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1894900P30London: Punch Office 1894-1914. Leather. Very Good. 11" by 9". Various. A brilliant continuous run of 'Punch' from the magazine's first issue up to the end of the 1914 a fantastic run of this satirical and illustrated magazine. An impressive continuous run of 'Punch' from Volumes I to CXLVII for the years 1841 to 1914. With one-hundred and forty-eight volumes bound in seventy-four.Volumes CVI to CXLVII are bound by Bickers.'Punch' was a popular satirical weekly magazine published from 1841 to 1992 first established by Henry Mayhew and Ebenezer Landells. It helped to coin and demonstrated the earliest examples of 'cartoon' in the modern sense of a humorous illustration. Several notable artists contributed to Punch such as John Leech Richard Doyle John Tenniel and Charles Keene. The first editor Lemon was a close friend with Charles Dickens and although Dickens never contributed to Punch allusions to him were often printed and illustrations from Dickens' novels were reprinted with well-known political figures substituted for Dickens' characters. For example in the 1851 volume of this set there is an allusion to Dickens' Oliver Twist and the character Fagin.The tongue in cheek commentary in which the contributors to Punch discuss the pressing issues of their era provide a unique look at history in particular of the build up to and first few months of World War.This is an important run containing the very first issues of the magazine as well as the issues regarding the deaths of Queen Victoria and Edward VI the sinking of the Titanic the Great Exhibition the Irish question and more.Illustrated with humorous illustrations and cartoons throughout all volumes.This set contains:Volumes I and II for 1841Volumes III and IV for 1842Volumes V and VI for 1843Volumes VII and VIII for 1844 and 45Volumes VIII and IX for 1845Volumes X and XI for 1846Volumes XII and XIII for 1847Volumes XIV and XV for 1848Volume XVI and XVII for 1849Volumes XVIII and XIX for 1850Volumes XX and XXI for 1851Volumes XXII and XXIII for 1852Volumes XXIV and XXV for 1853Volumes XXVI and XXVII for 1854Volumes XXVIII and XXIX for 1855Volumes XXX and XXXI for 1856Volumes XXXII and XXXIII for 1857Volumes XXXIV and XXXV for 1858Volumes XXXVI and XXXVII for 1859Volumes XXXVIII and XXXIX for 1860Volumes XL and XLI for 1861Volumes XLII and XLIII for 1862Volumes XLIV and XLV for 1863Volumes XLVI and XLVII for 1864Volumes XLVIII and XLIX for 1865Volumes L and LI for 1866Volumes LII and LIII for 1867Volumes LIV and LV for 1868Volumes LVI and LVII for 1869Volumes LVIII and LIX for 1870Volumes LX and LXI for 1871Volumes LXII and LXIII for 1872Volumes LXIV and LXV for 1873Volumes LXVI and LXVII for 1874Volumes LXVIII and LXIX for 1875Volumes LXX and LXXI for 1876Volumes LXXII and LXXIII for 1877Volumes LXXIV and LXXV for 1878Volumes LXXVI and LXXVII for 1879Volumes LXXVIII and LXXXIX for 1880Volumes LXXX and LXXXI for 1881Volumes LXXXII and LXXXIII for 1882Volumes LXXXIV and LXXXV for 1883Volumes LXXXVI and LXXXVII for 1884Volumes LXXXVIII and LXXXIX for 1885Volumes XC and XCI for 1886Volumes XCII and XCIIIfor 1887Volumes XCIV and XV for 1888Volume XCVI and XCVII for 1889Volumes XCVIII and XCIX for 1890Volumes C and CI for 1891Volumes CII and CIII for 1892Volumes CIV and CV for 1893Volumes CVI and CVII for 1894Volumes CVIII and CIX for 1895Volume CX and CXI for 1896Volumes CXII and CXIII for 1897Volumes CXIV and CXV for 1898Volumes CXVI and CXVII for 1899Volumes CXVIII and CXIX for 1900Volumes CXX and CXXI for 1901Volumes CXXII and CXXIII for 1902Volumes CXXIV and CXXV for 1903Volumes CXXVI and CXXVII for 1904Volumes CXXVIII and CXXIX for 1905Volumes CXXX and CXXXI for 1906Volumes CXXXII and CXXXIII for 1907Volumes CXXXIV and CXXXV for 1908Volumes CXXXVI and CXXXVII for 1909Volumes CXXXVIII and CXXXIX for 1910Volumes CXL and CXLI for 1911Volumes CXLII and CXLIII for 1912Volumes CXLIV and CXLV for 1913Volumes CXLVI and CXLVII for 1914 Volumes for 1841 to 1844 are in a half calf binding with marbled paper to the boards. Volumes for 1845 to 1893 are in a half calf binding with cloth to the boards. Volumes for 1894 to 1914 are in a half calf binding with marbled paper to the boards bound by Bickers. Externally generally smarts. Spines are faded with a few very light marks to the boards and spines. Minor bumping to the extremities. Marks are a little heavier to 1865. Light rubbing to the leather resulting in a very small amount of loss of leather to a few of the volumes the earlier volumes are understandably more rubbed in particular to the first 6 volumes. Rubbing has resulted in a small amount of loss of leather to Volume 1855 and to the rear board of Volume 1854 and to the head of the spine of Volume 1853 to the spine and joints of Volume 1852 1850 a small amount of loss to the paper to the front board of 1901 to the leather to the extremities of 1896 to the head of the front joint of 1895. Wear to the spine of 1891. Spots to the spine of 1885 and 1887. Label to the head of the spine of 1841. Loss to the rear board of 1842. A small amount of loss of cloth to the tail of the front board of 1883 and 1884 and to the head of the spine of 1869 Front joint of 1909 is starting but remains firm. Rear joint of 1903 is faded. Small crack to the tail of the front joint of 1889 and to the head of the front joint of 1886. Crack to the tail of the rear joint of 1882 with a little loss to the head of the spine and to the tail of the front board. Crack to the head of the front joint of 1870. Front board of 1881 is held by cords only rear joint is starting to the head. Damp stain to the front board of 1880. Lighter damp stain to the front board of 1879 rear joint and head of the front joint are cracked front joint is starting. Small damp stain to the tail of the front board and to the rear joint of 1864. Light damp stain to the rear joint of 1844. Damp stain and front endpaper to the front board of 1861. Hinges of 1882 starting but firm. Hinges of the first 6 volumes are starting but firm. Ink inscription to the front paste downs of the first 6 volumes. Internally firmly bound. Pages are bright and clean. The occasional scattered spot mostly to the endpapers. Neat repair to the gutter of the title page of Volume 1845 very minor discolouration to the margin due to the marbled fore edge. Ink inscription to the head of the title page of 1841. Title page of 1843 has been repaired to the reverse. Very Good Punch Office hardcover
