219 635 résultats
592371907-1988. Physiology and Biophysics ORIGINAL FELLOWSHIP DISSERTATION NOTEBOOK OFF-PRINT COLLECTION AND INSCRIBED BOOKS. A remarkable collection of books and papers associated with the Nobel Prize-winning scientist including the original typescript of the dissertation which won him a research Fellowship at Trinity College in 1936 and a year's study at the Rockefeller Institute in 1937. 1 HODGKIN A.L. The Electrical Basis of Nervous Conduction dated 1936 in pencil to title leaf. A4 type-written leaves in a black ring binder 34 x 26cm pp.2 93. Including charts and diagrams drawn and affixed by hand as well as occasional corrections and mathematical formulae written in by hand. With a selection of pencil and photocopied notes loose at rear. 2 HODGKIN A.L. General Notebook dated 19th March 1988 inscribed 'A.L. Hodgkin Physiological Laboratory Cambridge' and 'please return if found £5-00 reward' in blue ink to fly-leaf. A rough Chartwell Students' Sketch Book yellow cloth over boards more than 3/4 full with notes in various colours of ink. Also including a number of loose papers: 'Distribution of Membrane Proteins in Mechanically Dissociated Retinal Rods' by M. Spencer P.B. Detwiler and A.H. Bunt-Milam from Investigative Ophthalmology & Visual Science vol. 29 no. 7 July 1988 inscribed from P.B. Detwiler in black ink: 'For Alan with best wishes Peter.' Three Abstract forms stapled together; two loose pages of general notes; one photocopied leaf from Hodgkin's memoirs discussing his Fellowship thesis and his work at the Rockefeller Institute; and two photocopied letters from Hodgkin addressed to his mother from Cambridge in 1933 running to eight leaves altogether. 3 HODGKIN A.L. Off-Print Collection three volumes containing numerous journal off-prints of articles by Hodgkin published between 1951 and 1980 bound in contemporary black cloth with gilt titles to spines. Lacking volume I 1937-1950 and volume V 1981-1988 as sold by Christie's 9th-30th July 2020 lot 159. Two volumes 24 x 17cm; one volume 31 x 22cm. 4 HODGKIN A.L. The Conduction of the Nervous Impulse Liverpool University Press 1963. Octavo 22 x 15cm pp.108. With occasional graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. Inscribed in pencil to fly-leaf: 'A.L. Hodgkin please return.' 5 HODGKIN A.L. The Conduction of the Nervous Impulse Liverpool University Press 1967 third impression. Octavo 22 x 15cm pp.108. With occasional graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. Inscribed in blue ink to fly-leaf: 'A.L. Hodgkin please return.' 6 VARIOUS Les Prix Nobel en 1963 Stockholm: Imprimerie Royale P.A. Norstedt & Soner 1964. Octavo 25 x 17cm pp.332. Various languages. Including Hodgkin's Nobel Lecture 'The Ionic Basis of Nervous Conduction.' Publisher's cream cloth with orange titles to spine and upper. 7 HODGKIN Thomas and Jonathan B. Hodgkin Pedigree Book or Dates of Births Marriages and Deaths of the Hodgkin Family. 1644-1906. Printed for Private Circulation 1907. Small quarto 27 x 21cm pp.33 7. With extensive black ink additions and annotations including the insertion of Alan Hodgkin into the scheme on p.25. Publisher's green cloth with gilt titles to spine and upper; floral patterned endpapers. 8 FISHER Ronald A. and YATES Frank Statistical Tables for Biological Agricultural and Medical Research London: Oliver and Boyd 1948. Small quarto 29 x 23cm pp.viii; 112. Publisher's navy cloth with gilt titles to spine and upper. Hodgkin's pencil ownership to fly-leaf. 9 BAYLISS Sir William Maddock Principles of General Physiology London: Longmans Green and Co. 1927 fourth edition. Octavo 26 x 17cm pp.2 xxviii; 882. With numerous in-text illustrations. A large tear to p.3/4 and facing plate. Gresham's School prize plate for Natural History awarded to A.L. Hodgkin to front pastedown with blue ink Trinity College inscription above. Publisher's red cloth with gilt titles to spine black titles to upper and heavy sunning to spine. 10 KATO Genchi The Further Studies on Decrementless Conduction Hongo Tokyo: Nankodo 1926. Octavo 23 x 16cm pp.2 163 1. With frequent in-text diagrams and folding illustrations. Publisher's cream cloth with gilt titles to spine and upper. 'Compliments of the Author' label to fly-leaf. 11 ADRIAN E.D. The Physical Background of Perception Oxford: at the Clarendon Press 1947. Octavo 23 x 15cm pp.8 95 1. Publisher's navy cloth with gilt titles to spine. Pencil ownership of A.L. Hodgkin to fly-leaf. 12 FISHER R.A. Statistical Methods for Research Workers Edinburgh: Oliver and Boyd 1948 tenth edition. Octavo 23 x 15cm pp.xvi; 354 2. Publisher's blue cloth with titles in gilt to spine and blind to upper. Pencil ownerships of A.L. Hodgkin to fly-leaf and first blank. 13 HILL A.V. Muscular Movement in Man: The Factors Governing Speed and Recovery from Fatigue New York NY: McGraw-Hill Book Company 1927. Octavo 24 x 16cm pp.10 104 2. With occasional diagrams and photographic plates including a frontispiece portrait of the author. Publisher's blue cloth with titles in gilt to spine and blind to upper. With an invoice from W. Heffer & Sons showing the sale of the book to A.L. Hodgkin in 1955 loose to preliminaries. 14 WILSON Edward O. Biophilia Cambridge MA: Harvard University Press 1984. Octavo 24 x 16cm pp.10 157 9. Publisher's blue quarter cloth with cream cloth over boards and gilt titles to spine and upper. Blue endpapers. With the illustrated dust-jacket priced at $15.00 sunned to spine. INSCRIBED in blue ink by the author to first blank: 'For Alan and Marion Hodgkin with warmest regards Edward O. Wilson September 4 1984.' 15 WEIDMANN Silvio Elektrophysiologie der Herzmuskelfaser Bern: Medizinischer Verlag Hans Huber 1956. Octavo 23 x 16cm pp.100. With occasional in-text graphs and diagrams. Publisher's soft covers. INSCRIBED by the author in blue ink to half-title: 'To Alan with thanks Silvio.' 16 VARIOUS Keith Lucas Cambridge: W. Heffer & Sons 1934. Octavo 19 x 15cm pp.131 1. With a frontispiece portrait. Publisher's orange cloth with gilt titles to spine and upper. INSCRIBED by a member of the Lucas family in black ink to fly-leaf: 'Alan Hodgkin from Bryan Keith-Lucas.' Also with a small associated note loose to preliminaries. 17 GUGGENHEIM E.A. Boltzmann's Distribution Law Amsterdam: North-Holland Publishing Company 1955. Octavo 19 x 13cm pp.8 61 3. Publisher's purple cloth with gilt titles to spine and upper. Blue ink ownership of A.L. Hodgkin to fly-leaf. 18 VARIOUS Nerve Impulse: Transactions of the Fourth Conference March 4 5 and 6 1953 Princeton N.J. New York NY: Josiah Macy Jr. Foundation 1954. Octavo 24 x 16cm pp.224. With frequent in-text graphs and diagrams. Publisher's grey/blue cloth with gilt titles to spine. 