires Même. Printed wrappers. In French. First edition trade issue. Very Good with rubbing along edges of wrappers vertical crease to spine internally clean and bright. Some pages unopened. A rare signed copy of the writings of the pioneering artist associated with the Cubist Dadaist and conceptual art movements; the title translates to Salt Merchant in English. Editions La Terrain Vague unknown books
18169190Ohne Ort, ohne Jahr (um 1816). Gr.-qu.-Folio. 96 unn Bll. (15 weiß). Schwere, durch 2 Metallnieten verbundene marmorpapierbezogene Holzdeckel der Zeit (Rücken und Ecken mit Lederbezug).
2 Vols., in one, small 4to (260 x 160 mm), 103 leaves including title and two advertisement leaves; 22 leaves including title and advert leaf (ornaments numbered 1-103), all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, orig. boards with marbled covers, printed paper title label to spine (rubbed), inner hinges expertly repaired, a very good uncut copy with wide margins. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sole control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Berry & Johnson, p. 45; Mosley, 118 & 119.
Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.
175353654Wittemberg, Vidua Scheffler, 1753. 4to. Contemporary full calf with five raised bands to richly gilt spine. Edges of boards blindtooled. Boards slightly warped and with lsigns of wear. Internally very nice and clean with only a few scattered brownspots. A nice, tight, clean, and completely unrestored copy. Title-page printed in red and black. (4), 18, (6), CCLII, (2) pp. + two folded engraved plates.
[Figurato Farmacopea-Bibliografia] (cm.37) voll.2, bella piena pergamena originale con nervi e titolo calligrafato al dorso. -- cc. 4 nn., pp. 1019; cc. 2 nn., pp. 1146 + cc. 31 nn.. Ben completo del ritratto e delle 34 tavv. f.t. incise in rame che illustrano piante, animali, alambicchi e strumenti vari. Edizione originale di grande importanza e rarità. Caillet: " Rare ouvrage tres estimeè. Contenant une abondante collection de preparations chimiques et pharmaceutiques, et enrichi d' une quantite de figures de plantes et d' instruments de laboratoire. Cet ouvrage est encore consultè avec fruit de nos jours". L' autore (1652-1742) fu grande medico, ma all' epoca molte sue interessanti scoperte passarono quasi inosservate. ombreggiature varie per la qualità della carta, più o meno accentuate come in tutti gli esemplari, altrimenti esemplare bello e genuino. Antichi rinforzi alle cuffie. Antico ex libris manoscritto alle sguardie "Ex libris Leonardi Castellini de Pontremolo, Philosofo et medico doctoris...". * Ferguson II 71; * Waller 6214; * Wellcome IV 43; * Ferchl 336; * Hirsch IV 56; * Brunet III 1365. Manca a Blake "National Library Of Medicine" e al Caillet che ha l' edizione del 1704. [F80] Libro
Wittemberg, Vidua Scheffler, 1753. 4to. Contemporary full calf with five raised bands to richly gilt spine. Edges of boards blindtooled. Boards slightly warped and with lsigns of wear. Internally very nice and clean with only a few scattered brownspots. A nice, tight, clean, and completely unrestored copy. Title-page printed in red and black. (4), 18, (6), CCLII, (2) pp. + two folded engraved plates.
ONE OF ONLY 100 LARGE-PAPER SETS. 28 volumes, complete. The standard bibliography of books in Spanish and books in other languages relating to Spain and Spanish America. A monumental work: it took over 40 years to publish, and describes over 400,000 books, many in detail and with price information. Each volume printed in a limited edition of 2,100 copies, of which this is ONE OF ONLY 100 NUMBERED SETS PRINTED ON EXTREMELY FINE, THICK GUARRO LAID PAPER, WITH EACH VOLUME SIGNED BY THE AUTHOR (volumes 1-7 are signed in ink; volumes 8-28 are signed in facsimile, as the author died in 1955). Some index volumes were published later (albeit not in deluxe form), but they are useless since the work is organized alphabetically. Large, thick 4tos. Original wraps. A bit of wear and tear to the wraps of a few volumes, internally UNCUT, UNOPENED, FINE AND BRIGHT. A rare and important set, and perhaps the only extant complete deluxe set with the pages unopened.
191061986Mainz, B. Schott?s Söhne, (1910). 4°. 3 Bll., 319 S., Brauner Maroquin.-Bd. m. reicher Deckel- u. Rückenverg., goldgepr. Rückentitel, Seidenmoiré-Vorsätzen u. dreiseitigem Schnitt in Gold u. Schwarz.