1897SET56-60, 50 A-1London: Temple Chambers 1897-2011. Magazine. Very Good. Various. Various. A large collection of magazines regarding locomotive history. This set comprises of volumes 1-67 76-77 and 86-157 and covers the time period of 1897-2011. The Railway Magazine is still Britain's best-selling rail title. It was first published in 1897 and has been published continuously since. The work was launched by Joseph Lawrence and ex-railwayman Frank E Cornwall who believed there to be an amateur enthusiast market for material they were publishing in railway staff magazines. The first editor of the work was George Augustus Nokes who wrote under the pseudonym G A Sekton. Notable photographic contributors of the interwar period included Maurice W Earley W Leslie Good Frank R Hebron O J Morris and H Gordon Tidey . Volumes I-IV July-Dec 1897 - Jan-June 1899 are in the original Green Cloth bindings. Volumes IV- XIII are in uniform half calf bindings with cloth covered boards. Bound by J Falconer with the binder's stamp to the rear pastedowns. Volumes XIV-XV are in full burgundy cloth bindings. XVI-XXI are in half calf bindings with cloth covered boards by J Falconer. XXII to 157 are in mixed cloth bindings. Volumes I-LXVII and LXXVI-LXXVII have Roman Numerals to spines whereas all runs onwards 86-157 have arabic numerals to spine. Volume XLIII 1918 has original frontispieces from the parts and backstrips from the parts bound in to the rear. With the indexes of volumes 131-159 kept in a separate plastic-wallet folder. With two volume IV Jan-June 1899 one in original cloth and one in half calf. This collection covers a wide range of locomotive history. In mixed bindings. Majority of bindings are cloth. Others are in half calf bindings with cloth covered boards. Volumes IV-XIII in half calf and cloth covered boards are heavily rubbed to the spines. Loss to head and tail of spines to volumes IX-XIII due to heavy rubbing. Small losses to the head and tail of spines to volumes XXX and XXXI. Small losses to head and tail of spines to volumes XXXIV-XLV due to bumping. Several further volumes between XLVI and LXVII have small losses to the head and tail due to bumping on the cloth. Front hinge to volumes II 1898 XI and XII is strained but firm. Both hinges to volumes III 1898 XIII and XLV are strained but firm. Tape repair to the front hinge of volume LXIV. Loss to the head and tail of spine to clothbound volume IV 1899. Split to rear joint of volume XXXI resulting in the backstrip to lift slightly. Backstrip to both volume IVs 1899 are lifting. Backstrip to volume LI is lifting at the Rear hinge and joint to clothbound volume IV are weak and may detach with further handling. Backstrip to volume XIII has suffered large loss to the head and backstrip is lifting to the rear. Backstrip to XXXV is lifting slightly at the tail of rear joint. A few small ink spills to the tail of spine to volume XXII. Some minor light tidemarks to the spine of volumes XXIX XLIX . Damp staining to the spines of volumes 122 124 126. Prior owners' inscriptions to the recto of front endpaper to volumes XXXIV XLIX L. Stamp to the recto of front endpaper to volume L. Prior owner's inscription to the front pastedown of volume XLVI. Damp staining to front pastedown of volume XL does not affect rest of volume. Prior owner's notations to the front pastedown and recto of front endpaper to volumes LII LXVII. Frontispiece to volume IV is detached but present. Small amount of offsetting from binding staples to volume XXVIII. Advertisement removed neatly with scissors to verso of 'Contents for July and August' leaf to volume 89. Internally all volumes are otherwise firmly bound. Pages are slightly age toned to the older volumes due to paper used. Just the occasional light spots. Very Good Temple Chambers unknown
21198Numbers 1-13 all publ. ParisSociété de Presse et de Publications Artistiques 1980-1982 and the 3 AGENDAS Diaries. The numbers have various sizes and layouts. 21x24cm nos.1-4 29x21cm nos.5-13 ; folded sheets and stapled issuesca.104 pp each. Complete collection of the numbers and the 3 AGENDAS Diaries. Additions: - ADDED: Le Palace An 1: 1979. Small square quarto. 6 pages. Booklet issued to celebrate the first year of the Le Palace the Parisian Studio 54. The volume includes a text by Roland Barthes a list of an events of the first year and a fold-out pop-up depicting the main stage. A very good copy of this rare item. -ADDED 2: Le Palace: Au bout de la Nuit. Par LAUGA Dominique. Paris: Editions Seesam 1979. First edition. 4to. Preface by Michel Remy-Bibeth afterword by Fabrice Emaer. Scarce book of photographs of the artsy jet setters of 1979 taken at Le Palace night club the Paris equivalent of Studio 54. Some of the luminaries of the day who frequented this club included Andy Warhol Karl Lagerfeld Paloma Picasso Yves Saint Laurent Edwige and many more. A very good copy in glossy wrappers. Chief editors were Prosper Assouline and Jean Pierre Cerquant with Brigitte Cucherat Sylvie Grumbach Claude Aurensan. Textes d’Alain Pacadis Pierre Benain Jean Pierre Cerquant Roxanne Lowit Hugo Marsan Prosper Assouline. Illustrations by Jean Lagarrigue Gabriel Pascalini Gérard Garouste Gérard Failly Elisabeth Gabert Pierre Le Tan Alexandra Boulat Nadja Tristam et Hippolyte Romain. Almost all the photography 90% by François Dymant and also Alice Springs Jean Loup Sieff Bettina Rheims Jean Paul Goude Pierre Houlès Dominique Lauga Roxanne Lowit a.o. Le Palace"opens its doors on March 1 1978. The most explosive club of Europe. The leader Fabrice Emaer who succeeds in uniting aristocrat and punks homos and heteros white and tinted faces Jacno et Francis Bacon Isabelle Adjani et Yves Adrien The contents of the magazine-numbers contains a.o. the following names: Yves Mourousi Jean-Jacques Schuhl Grace Jones Paquita Paquin Jerry Hall Tina Aumont Mick Jagger Serge Gainsbourg Claude