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2018Atlantic-9781138319561Routledge 2018. Hardcover. New. Routledge hardcover
2018Atlantic-9781138319561Routledge 2018. Hardcover. New. Routledge hardcover
2010x-1108017762Cambridge University Press 2010. 100 Paperback books. New. 1st edition. 15.20x11.02x10.71 inches. Cambridge University Press paperback
1921000681Berlin and Paris: Russkoe Iskusstvo 1921-1926. Seven issues No. 1 2 7 8 9 11 12; 9 ½ x 12 ½; all first editions except #1 and #2 which are the second edition of the same corresponding months; illustrated throughout including numerous plates mounted on leaves with captions printed; pages mostly very clean No. 12 has small chips to upper corners of covers and a spot to fore-edge of first 2 pages only; No. 6 has faint foxing to lower margin of first 2 pages; colors bright; few small chips to corners of wraps not affecting illustrations; some wear to spines with some loss of paper; #11 missing front cover else all pages and wraps present and securely attached; slight age-toning to covers; overall in very good condition. Possibly the most influential and famous of the post-revolutionary art and literature journals Zhar-Ptitsa Firebird was first printed in Berlin in 1921. A total of 14 issues were published at irregular intervals from 1921 to 1926. A magnificent journalistic endeavor it represented the Russian culture abroad and challenged the boundaries between the Bolshevik agents and the immigrant intellectuals at the time. Contributors included Konstantin Somov â a brilliant artist who immigrated to the United States after the revolution but finding the atmosphere âabsolutely alien to his artâ he eventually ended up in Paris; Alexander Benois â the founding member of Mir Iskusstva; Ivan Bilibin â the illustrator and stage designer who moved to Paris after the October Revolution but longing for his country returned home in 1936 to ultimately die during the Siege of Leningrad; Natalia Goncharova â the great niece of Alexander Pushkin and one of the most revered Russian Avant-garde artists â and many others including all the members of Mir Iskusstva. The latter was not only an art journal but an artistic movement which was said to have revolutionized European art at the beginning of the 20th century. Vengerov Staraia Russkaia Kniga 105. Rarely seen on the market. Please inquire about individual issues. Berlin and Paris: Russkoe Iskusstvo paperback books
1921000681Berlin and Paris: Russkoe Iskusstvo 1921-1926. Seven issues No. 1 2 7 8 9 11 12; 9 ½ x 12 ½; all first editions except #1 and #2 which are the second edition of the same corresponding months; illustrated throughout including numerous plates mounted on leaves with captions printed; pages mostly very clean No. 12 has small chips to upper corners of covers and a spot to fore-edge of first 2 pages only; No. 6 has faint foxing to lower margin of first 2 pages; colors bright; few small chips to corners of wraps not affecting illustrations; some wear to spines with some loss of paper; #11 missing front cover else all pages and wraps present and securely attached; slight age-toning to covers; overall in very good condition. Possibly the most influential and famous of the post-revolutionary art and literature journals Zhar-Ptitsa Firebird was first printed in Berlin in 1921. A total of 14 issues were published at irregular intervals from 1921 to 1926. A magnificent journalistic endeavor it represented the Russian culture abroad and challenged the boundaries between the Bolshevik agents and the immigrant intellectuals at the time. Contributors included Konstantin Somov â a brilliant artist who immigrated to the United States after the revolution but finding the atmosphere âabsolutely alien to his artâ he eventually ended up in Paris; Alexander Benois â the founding member of Mir Iskusstva; Ivan Bilibin â the illustrator and stage designer who moved to Paris after the October Revolution but longing for his country returned home in 1936 to ultimately die during the Siege of Leningrad; Natalia Goncharova â the great niece of Alexander Pushkin and one of the most revered Russian Avant-garde artists â and many others including all the members of Mir Iskusstva. The latter was not only an art journal but an artistic movement which was said to have revolutionized European art at the beginning of the 20th century. Vengerov Staraia Russkaia Kniga 105. Rarely seen on the market. Please inquire about individual issues. Berlin and Paris: Russkoe Iskusstvo paperback
183760345London, 1837 + London, 1840. Five volumes 8vo. Bound in five contemporary, uniform brown half calf bindings (The Philosophy...-volumes slightly darker brown) with raised bands and gilt spines. Marbled edges. A bit of light edge-wear, but overall very fine and fresh. Some marginal pencil markings to first part of vol. 1 of ""The Philosophy..."", otherwise also internally very nice and clean. All five volumes with the same engraved amorial bookplate to inside of front boards. A very nice, uniform set of the five volumes that make up the two works. XXXVI, 437, (3)" XI, (1), VI pp., pp. (7)-534, (2) XII, 624 pp. + CXX, 523, (1)" IV, 586 pp. + folded plate.