In folio (314x206), pp. 115. Iniziali e finalini in xilografia. Antoporta allegorica e 5 grandi tavole calcografiche ripiegate disegnate da Ilario Spolverino e incise da Giovanni Battista Sintes e Francesco Maria Francia. Piccolo strappo al margine interno di 3 tavole che lambiscono l’immagine, strappo al margine interno della tavola in prossimità della delegazione vaticana che si estende circa 40 mm, tenue vecchia macchia di umidità all’ultima tavola. Legatura coeva in vitello, dorso a nervi e scomparti decorati col giglio Farnese in oro, tagli a spruzzo rossi.
187663100Wien, 1876. Qu.-Fol. Gedruckter Titel u. 52 in bräunlichem Ton lithographierte Darstellungen, jeweils unter Passepartout mit vergoldetem Schrägschnitt (Titel ganzseitig, sonst jeweils zwei pro Seite auf 14 schweren Kartonblättern; jeweils vergoldeter Schrägschnitt). Prächtiger, schwerer blindgepr. Brauner Lederband d. Zt., am Vorderdeckel mit aufgelegten, verschlungenen Lederbändern auf Seidenunterlage, schildförmigem graviertem Deckelmedaillon u. breiter Schließe aus Silber (punziert ?KA?), Steh- u. Innenkantenverg., Seidenmoiré-Vorsätzen u. dreiseitigem Goldschnitt.
in 16° - pp.8nn, 12, 16, 132, 40 p - Pelle con titolo e fregi in oro al dorso - Testo in latino - Marca non controllata al frontespizio (Due colombe e un serpente: Simplex in malo prudens in bono) - Frontespizio in rosso e nero - Pagine lievemente brunite, Piccoli fori di tarlo che interessano i piatti e il foglio di sguardia - Prima e unica edizione di questa rarissima e poco conosciuta bibliografia sistematica di oltre 2.200 mappe e carte. La bibliografia comincia con la registrazione delle mappe antiche, sacre e profane seguita dal catalogo generale dei recenti mappe geografiche d'Europa, d'Africa, Asia e America.L'ultima sezione descrive circa 130 carte nautiche.
6 gr. voll. in folio, leg. cart. rust. coevo con eleganti tit. mss ai d. Belle vignette in rame ai front. di gusto veneziano. Famoso repertorio bibliografico in cui raramente manca un’Autore, anche minore, o non viene citata un’opera. Interess. anche i giudizi e i commenti del Mazzucchelli sulle opere, sopratutto per i testi più vicini al suo tempo. Gamba 2349: “Quest’opera dettata con giusta critica e facile e netto stile per la morte dell’A. non progredì oltre la lettera B...”. Brunet III, 1563: “Excellent ouvrage”. Belliss. esempl. a larghi margini in barbe.
13 Volumes bound in five, large 8vo printed on good wove paper, [iv], 388; xii, 363, [1]; [iv], 295, [1]; vii, [iii], 355, [1]; [iv], 257; [iv], 314; [iv], 306; [iv], 170; [iv], 195, [1]; [iv], 117, [1]; [iv], 189, [1]; [iv], 83, [1]; [iv], 82, [2]pp., parts 1-3 in orig. boards, spines chipped, covers loose, orig. printed label on upper covers, uncut, parts 4-7 cont. half calf, rubbed, spine stained and spotted, parts-8-13 cont. quarter morocco, rubbed, foot of spine torn, faint stamp of 'Mercantile Library, Philada.', front hinge shaken, title page to part 8 loose, prices and buyers' names supplied in a cont. hand, a made-up set of the complete English sale catalogues of the library of Richard Heber (the 13th volume is notoriously rare). Heber was a book collector on a monumental scale, De Ricci estimated his library between two and three hundred thousand volumes. The sales took place at a time when the market was absolutely glutted and there were practically no buyers. The total realised was ?65,774, for books which had cost their late owner a good deal over ?100,000. "The Dibdinian age may be aptly said to terminate with the dispersal of the gigantic library accumulated by Richard Heber, a bibliomaniac if there ever was one... From 1800 to 1830, he purchased at every London sale... He thought nothing of securing whole libraries... When he died, his books filled two houses in London, one at Hodnet, one at Oxford, one at Ghent and one at Paris, not to speak of smaller stores at... other Continental cities. The total number of volumes in his library must have been between two and three hundred thousand, and it is doubtful whether any private individual has ever owned so large a library... The London sales produced ?56,744, for books which had cost their late owner over ?100,000. The market was absolutely glutted and there were practically no new buyers... The Heber catalogues, although... arranged in the most inconvenient manner, are daily consulted by every bibliographer... His series of Continental books, early Italian and Spanish works, later Latin poetry, humanistic treatises... were unrivalled... The real strength... was, however, in the field of early English literature... For thirty years he... purchased nearly every item which came on the market".?De Ricci, p.102. Organised according to the residences where Heber kept his libraries, the present catalogues number 1 - 13 and were held in 1834, 1835, 1836 & 1837. Sotheby's managed the sale for parts 1- 3 and 9 - 10; R. H. Evans, for parts 4 and 6 - 8 and 11; B. Wheatley, parts 5 and 12-13.