19 VARIOUS Nerve Impulse: Transactions of the Second Conference March 1-2 1951 New York N.Y. New York NY: Josiah Macy Jr. Foundation 1951. Octavo 24 x 16cm pp.204. With frequent in-text graphs and diagrams. Publisher's grey/blue cloth with gilt titles to spine. 20 HARDY G.H. Bertrand Russell and Trinity a facsimile reproduction with a foreword by C.D. Broad Cambridge: at the University Press 1970. Octavo 22 x 15cm pp.xiv; 61 3. Publisher's burgundy cloth with gilt titles to spine. With the photographic dust-jacket priced at 80p / 16s. Pencil ownership of A.L. Hodgkin to fly-leaf. 21 KATZ Bernard The Release of Neural Transmitter Substances Liverpool University Press 1969. Octavo 22 x 15cm pp.x; 60 2. With frequent in-text graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. INSCRIBED by the author in black ink to fly-leaf: 'To Alan from Bernard.' 22 KANDEL Eric R. A Cell-Biological Approach to Learning Bethesda MD: the Society for Neuroscience 1978. Octavo 24 x 16cm pp.6 90. With frequent in-text graphs and diagrams. Publisher's maroon cloth with dulled gilt titles to spine and upper. INSCRIBED by the author in blue ink to fly-leaf: 'For Professor Hodgkin with best wishes for the New Year Dec. 1978 Eric Kandel.' 23 DAVSON Hugh A Textbook of General Physiology London: J. & A. Churchill 1951. Octavo 24 x 17cm pp.2 x; 659 1. With frequent in-text graphs and diagrams and occasional plates. Publisher's green cloth with rubbed gilt titles to spine. INSCRIBED by the author in black ink to fly-leaf: 'To A.L. Hodgkin with kind regards from the author Hugh Davson 13.9.51.' 24 WHITEHEAD A.N. Science and the Modern World Cambridge: at the University Press 1933 sixth impression. Octavo 19 x 14cm pp.xii; 265 3. Publisher's orange cloth with gilt titles to spine; top edge brown fore-edge untrimmed. Black ink ownership of A.L. Hodgkin to fly-leaf. 25 KEYNES R.D. and AIDLEY D.J. Nerve and Muscle Cambridge University Press 1981. Octavo 22 x 14cm pp.viii; 163 5. With frequent in-text graphs and diagrams. Publisher's yellow soft covers. INSCRIBED by the author in black ink to inside of front cover: 'A.L.H. from R.D.K. 13.X.81.' 26 VARIOUS The Properties and Functions of Membranes Natural and Artificial: A General Discussion London: Published for the Faraday Society by Gurney and Jackson 1937. Octavo 25 x 17cm pp.2 911-1151 1. With occasional in-text graphs and diagrams. Publisher's green cloth with black titles to spine and upper. Pencil ownership of A.L. Hodgkin to fly-leaf. 27 PAULI W. Theory of Relativity London: Pergamon Press 1958. Octavo 25 x 16cm pp.xiv; 241 1. Publisher's blue cloth with gilt titles to spine. Pencil ownership of A.L. Hodgkin to fly-leaf. 28 VARIOUS The Physiological Society Cambridge Meeting and A.G.M. 19-20-21 July 1984. Octavo programme 25 x 17cm with Hodgkin's notes in blue ink to back cover. 29 HILLE Bertil Ionic Channels of Excitable Membranes Sunderland MA: Sinauer Associates 1984. Octavo 26 x 19cm pp.14 426 8. With frequent in-text graphs and diagrams. Publisher's black cloth with silver titles to spine and upper. INSCRIBED by the author in black ink to label on fly-leaf: 'September 1 1984 To Alan Hodgkin with respect and admiration for your insight as you created this new field of science. Bertil.' 30 ECCLES John C. ITO Masao and SZENTAGOTHAI Janos The Cerebellum as a Neuronal Machine Berlin: Springer-Verlag 1967. Octavo 26 x 18cm pp.8 335 1. With frequent in-text graphs and diagrams. Publisher's blue cloth with white titles to sunned spine and upper. Pencil ownership of A.L. Hodgkin to fly-leaf. 31 VARIOUS Electrical Activity of Single Cells Tokyo: Igaku Shoin 1960. Octavo 27 x 19cm pp.x; 312. With frequent in-text graphs and diagrams. Publisher's black cloth with gilt titles to spine and upper. INSCRIBED by the editor in blue ink to fly-leaf: 'Professor A.L. Hodgkin with the author's compliments.' 32 ECCLES John Carew The Neurophysical Basis of Mind: the Principles of Neurophysiology Oxford: at the Clarendon Press 1953. Octavo 23 x 15cm pp.2 xii; 314 2. With frequent in-text graphs and diagrams. Publisher's navy cloth with gilt titles to spine. Pencil ownership of A.L. Hodgkin to fly-leaf. 33 KATZ Bernhard Electrical Excitation of Nerve: A Review Oxford University Press 1939. Octavo 23 x 15cm pp.2 x; 151 1. With occasional graphs and diagrams. Publisher's maroon cloth titled in gilt to spine and black to upper. Blue pencil ownership of A.L. Hodgkin to fly-leaf and pencil notation to rear fly-leaf. 34 COLE Kenneth S. Membranes Ions and Impulses: A Chapter of Classical Biophysics Berkeley CA: University of California Press 1972 second impression. Octavo 24 x 16cm pp.8 x; 569 9. With frequent in-text graphs and diagrams. Contemporary blue half morocco with raised bands gilt titles and decoration to spine and blue cloth over boards. Top edge gilt; marbled endpapers. INSCRIBED in black ink to label on first blank: 'Alan Hodgkin who conceived proved & inspired so much of this & the continuing progress Kacy 1974.' 35 BOLAM T.R. The Donnan Equilibria and their Application to Chemical Physiological and Technical Process London: G. Bell and Sons 1932. Octavo 23 x 15cm pp.viii; 154 2. With frequent in-text graphs and formulae. Publisher's navy cloth with gilt titles to spine. Black ink ownership of A.L. Hodgkin to fly-leaf. Also with a leaf of notes on Steady State Mechanisms in black ink and a letter in blue ink on Churchill College note paper dated 30th September 1964 apologising for keeping the book for so long. 36 DUBOS Rene J. The Professor the Institute and DNA New York NY: The Rockefeller University Press 1978. The second impression with AUTOGRAPH LETTER FROM MAX PERUTZ. Octavo 24 x 16cm pp.10 238 2. With a suite of six double-sided black and white photographic plates and a frontispiece portrait of Oswald Avery. With an autograph letter in blue ink from Nobel Prize-winning scientist Max Perutz 1914-2002 loose to preliminaries. Dated 30th November 1980 and addressed to Hodgkin's wife Marni it thanks her and Alan for their recent hospitality and recommends the book as fine remembrance of times past. Publisher's blue cloth with silver titles to spine and grey endpapers. With the blue dust-jacket priced at $14.50. Perutz's blue ink ownership to fly-leaf. Top 1/4 of letter heavily toned. All books are very good first editions showing light to moderate handling and lacking jackets except where stated otherwise. The dissertation is housed in a contemporary back ring binder in poor condition with the spine and lower board almost detached. The leaves themselves are a little toned and handled to edges but otherwise undamaged. This collection of books and papers many with Hodgkin's ownership and warm inscriptions from the authors constitutes a significant selection from his personal working library which was evidently disbursed after his death along with his Nobel Prize which was notably sold for $795500 