Montana Prince…Burroughs Pacadis Keith Richards Jack Lang Thierry Le Luron Edwige etc. And everybody fought to get a place in the magazine. The Agendas give a wonderful panorama of the events inf the club: -AGENDA 1980 Paris featuring Kiki Picasso Bette Midler Rod Stewart Yves St Laurent Roland Barthes Edwige Sonia Rykiel Mick Jagger Andrée Putman Hemut Newton Shirley Mac Laine Béjard Noureev Frédéric Mitterrand Andy Warhol Tom Waits B 52'S Kraftwerk Serge Gainsbourg Talking Heads Paloma Picasso Karl Lagerfeld Kenzo. Réalisation de J. Maillot participations ou photographies de l'Agence Angeli H. Bamberger C. Bricage Christopher O. Desbordes L. Froissard P. Hinous D. Lauga X. Lambours P. Morillon Kiki Picasso K. Pruszkowski. Pas d'exemplaires sur OCLC les deux années suivantes 1981 et 1982 ne figurant qu'à la BNF. - AGENDA 1981 Paris Photography by François Dymant and featuring Dominique Lauga Christopher Jean-François Gaté Lionel Froissard Roxanne Lowit jean Bricage Xavier Lambours Arnaud bazuman Antonio Freitas Julian Wasser Angeli Jean-Paul Goude K. Pruszkowski Andréa Blanch Pierre et Gilles Socrate Soulanges Deidi von Schaewen. - AGENDA 1982 Paris Featuring peronalities who had visited during that year; Léo Ferré Alain Delon William Burroughs Mick Jagger Yves St Laurent Thierry le Luron Divine Emile Aillaud Julien et Jean Pierre Kalfon Frédéric Mitterrand Karl Lagerfeld. And on the last pages the program for 1982 with no less than 96 manifestations with Tangerine Dream Frédérc Mitterrand Ian Dury Tom Waits William Klein Clash Dire Straits Siouxsie and the Banshees Pontus Hulten Urban Sax William Burroughs Grace Jones Karl Flinker Robert Mapplethorpe Helmut Newton UB 40 Klaus Nomi pour n'en citer que quelques uns. Photographies de François Dymant Dominique Lauga Lionel Froissard Roxanne Lowit X. unknown
144 voll.; in folio; rara collezione in sequenza, senza lacune, dal 1899 (primo anno) al 1973 (74° anno). Tutti i volumi (40 x 30 cm ca.) possiedono leg. diverse in mezza o tutta tela. I volumi fino al 1951 constano di 52 fascicoli di 8/16 pagine ca. ciascuno. Le annate successive sono raccolte in 2 o 3 o 4 volumi perchè comprendono fascicoli di un centinaio di pagine ca. Il settimanale all’epoca proseguì fino al 1989: il periodo veramente apprezzabile nella raccolta offerta è quello degli anni dei due conflitti mondiali e del 1945/1946 (quando le uscite della "Domenica degli Italiani", dal 27 maggio 1945 al 24 marzo del 1946, sostituiscono provvisoriamente la testata "originale", perché ritenuta fascista; queste ultime sono spesso introvabili). In questo settimanale è raccontata la vita e la storia popolare italiana, attraverso migliaia di immagini (le copertine magistralmente illustrate da Achille Beltrame - 1899/1944 - e poi da Walter Molino - dal 1945 in poi - sono le più famose) ed articoli (sulle sue pagine scrissero anche le grandi firme del Corriere, come Paolo Monelli, Arnaldo Fraccaroli, Renato Simoni, Indro Montanelli, Giovannino Guareschi, Bruno Roghi, Luigi Barzini jr e molti altri); essa è un’importante documentazione del panorama editoriale e giornalistico italiano
New York, Ormsby, 1852. Folio. Original illustrated, richly gilt boards with a large gilt centre resembling a guilloche-gravure. Blindstamped corner-ornamentations and gilt lettering to boards as well. Old owner's inscription of ""Nissen & Parker/ 43 Mark Lane"" to front free end-paper and with a gift-inscription from H N Nissen, dated 1867, to first blank. VIII, 102 pp. + 13 engraved plates (including frontispiece, which is ""PLATE 5"") - complete. The 13 finely engraved plates demonstrate different technologies and depict bank notes, vignettes, and various design elements.
Biblioteca Fisica o Memorie di Fisica, Chimica e Storia Naturale compendiate, tradotte o copiate… Firenze e Livorno, 1800-1824. Ventidue volumi di cm. 21, pp. 10.000 ca. complessive. Sono presenti 21 volumi di testo (su 22, manca il numero III) + un volume finale che riporta l’indice metodico delle Memorie comprese nei 22 volumi. Insieme a: Zibaldone… in supplemento ai di lui repertori. Livorno, Pistoia, Pisa, Siena, 1817-1842. Ventiquattro volumi di cm. 21, pp. 14.426 complessive. Un centinaio di tavole manoscritte e/o disegnate fuori testo (anche a colori). Insieme a: Biblioteca filologica ovvero memoria di varj autori concernenti la letteratura, la storia e la filosofia, copiate, tradotte o compendiate... Quattro volumi manoscritti di cm. 21,5, pp. 402; 286; 529 (1); 376. Insieme a: Miscellanee Scientifiche e Letterarie in Supplemento ai Repertorj ed allo Zibaldone… Siena, 1841-1852. Sette volumi di cm. 31, pp. 5312 complessive. Insieme a: Repertorio I° (e Repertorio II°). Firenze, 1804-1824. Due volumi di cm. 32, pp. 1592 complessive. COMPLESSIVAMENTE 57 VOLUMI legati in cartonato alla rustica ed in mezza pergamena con punte e piatti con carta marmorizzata, titoli e numerazioni manoscritte al dorso. I volumi, INTERAMENTE MANOSCRITTI, si presentano freschi, genuini, in barbe, con ottima carta, complessivamente molto ben conservati e con grafia sempre molto leggibile. Alla preliminare del primo volume dello Zibaldone vi è un avvertimento datato 10 settembre 1817 in cui l'autore spiega la nascita di questo Zibaldone e promette un indice. In una nota a fondo pagina, avverte invece che l'indice non vi sarà, rimandando per questo ai due volumi di indici dei suoi repertori scientifici e letterari. Per i quattro volumi della biblioteca filologica, invece, troviamo un indice al primo volume. Francesco Pistolesi fu primo nonché perpetuo segretario dell'Accademia Labronica i cui statuti di fondazione furono sottoposti a Ferdinando III da Giuseppe Vivoli nel 1816. Assieme a Pietro Parenti, primo presidente, l'impegno fu quello di una biblioteca sempre più ricca, che attorno alla metà del secolo venne poi donata al comune di Livorno. Lo zibaldone consiste interamente di materiali trascritti (ed anche tradotti) da giornali, riviste, gazzette, pubblicazioni scientifiche dalle provenienze più disparate, in lingua italiana e francese, di argomenti prevalentemente naturalistici, con una preferenza per ciò che riguarda la geologia, la meteorologia, i terremoti, i vulcani, i mari.