Venezia, 1941; ril., pp. 406, 92 tavv. b/n. italiano
1994014432Paris Seuil 1994 In-4 Cartonnage toilé et jaquette éditeur Dédicacé par l'auteur
26159Paris, Jorry, Lambert et Duchesne, 1758. Text printed within woodcut border. [ii] (series title dated 1763), xxii, [ii], 244, 88; 48 (the pagination of the six supplements is continuous) pp. 8vo in 4s. Finely bound in late nineteenth century crushed blue morocco, spine in compartments, gilt-lettering directly to spine, tooled with theatrical mask to spine and to all four corners of upper and lower board, upper edge gilt, gilt dentelles, partly uncut, a fine copy. Grand-Carteret (Almanachs Français) 192; Dufour, Bibliographie de Paris, p. 395; Soleinne, IV, 283; OCLC locates a number of copies of the main work, but only Dutch Royal Library, Lyon and Bibliotheque Nationale for the full complement of supplements. First edition, very rare with all six supplements present, of this detailed account of French theatre up to the middle of the eighteenth century. The supplements, which were published separately over the course of six years, are very rarely present. Here they are collected with a general title page, dated 1763, published 'at the expense of the author', and bound in a fine 'theatrical' binding. The Tablettes dramatiques are a most valuable source for the history of French theatre, covering first the history of the theatre, the history of the foundation of specific theatres, an inventory of plays performed or printed for the period 1552 to 1752, with critical commentary, and finally a biographical dictionary of authors and actors. The supplements generally follow the same format and give information on new plays, a performance calendar for the period in question, details of ballets, and biographical information on new emerging actors. A fascinating overview of French or more specifically Parisian theatre history, documenting the transition from medieval theatre to the highly organised and politicised drama up the middle of the eighteenth century.The chevalier de Mouhy (1701-84), was a playwright and prolific author on the theatre, he also published an Histoire du theatre français depuis son origine jusqu'en 1780.
in-12 (mm. 180 x 140), due opere in un volume, ff. 72 e 112, (8, l'ultimo bianco), legatura secentesca in pergamena rigida, titolo ms. al dorso. Con 4 differenti imprese tipogr. al titolo e in fine, due differenti di Giolito e quella dello Scoto all'inizio ella seconda e quella del Marcolini in fine. - Vol II: pp.112, (13). Dedica a Jacopo del Pero e a Ferrante Caraffa. Curioso notare che i due caratteri utilizzati non potrebbero essere più diversi fra loro: prima minutissimi sia il corsivo sia il tondo, poi in un inusualmente allungato corsivo e grande tondo, quasi "grassetto" in certi casi. Prima e seconda edizione, prima tiratura. La presente opera è la Prima Bibliografia pubblicata a stampa nei tempi, straordinario primato bibliografico. La seconda parte registra le opere manoscritte. Le due parti uscirono insieme nel 1557. Le 6 parti della ''Libraria Prima'' citano un gran numero di opere della letteratura italiana, le traduzioni dal latino e da lingue moderne, un indice per generi letterari, una sezione di musica a stampa. Il Doni (1513-1574) fu il primo ad avere consapevolezza della novità della materia e ad intuire le varie potenzialità del libro nel campo collezionistico, culturale e commerciale. (Diz.Bompiani IV, 363). Opera di notevole rarità e grande importanza bibliografica e letteraria. Buon esemplare, malgrado fioriture ed una lieve alone su mezza pagina in quasi tutto il volume.. Bongi, Annali di Giolito 287. Besterman 1558; Petzholdt 352 f.; Breslauer-Folter 18: ''The first bibliography in a vernacular and the first attempt to describe all books in Italian (including translations), with a special section of printed music''. MGG III, 672 f.; Eitner III, 231; Mortimer 163. C. Ricottini Marsili-Libelli, Anton Francesco Doni, scrittore e stampatore, 1960, no. 22 and 32. Casali, Giolito Annali, 83. J. Bradbury, "A.F. Doni and his ‘Librarie': Bibliographical Friend or Fiend?", (2009), pp. 90-107. La Bibliofilia, 114 (2012). pp. 327-352. .
Cm. 21,5, cc. 272 interamente miniate. Sontuosa legatura edit. in piena seta con decorazioni in rilievo. Tagli in oro martellati. Insieme ad un volume di commentario di pp. 128. I due volumi entro custodia in legno e plexiglass. Perfetta conservazione, in stato di nuovo. Tiratura limitata e numerata di 499 esemplari irripetibili. Prestigiosa riproduzione del manoscritto miniato Lat. 842 Officium Beatae Mariae Virginis della Biblioteca Universitaria di Modena.
