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First edition, 4to, liii, 98pp., a very good ex-library copy, 24 plates (4 folding), orig. cloth-backed boards, extremities rubbed, uncut. A scarce and most important bibliography of thirty-five type founders specimens.
4to, [iv],ix,[iii],131,[1]pp., presentation inscription from the author, frontispiece portrait, title-page with typographical border, 31 plates (some in coloured), pictorial endpapers with signs of sellotape residue, orig. boards, uncut, lower spine and corners a little bumped otherwise a nice copy. Jones' library reflected his own career as a printer being almost entirely concerned with fine printing in all its aspects. Several of his designs for Linotype are used, including 'Estienne' for the Incunables, 'Granjon' and 'Bernard' for the American books, and 'Georgian' for the British books. The section devoted to European books is set in 'Venezia' which was originally cut for Jones by Edward Prince before being added to the Linotype list in 1928. "The Second Catalogue... This was the library at his Gough Square premises which, according to Leonard Jay, was complementary to that at Monksbarn which had been sold by Sotheby's in 1936. However, it is likely that some items in the "first" library had been withheld from sale for sentimental reasons and are included here. A study of the contents of both libraries is essential to an understanding of the work of George W. Jones."?Rogerson, George W. Jones. 2.
First edition, 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text spotted, paper wrappers, uncut and unopened. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963". (John Carter). Bigmore & Wyman, III. p.78.
First edition, 8vo (233 x 145 mm), 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text lightly spotted, paper wrappers, orig. plain boards. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963"?John Carter. Bigmore & Wyman, III. p.78.
PARIS, Imprimerie des Cours Professionnels - 1911 - Grand in-4, 25 x 33 cms - Reliure de l'époque demi-basane havane - Dos orné à nerfs - Titre doré - Gardes ornées - importante iconographie, très nombreux modèles Nb ou couleurs in et Ht - 480 ages - très bel exemplaire Cet ouvrage qui se présente comme le Manuel Typographique du XXe siècle, est rédigé à l'usage des imprimeurs ayant déjà une pratique du métier assez complète. , conçus ou interprétés par les professeurs des cours professionels. Bel exemplaire
Cm. 27,5, bellissima legatura in cart. in rilievo riccamente decorato, dorso in seta, tagli dorati, pag. (1 c.b.) XVI,101 (3) più bel frontespizio in litografia a colori e 8 belle tavole in rame f.t. protette da veline. Album dedicato al cav. Pasquale Revoltella. Bellissimo frontespizio litografico a colori, testo entro cornice. Scritti di Filippo Villani, Lodovico Gatta, A. Zoncada, M. Gatta, Giuseppe Sacchi, Pier Ambrogio Curti, Ignazio Cantù. Le incisioni sono realizzate da Gandini, Cherbuin, Marzini (bella litografia) e Clerici. Importante anche quale repertorio per i quadri e le sculture riportate. Lievi arrossamenti ma ottimo esemplare.
<p>2 volumi, rilegature coeve in mezza pelle con titoli in oro e fregi impressi ai dorsi, piatti marmorizzati, p. XXII, 449; VIII, 428; LXX. Le ultime pagine del secondo volume sono "Quadro critico a cura dell'abate Mauro Bono". </p>
xii + 230 + [6] pp. illustré de figures dans le text et d'une frontispice en couleurs et plusieures planches hors-texte (dont quelques-unes dépliantes et un blason en couleurs), Edition originale de 1894, tirage numéroté de 210 exemplaires: ceci porte le no. 49/210, 26cm., br.orig. (qqs. manques de papier aux bords sans perte de texte, dos renforcé, bien protégée par une couv. de papier cristal), imprimé sur papier de luxe, texte et intérieur frais et en très bon état, rare, G92113
fascicolo in-4 con 7 quartini sciolti raccoli da una copertina figurata. Impressi su carta a mano di Pescia. Tiratura di 270 esemplari num. in cifre arabe e 20 in numeri romani destinati agli autori dei testi (ns. 98 di 270, firmato al lapis da Schialvino e Verna). Testi di Paolo Brunati, Roberto Carretta, Vincenzo Gatti, Stefano Delprete, Alan Dugan, Mehmet Gayuk, Nico Orengo, Guido Ceronetti, Adriana Zarri e altri. Con 24 xilografie originali di cui molte a colori di: Giulia Napoleone, Alberto Rocco, Gianni Verna, Mauro Baudino, Ugo Giletta, Ezio Gribaudo, Guido Navaretti, Elisabetta Viarengo Miniotti. Copertina di Gianfranco Schialvino. Cfr. Nico Orengo. La tipografia come arte: Con Smens Schialvino e Verna hanno recuperato uno spazio da tempo abbandonato nell'editoria di riviste, quello, antico, del rapporto scrittura-segno, e di un segno fatto di tecniche antiche e nobili". Perfetto esemplare, con cartolina ripiegata di invito alla mostra SMENS Pagine and Figure 2001.. .