00201374unknown
2000140938852Portland OR: Nazraeli Press 2000. First Edition. Fine. 2000-2017. 124 Volumes 100 titles five multi-volume deluxe sets and duplicates of several titles several labeled AP for Artist's Proof. A complete run of the celebrated series which features 100 uniformly sized books of various colors giving each artist a 16-page canvas to exhibit a cohesive body of work. Each volume is limited to 500 copies and each contains one photographic print tipped in and signed by the artist--hence the name of the series. Conceived in 1998 as a way to make original art more affordable titles were originally released in groups of four generally twice a year beginning in 2000 and ending in 2017 with most copies reserved in advance for subscribers. Complete sets of the 100 titles are uncommon as many volumes are out of print; even more uncommon are those with the deluxe box sets as few were issued toward the beginning of the series. All volumes are Fine to Near Fine. Several volumes with light spine sunning or a slight shelf lean. The deluxe sets are by John Gossage Four American Photographs Todd Hido Taft Street Eduardo del Valle & Mirta Gomez Four Sections of Time all marked as "AP" or artist's proofs Judy Gelles Beach Boxes and Emi Anrakuji e hakagi Comprised of 1. Terri Weifenbach Instruction Manual No. 1: 21. May 1995; 2. John Gossage Four American Photographs 4-volume set in slipcase; 3. Terri Weifenbach Instruction Manual No. 2: 21. April 1996 "Bee"; 4. Terri Weifenbach Instruction Manual No. 3: 25. June 1996 "Blue Sky"; 5. Chan Chao Letter from P.L.F. Burma; 6. Todd Hido Taft Street 4-volume set in slipcase; 7. Ron van Dongen Rosa Ferreus; 8. Susan Hornbeak-Ortiz True; 9. Bill Jay Bill Brandt 2 copies; one signed as usual on limitation line and there the other marked "print signed on verso"; 10. Julien Coulommier Soleil Cou Coupe; 11. Yuki Onodera How to Make a Pearl; 12. Robert Adams Alders; 13. Risaku Suzuki Fire: February 6; 14. Robert Heinecken studiesnineteenseventy; 15. Don Kirby You're not really initiated until your eyes are redder than your lips; 16. Masao Yamamoto The Path of Green Leaves; 17. Martin Parr 7 Communist Still Lifes; 18. Andreas Müller-Pohle Yumiko; 19. Sara Gilbert Cues; 20. Toshio Shibata Type 55; 21. Michael Kenna Boarding School; 22. Eduardo del Valle & Mirta Gómez Four Sections of Time 4-volume set all marked as "AP" or artist's proofs; 23. Weng Fen Sitting on the Wall & Bird's Eye View; 24. Judy Gelles Beach Boxes 1 copy 4-volume set in slipcase; 25. Naoya Hatakeyama River Series / Shadow; 26. Boomoon Kwon On the Clouds; 27. Camille Solyagua Twenty-One Red-Crowned Cranes and One Black Crow; 28. Martin Parr 7 Colonial Still Lifes; 29. Jim Stone Why My Photographs are Good; 30. Stu Levy Cranial Czar Eh; 31. Ken Ohara One; 32. Steve Pyke: Post Partum; 33. Steve Pyke: Post Mortem; 34. Joseph Mills e mars Lilly's Waist; 35. Yuichi Hibi Robert Frank A Weekend with Mr. Frank; 36. Twinkako Ishiwata-Pichler Desperately Seeking Twinka; 37. Ron van Dongen A. angustatum; 38. Junko Takahashi The Receptionist; 39. Daido Moriyama Kuchibiru; 40. Emi Anrakuji e hagaki 7 volumes included with 6 unique prints; no slipcase present perhaps as issued; 41. Michael Kenna Montecito Garden; 42. Tanya Marcuse Fruitless; 43. Stephen Shore Merced River; 44. Jesse Diamond Drum Circle; 45. Nancy Honey Poodle Parlour; 46. Lars Schwander Manuel Ãlvarez Bravo: One Day in April 1999; 47. John Divola Seven Dogs; 48. Masao Yamamoto Fujisan; 49. David Maisel Cascade Effect; 50. Rob McDonald Birth Place; 51. Netta Madahar Sustenance; 52. David Tseklenis Julius Shulman Does His Own House; 53. Joe Deal Indian Bingo; 54. Raymond Meeks Doctrine of an Axe; 55. Mayumi Lake Ex Post Facto; 56. Michael Kenna Heiden Hotel; 57. Eduardo del Valle & Mirta Gómez En Vista; 58. Edward Bateman Mechanical Brides of the Uncanny; 59. Todd Hido: Cracked Trees 2 copies one numbered the other labeled "AP" for Artist's Proof; 60. Todd Hido: Crooked Cracked Tree in Fog 2 copies one numbered the other marked "AP" for Artist's Proof; 61. David H. Gibson: Water Cascade: A Sequence; 62. Eiji Ina: Wacht; 63. Alec Soth: One Mississippi; 64. Mark Steinmetz: Italia: Cronaca di un Amore; 65. Pine & Woods: For Constance; 66. Hiroshi Watanabe: Love Point; 67. Terri Weifenbach: Some Insects; 68. Sally Mann Rob McDonald and Even Rogers: Cy's Rollei; 69. Corey Arnold: Fishing with My Dad 1978-1995; 70. Joni Harbeck & Neil Krug: Indian Girl; 71. Steve Fitch: Motel Signs; 72. Liz Steketee: Dystopia; 73. Stephen Shore: Pet Pictures; 74. Martin Parr: Seven Cups of Tea; 75. Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann A Grid-Portrait; 76. Leon Borensztein: Portraits ii; 77. Carol E. Richards: Birds Have Wings; 78. Melanie Pullen: Juliette; 79. Martin Usborne: Fox About Town; 80. Risaku Suzuki: Snow Letter; 81. John Divola: Supermarket; 82. Richard Misrach: iPhone Studies: Reverse Scrubs; 83. Dan Solomon: Witness; 84. Jim Goldberg: Polaroids from Haiti 2 copies one marked "AP" for Artist's Proof; 85. Roger Ballen: The Audience; 86. Doug Rickard: All Eyes on Me; 87. Aaron Ruell: Ten Years Too Late; 88. Alec Soth: Bogota Funsaver; 89. Steve Kahn: Corridors; 90. Daido Moriyama: Self 2 copies; 91. Katy Grannan: Lion King; 92. Michael Kenna: Kussharo Lake Tree; 93. Todd Hido: Season Road; 94. Elaine Ling: Habitacion Cubana; 95. Ed Templeton: Memories of the Salt.; 96. Ave Pildas: Bijou; 97. Javier Carrillo: Las Trocas Angelinas con sus Mercancia; 98. Gregori Maiofis: Taste for Russian Balet; 99. Tomoko Sawada: Face; 100. Gloria Katz: Souvenirs. Nazraeli Press unknown books