London, 1837 + London, 1840. Five volumes 8vo. Bound in five contemporary, uniform brown half calf bindings (The Philosophy...-volumes slightly darker brown) with raised bands and gilt spines. Marbled edges. A bit of light edge-wear, but overall very fine and fresh. Some marginal pencil markings to first part of vol. 1 of ""The Philosophy..."", otherwise also internally very nice and clean. All five volumes with the same engraved amorial bookplate to inside of front boards. A very nice, uniform set of the five volumes that make up the two works. XXXVI, 437, (3)" XI, (1), VI pp., pp. (7)-534, (2) XII, 624 pp. + CXX, 523, (1) " IV, 586 pp. + folded plate.
Venezia (Venice), Giambatista Albrizzi, 1739. Folio. Beautiful cont. Cambridge-style full-calf bdg. w. six raised bands on back, back richly gilt, boards blindtooled and w. gilt line-borders, all edges blind-tooled. Corners slightly bumped and edges w. a bit of wear, but very well-preserved and tight bdg. Internally very nice and clean w. a small repaired tear to t-p. and f. 3, minor brownspotting to t-p. and upper margin of a few other leaves. Engr. frontispiece by Zucchi after Bertoli, t-p. in red and black w. engr. title-vignette, engr. text-vignettes and 665 text-illustrations, most of them engr., some full-page. Frontisp., (14), 444, 36 (Indexes) pp.
1965N - 2023 - 97<p>Feuilles éparses. Scattered leaves. Rene Crevel. Collection Archives 187 - Volume I Complete book with fourteen unsigned etchings aquatints woodcuts and lithographs the majority in colors hors-texte title page text and justification on Velin de Rives. Total edition of 150 copies this copy is one of 20 numbered in Roman numbers III of XX. All the copies are signed by the artists in pencil in a full sheet with the exception of Dominguez and Wols. Illustrated with one etching by Alberto Giacometti in frontispiece and 13 Aquaforte lithographs and aquatints by the following artists: JEAN ARP HANS BELLMER 2 prints CAMILLE BRYEN OSCAR DOMINGUEZ MAX ERNST STANLEY WILLIAM HAYTER VALENTINE HUGO WIFREDO LAM MAN RAY ANDRE MASSON JOAN MIRO WOLS. Loose as issued in the original soft wrappers hard chemise and slipcase.</p> Louis Border
190285966The New Sydenham Society 1902. Paperback. Good. Good set of 25 fasciculi bound in 17 volumes and housed in two red cloth folios. Large Folio sized soft wraps. Estimated at 250 beautiful illustrations/photographs both in color and black and white. All volumes part of an uncirculated library medical collection with stamps on title pages and in end papers of the two folio cases. Pages are otherwise unmarked. Bindings are for all purposes broken or spines missing and most pages are loose leaf. Interior illustrations and pages show light edge wear but are otherwise in great shape. Very Rare 25 in Fasciculi! Inquire about subjects and/or photos!; 100% Satisfaction Guaranteed! Ships same or next business day! The New Sydenham Society paperback