2 fascicoli in folio, bross. edit. Disponiamo dei fascicoli: anno II (1904), n. 4 e anno VIII (1911) n. 12. Prestigiosa rivista sulle arti grafiche e tutto ciò che è pertinente la carta stampata, impreziosita da belle tavv. e ill. n.t. inc. in xilogr. a più colori. Pagine di pubblicità all’inizio e al fine di ogni fascicolo. Il fascicolo relativo al 1904 interessa le varie tipologie di biglietti da visita con moltissime figg. anche a colori. Mancanza parziale di carta alla copertina del fascicolo del 1911. [272]
gr. vol. in-8, pp. 343, bross. edit. con cop. fig. Con molte tavv. anche ripiegate. [207]
gr. vol. in-8, pp. 366, bross. edit. con cop. fig. Con molte tavv. anche ripiegate. [208]
TWO VOLUME SET. RARE catalog of Hebrew Incunabula from the Collection of the Library of the Jewish Theological Seminary of America [JTS]. The author - Shimon Mordukhovich Iakerson (b.1956) is a Russian scholar specializing in medieval Hebrew manuscripts and incunabula. His opus magnum is the "Catalogue of Hebrew Incunabula from the Collection of the Library of the Jewish Theological Seminary of America", wherein he describes the largest collection of Hebrew books printed with movable type before 1501 A.D., and for which he received the first Honorable Medal of the Euro-Asian Jewish Congress “For Service to the Jewish People”. [ALL VOLUMES]: 230x310mm. [58+389+316+LXXVII] + [393-670+319-568] pages. Hardcover. Both volumes in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
In 8o, pp. 232, br. Catalogo N. 24 della Libreria Antiquaria di Jacques Rosenthal di Monaco di Baviera composto da 1500 incunaboli. Qualche difetto dovuto al tipo di carta (622/ INCUNABOLO - TIPOGRAFIA)
This is a fine softcover copy with no wear at all. Completely clean. SIGNED by Milton Glaser, on the half title-page, just below his portrait photograph. Not inscribed to anyone, just signed. Stated first edition. This is the trade edition, not the deluxe edition. Illustrated throughout in color. 13" high X 10" wide, 272 pages. A beautiful signed copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Issued (by subscription) in sixty-eight (68) original parts. Large 4to. 240 x 310 mm. Paper wraps, somewhat worn with soiling and loss to a few parts. Each part contains 3 full-page engravings (one which is photogravure by Messrs. Goupil & Co. of Paris or other eminent makers) plus 24 pages of biography, illustrated with monochrome sketches. The contributors were also famous persons, and include: Theodore Roosevelt; H. Rider Haggard; Henry George; Margaret Sangster; Harriet Prescott Spofford; Albion Tourgee; Ella Wheeler Wilcox; Edward Everett Hale; Hans Christian Andersen; Thomas Carlyle; Will Carleton; Edward Everett Hale; William Lloyd Garrison; and many others. Books in parts are works which were published piecemeal (mainly in the 19th century) over a period of months or years. Each unit usually having a separate magazine-like cover. This method of publishing benefited the publisher as it was thought that the price of a weekly or monthly part at one shilling or a quarter was affordable to a wider readership than the price of pound sterling or $ 5.00 for a bound volume. They also qualified for mailing at a cheaper rate. Since they were meant to be bound by the purchaser, very few have survived into our present era. This edition apparently not in Arents (1957). Complete sets in this form are RARE. **PRICE JUST REDUCED! PARTS 1
This is a very good hardcover copy in a very good dust jacket with almost no wear. Completely clean. Foreword by Paul Rand. This is the first edition in English after the 1994 German edition. Text by Lars Muller. This was the first substantial monograph on the work of Joseph Muller-Brockman, prepared with Muller-Brockmann's assistance and full access to his archives. Illustrated in color and black & white. 11" high X 8" wide, 262 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Issued (by subscription) in forty-six eighty (46) original parts, bound in 28 magazine-format issues. 4to. 200 x 285 mm. Numerous engravings, portraits, maps and plates. Though the spines on many of the paper wraps are gone, this set is generally in wonderful condition. Books in parts are works which were published piecemeal (mainly in the 19th century) over a period of months or years. Each unit usually having a separate magazine-like cover. This method of publishing benefited the publisher as it was thought that the price of a weekly or monthly part at one shilling or a quarter was affordable to a wider readership than the price of pound sterling or $ 5.00 for a bound volume. They also qualified for mailing at a cheaper rate. Since they were meant to be bound by the purchaser, very few have survived into our present era. This set is extremely scarce in parts format. This edition apparently not in Arents (1957). **PRICE JUST REDUCED! PARTS 3