200893045Debrett's Limited Acc. New. 2008. HARDCOVER. 1870520807 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. 3500 pages; approximately 2000 illustrations in black and white. -- with a bonus offer-- . Debrett's Limited (Acc) hardcover
1784014554Troppau : Joseph George Trasler 1784. First German Edition . Quarter Leather and Marbled Boards. Very Good/No Jacket. 12mo - over 6¾ - 7¾" tall. All 32 Volumes Are In Very Good Order With Handling Wear Consistent With Their Age . Edgeworn Bindings And Tanned Pages The Edition Label On Volume 26 Is Damaged And Some Loss On The Bottom Spine Ends Of Volumes 14 And 25 . Published Between 1784 And 1787 Rare! <br/> <br/> Joseph George Trasler hardcover
181946939Tbilisi.: 'Feniks'. December 1918 - 1919 February / March. Stapled as issued in original publisher's printed paper wrappers with titles to front covers in black issue no. 2 in red and black issues 2 and 3 /4 with publisher's vignettes issue 1 with advertisements to rear cover; repair to spine of issue 1 front cover of issue 2 detached. 4 issues in 3. 4to. c.220 x 190 mm. Printed text and verse in Russian throughout no. 1 with 3 mounted monochrome zincograph illustrations by A. N. Geevski no. 2 with monochrome illustrations by Terent'ev and P. Iashvili issue 3 with monochrome illustrations by Goncharova and Kruchenykh. An excellent complete set of the very scarce avant garde periodical 'Kuranty'.The short-lived literary and artistic periodical 'Kuranty' produced in Tbilisi during the Russian Civil War features contributions from many of the most important Russian and Georgian avant garde figures of the time: Alexei Kruchenykh and Igor Terent'ev contributed a large body of material but the contributions of Kyril Zdanevich the editor Boris Korneev Nikolai Sudeikin Tatiana Vechorka Rafalovich and others cannot be overlooked. Natalia Goncharova's 'Portrait of A. Kruchenykh' is reproduced in the final issue together with portraits by Kruchenykh himself.This Tbilisi-produced 'Kuranty' is not to be confused with the review 'Kuranty' published in Kiev in the same year and also of considerable rarity.'Kuranty' is extremely scarce and we can locate no complete sets in libraries although a facsimile is held and Johns Hopkins holds a copy of issue 1; auction records feature one complete copy only that sold at Christie's in 2014 as well asone other incomplete set also Christie's in 2007. 'Feniks'. unknown
164873IBLeiden, Fr. Hack und Amsterdam, L. Elzevier, 1648. Folio. Kupfertitel, 429 Planzen- und Tierholzschnitte, (5 Bl.), 122 S., (1 Bl.) - (4 Bl.), 293 S., (3 Bl.). Pergamentband der Zeit (etwas fleckig) mit handschriftlichem Rückentitel (stellenweise verblasst). 2 Teile in 1 Bd. [2 Warenabbildungen]
1925860P16Madrid: Consejo Superior de Investigaciones Cientificas 1925-83. Vellum. Very Good. 11" by 7.5". Various. A scarce to see set of the popular Spanish journal exploring art and archeology lavishly illustrated across eighty-five volumes. An unbroken run of the Spanish journal Spanish Archive of Art and Archaeology.Illustrated throughout with thousands of plates approximately sixty to each volume including plans folding diagrams and photographs along with illustrations in the text.From 1940 This periodical split into two companion periodicals for art and archaeology running concurrently. Containing:Volumes I-XIII Spanish Archive of Art and ArchaeologyVolumes XIV-LVII of Archivo Espanol de ArteVolumes XIV-LVI of Archivo Espanol de ArqueologiaIndex volume to Arte L-XXV 1925-1952The main field of interest included in the publication are cultures of Europe and the Mediterranean.It is divided into two sections: articles and book reviews.The first twenty-eight volumes are bound in full vellum with the next 30 volumes of Arte bound in quarter-vellum and the 27 volumes of Arqueologie bound in quarter-morocco.Including contributions from Diego Angulo Iniguez Francisco Alnarez Ossorio El Marques de Lozoya and many others.Complete up until 1983 though publication continues to the present day. In vellum and half-morocco bindings. Externally smart with just a few marks. Internally generally firmly bound although strained in places particularly to the earlier volumes. Three hinges are strained. Institutional blindstamp to front endpapers which is difficult to photograph with gilt institutional stamps of CSIC Instituto Rodrigo Carlo to spines of nineteen volumes of the Arqueologia volumes. Pages to the earlier volumes are marginally browned due to the paper used with some foxing but later volumes are very bright and clean. Very Good Consejo Superior de Investigaciones Cientificas hardcover
London, H. Reynell, For J. Weatherby, Junior, 1791. 8vo. Completely uncut in contemporary marbled boards. Rebacked. Very light occasional brownspotting. A nice copy. (14), XX, 207, (1) pp. With contemporary owner's inscription to half-title: ""This book belongs to Richard Kemble/ Whatley of Holty Common in the/ Parish of Hartfield in Sussex/ 1791"". Mr. Kemble Whatley has furthermore annotated the front end-papers with ""A Memorandum of the weight of/ my Guns. - 1791. -"", listing 5 guns, mostly of noted origin, e.g. one previously belonging to King George II.
