Moore, Marianne - FIRST PRINTINGBiblio.com
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1998ABE-2674196708Faber London 1998 NEW first printing. Stored since publication in a low light book room. New jacket is preserved in a mylar sleeve. This is a perfect collectable copy of an important work. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. New/New. Faber London hardcover
2003ABE-2836478765Simon & Schuster LONDON 2003 The rarer UK first printing is the most sought after and here is a perfect copy of Volume 2 The Seeing Stone bought from the publisher and stored ever since in a low light book room. Perfect unread and unopened new copy of the first printing. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. New. Simon & Schuster LONDON hardcover
2003ABE-4740454685Titan Books London 2003 UNREAD AS NEW FIRST PRINTING. A magical look at this great Neil Gaiman creation. Gaiman has also contributed an exclusive introduction. Perfect book perfect protected jacket. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. As New/As New. Titan Books London hardcover
1897ABE-3551482044The Century Co. New York 1897 A Near Fine First Printing in original green pictorial buckram with gilt titling and three colour pictorial device across the top. The tight binding has no soft edges or bumped corners and the gilt top to the text block is still bright. Numerous full-page illustrations by C. M. Relyea plus head and tail pieces. Exceptionally clean and tight copy printed on heavyweight high quality smooth paper in two colours black and red. First Edition with an attractive near contemporary book plate on the inside front end paper. Neat initials of same person lettered on facing paper with the date 1911. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. Near Fine. The Century Co. New York hardcover
191564006Bradford West Yorkshire UK: W.N. Sharpe Ltd. 1915. Thick oblong Folio. 13 x 10.5 x 2.5 in. 72 pp unpaginated. on thick tanned-gray card stock w/ 93 greeting cards envelopes calendar greeting cards folding cards embossed examples most of them colour printed some w/ die-cut decorations and features many w/ hand-coloured Bromide photo illustrations hand-coloured photogravure many raised gilt ornamental decorations monograms and all could be ordered w/ gilt embossed Regimental badges or ornaments. Publisher’s fish-scale scalloped ivory-silver cloth embossed gilt lettering & ornament on front cover some toning scuffing minor bumping to spine edgewear light uniform interior toning slightly shaken 1 small closed tear rear joint at head of spine still a VG- copy w/ Regimental Badges order sheet tipped-in on pricing and ordering instructions on endpapers including specific pricing for Welsh customers. First edition of this scarce World War I-era greeting card and advertising promotions salesman’s sample catalogue filled with beautifully executed printer’s samples to help raise morale during the brutal second year of the Great War. 1915 opened with the disheartening Neuve Chapelle offensive by General Haig and subsequent political fallout battles of Aubers Ridge Festubert Loos as well as Zeppelin bombings and U-Boat blockade transformed the War and Great Britain into an all out effort and grinding stalemate of trench warfare. With millions of men separated from their families and homes W.N. Sharpe and other publisher’s quickly expanded and adapted ensuring that postcards and greeting cards were supplied so that people far from loved ones could exchange morale-boosting messages. These greeting cards were available to be embossed with regimental badges flags of the allies patriotic messages and would prove to be wildly popular during the opening years of the War. When initially prepared for printing in late 1914 there were only 25 Regimental badges but this quickly grew to 62 and here Sharpe has included the updated list. The greeting cards and Christmas cards feature Bromide photos of English Bulldogs with British Empire flags; soft-focus images of idyllic rural scenes mothers & children; Naval scenes; flower arrangements and even King George V. By the early 20th-Century W.N. Sharpe was one of the largest greeting card and postcard colour printing companies in the World on par with Raphael Tuck and were well known for their famed “Patent FAB Patchwork Card†which featured a decorative square of silk that could be cut out and worked into a pin cushion or tea cozy. Following World War I they would continue to expand into producing stationery wedding cards and stationery birthday cards along with calendars postcards and many other paper ephemera. In 1937 they would built the historic 76000 square foot Hallmark House in Bradford and later in 1984 was acquired by Hallmark Cards of the United States. No copies in Worldcat; See: Graham Hall Classic Cards’ Bradford: The History of W.N. Sharpe Ltd. The Bradford Antiquary Series 3 Vol. 11 2007. W.N. Sharpe Ltd., hardcover
1988ABE-1141120061Random House New York 1988 The brilliant second novel from this wonderful writer SIGNED on the title page. This is a handsome production from Random House but there is a former owner stamp on the FEP and a remainder mark on the top of the text block. Protected jacket has not been clipped. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. Near Fine/Fine. Random House, New York hardcover