- Franciscum Pichatum et Bartholomeum Bertoletum ( François Pichon et Bartholomé Bertholet), Grationopoli (Grenoble) 1508 (S.d.), In-4 (17x24cm), [4], LXXXVII, [1], XXXVII, [3], relié. - Edition princeps. Page de titre en rouge et noir. Vignette de titre aux armes du Dauphiné flanquées de 2 anges. Ecritures manuscrites du XVIe dans les marges de la page de titre, celle en bas de page rappelant l'histoire de Humbert léguant le Dauphiné à l'aîné du roi de France. Au dernier feuillet, ex libris manuscrits, ainsi qu'au verso du premier feuillet blanc : Je suis l'abbé de Pinet et de Cours. Titre à l'intérieur du volume en marge haute : Statuta Delphinatus. Impression gothique sur 2 colonnes de 45 l. Brunet, J.-C. Manuel du libraire et de l'amateur de livres (5e éd.) II, 1812. Ainsi que le précise Brunet, 2 feuillets blanc in fine, un séparant les 2 parties. 2 exemplaires au catalogue Hollis de Harvard (Harvard Law School Library et Brown University), rien dans les catalogues de la bibliothèque Nationale de France, un exemplaire repéré à la bibliothèque de Caen. Reliure en pleine chamoisine XVIIe. Dos à nerfs janséniste. Pièce de titre de maroquin rouge. Trous et travaux de vers sur le dos. Nombreux travaux de vers sur les plats. Coutures apparentes le long de la charnière interne. Page de titre brunie, quelques taches. Une mouillure au verso de la page de titre, et différentes traces de mouillures brunes sur l'ensemble du volume. A partir du feuillet XVI de la seconde partie, trous de vers affectant quelques lettres. En 1349, le Dauphin Humbert II, sans héritier, a légué le Dauphiné au fils aîné du roi de France, celui-ci portera donc à l'avenir le titre de Dauphin en étant le suzerain de cette province. Louis XII, fils de Charles VII, sera le premier Dauphin. Se rendre en Dauphiné sera la première responsabilité du futur roi de France. Dès 1447, le Dauphin Louis va se rendre dans ses terres où il résidera durant 10 ans. Louis décide de gouverner cette province et la modernise en faisant consigner un registre des droits, privilèges et libertés du Dauphiné, le registre delphinal. Ce registre sera la base des statuts du Dauphiné que l'on retrouve dans ce coutumier. En 1461, Louis le Dauphin devient louis le onzième à la mort de son père. L'ensemble des coutumes du Dauphiné fut rédigé en 1482 à Grenoble. La première partie de l'ouvrage en fait état. La seconde partie, en grande partie en français, est le résultat de la réunion des trois états formant le Dauphiné et qui se réunirent à Tours où résidait Louis XII. Le texte est une réponse à leurs requêtes et doléances, il fixe de nouveaux édits pour le Dauphiné. Il se trouve à la fin, ainsi que le stipule Brunet, une pièce datée de mars 1508, la publication ne saurait donc être antérieure : "Actu[m] quarta martij. Anno d[omi]ni M. cccccviij" . [ENGLISH DESCRIPTION ON DEMAND]
GOR014988858Paperback. Good. paperback
2006__0521850738Cambridge University Press 2006. 19 Hardback books. New. 2nd edition. 16552 pages. 19.00x13.50x11.00 inches. Cambridge University Press hardcover
19675626CBZürich, 1967. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 5626C
129794À Nancy, Chez la Vve Cusson, Lamort, 1733-1786 15 tomes en 17 vol. in-4, veau fauve marbré, dos à nerfs orné de fleurons et de guirlandes dorés, ou basane fauve marbrée, dos à nerfs orné de fleurons et de filets dorés (rel. de l'époque). Manques à certaines coiffes, certains mors fendus, mais exemplaire convenable dans l'ensemble.