140938852Portland OR: Nazraeli Press 2017. First Edition. Fine. 124 Volumes 100 titles five multi-volume deluxe sets and duplicates of several titles several labeled AP for Artist's Proof. A complete run of the celebrated series which features 100 uniformly sized books of various colors giving each artist a 16-page canvas to exhibit a cohesive body of work. Each volume is limited to 500 copies and each contains one photographic print tipped in and signed by the artist--hence the name of the series. Conceived in 1998 as a way to make original art more affordable titles were originally released in groups of four generally twice a year beginning in 2000 and ending in 2017 with most copies reserved in advance for subscribers. Complete sets of the 100 titles are uncommon as many volumes are out of print; even more uncommon are those with the deluxe box sets as few were issued toward the beginning of the series. All volumes are Fine to Near Fine. Several volumes with light spine sunning or a slight shelf lean.<p><br /> <br /> The deluxe sets are by John Gossage Four American Photographs Todd Hido Taft Street Eduardo del Valle & Mirta Gomez Four Sections of Time all marked as "AP" or artist's proofs Judy Gelles Beach Boxes and Emi Anrakuji e hakagi<br /> <p><br /> <br /> Comprised of 1. Terri Weifenbach Instruction Manual No. 1: 21. May 1995; 2. John Gossage Four American Photographs 4-volume set in slipcase; 3. Terri Weifenbach Instruction Manual No. 2: 21. April 1996 "Bee"; 4. Terri Weifenbach Instruction Manual No. 3: 25. June 1996 "Blue Sky"; 5. Chan Chao Letter from P.L.F. Burma; 6. Todd Hido Taft Street 4-volume set in slipcase; 7. Ron van Dongen Rosa Ferreus; 8. Susan Hornbeak-Ortiz True; 9. Bill Jay Bill Brandt 2 copies; one signed as usual on limitation line and there the other marked "print signed on verso"; 10. Julien Coulommier Soleil Cou Coupe; 11. Yuki Onodera How to Make a Pearl; 12. Robert Adams Alders; 13. Risaku Suzuki Fire: February 6; 14. Robert Heinecken studiesnineteenseventy; 15. Don Kirby You're not really initiated until your eyes are redder than your lips; 16. Masao Yamamoto The Path of Green Leaves; 17. Martin Parr 7 Communist Still Lifes; 18. Andreas Müller-Pohle Yumiko; 19. Sara Gilbert Cues; 20. Toshio Shibata Type 55; 21. Michael Kenna Boarding School; 22. Eduardo del Valle & Mirta Gómez Four Sections of Time 4-volume set all marked as "AP" or artist's proofs; 23. Weng Fen Sitting on the Wall & Bird's Eye View; 24. Judy Gelles Beach Boxes 1 copy 4-volume set in slipcase; 25. Naoya Hatakeyama River Series / Shadow; 26. Boomoon Kwon On the Clouds; 27. Camille Solyagua Twenty-One Red-Crowned Cranes and One Black Crow; 28. Martin Parr 7 Colonial Still Lifes; 29. Jim Stone Why My Photographs are Good; 30. Stu Levy Cranial Czar Eh; 31. Ken Ohara One; 32. Steve Pyke: Post Partum; 33. Steve Pyke: Post Mortem; 34. Joseph Mills e mars Lilly's Waist; 35. Yuichi Hibi Robert Frank A Weekend with Mr. Frank; 36. Twinkako Ishiwata-Pichler Desperately Seeking Twinka; 37. Ron van Dongen A. angustatum; 38. Junko Takahashi The Receptionist; 39. Daido Moriyama Kuchibiru; 40. Emi Anrakuji e hagaki 7 volumes included with 6 unique prints; no slipcase present perhaps as issued; 41. Michael Kenna Montecito Garden; 42. Tanya Marcuse Fruitless; 43. Stephen Shore Merced River; 44. Jesse Diamond Drum Circle; 45. Nancy Honey Poodle Parlour; 46. Lars Schwander Manuel Ãlvarez Bravo: One Day in April 1999; 47. John Divola Seven Dogs; 48. Masao Yamamoto Fujisan; 49. David Maisel Cascade Effect; 50. Rob McDonald Birth Place; 51. Netta Madahar Sustenance; 52. David Tseklenis Julius Shulman Does His Own House; 53. Joe Deal Indian Bingo; 54. Raymond Meeks Doctrine of an Axe; 55. Mayumi Lake Ex Post Facto; 56. Michael Kenna Heiden Hotel; 57. Eduardo del Valle & Mirta Gómez En Vista; 58. Edward Bateman Mechanical Brides of the Uncanny; 59. Todd Hido: Cracked Trees 2 copies one numbered the other labeled "AP" for Artist's Proof; 60. Todd Hido: Crooked Cracked Tree in Fog 2 copies one numbered the other marked "AP" for Artist's Proof; 61. David H. Gibson: Water Cascade: A Sequence; 62. Eiji Ina: Wacht; 63. Alec Soth: One Mississippi; 64. Mark Steinmetz: Italia: Cronaca di un Amore; 65. Pine & Woods: For Constance; 66. Hiroshi Watanabe: Love Point; 67. Terri Weifenbach: Some Insects; 68. Sally Mann Rob McDonald and Even Rogers: Cy's Rollei; 69. Corey Arnold: Fishing with My Dad 1978-1995; 70. Joni Harbeck & Neil Krug: Indian Girl; 71. Steve Fitch: Motel Signs; 72. Liz Steketee: Dystopia; 73. Stephen Shore: Pet Pictures; 74. Martin Parr: Seven Cups of Tea; 75. Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann A Grid-Portrait; 76. Leon Borensztein: Portraits ii; 77. Carol E. Richards: Birds Have Wings; 78. Melanie Pullen: Juliette; 79. Martin Usborne: Fox About Town; 80. Risaku Suzuki: Snow Letter; 81. John Divola: Supermarket; 82. Richard Misrach: iPhone Studies: Reverse Scrubs; 83. Dan Solomon: Witness; 84. Jim Goldberg: Polaroids from Haiti 2 copies one marked "AP" for Artist's Proof; 85. Roger Ballen: The Audience; 86. Doug Rickard: All Eyes on Me; 87. Aaron Ruell: Ten Years Too Late; 88. Alec Soth: Bogota Funsaver; 89. Steve Kahn: Corridors; 90. Daido Moriyama: Self 2 copies; 91. Katy Grannan: Lion King; 92. Michael Kenna: Kussharo Lake Tree; 93. Todd Hido: Season Road; 94. Elaine Ling: Habitacion Cubana; 95. Ed Templeton: Memories of the Salt.; 96. Ave Pildas: Bijou; 97. Javier Carrillo: Las Trocas Angelinas con sus Mercancia; 98. Gregori Maiofis: Taste for Russian Balet; 99. Tomoko Sawada: Face; 100. Gloria Katz: Souvenirs. Nazraeli Press unknown
1764CA11341764-1769 Oaxaca Manuscript. <br /><br />35 gatherings with approximately fourteen folded folio leaves 12 1/4"" x 10" in each gathering which are now stored in an archival protective sleeve. All hand written generally on recto and verso but in many different hands with seals stamped or embossed to documents. Now housed in a custom designed folio enclosure 15" x 12 1/2" along with the original velum.<br /><br />This work details the agricultural household and commercial operations as well as the daily life at the Hacienda. The manuscript includes business records legal documents and a variety of other historical material. Originally housed in a vellum binding which has become loose but enclosed within the custom enclosure for the document. This gives a glimpse of Oaxaca life at the end of New Spain's colonial reign in Mexico.<br /><br /><b>Condition:</b><br /><br />Worming throughout sometimes heavily. The terminal pages have heavy chipping and wear at extremities affecting text some pages damp-stained. Original vellum wormed at the spine center soiled and worn else a good item housed in custom designed archival closure. Self Published hardcover