Madrid, Eusebio Aguado, 1854-1862, 8 tomos, 22,5 x 15 cm., plena piel de época, hilos dorados en las tapas, contracantos dorados, super ex-libris dorado con escudo del Marqués de Morante en las tapas, 2 hojas + XV + 581 págs. = XX + 673 págs. = 2 hojas + 696 págs. + 1 hoja = 2 hojas + 738 págs. = XLI + 1.153 págs. + 3 hojas = 2 hojas + 835 págs. = 2 hojas + 768 págs. = XXXV + 850 págs. + 2 hojas.- Sigue: Additio ad Catalogum Librorum... Tomus IX. Madrid, F. López Vizcaino, 1870, 22,5 x 15 cm., holandesa piel, 666 págs. + 1 hoja. (Colección completa del famoso Catálogo de la biblioteca del Marques de Morante, amenizado con multitud de sabios comentarios y verdaderas monografías. El Tomo IX resulta rarísimo por la pérdida de gran parte de la tirada. Gran ejemplar. Según nuestras averiguaciones debieron encuadernarse varios ejemplares con las armas del Marqués de Morante, nuestro ejemplar además contiene su ex-libris en el interior de las tapas de los primeros 8 tomos. Casi todos los ejemplares que aparecen en el Catálogo Colectivo de Bibliotecas Públicas Españolas carecen del tomo IX).
65 voll. in-8, brossura edit. con cornici xilogr. Testo su due colonne. Eccezionale opera nella rara traduzione italiana su quella francese ideata dai fratelli Michaud, con le biografie di migliaia di autori italiani e stranieri, comprendente anche la Biografia Mitologica (in 3 volumi) e i Supplementi. Bibliografia di riferimento superata solo dal Dizionario Biografico degi Italiani (Treccani) ma per la parte italiana. Perfetto esempl. con i volumi in legatura uniforme tutti nella veste editoriale originale, in barbe.
173118596Venedig, 1730-1731. 6 Bde. (36), 480, (2) SS. (8), 564 SS. (8), 359, (1) SS. (8), 312 SS. (8), 365, (3) SS. (14), 460 SS. Mit 2 gest. Portraits, 6 (wdh.) Titelvignetten, 1 gest. Tafel, 48 Holzschnittvignetten im Text und einem ganzseitigen Textholzschnitt. Zeitgenössische Lederbände mit doppelten Rückenschildchen und reicher floraler Rückenvergoldung, dreifachen goldgepr. Deckelfileten, Lesebändchen und dreiseitigem Goldschnitt. Steh- und Innenkantenvergoldung. Marmorvorsätze. Gr.-8vo.
Large 8vo. 6 vols. (36), 480, (2) pp. (8), 564 pp. (8), 359, (1) pp. (8), 312 pp. (8), 365, (3) pp. (14), 460 pp. With 2 engraved portraits, 6 title vignettes, 1 engr. plate, 48 woodcut vignettes in the text, and a full-page woodcut in the text. Contemporary calf with double labels to richly gilt spine and triple gilt fillets. Leading edges and inner dentelle gilt. All edges gilt. Marbled endpapers. First complete, definitive edition of this literary history, first published in 1698 in a single volume. An exceptionally fine copy. "Ist die beste Ausgabe. Bd. 1 enthält die eigentliche istoria, dann folgen die commentari mit den Suppl. etc." (Ebert). "Gli editori in questa ristampa ridussero al loro sito tutto quello che concerneva o una particolare materia, o una determinata persona. Le Note furono aggiunte per opera di Antonfederico Seghezzi, aiutato anche dal 'p. Caterino, fratello di Apostolo Zeno'. Il lavoro del Crescimbeni venne poi in gran parte rifuso nella 'Storia della volgar poesia' del p. Quadrio, togliendo in spezialità l'importante Trattato dell' origine de' Romanzi, fondamento dell' epica italiana [...]" (Gamba). Front pastedowns show engr. heraldic bookplate of Stuart of Dunnairn from Fifeshire (c. 1780). Inscribed to the writer and translator Catherine Mary Phillimore (d. 1929), who is known for her studies on Dante and Fra Angelico ("from her affectionate Aunt Jane M. Vaughn Williams", dated 21 August 1888). - Splendid, perfectly preserved calf bindings; interior slightly brownstained as usual. Gamba 2212. Eitner III, 102. Cf. MGG VII, 563 and XVI, 1694. Brunet, II, 419. Graesse, II, 300. Ebert 5444.