This is a fine hardcover copy in a fine dust jacket. Completely clean inside and out. As new. This book collects 17 of the best essays from 'Typographica' magazine, the leading periodical on modern typography which was published irregularly from 1949 to 1967. The 14 original issues of 'Typographica' are virtually impossible to obtain, full sets even scarcer. The articles collected here are from the 'New Series' published 1960-67. Foreword by Aaron Burns. Illustrated throughout in black, white and red. Subjects include visual poetry, Dieter Rot, Paul van Ostaijen, Richard Hamilton, Polish avant-garde graphics (1920's- 30's), Henryk Berlewi, Piet Zwart, Paul Schuitema, John Heartfield, Rodchenko, Herbert Bayer and Kurt Schwitters. 11" high X 9"wide, 229 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Nine Volumes. Engraved illustrations. Partially unopened. Paper beginning to brown, but not brittle. XLib. 8vo. Original full brown cloth bindings, gold lettered spines. Spines chipped and torn at head. Hardbound. Horace (Horatio) Walpole, 4th Earl of Orford (1717-1797) was an English art historian, man of letters, antiquarian and Whig politician. He is now largely remembered for Strawberry Hill, the home he built in Twickenham, south-west London where he revived the Gothic style some decades before his Victorian successors. Famed too for his Gothic novel, 'The Castle of Otranto'. His ' Letters' are of significant social and political interest. SET/W57
In 4, leg. in tela. titolo al dorso, pp. 199, ill. n.t.Sovracc. mancante, dorso scolorito, usura agli angoli. Interno in condizioni molto buone.Luogo di pubblicazione RomaEditore Editrice RaggioAnno pubblicazione 1955Materia/Argomento Tipografia, Stampa
4° tela poster. disp. anno XXVIII-1931 dal n. 1 gennaio al n. 10 ottobre; pp. da 20 a 642. Numerose ill. nel testo, pubblicità, esempi e facsimili fuori testo. Mancano le copertine. Prestigiosa rivista. Buon esempl. I 10 numeri.
In-4° (cm. 30,3x24), pp. (118) + 70 TAVOLE impresse solo recto (di cui 28 A COLORI, 2 ripiegate) e con 188 ILLUSTRAZIONI n.t., di cui alc. a col. Mz. pelle coeva, tit. filetti oro al ds., sguardie in carta decorata. Traccia di gora sbiadisce gli angoli sup. della legatura, un ang. escoriato. Ottimo l'interno, che CONSERVA i bei piatti della br. ed., in cartoncino rugoso con tit. oro a rilievo e ornam. Testi che illustrano l'attività di mitiche CASE EDITRICI (Hachette, Hetzel, Colin, Masson, Flammarion, Mendel, Baschet, Carteret, Mongredien, Mame, Ollendorff, Carrington, Combet ex Furne, Pelletan, Rouveyre, Paris-Noel, Magasin Pittoresque, Simonis Empis, Editions d'Art); e galleria iconografica di libri-strenna, preziosa sia per la dovizia di eccellenti ILLUSTRATORI, che per le FOTOGRAFIE (tra cui impressionante la serie sulla Commune; poi la Festa dell'Alliance 1901, Panorama-Exposition, foto etniche; dirigibili ecc. Carte delle cartiere Odent, Breton, Prioux; caratteri tipogr. Henri Chaix; inchiostri e col. Lorilleux. Bellissimo.
In-8° (cm. 19x12,1), pp.VIII, 298 + 2 TAVOLE RIPIEGATE fuori testo (Fotolitografia Ach. Paris, Firenze). La prima tavola riprodce una facciata del Cicero di Sweiheym e Pannartz Roma 1467. La seconda una faccita delle Institutiones di Juastinianus, Mainz, P. Schoeffer, 1468. Brossura editoriale con etichetta dell'ed. Luigi Battei di Parma. Strappetti e mancanze al piatto anteriore senza perdita di stampato, manca il piatto posteriore. Ottimo e nelle sue barbe l'interno. BERLAN, professore e preside del R. Liceo di Pistoia, rivendica a Panfilo Castaldi da Feltre l'invenzione della stampa a caratteri mobili:
<p>32cm, brossura editoriale illustrata al piatto con risguardie, p. 28. Numerose illustrazioni in nero n.t. Con 10 tavole a colori fuori testo. Edizione numerata di 200 esemplari: il nostro n. 146.</p>