000475Dennis Massachusetts 21st Editions 1998 - 2003 1998. The Signed Deluxe Limited Editions contain original hand-pulled photogravures and color ptanographs waterless lithographs that illuminate the essays and commentaries found in each book. Bound in Morocco Japanese silks and Italian fabrics and are cased in a matching portfolio box. They are fully signed on the limitation page by the artists included in each volume. Each book measures approximately 15.25" x 13.75" and the clamshell box measures approximately 16.875" x 14.75". There are 6 volumes of The Journal published. Volume 1. Number 193 of 235. Focuses on the "transcendent vision" of 15 major contemporary photographers illustrated here in richly printed hand-pulled photogravure. Volume I also contains a woodcut by the late Leonard Baskin. Writers include Pulitzer Prize winning poet Richard Wilbur; prize-winning novelists Ann Beattie and Robert Olen Butler; poet and critic Dana Gioia; Harvard professors and award winning historians John Stilgoe and John Stauffer; and Wales' great poet the late R. S. Thomas among many others. Signed by: Bernard Faucon Michael Kenna Holly Wright Luis Gonzales Palma Keith Carter Duane Michaels Steven Albahari Mark Klett Sandy Skoglund Jock Sturgis Ernestine Ruben Willie Middlebrook John Metoyer Olivia Parker Leonard Baskin and Patrick Bailey-Maitre-Grand. Volume 2. Number 187 of 200. Extends the metaphysical themes of the first volume and brings together the work of 13 modern masters of the photographic arts. It contains original essays by France's leading novelist Michel Tournier; philosopher Frederick Turner; award-winning photographic historian Lee Fontanella; novelist and playwright Elizabeth Dewberry; novelist Josh Russell; and photographic historian and 21ST contributing editor Lance Speer. Signed by: Adam Fuss Jaume Blassi Bill Jacobson Joyce Tenneson Kenro Izu Vik Muniz Cy DeCosse John Dugdale Tom Baril Joan Fonteuberta Arthur Tress Robert ParkeHarrison and Sheila Metzner. Volume 3. Number 82 of 100. Entitled The Clandestine Mind is devoted entirely to the lyrical work of John Dugdale. This master photographer's elegant male nudes and still lifes printed in rich blue inks to match the original tones of his cyanotypes are complemented by a short prayer for Dugdale by Pulitzer Prize winner Robert Olen Butler; a poem by prize-winning poet Morri Creech; and an essay by John Wood the editor of 21ST. Signed by: John Dugdale and features - Annunciation Christ Out Liberator The Clandestine Mind I Could Not See To See Longing Mourning Tulips Wonder Stings Me More Than Bee and Three White Peaches. Volume 4. Number 82 of 100. Entitled The Gardens of DeCosse focuses exclusively on the beautiful works of Cy DeCosse. Literary contributors include fiction writer Scott Ely; gallery director John Stevenson; poet Susan Ludvigson; musician and scholar Carol Wood; and editor John Wood. Signed by Cy Decosse and features the following: King of the Night Sunflower Fritillaria Cultered Pearl Squash Flowers & Dill Water Lilly Tuscan Lemons and Queen of the Night. Volume 5. Number 39 of 125. Aptly named Strange Genius is an insightful examination of the ways in which artists today make conscious attempts to create work that can often be unsettling difficult even horrific. Writers include poets Raul Peschiera Susan Ludvigson Gerard Malanga and Paul Zimmer; novelists Ann Beattie and Neil Connelly; and essayists Paul LaRosa Lance Speer and John Wood. Signed by: Sally Mann Michal Macku Connie Imboden Vincent Serbin Sheila Metzner Andrea Modica Josephine Sacabo John Metoyer David Levinthal Stephen Berkman Kelly Grider Keith Carter Christopher Pekoe and Don Gregorio Anton. Volume 6 an international survey titled Flesh and Spirit combines the images of some of the finest contemporary Belgian Brazilian Chinese English French Greek Mexican Spanish and American photographers. Dennis, Massachusetts, 21st Editions, 1998 - 2003 unknown
20201Numbers 1-17 of 17 published numbers only lacking no. 4. Bolzano/Berlin Verlag Interfunktionen Köln Edition Morra Napoli Verlag Die Drossel Berlin verlag hansjörg mayer Stuttgart/London n.d. 1969/70 - n.d. 1976. Paperbound pictorial wrappers 4to & 8vo. Organ of the Viennese Actionists published by Günter Brus Otto Muehl Hermann Nitsch Gerhard Rühm Hermann Schürrer Oswald Wiener. Contribs. by Arnulf Rainer G.Baselitz Dieter Roth D.Steiger P.Weibel a.o. Number 5 without the white cloth multiple by Hermann Nitsch. The numbers 8A-C document the <I>Aktionen Actionism </I>by Günter Brus during 1964-1970. He called his rather shocking performances <I>"totalaktion direkte kunst" Direct Art</I> and defines it as <I>".eine weiterentwicklung des happening sie vereinigt in sich alle elemente aller kunstgattungen malerei musik literatur film theater."</I> in which he explored Freudian themes of erotic violence in ritualistic performances utilizing bodily materials such as blood semen and meat. Number 11 entitled <I>"Peter Kubelka filmt Arnulf Rainer" </I>is a photo-reportage on Arnulf Rainer with manipulated photos by A. Rainer. All issues in the original pictorial wrappers. The first 5 numbers are printed in a limited edition of 150-350 copies after no. 6 the edition was enlarged to 500 copies. Nos.1-2 are in 2nd edition. hardcover
Die erste Prachthandschrift der Bibel in deutscher Sprache. Beinahe 150 Jahre vor Luthers Bibelübersetzung entstand in einer der führenden Buchmalerschulen des Mittelalters in Prag die älteste deutsche Prachthandschrift der Bibel. Der monumentale, auf mehr als 2400 Seiten die Texte des Alten Testamentes umfassende Codex wurde zwischen 1389 und 1400 für den böhmischen König Wenzel IV hergestellt und gilt als das Hauptwerk der berühmten Wenzelwerkstatt. Insgesamt 646 Miniaturen und ein überreicher Randschmuck machen diese Bibel zu einer bibliophilen Kostbarkeit. Band 1: Genesis und Exodus. Band 2: Leviticus und Numeri. Band 3: Deuteronomium und Josua. Band 4: Richter, Ruth und Samuel I. Band 5: Samuel II und Könige I. Band 6: Könige II und Chronik I. Band 7: Chronik II, Esra I und Esra II. Band 8: Esra III, Tobias und Prediger. Band 9: Dokumentenband. Beiliegt: 2 Bände: Kommentarband und Erläuterungen zu den illuminierten Seiten. Vorliegendes Exemplar eines von wenigen der Luxusausgabe in Ganzleder mit goldener Deckelvignette. In Orig.-Schubern. In 780 nummerierten Exemplaren erschienen und tadellos erhalten.