in 2015. Alan Lloyd Hodgkin inherited a strong work ethic from his Quaker parents who suffered abuse for their pacifist stance during the First World War. He did well both at Gresham's School in Norfolk a prize book from his school years is included here and at Trinity College Cambridge where he won a scholarship and later a research Fellowship. Particularly significant books include those by A.V. Hill 1886-1977 and E.D. Adrian 1889-1977 Nobel Prize-winning Cambridge dons of the previous generation; by John Eccles 1903-1997 with whom he shared the 1963 Nobel Prize for Physiology or Medicine; and a retrospective volume on the life of Neuroscientist Keith Lucas 1879-1916 who had known Hodgkin's father George 1880-1918 at Cambridge. Hodgkin's research Fellowship dissertation on the electrical transmission of nerve impulses is by far the most important item here being a unique typescript copy showing the wear of a lifetime of constant use to the ring binder. A.V. Hill sat on the panel which granted Hodgkin the Fellowship at the remarkably young age of 22 and immediately sent a copy of the dissertation on to Herbert Gasser President of the Rockefeller Institute who then invited Hodgkin to study at the institute in 1937. This early work was pivotal to the development of his later research with Andrew Huxley 1917-2012 in which they established how nerve impulses are exchanged between cells leading to a joint Nobel Prize. Of great interest also is a personal notebook from the end of his career stuffed with personal notes and "back of a fag packet" calculations. The bound collection of off-prints is not unique with a more complete collection recently sold by Christie's and further odd volumes currently available but it is certainly rare. Taken together this collection which includes a copy of the book containing Hodgkin's 1963 Nobel lecture and a very rare volume on family history compiled partly by his grandfather Thomas 1831-1913 constitutes an important personal archive which should be of interest to scholars. 1907-1988 unknown
1810SET16-A-1London: George Eyre and Andrew Strahan 1810-1882. Leather. Very Good. Between 11" by 8.5" and 10.5" by 8.4". None. Seventy-one volumes of Collections of Public General Statutes spanning the last ten years of the reign of George III the reigns of George IV and William IV and part of the reign of Victoria. Forty-three volumes bound in half-leather with marbled paper-covered boards. Twenty-eight volumes bound in quarter-leather with vellum-covered boards. All with spine labels and gilt lettering. With Shaw & Sons Law Stationers' label to the front pastedown of several Victoria-era volumes. With J. Goodwyn's book binders label on the front pastedown of a few volumes. In uniform half calf bindings with marbled boards. Externally smart with slightly strained inner hinges which are still good and firm. There is only some mild wear to the extremities with just some mild bumping and rubbing with discolouration and marks to the boards. There is significant rubbing to the boards of several volumes with loss to the paper coverings and repairs to the paper-covered boards of a few volumes. The paper coverings have been removed from the boards of "16 & 17 Vict.". Scoring to the front board of "2 & 3 Gull. 4 William IV". There is lifting and occasional ink marks to the vellum-covered boards of several volumes including copperplate signatures to the rear board of "5 Geo. 4". There are closed tears to the lifted vellum on the front board of "6 Geo. 4" and sections of wear to the vellum on the front board of "60 Geo. 3 & 1 Geo. 4". Internally the pages have scattered foxing prominent to the first and last few pages significant in several volumes. There is slight browning to the page edges. The title page is missing from "21 & 22 Vict." there is a repaired closed tear to the half-title of "26 & 27 Vict." and very occasional closed tears in a couple of volumes. Very Good George Eyre and Andrew Strahan hardcover
1138677779New. Brand new and still unused unknown
1684061630London: John Gellibrand / R. Bentley 1684 / 1685 / 1690 . First Edition. Hardcover. Very Good/No Jacket as Issued. A Very Rare Set of First Edition Volumes. Only one other listing of such a set is online owned by Pryor-Johnson Rare Books who write that they are not aware of another copy of this edition. <br><br>Brown half leather covers with marbleized boards. Decorative blind and gilt stamping on the spines with dual black slips on each. Five very slightly raised bands. Marbled page edges and end-papers. Woodcut engraved frontispiece presumably of Plutarch with tissue guard in each volume. Irregular pagination. Each volume is 500 to 600 pages long. Covers and spines are lightly rubbed in a few places. Back cover of volume 1 is nearly detached and head of spine is pulling away from binding good only. The heads of the other spines have some chipping. No marginalia only writing on tissue guard in volume 1. Volume 3's front end-paper has paper loss to it possibly from a removed bookplate. Bindings are tight and hinges/joints on each beside's back cover of volume 1 are holding strong. Very light to mild foxing as well as age-toning to each volume though for the publishing dates the text bodies are in wonderful condition. Full refund if not satisfied. <br><br>"The Moralia Ancient Greek: Ethika; loosely translated as "Morals" or "Matters relating to customs and mores" of the 1st-century Greek scholar Plutarch of Chaeronea is an eclectic collection of 78 essays and transcribed speeches. They provide insights into Roman and Greek life but often are also timeless observations in their own right." Wikipedia. <br><br>This particular edition contains 77 essays including the psuedo-Plutarchian work "On the Names of Rivers and Mountains" not typically found in the Moralia and lacks "Summary of the Birth of the Spirit" as well as "Sayings of the Spartan Women." Prefaces and dedicatories are authored as follows: Matthew Morgan for Volume 1; George Tullie for Volume 2; Robert Midgley for Volume 4; Samuel White for Volume 5. <br><br>The English translation "Plutarch's Morals" 1684-1690 was a collaborative effort undertaken by a host of scholars. Their goal was to outdo the work of Philemon Holland who first translated the Moralia into English in 1603. As Matthew Morgan's preface to the first volume makes clear the entire Moralia was intended to be translated/published by the end of a single year 1684-5. It was also meant to only be 4 volumes altogether. But the collaborative translation ended up taking over 6 years and was 5 volumes when completed. The first 3 volumes were published by John Gellibrand 1684-1685 and the last 2 by R. Bentley 1690. The order of each treatise although not in the order classically placed in Plutarch's Moralia is according to