19175076DBParis, 1917. Elefant-Folio: 80 x 47 cm. 83 Seiten mit meist ganzseitigen farbigen Stoffmustern mit japanischem Design. Leere Seiten am Ende des Bandes. Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
233862Paris, Alexandre Jombert Jeune (de l'Imprimerie de François Ambroise Didot l'aîné), 1783 2 parties en un vol. in-4, [7] ff. n. ch. (faux-titre, titre, dédicace, table), 116-60 pp., un feuillet non chiffré (approbation et privilège), avec une belle vignette en-tête héraldique en couleurs, et 11 très belles planches dépliantes insérées sur le mode de collettes summitales, très finement gravées et colorisées par Louis-Martin Bonnet, sous serpentes, légendées chacune d'un feuillet de texte ; exemplaire dans lequel il y a interversion alternante des ff. 33-34 à 39-40 de la première partie, sans manque, veau fauve écaille, dos lisse orné, tranches marbrées (reliure de l'époque). Mors restaurés.
209874La Haye, Hendrik Hond, 1632 in-folio, [4] ff. n. ch. (titre gravé avec grande figure allégorique, dédicace aux Etats des Provinces-Unies, au lecteur, privilège et table des planches), 21 pp., puis pp. 21-65, [2] pp. n. ch. de table des matières, avec 26 figures gravées dans le texte (dont une avec collette dépliante), et 10 planches hors texte (9 à double page ou en dépliant montrant les différents cantonnements de l'armée, un plan à simple page entre les pp. 64 et 65, non signalé à la table des figures), réparation de papier angulaire f. 39-40, veau blond à l'imitation, dos à nerfs orné de caissons dorés, grand encadrement de guirlande, pointillé, triple filet dorés avec larges décors floraux en écoinçon sur les plats, double filet doré sur les coupes, tranches dorées, dentelle dorée en encadrement sur les contreplats (Ch. Weill, Orléans).
128659John Lane. Very Good. N.D. Hardcover. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - THE TEXT BLOCK IS CLEAN -- INCLUDES ASIN B07BQG1Z2P AND MANY OTHERS - Monthly Issues Included: March through June 1909; November 1911 through February 1912 November 1914 through February 1920; Grouped and bound into multiple hardcover books by year and/or volume-- . John Lane hardcover
128669John Lane. Very Good. N.D. Hardcover. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - THE TEXT BLOCK IS CLEAN -- INCLUDES ASIN B00A27Z64G AND MANY OTHERS - Monthly Issues Included: March through June 1909; November 1911 through February 1912 November 1914 through February 1920; Grouped and bound into multiple hardcover books by year and/or volume-- . John Lane hardcover
20281Nos. 1-5/6 all publ. Paris 1967-1971; 5 issues 41 x 28 cm. 1218.243060 pages fully illustrated. In very fine near mint condition. Complete with all supplements: Two posters 60x80cm by Martial Raysse; - Proxima Centauri 29/9/69. Text and illustrations recto/verso. - Oued Laou 1971. Printed in pink diapositive on white. Verso blank - A pamphlet: On en a assez des artes 1 page 21x30cm stencilled on yellow paper. - Aubertin 9 Textes. Paris Self-published 1968. Single sheet 499 x 332 cm folded. Newspaper type layout with texts by the artist in French including ‘Activité Pyromanique 1965-1968’. Complete avant-garde art periodical close to concrete art movements edited by Julien Blaine and Jean Clay designed by Carlos Cruz-Diez photographs by Michel Desjardins and André Morain regular contributors: Christian Duparc Alain Schifres and others. Continues in a way the 'Carnets de l'Octéor' published in Aix-en-Provence in 1962 4 issues published. Issues vary in length from 18 - 60 pages. Robho opposes the predominance of american capitalism in the art world and published much articles on Latin American art. SotoLygia Clark Arte MadiTucumán Arde. Contains an extensive report on the artist manifestations