1903TB31835Chicago: Lakeside Press 1903 to 2019. The first 25 volumes bound in dark green cloth covered boards 1903-1926 of this complete set are in very good to near fine condition. The exceptions to this average are the 1908 and 1910 printings of Memorable American Speeches I and Memorable American Speeches IV both of which are ex-library copies with the ghosts of spine labels and with penciled library notations otherwise in very good to very good conditions. The red cloth covered volumes 1927-1952 are generally between very good to fine conditions. The blue cloth covered volumes 1953-1977 are also in very good to fine conditions. The brown cloth covered volumes 1978-2002 are in very good to fine conditions with 13 titles still in their original shrink wrap. The 19 teal cloth covered volumes 2003-2019 are all in fine condition and with one exception are in their original shrink wrap. This is a remarkable complete collection of all 119 volumes all of which are in collectible condition. Only 5 of the first 25 volumes have a prior owner's name or book plate. And one of the volumes 1919 has the signature of Thomas E. Donnelley on the third free end page. Lakeside Press hardcover books
184247346Paris.: J. Hetzel et Paulin Editeurs. 1842. Original publisher's maroon morocco boards ruled in blind with matching gilt vignettes to front and rear boards and spines titles gilt to spines cream moiré endpapers two original part wrappers retained a.e.g. 2 vols. Large 8vo. 270 x 194 mm. Each vol. with half-title title and frontispiece and a total of 199 hors-texte monochrome plates as well as numerous monochrome vignettes all engraved by Brevière after Grandville. The first edition of Grandville's anthropomorphic masterpiece in the deluxe publisher's binding.This exceptional copy bound in full maroon morocco features all of the plates in the first issue as per Carteret and the first issue of the binding incorporating the special tools after Grandville's designs but without the additional decorative tools to the corners of the central panels of the front boards. The legend 'Badigeonographie générale des murailles de la France et de l'étranger' to the frontispiece later removed by the censor is present and four of the original yellow paper part wrappers the two volumes were issued in 100 parts are retained. Grandville's inspirational illustrations were engraved on wood by Brévière coted by Ray as 'the one craftsman whose renderings of his work Grandville refused to criticize'.The twenty-nine tales by various authors of the Scènes de la Vie Privée et Publique des Animaux are accompanied by J. J. Grandville's wonderful anthropomorphic illustrations. The tales themselves are by the foremost authors of the day with four by Honoré de Balzac Peines de Coeur d'une Chatte Anglaise Guide-Ane à l'Usage des Animaux qui Veulent Parvenir aux Honneurs Voyage d'un Lion d'Afrique à Paris and Les Amours de Deux Bêtes as well as tales by George Sand Voyage d'un Moineau à Paris Paul Bernard Les Animaux Médecins Charles Nodier Jules Janin Paul de Musset and so on. The majority of the stories and text is by P.-J. Stahl who wrote the Preface to the first volume. In contrast to all of the other plates the final plate in volume two depicts human figures - the authors themselves - as animals in the Jardin-des-Plantes in Paris regarded by spectating animals while being sketched by Grandville himself.'Through Grandville's animals Hetzel and his colleagues the authors offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century . Returning to the 'têtes-de-bêtes' of 'Les métamorphoses du jour' Grandville provided 323 illustrations about two-thirds of which are full-page plates . '. Ray.'Il a été exécuté pour les SCÈNES DES ANIMAUX des reliures et cartonnages artistiques qui sont parmi les plus beaux dans ce genre.' Carteret.Ray 194; SR / BF 63 / 64 / 65; Carteret III 552 - 559; Rebeyrat 289 / 190. J. Hetzel et Paulin, Editeurs. hardcover
1903TB33156Chicago: Lakeside Press 1903 to 2019. The first 26 volumes which includes the 1915 reprint of The Autobiography of Benjamin Franklin of this complete set are in very good to near fine condition and are all bound in dark green cloth covered boards. None of the dark green volumes have prior owner's names or markings in them. The 25 volumes bound in red are all in at least very good condition or better and none of them have any prior ownership markings of any kind. All 25 volumes of the "blues" are in fine condition; although four of the years 1974-1977 have a prior owner's raised embossed seal on the front end pages. All of the "browns" are in fine condition; however two volumes 1978 and 1980 have a prior owner's raised embossed seal on the front end pages; and 1979 has the ghost of a removed book plate from the front paste down. The last seven volumes of the "browns" are still within the publisher's original shrink wrap. The final 25 volumes in the teal cloth binding are all fine and all are still contained in the publisher's shrink wrap. This is a remarkable collection as it is a complete run of the Classics and each of the volumes are in such attractive collectible condition. Lakeside Press hardcover
19195245-vitrineDen Haag: Levisson 1919-37. In total 92 issues of De Reclame also De Bedrijfsreclame published between 1919 and 1937. All issues in original illustrated wrappers printed in various colours with various lay-outs by various artists abundantly illustrated with b/w and colour illustrations as well as dozens of tipped in and loose samples and appendices. The series contain hundreds of articles about corporations and artists such as Piet Zwart Cassandre Paul Schuitema Louis Kalff V. Huszar Jac Jongert A.D. Copier O. Wenckebach Majakowski Von Stein etc. Year 1919 no: 10 12 ; 1920: 2 3 4 5 6 7 8 ; 1921: 2 3 ; 1922: 2 3 8 9 10 ; 1923: 4 5 6 7 8 9 10; 1924: 3 6 7 10 12 ; 1925: 2 4 5 6 8 10 12 ; 1926: 1 2 4 8 9 ; 1927: 1 2 4 6 9 10 11 12 ; 1928: 1 2 6 7 8 9 11; 1931: 7 11 ; 1932 weekly: 1 2 3 4 7 8 10 13 14 15 16 17 18 20 21 24 25 27 29 30 31 32 34 36 37 38 39 41 42 43 ; 1934: 2 ; 1935: 4 8 ; 1937: 10 11. All issues are sold seperately as well costing between 50 euro and 400 euro each. De Reclame successor of De Bedrijfsreklame was published between 1922-1937. The first issue appeared in January 1922 under the guidance of B. Knol and Machiel Wilmink. A year later De Vereeniging van de Reclame was established. Printer Levisson from The Hague was also involved with De Reclame. In January 1928 the magazine De Reclame became the organ of the Genootschap voor Reclame established 1927. An interesting set. Levisson unknown