the completion of each translation as they came to the publishers' hands. <br><br>William W. Goodwin upon revising the 5th Edition of this translation in 1870 had this to say in his preface "The original editions.contained translations of every grade of merit. Some of the essays were translated by eminent scholars like William Baxter nephew of Richard Baxter and Thomas Creech.But a large number including some of the longest and most difficult treatises were translated by men whose ignorance of Greek - or whatever language was the immediate ancestor of their own version - was only one of their many defects as translators. Notwithstanding all the defects of the translation.it is beyond all question a more readable version than could be made now; and the liveliness of its style will more than make up to most readers for its want of literal correctness." <br><br>A most rare and attractive set one of great historical value. <br><br>PLEASE NOTE: This set will arrive with "signature required" upon delivery. Full refund if not satisfied. John Gellibrand / R. Bentley hardcover
1752047070Williamsburg: William Hunter 1752. First Edition. Hardcover Full Leather. Very Good Condition. Rebacked and front board recovered in leather rear board retained. Title chipped at edges and rumpled and with top margin missing but not touching text light dampstain in right margin early on old tape mark in gutter in table of contents a few pages inexpertly opened just touching marginal notes in spots browning and foxing more or less uniformly throughout contemporary marginalia and underlining to table of contents scattered other minor flaws but very good overall. 2 vi 455 1pp. Errata at end pages 207 277 and 367 mispaginated 205 267 and 357. Lacking the list of subscribers that seems to have rarely been bound in. ESTC W7023 Evans 6941 Sabin 100388<br /> <br /> The first major work from William Hunter's press - he had become the official printer for Virginia the previous year. He was a friend of Benjamin Franklin with whom he split the postmaster general job for the colonies. Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Americana; Law & Criminal Studies. Inventory No: 047070. William Hunter hardcover
1752047070Williamsburg: William Hunter 1752. First Edition. Hardcover Full Leather. Very Good Condition. Rebacked and front board recovered in leather rear board retained. Title chipped at edges and rumpled and with top margin missing but not touching text light dampstain in right margin early on old tape mark in gutter in table of contents a few pages inexpertly opened just touching marginal notes in spots browning and foxing more or less uniformly throughout contemporary marginalia and underlining to table of contents scattered other minor flaws but very good overall. 2 vi 455 1pp. Errata at end pages 207 277 and 367 mispaginated 205 267 and 357. Lacking the list of subscribers that seems to have rarely been bound in. ESTC W7023 Evans 6941 Sabin 100388<br/><br/>The first major work from William Hunter's press - he had become the official printer for Virginia the previous year. He was a friend of Benjamin Franklin with whom he split the postmaster general job for the colonies. Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Americana; Law & Criminal Studies. Inventory No: 047070. William Hunter hardcover books
Interimsbroschuere, Folio, quer, 112 grossformatige Kupferstiche
1950SET65-66-B-1New York : Reinhold Publishing Co. 1950-73. Leather. Fine. 11.5" by 9". Various. A continuous 23 year run of selected sections from one of the 20th century's most significant architectural magazines uniformly bound by Bayntun Riviere of Bath. The sections included from the magazine are those concerning the design of either real planned or hypothetical buildings. Sections such as the 'newsletter' or 'manufacturers' literature' are not included. Thus there is a streamlined focus on design content. The relevant sections from each month's magazine are bound together by year with each volume running from January to December as one would expect. The pagination is truncated as a result: for most months the pagination will run from roughly 50-120. Thus there are twelve separately paginated sections in each volume corresponding loosely to those figures. Replete with illustrations both photographic and draughted. Colour photos become more frequent from the 1957 volume onwards. There is a general American focus but the wider world is not neglected. Every imaginable sort of building is covered from schools to hotels to offices and houses. Contemporary design is rigorously and intelligently discussed in the accompanying articles which situate the featured buildings within their wider social and practical context. New materials and technology are explored and ambitious theoretical designs are analysed. The architectural discussions by their very nature provide a fascinating angle on the wider cultural economic and political world of their particular year. For example one will find the design and utility of bomb shelters discussed at the height of the cold war and then 'omnibuildings' eagerly anticipated in the late 60s. In 1969 there is a feature titled 'Machine Art Past and Technology Art Present' while in 1970 the influence of modern technology on the design of movie theatres is explored. A beautifully bound unparallelled primary source for the history of architecture as well as for socio-economic history in the mid to late twentieth century. In half morocco by Bayntun Riviere. Externally excellent with just the occasional light mark to the boards. The 1955 volume has a small bookseller's stamp to the front pastedown. Internally generally clean and bright and firmly bound Fine Reinhold Publishing Co. hardcover
Eine der bedeutendsten Kunstgewerbesammlungen von Arbeiten des Mittelalters und der Renaissance, die je von einem einzelnen Sammler zusammen getragen wurde. Diese einzigartige Kollektion umfaßt tausende von hochwertigen Objekten, die von den ersten Kunstgelehrten seiner Zeit beschrieben wurden. Bd. 1: Antiques, ivoires, orfévrerie reliqieuse, tapisseries. Bd. 2: Émaux peint, meubles et bois sculptés, faïences de Saint-Porchaire, faïences de Bernard Palissy, serrurerie, cuirs. Bd. 3: Orfévrerie civile, incrustations sur métal, peintres sur verre, verrerie, vitraux, bijoux et bagnes, faïences et grès de Flandre et d'Allemagne, contellerie, sculptures en bois en pierre de Munich, sculptures en bois et en pierre de Munich. Bd. 4: Faïences Italiennes, faïences Hispano-Moresques, sculptures, plaquettes, médailles, dinanderie. Bd. 5: Gemmes, horologes et montres, instruments de mathématiques, manuscrits, miniatures et dessins, cires, etoffes et broderies, coffrets, jeux. Bd. 6: Armes et armures. Nur in 600 numerierten Exemplaren erschienen. Von guter Gesamterhaltung.