against the MOMA in 1969 and Robho was the first French periodical to pay attention to the Japanese Gutaï movement. The publication gives positive attention to visual and concrete poetry also linked to various forms of performance art. Contribs. include: Vasarely Yaacov Agam Grégoire Muller F. Morellet Joel Stein J.F.Bory Piero Manzoni features on Hans Haacke; Kineticism in New York; Concrete artists in Prague; Lohse; Meta-art; Madi & Arden Quin; Yoko Ono Jan Dibbets Saburu Murakami Michio Yoshihara VantogerlooRévélations TAKIS; Pénétrables de Soto; Lygia Clark Man Ray THEATRE GUERILLA TRACT CINEMA; Mathias Goeritz; Sanejouand; Dossier Argentine Tucuman brule; Medalla; Aubertin; Guerre au Moma; Quelques aspects de l'art bourgeois:La non-intervention. In the first number is a double-page sample issue included of a project for a new journal MELP which however never materialised. unknown
196813145161968-1974 1980. Three large bound volumes containing a variety of 1960's counterculture newspapers. Thee are a total of 113 Issues.<br /> <br><br /> <br><br /> Volume 1 contains Issues of the Berkeley Barbs starting at Vol. 6 No. 7 Issue 131 February 16-22 1968 and running through Vol. 8 No. 7 Issue 183 February 14-21 1969. It contains Issues 131-146 149 150 152-159 161 162 164-170 172-176 178-183 with 174 misnumbered as 173 and 178 done twice being a total of 48 Issues.<br /> <br><br /> <br><br /> Volume 2 contains Issues of the Berkeley Barbs starting at Vol. 8 No. 8 Issue 184 February 21-27 1969 and running through Vol. 10 No. 1 Issue 230 January 9-15 1970. It contains Issues 184-204 Berkeley Tribe #2 205-214 216-221 223 225 227-230 being a total of 43 issues of the Berkeley Barbs plus 1 issue of the Berkeley Tribe. This volume includes the special Barb on Strike issue after which the staff launched their own rival newspaper the Berkeley Tribe.<br /> <br><br /> <br><br /> Volume 3 contains a variety of issues from various magazines and newspapers including: Rolling Stone issue 120 October 1972 Berkeley Barb Vol. 15 No. 8 Issue 367 August 25-31 1972 National Enquirer Vol. 46 No. 20. January 16 1972 Rolling Stone Issue 82 May 13 1971 Rolling Stone Issue 80 April 15 1971 Rolling Stone Issue 76 February 18 1974 Los Angeles Free Press Issue 333 December 4 1970 The Organ Vol. 1 Issue 2 September 1984 Tribe Vol. 3 No. 11 Issue 63 September 18-25 1970 Earthtimes No. 2 May 1970 Earthtimes No. 1 April 1970 Rolling Stone No. 53 March 7 1970 Los Angeles Free Press Vol. 5 No. 46 Issue 226 November 15-21 1968 Los Angeles Free Press Vol. 5 No. 29 Issue 209 July 19-25 1968 Los Angeles Free Press Vol. 5 No. 19 Issue 199 May 10-16 1968 Los Angeles Free Press Vol. 5 No. 16 Issue 196 April 19 1968 San Fransisco Express Cities Vol. 1 No. 12 April 11 1968 The Bay Guardian Vol. 2 No. 9 April 5 1968 Los Angeles Free Press Vol. 5 No. 9 May 1-7 1968 The Bay Guardian Vol. 2 No. 8 February 28 1968 Los Angeles Free Press Vol. 5 No. 7 Issue 187 February 16-22 1968 The Bay Guardian Vol. 2 No. 6 February 7 1968 being a total of 22 Issues. The Berkeley Barb was a weekly underground newspaper published in Berkeley California during the years 1965 to 1980. It was one of the first and most influential of the counterculture newspapers covering such subjects as the anti-war movement and Civil Rights Movement as well as the social changes advocated by youth culture.;<br /> <br><br /> <br>. 1314516. Shelved Dupont Bookstore. unknown books
2017__1138741426Routledge 2017. Hardcover. New. 5940 pages. 9.21x6.14x9.25 inches. Routledge hardcover