2001ABE-3409151752Knopf New York 2001 PERFECT SIGNED US FIRST PRINTING. Very superior edition from this fine publisher. Bought direct on publication signed on the title page without dedication just a signature. Stored in a low light book room. Perfect jacket is protected. Ragged leading edge acid free paper this is a superb example of contemporary book production. And let's not forget this is a wonderful novel. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. New/New. Knopf New York hardcover
1908biblio38961City of Boston Printing Department 1908. 292 pages. NearFine or better Hardcover no dj. black cloth Gilt lettering and stamping. 9.75"x6.4"x0.9". be43644. City of Boston, Printing Department hardcover
2016x-1358311749Palala Press 2016. Hardcover. New. 506 pages. 6.14x1.13x9.21 inches. Palala Press hardcover
0260584738.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265262410.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781017270150Hardback. New. hardcover
19712090502113715163Not Available 1971. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1862ST20857London: Edmund Evans for Sampson Low Son and Co 1862. ONE OF PERHAPS 10 COPIES PRINTED ON VELLUM. 260 x 195 mm. 10 1/4 x 7 3/4". vii 1 235 1 pp. <br/> Publisher's stiff vellum smooth spine with gilt lettering edges untrimmed. In a modern felt-lined blue buckram drop-back box. Decorative initials in red or blue title page and text leaves with full criblé border of vined foliation occasionally inhabited eight or 10 leaves with more extensive illustrations at head or foot all engraved by W. J. Linton after illustrations by John Franklin. Front pastedown with ex-libris of Marion Hope Rattey. A Large Paper Copy. McLean "Victorian Book Design" p. 184. Short thin cracks to head and tail of front joint spine vaguely soiled upper cover with two very small brown spots and one trivial red mark occasional mild rumpling or naturally occurring variations in the grain or thickness of the vellum as usual a couple of minor smudges but still a very agreeable copy the binding solid and without the splaying common in vellum books the interior clean fresh and bright and the margins extraordinarily wide.<br/> <br/> This is an infrequently encountered copy of a beautiful Victorian book on vellum issued by one of the era's top printers. The volume was printed by Edmund Evans 1826-1905 who is now best remembered for his illustrations and advances in color wood engravings. Relatively little is known about this book's production: Ruari McLean tells us that it was "entirely printed" by Evans but it is unknown whether he was responsible for the design as well McLean remarks that "if Evans was responsible for its design it shows his superiority in book-making". We also are unsure how many copies were printed on vellum although the general consensus is 10. Regardless as McLean tells us "it is one of the prettiest books of the 'sixties" with sharp deep impressions of the type on the rich creamy vellum jewel-like colored initials and elegant wood-engraved illustrations. These illustrations are the work of John Franklin ca.1800-68 a painter and draftsman who was highly respected in his own time. The precisely realized borders feature idealized human forms posed within a robust botanical largely acanthus context the figures posing with balletic grace their expressive faces often turned gently away from the reader. The size of the leaf here is significant: the untrimmed edges retain their tiny printing pinholes which would normally have been trimmed away with regrettable loss. And not surprisingly our vellum printing is almost never seen: we could trace just two copies at auction since 1924. Former owner Marion Hope Rattey 1922-97 was likely the daughter of bibliographer Clifford C. Rattey 1886-1970 whose impressive library featured incunabula and block prints. [Edmund Evans for] Sampson Low, Son, and Co unknown
192019067AB1920. New York 475 Fifth Avenue n.d. ca. 1920. 305 : 23 cm. 6 leaves with many illustrations. Illustrated original boards. Early catalogue of the print-department of the famous publishing house. Announcede are works by Timothy Cole Gordon Ross René Clarke Willy Pogany Diana Thorne and others. hardcover
191058183New York: The Century Co. 1910. 8vo. xi 3 477 1 pp. With 100’s of text illustrations type specimens diagrams woodcut engravings 1 in colour historiated vignettes decorated initials. Brown publisher’s cloth gilt lettering on spine gilt & red morocco spine label t.e.g. minor bumping to corners edgewear some rubbing still a VG copy. Second edition of this classic and surprisingly scarce printer’s manual originally issued in 1904 and the third title in De Vinne’s unexcelled series on typography. This work devoted to mechanical methods of book composition encompasses chapters on equipment composition of books composing & printing mathematics and music books foreign languages such as Greek Hebrew & German stone work and more. De Vinne 1828-1914 was often designated the “Dean of American Printers†founded the Grolier Club collaborated with Robert Hoe to advance fine printing and presses and embraced the concept of the book as objet d’art. The Century Co., hardcover