Einzigartiges Prachtwerk über die frühchristlichen Mosaike und Malerein vom 3.-13. Jahrhundert. Auf 300, teils ausklappbaren Farbtafeln beeindruckend dargestellt. Beinhalted allgemeine Untersuchungen zur konstantinischen, nachkonstantinischen und mittelalterlichen Monumentalkunst Roms. Behandelt die hervorragendsten kirchlichen Denkmäler mit Bilderzyklen, Untersuchungen über einzelne Darstellungen und Schlußbetrachtung. Mit Namen- u. Sachregister zu den Textbänden, topographisches Verzeichniß der Tafeln und Textbilder. Nur in verschwindend kleiner Auflage erschienen. - Arntzen/Rainwater M109.
97471As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. 100 etchings 50 in each volume. No date published circa 1850 -1890. Marbled endpapers; gilt-edged pages. List of etchers in alphabetical order: Boilvin Braquemond Brunet-Debaines Ch. Courtry Deblois Delauney Flameng Gaucherel Greux Ed. Hedouin Laguillermie Lalauze Lefort Lemaire LeRat Martinez Muzelle Rajon. List of French artists represented: Marilat Humbert Troyon Th. Rousseau JF Millet Manet Monet Jules Dupre Rosa Bonheur DeKniff Cormon Fromentin G. Courbet Eugene Delacroix Corot Georges Michel Barye Boulard Lhermitte Cabanal La Rochenoire Ricard Pissarro Van Marke Degas Diaz Sisley G. Moreau Goya E. Vernier Franz Halz Puvis De Chavannes. List of each etching with artist and etcher: Each etching is on 8X11 inch heavy paper; dimensions cited are approximate. Volume 1: "Ruines Et Mosquee Au Caire" by Marilat; etched by Rajon; 6X4 inches. "Vache Blanche Dans Un Pre" By Troyon; etched by Delauney; 5X4 inches. "Decollation De Saint Jean Baptiste" by Puvis De Chavannes; etched by Ch. Courtry; 6X4. "La Foret DHiver" by Rousseau; etched by Brunet-Debaines; 6X4. "Lecon De Tricot" by JF Millet; etched by Laguillerme; 5X4. "Enfant A Lepee" by Manet; etched by Braquemond; 6X4. "Grands Arbres Au Bord De Leau" by Jules Dupre; etched by Boilvin; 6X5. "Lautomne" by G. Courbet; etched by Ch. Courtry; 6X5. "Les Deux Foscari" by Eugene Delacroix; etched by Ch. Courtry; 6X5. "Danse De Nymphes" by Corot; etched by Boilvin; 6X5. "Gelee Blanche" by JF Millet; etched by Delauney; 6X5. "Une Chute Deau" by Georges Michel; etched by L. Gaucherel; 6X4. "Biches Et Daims" by Barye; etched by Deblois; 6X3. "Le Dejeuner by Boulard"; etched by Rajon; 5X4. "Macbeth" by Corot; etched by Laguillermie; 6X5. "Lhiver" by Eugene Delacroix; etched by Laguillermie; 5X5. "Grande Marine" by Jules Dupre; etched by L. Gaucherel; 5X4. "Barateuse" by JF Millet; etched by Ed. Hedouin; 6X4. "Mare Et Chenes" by Th. Rousseau; etched by Boilvin; 6X5. "Troncon Darbre En Travers Dune Route" by Georges Michel; etched by Lalauze; 6X5. "Petite Bergere" by J. F. Millet; etched by Ch. Courtry; 6X5. "Moulin Et Route" by Georges Michel; etched by Boilvin; 6X5. "Lion Rugissant" by Barye; etched by Boilvin; 6X5. "Incendie De Sosome" by Corot; etched by Laguillermie; 6X3. "Chasse Au Lion" by Eugene Delacroix; etched by Laguillermie; 6X5. "Bergere Filant" by J. F. Millet; etched by Brunet-Debaines; 6X5. "Environs De Granville" by Th. Rousseau; etched by Delauney; 6X4. "Plage De Scheveningue" by Georges Michel; etched by L. Gaucherel; 6X4. "Marine Clair De Lune" by Jules Dupre; etched by Lefort; 5X4. "Village Au Pied Dune Montagne" by Georges Michel; etched by Lefort; 6X4. "Pommiers en Fleur" by Claude Monet; etched by Lefort; 6X5. "Chevaux Sortant De Leau" by Eugene Delacroix; etched by Laguillermie; 5X4. "Homme A La Brouette" by J. F. Millet; etched by Le Rat; 6X5. "Lancien Parc De Saint-Cloud" by Th. Rousseau; etched by Delauney; 6X5. "Vaches Pres Dune Mare" by Jules Dupre; etched by Brunet-Debaines; 6X5. "Le Repos Des Moissonneurs" by Lhermitte; etched by Deblois; 6X4. "Femme Au Repos" by J. F. Millet; etched by Ch. Courtry; 6X4. "Hauteurs De Ville-Davray" by Corot; etched by Laguillermie; 6X3. "Marine; Temps Calme" by Jules Dupre; etched by L. Gaucherel; 6X5. "Un Etang" by Georges Michel; etched by Le Rat; 5X4. "Jeune Fille Appuyee Contre un Arbre" by Cabanal; etched by Boilvin; 6X4." Joueurs Dechecs" by Eugene Delacroix; etched by E. Hedouin; 5X4. "Le Gue" by La Rochenoire; etched by Lalauze; 5X4. "Portrait De Feydeau" by Ricard; etched by Martinez; 6X5. "Hauteurs De Sevres" by Corot; etched by Laguillermie; 6X3. "Route Dosny Pres Pontoise" by Pissarro; etched by Lemaire; 5X4. "Sommeil De Venus" by J. F. Millet; etched by Laguillermie; 6X4. "La Moisson" by Lhermitte; etched by H. Lefort; 5X4. "Vaches SAbreuvant" by Jules Dupre; etched by Laguillermie; 6X5. "Ciel Orageux" by Georges Michel; etched by Boilvin; .5X3. Volume II: "Habitations Et Canal A Saardam" by Claude Monet; etched by L. Gaucherel; 6X4. "La Cueillette" by Corot; etched by Brunet-Debaines; 6X4. "Chevaux Se Battant Dans Une Ecurie" by Eugene Delacroix; etched by Boilvin; 6X5. "Sentier Montant Dans Les Roches" by Th. Rousseau; etched by Brunet-Debaines; 6X4. "Vaches Pres Dune Mare" by Van-Marke; etched by Rajon. 