- Chez J. J. Paschoud., à Genève 1803 (An XI), in-8 (12x20cm), (4) LXXXV (1bc.) 348pp. et (4) 448pp., 2 volumes reliés. - SIMONDE DE SISMONDI Jean Charles Léonard De la richesse commerciale, ou principes d'économie politique, appliqués à la législation du commerce Chez J. J. Paschoud., Geneva 1803 (An XI), in-8 (12 x 20 cm), (4) LXXXV (1bc.) 348 pp & (4) 448 pp., 2 volumes, contemporary sheep Rare first edition. Contemporary marbled light brown sheep. Spines with two blindtools and two compartments with grotesques. Red morocco title pieces. Volume labels in black wax, very rubbed and discolored. Head- and tail-pieces very delicately repaired as well as head and foot of joints and corners. Slit to one cover. A very good and fresh copy. A work of political economy, the discipline the author considers the highest of all the sciences, since it is - according to him - dedicated to the happiness of the individual. Starting out as a systematic commentary on the work of Adam Smith to help his principles and axioms be applied in France, the work moves beyond its original scope in beginning to look for the general rules that govern both commerce and capital. Mark Blaug (1927-2011), a British economist, considers Sismodni the first critic of industrialized capitalism in his Economic Thought. The latter came up with a new way of regulating charges, using mathematic models to explain economic phenomena. His vision of the balance of trade is also innovative, with the author explaining the impact of excessive imports and exports. He also shows the extent to which a closed economy differs from a liberal economy based on international exchange. The work is fundamentally based on the thinking of Adam Smith, which regards work as the force driving production, and the role of government as freeing up this work in order to allow the accumulation of wealth. Blue stamp to foot of title: Carles A. S. Alfonso. Black stamp on first leaf of preface: Ex-libris Vieira Pinto. A rare copy of this key work of the history of economic thought. [FRENCH VERSION FOLLOWS] Rare édition originale. Reliures de l'époque en pleine basane blonde racinée. Dos lisses ornés de deux fers et deux caissons à la grotesque. Pièces de titre en maroquin rouge. Pièces de tomaison à la cire noire, mais très frottées et décolorées. Coiffes de tête et de queue très finement restaurées, ainsi que les mors en tête et queue et les coins. Estafilade sur un plat. Bel exemplaire bien frais. uvre d'économie politique, discipline que l'auteur considère comme la plus haute des sciences, puisqu'elle est - selon lui - destinée au bonheur de l'individu. Initialement commentaire systématique de l'uvre d'Adam Smith afin que ses principes et axiomes soient appliqués en France, l'ouvrage dépasse par son envergure son propre propos en cherchant les grandes lois qui régulent le commerce et le capital. Mark Blaug (1927-2011), économiste anglais, considère Sismondi comme le premier critique du capitalisme industriel dans La Pensée économique. Ce dernier invente une nouvelle manière de réguler les changes, utilisant des modèles mathématiques pour expliquer les phénomènes économiques. Sa vision de la balance commerciale est également nouvelle, l'auteur expliquant les effets des importations excédentaires ou des exportations excédentaires. Il démontre également combien une économie fermée diffère d'une économie libérale, basée sur les échanges internationaux. L'essentiel de ce travail se base sur la thèse fondamentale d'Adam Smith du travail comme force productive, la tâche du gouvernement étant de libérer ce travail afin d'accroître les richesses. Tampon bleu en bas de la page de titre : Carles A. S. Alfonso. Tampon noir sur le premier feuillet de préface : Ex-libris Vieira Pinto. Rare exemplaire de cet ouvrage fondamental pour l'histoire de l'économie.
2018__1138613738Routledge 2018. Hardcover. New. 6138 pages. 8.50x5.43x1.57 inches. Routledge hardcover