1332329470.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19462083002116205747Printing Bureau Federation of Social Education Edited by Kisaburo Yokota 1946. Soft Cover. Fine. The book is in fine condition. Printing Bureau, Federation of Social Education, Edited by Kisaburo Yokota paperback
1436627710.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1882ST16453Glasgow: Printed by Robert Anderson for Private Circulation 1882. ONE OF ONLY 50 COPIES. 195 x 122 mm. 7 3/4 x 4 7/8". 1 p.l. x 103 1 pp.From George Bannatyne's manuscript compiled A.D. 1568. <br/> BEAUTIFUL CITRON CRUSHED MOROCCO ELABORATELY TOOLED IN GILT BY RAMAGE stamp-signed on front turn-in covers with six concentric frames--intricate filigree roll pointillé-tooled floral vine and alternating small ornaments--enclosing a central panel with cornerpieces semé with rows of fleurs-de-lys large oval medallion at center radiating ornate fleurons raised bands spine compartments with large central medallion containing a vase of flowers delicate tooling in corners gilt titling turn-ins framed by filigree roll and alternating small ornaments brown and tan silk jacquard endleaves patterned in a Medieval motif top edge gilt. Printer's device on title page decorative woodcut initials and headpieces. Spines evenly sunned to a warm honey brown corners lightly rubbed short faint scratch to lower board but the binding virtually unworn and happily free of the splaying that plagues vellum books. Leaves lightly rumpled but A VERY FINE COPY the vellum leaves creamy clean and bright and the binding glittering with gold.<br/> <br/> Printed on luxurious vellum and limited to just 50 copies presumably for private circulation among friends of the printer this is a lovely edition of 16th century poems by a mysterious author believed to have been a poet and musician associated with the court of Mary Queen of Scots. This work contains all 36 extant poems attributed to Scott ca. 1520-82/3 including what is considered to be his most historically important work "Ane New Yeir Gift to Quene Mary" 1562 written in support of the young Scottish queen caught between Catholic and Protestant agendas. His other poems consist largely of lyric verses on love and sexuality which DNB describes as possessing "exceptional metrical variety and vernacular directness" with "a musician's ear for rhythm and melody." Scott's poems are known to us via the Bannatyne manuscript now held in the National Library of Scotland which ranks among the most important documents of Scottish Medieval literature. Written by George Bannatyne in 1568 during a period of confinement due to an outbreak of plague it contains a mixture of both secular and religious material including the sole extant copies of several texts. In the preface to the present work the publisher notes that Scott's poetry has been faithfully reproduced from that manuscript and thus "for the first time accurately printed." Very little is known regarding the life of Alexander Scott but he seems to have been attached to the court of Mary Stuart through John Erskine a guardian and counselor to the queen. Given the very limited number of copies made it is not surprising that this work is extremely rare on the market. Printed [by Robert Anderson] for Private Circulation unknown
2003ABE-2667542866Penguin Viking London 2003 SIGNED on the title page. No other marks no bent corners not an ex library book. This a perfect collectable copy of this seductive and brilliant novel. Protected jacket. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. Fine/Fine. Penguin Viking London hardcover
1935003336Oxford the Clarendon Press 1935 RARE to find this in a complete dustwrapper. Undamaged but there is a stain on the front of the jacket measuring a couple of centimetres or so. Exceptionally clean and undamaged book fortunately printed on very fine quality paper. A great success this is the first reprint one month after the book's appearance. Still provocative today especially in the highly emotive present day when a religious and reactionary backlash is making far too much noise. The case for a reasonable and logical atheism is clearly espoused here in wonderful language. 0.0 0.0 0.0. 1st Edition. Hardcover. Very Good/Very Good. Oxford, the Clarendon Press hardcover
026729106X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0267578261.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996ABE-2837702654Thames & Hudson London 1996 The UK first printing bought from the publisher and stored ever since in a low light book room. Perfect unread and unopened new copy of the first printing in a protected jacket. A completely new and thought provoking exploration of this crucial time when the world as we now know it was being formed. Stunningly collated and illustrated. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. 1st Edition. Hardcover. New/New. Thames & Hudson, London hardcover