5X4. "Femmes Causant Dans Une Rue De Village" by Lhermitte; etched by H. Lefort; 6X4. "Tour Au Bord Dun Etang" by Corot; etched Brunet-Debaines; 6X5. "Le Smeur" by J. F. Millet; etched by LeRat; 5X4. "Chaumieres Pres Cayeux" by Jules Dupre; etched by Greux; 6X5. "Troncs DArbres" by Georges Michel; etched by Muzelle; 6X5. "Landes Du Bassin DArcachon" by Van-Marke; etched by Ch. Courtry; 5X4. "LEte" by Eugene Delacroix; etched by Laguillermie; 5X5. "Foyer De La Danse A LOpera"by Edgar Degas; etched by Martinez; 5X4. "LAumone" by J. F. Millet; etched by Laguillermie; 5X5. "Route Au Bord De La Seine" by Sisley; etched by Lemaire; 6X4. "Environs De Granville" by Th. Rousseau; etched by Brunet-Debaines; 6X3. "Toreador Mort" by Manet; etched by Flameng; 6X4. "Un Passeur A Lile Saint-Ouen" by Corot; etched by Laguillermie; 6X4. "Le Jeune Homme Et La Mort" by G. Moreau; etched by LeRat; 6X4. "Route Montant A Un Moulin" by George Michel; etched by Flameng; 6X4. "Une Route Pres Voisin" by Pissarro; etched by Lefort; 6X5. "Charlotte Corday" by Goya; etched by E. Hedouin; 6X5. "Barques De Pecheurs A Fecamp" by E. Vernier; etched by Brunet-Debaines; 6X4. "Orphee" by Corot; etched by Delauney; 6X4. "Le Printemps" by Eugene Delacroix; etched by Laguillermie; 6X5. "Entree Du Bas-Breau" by Diaz; etched by Greux; 6X4. "Femme Entrainee Par Les Amours" by J. F. Millet; etched by Le Rat; 5X5. "Vaches Dans Un Marais" by Van-Marke; etched by H. LeFort; 6X4. "Vaches Passant Un Gue" by Jules Dupre; etched by Laguillermie; 6X5. "Les Moulins De Montmartre" by Georges Michel; etched by F. Flameng; 6X4. "Combat De Goetz De Berlichingen" by Eugene Delacroix; etched by Boilvin; 6X5. "Retour Du Laboureur" by J. F. Millet; etched by CH. Courtry; 6X4. "Clair De Lune Au Jean De Paris" by Th. Rousseau; etched by Greux; 5X5. "Le Joueur De Violon" by Frans Hals; etched by Ch. Courtry; 5X5. "Chaumieres Sous Des Arbres" by Georges Michel; etched by C. Lemaire; .5X4. "Le Lac De Nemi" by Corot; etched by Laguillermie; 6X5. "Une Saulane" by Jules Dupre; etched by Le Rat; 5X4. "Saint Jean" by Humbert; etched by Le Rat; 5X5. "Chevaux Et Moutons" by Rosa Bonheur; etched by Delauney; 6X4. "Un Clos Pres De La Foret De Fontainebleau" by De Kniff; etched by C. Lemaire; 6X4. "Cap Et Dunes De Saint-Quentin" by Jules Dupre; etched by L. Gaucherel; 6X5. "La Captive" by Cormon; etched by Martinez; 5X5. "Berger Ramenant Son Troupeau" by J. F. Millet; etched by Ch. Courtry; 6X5. "Un Vieux Manoir En Ruines" by Georges Michel; etched by Le Rat; 6X4. "Coucher De Soleil Foret De Fontainebleau" by Th. Rousseau; etched by Delauney; 6X4. "Saint Sebastien Secouru" by Eugene Delacroix; etched by Boilvin; 5X4. "Moulins Et Marais En Hollande" by Claude Monet; etched by Flameng; 6X4. "Portrait DAlberto Foraster" by Goya; etched by Laguillermie; 6X5. "Vue Du Nil" by Fromentin; etched by Flameng; 6X4. "Un Gue" by Corot; etched by Bracquemond; 7X4. -- with a bonus offer-- . hardcover
17992512030048London: Joyce Gold 1799 - 1818 1799. First Edition. Hardcover. Very Good. 40 volume set. 8vo. Uniformly bound in brown buckram stamped in gilt. Good bindings and covers. Profusely illustrated with engraved and etched plates including maps plans portraits. Scattering foxing and offsetting to text and plates. <br> The Naval Chronicle was a monthly magazine published in London from January 1799 to 1818. The Naval Chronicle served as a source for contemporary reports of the affairs of the Royal Navy during the period from the Napoleonic Wars to the War of 1812. Published in London twice a year it offers first-person accounts were by officers as illustrious as Nelson and biographies of fascinating characters like Cochrane was a staple. Typical issues featured lists of vessels captured and wrecked promotions accounts of battles biographical sketches articles on technological advances and tidbits of naval gossip as well as copper engraved portraits of officers views of foreign ports and charts of harbors and battles. It was a major source for Patrick O'Brian in writing his Aubrey-Maturin series. Sabin 52076. <br> The engraved plates show portraits of naval officers views of overseas ports and local scenes charts of harbors and ship's battles charts related to science and technology including astronomy and maps. <br> Provenance: From the library of Ambassador Ogden R. Reid. Reid served as US Ambassador to Israel 1959-1961 and as US Congressman from 1963-1975. His family owned the New York Herald Tribune and he served as President and editor in the 1950s. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. London: Joyce Gold, 1799 - 1818 hardcover
002014252000 flyers; A unique genre of graphic design the rave flyer is bred entirely underground. The rave scene has had a tremendous impact on contemporary mainstream culture in its musical social and creative growth. The flyer is the primary testament of this transmission standing not only as an important commercial art form but also as a concise and substantive record of an entire movement. This collection documents some of the best English rave flyers of the last two decades a colorful and incredible visual record of a movement that has forever changed culture. There are also some Australian and Scottish flyers from major city raves. Rave flyers became one of the most potent symbols of youth culture in the 1990s their bright colors signifying a return to psychedelia their computer-generated design a clue to future technology fetishes their dense text an invitation to a subculture with its own deities and language. unknown
19361A group of 12 numbers comprising: Nos. 5 - 17 out of 17 published. Barnet Herts. May 1964--Sept. 1966. Mimeographed sheets foolscap stapled. Illustrated. Individually cut pages with some issues featuring 'designed' stains gaps cut into the text see-through burns and inserts. Edited by Jeff Nuttall. Amongst other things important for the collaboration of Burroughs who introduced his own newspaper called variously The Burrough and The Moving Times also with Claude Pélieu and Carl Weissner. No.5 No date May 1964. Contains the first appearance of The Moving Times defined by Nuttall as Burroughs' "programmed assault on reality" via the cut-up method. Described as a 'Special Tangier Edition' the cover has a full-page drawing of Burroughs wearing a fez. M&M C100. Also: Jeff Nuttall. Light staining mostly on the blank back-page No. 6 No date July 1964. The "Cut-Up Issue" with most pages having been cut into eight squares which are stapled at edges to backing sheet. Contains "Afternoon Ticker Tape" in The Burrough appearing as the last two pages of My Own Mag. In "St. Louis Return" Burroughs refers to this magazine appearance "an experiment in newspaper format…largely a rearrangement of phrases from the front page of The New York Times September 17 1899 cast in the form of code messages." M&M C95. Also: B.S. Johnson; Anselm Hollo; Keith Musgrove; Jeff Nuttall. A bit stained rusting on the staples No.7 No date July 1964. Contains "Bring Your Problems to Lady Sutton Fix" and "Over the Last Skyscrapers a Silent Kite" in The Moving Times. M&M C97. Also: Alden Van Buskirk his first publication; Jeff Nuttall. The second burned cover with see-through window. Staples sl. rusty with a few staple-mark indentations. No.10 No date Dec. 1964. All British number featuring Bill Butler Tom McGrath Dave Cunliffe and others. Very well preserved clean. No. 11 Feb. 1965. Contains "Dec. 29: Tuesday was the Last Day for Singing Years" "Letter to Jeff Nuttall" and "Collage" in The Moving Times; plus letters and quotes from newsclippings on Dr. Dent's apomorphine treatment. M&M C105-108. Also: Michael McClure; Jeff Nuttall; Anselm Hollo. Near Fine No. 12 May 1965. Contains "The Last Words of Dutch Schultz" first appearance and "Letter to Sunday Times". M&M C112-113. Also: Carl Weissner; Jeff Nuttall on Sigma; Martin Bax. Staples sl. rusty o/w Near Fine. No. 13 Aug. 1965. "Dutch Schultz Special" containing "The Dead Star". One of 500 numbered copies in offset facsimile of the original manuscript. M&M C122. Also: Jeff Nuttall. Wear to the righthand margin. No. 14 Dec. 1965. Contains "Moving Times" being Burroughs quotes in collaged material by Carl Weissner. M&M C131. Also: Charles Plymell; Brian Patten; Tom McGrath; Bill Butler; others. Near Fine. No. 15 April 1966. With Editorial Bit 2 small leaves and list of subscribers/stencilled stapled to front page. Contains "Nut Note on the Column Cutup Thing" "WB Talking" "Quantities of the Gas Girls" and an untitled piece all appearing in The Moving Times. M&M C137-140. Also: Bill Butler; Claude Pélieu; Jeff Nuttall. Near Fine. No.16 May 1966. Edited by Clifton DeBerry c/o Better Books ie. Nuttall who only later discovered that the 'real' DeBerry was a black American Communist former Wobbly and two-time Socialist Workers Party candidate for President of the United States. Near Fine. No. 17 Sept. 1966. Contributors incl. Carl Weissner a cut-up of a Burroughs text; Jim Haynes; Criton Tomazos; Wm. Wantling; Doug Blazek; Claude Pélieu; Charles Plymell; Jeff Nuttall. The last issue. M&M C154. Near Fine. unknown
SKU0571332BOOM! Studios 2015-12-01. paperback. Good. 6x1x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking BOOM! Studios paperback
172956160Nürnberg, Paul Lochner, 1729. Folio. (40,5 x 26,5 cm.). Contemp. full calf. 6 raised bands. Titlelabel with gilt lettering. Gilt borders on covers. Minor scratches to covers. Small crack in leather on the joint at upper and lower compartments. Small stamp on title-page. Engraved frontispiece. Title-page in red and black. (28),66,96,114,136,144,104,(10) pp., 6 engraved vignettes, 1 full-page engraving with coat of arms (on F 4r), 62 engraved plates of which 9 are folded and double-page (E. Nunzer del., A. Nunzer sc.). Internally clean and fine.
Nürnberg, Paul Lochner, 1729. Folio. (40,5 x 26,5 cm.). Contemp. full calf. 6 raised bands. Titlelabel with gilt lettering. Gilt borders on covers. Minor scratches to covers. Small crack in leather on the joint at upper and lower compartments. Small stamp on title-page. Engraved frontispiece. Title-page in red and black. (28),66,96,114,136,144,104,(10) pp., 6 engraved vignettes, 1 full-page engraving with coat of arms (on F 4r), 62 engraved plates of which 9 are folded and double-page (E. Nunzer del., A. Nunzer sc.). Internally clean and fine.
17827559CBParis u.a., Panckoucke, 1782?1991. 4°. Mit 1091 Kupfer-Tafeln (zum Teil doppelblattgross). Halblederbände der Zeit mit schlichter Rückenvergoldung und Rückensch. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 8 Text- und 8 Tafelbände.
173560222Paris, chez Gabriel Martin, 1735. 4to (262 x 210 mm). Uniformly bound in seven nice contemporary full calf bindings with five raised bands and richly gilt spines. Light wear to extremities. Vol. 4 with lower compartment of spine missing part of the leather. Internally with light occassional marginal miscolouring. Vol. 5 with damp stain affecting lower outer corner of first 14 leaves. An overall fine complete set with all half titles and 433 plates (1-429, plus 105*, 177*, 329* and 2 additional plates numbered 341, but 197-8 on one sheet). Vol 1: VIII, (4), 215 pp + 67 folded plates. Vol 2: (4), V, (3), 192 pp + 73 folded plates (numbered 68 to 139)Vol 3: (4), V, (3), 205 pp. + 75 folded plates (numbered 140 to 214)Vol 4: (4), V, (3), 239 pp. + 81 folded plates (numbered 215 to 295). Vol 5: (4), V, (3), 173 pp. + 66 folded plates (numbered 296 to 360). Vol 6: (4), V, (3), 196, (35) pp. + 69 folded plates (numbered 361 to 429)
Paris, chez Gabriel Martin, 1735. 4to (262 x 210 mm). Uniformly bound in seven nice contemporary full calf bindings with five raised bands and richly gilt spines. Light wear to extremities. Vol. 4 with lower compartment of spine missing part of the leather. Internally with light occassional marginal miscolouring. Vol. 5 with damp stain affecting lower outer corner of first 14 leaves. An overall fine complete set with all half titles and 433 plates (1-429, plus 105*, 177*, 329* and 2 additional plates numbered 341, but 197-8 on one sheet). Vol 1: VIII, (4), 215 pp + 67 folded plates. Vol 2: (4), V, (3), 192 pp + 73 folded plates (numbered 68 to 139)Vol 3: (4), V, (3), 205 pp. + 75 folded plates (numbered 140 to 214)Vol 4: (4), V, (3), 239 pp. + 81 folded plates (numbered 215 to 295). Vol 5: (4), V, (3), 173 pp. + 66 folded plates (numbered 296 to 360). Vol 6: (4), V, (3), 196, (35) pp. + 69 folded plates (numbered 361 to 429)
19461972New York: F-R Publishing Co. 1946. First edition. Hardcover. Fine. Tight bright and unmarred. Cloth boards various colours gilt lettering and decorative elements decorative endpages covers front and rear bound in. 4to. Paginated by edition. Illus. color and b/w plates. Each year bound in four volumes in matching colors 1941 brown; 1942 navy; 1943 brick red; 1944 dark green; 1945 olive green; 1946 black. <br/><br/>Each volume includes approx. 13 to 15 individual issues filled with what has made the New Yorker famous outstanding articles and cartoons by some of the period's luminaries N.B. This was the golden age of the New Yorker Harold Ross was the editor contributors included E.B. White Joseph Mitchell James Thurber Dorothy Parker Truman Capote S.J. Perelman John McNulty Peter Arno Charles Addams J.D. Salinger Franny and Zooey first saw print in these leaves A.J. Liebling and Joseph Wechsberg. These are truly outstanding volumes. A very handsome set of books embodying some of the best short writing of the era. F-R Publishing Co. hardcover books
162727176<p><strong>1627 Respublica Travel Voyages Elzevier Brazil Islam Persia 28v 1-of-a-kind SET</strong></p><p>The famed publisher Elzevier published a series of travel guides under the title '<em>Respublica'</em>. This work is a collection of various authors on European countries focusing on geography and historical significance – one of the earliest travel guides.</p><p><strong>This incredible set is certainly one of the rarest and most unique offerings of '<em>Respublica'</em></strong>. Often these works are sold as small individual works; however this lot features 28 separate uniformly-bound volumes from Elzevier and the extended Elzevier family of printers.</p><p>Item number: #27176</p><p>Price: $7500</p><p>various</p><p><strong><em>Respublica…</em></strong></p><p>Lugd. Bat.: Ex Officina Elzeviriana 1627-51. 1st editions</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages – 28 volumes</p><p><!-- if !supportLists-->o <!--endif-->Each volume separately paged</p><p><!-- if !supportLists-->· <!--endif-->References: Willems 278</p><p><!-- if !supportLists-->· <!--endif-->Language: Latin</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~4.25in X 2.5in 11cm x 6cm</p><p><!-- if !supportLists-->· <!--endif-->ABSOLUTELY INCREDIBE collection and likely the only such complete and uniform example in existence.</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>27176</p><p>Photos available upon request. </p> Officina Elzeviriana hardcover
17827559CB8 Text- und 8 Tafelbände. Paris u.a., Panckoucke, 1782–1991. 4°. Mit 1091 Kupfer-Tafeln (zum Teil doppelblattgross). Halblederbände der Zeit mit schlichter Rückenvergoldung und Rückensch.
20773New series Volume 1 nos. 1-12; Volume 2 no 1 all published. New York The American Group November 1932-1933.Original pictorial wrappers 4to. A rare complete set in very good/near mint condition. Edited by Alexander KING with George Grosz Gilbert Seldes Nathanael West associates. Americana Contributions by George Grosz e.e. cummings Lynd Ward William Steig Joseph Mitchell Bob Brown S.J. Perelman Nathanael West James Thurber Candell Fred Nordling Lyd Ward William Steig John Sloan Austin Robinson and many others. The editors were highly sensitive to what was going on in Europe and there is much warning about the rise of fascism and Nazism. Preceded by an erratic first series of 4 numbers issued February-July 1932 this New Series is complete. unknown
21249Collection of 36 Bazooka-group publications including complete sets of the 5 periodicals -BULLETIN PÉRIODIQUE'' - "LES ANIMAUX MALADES' -"MÉTAL HURLAND" -"UN REGARD MODERNE" -"ORPHELINA'' and some separate publications by the Bazooka group a collective of French graphic designers mainly active from 1974 to late 1978. It included Christian Chapiron using the pseudonym Kiki Picasso Jean-Louis Dupré Loulou Picasso Olivia Clavel Electric Clito Lulu Larsen Bernard Vidal Bananar and Jean Rouzaud. The group with ultra-left sympathies was formed in the aftermath of May 68 and presented comics graphics and photographic creations of an aggressive and subversive nature. - Although some Bazooka publications were published in collaboration with existing journals the nature of their work remained provocative both in content and in its distinctive graphic style foreboding the nascent Punk movement. Bazooka’s first magazine ‘Bulletin Périodique’ was immediately forbidden to minors. The various publications in this lot are illustrated throughout with photographs cartoons and comics and include numerous b/w and duotone plates. All text in French except for the last issue of ‘Bulletin Périodique’ which also features English text. The publications are ASSEMBLED in a unique hardcover binding 44.5 x 32 cm designed by Paul Groenendijk. The blue cloth cover has Bazooka printed on the front and features three foldable sections. The backcover and spine are executed in black cloth are black with the spine featuring the title Bazooka printed in gold. The binding is designed in such a matter that the magazines can be completely opened up for viewing purposes. Binding and spine are in mint condition. -Together with: SILENCE No. 1 seul paru Paris Futuropolis 1980 350x300mm 28 p. broché sous couverture illustrée de Loulou Picassoglassine originale. Interviews réalisées par Dorothée Lalanne de Iggy Pop Howard Devoto John McKay Human League. Sept compositions pleine page en noir et blanc par Loulou Picasso du groupe Bazooka. Together with: Bazooka. Il était une fois. Exposition “Bazooka Un Regard moderne†Les Sables-d’Olonne Musée de l’Abbaye Sainte-Croix 2 avril-12 juin 2005. Les Sables-d’Olonne Le MASC 2005. EXHIBITION CATALOG. 335X485 cm 8 pagesincl. Covers. One of an edition of 200. IN THIS COPY CONTRIBUTIONS SIGNED BY THE AUTHORS/ARTISTS except T5DUR 6 prints by Lulu Larsen T5Dur Kiki Picasso Loulou Picasso Olivia Clavel Bernard Vidal printed in b/w on luxurious thick paper. Works of Bazooka Olivia Clavel Loulou Picasso Kiki Picasso T5Dur Bernard Vidal. With a copy of the invite to the exhibition. -Together with: PERVERS No 1 all published. Paris Bazooka Production 1979 58x29 cm sheet folded to 8pp equal to the size of a gramophone record 29x29 cm. Together with the actual gramophone record « La Perversita » Invisible Records 1979 in the original decorated sleeve designed by Kiki Picasso. Text and designs by Loulou Picasso Jean-Louis Dupré Olivia Clavel T5 Larsen. This is actually the last Bazooka Production « mort » in 1980. hardcover
