[various authors]Biblio.com
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21228Dodgers Syndicate sheet of stationary letter-paper 27.2 x 18.3 cm. A film production company set up in March 1965 by de Ridder and Wim van der Linden "joined in 1966 by Wim T. Schippers to make low cost movies such as Sad Movies Tulips Rape and Panic Call. unknown
20791Album with 2 L.P. records edited at Radio Art Studios Amsterdam by Willem de Ridder & EXART Studios. All Chemix Radio Series. In fine condition; signed by Willem de Ridder on the backside of the sleeve in black marker. One of an edition of 300. Slowscan Vol. 49. unknown
19642RADIO ART Willem de Ridder and William Levy. Radio Art. The end of the Graven Image.16 pp incl. illustrated covers. published by Gallery A Amsterdam. 4to. Orig. wrappers. Illustr. b/w. 33x20 cm 16 pages incl. wrapper. Cover very lightly foxed. unknown
20775INTERNATIONAL REFLECTIONS POST. Not published with the New York Post and the Washington Times. No. 1. Amst.erdam 13 febr. 1987. Tabloid format. Illustr. b/w. 8 pp. folded once. Texts in Dutch. Edited and designed by Willem de Ridder. All published Moderate agewear along the margins. The publication was designed by the Ridder as a promotional piece for an exclusive fashion store named Reflections based at the luxury shopping hotspot PC Hooftstraat in Amsterdam carrying brands like Comme des Garçons Azzedine Alaia Thierry Mugler Romeo Gigli et al. It was meant to appear twice a year. unknown
21229Invitation Galerie A Amsterdam November 10 - December 8 1979. A4 sheet folded in three housed in original envelope. Added is a handwritten letter by De Ridder signed n/d 1979 addressed to Harry Ruhe. unknown
20795A group of 4 four magazine publications by or related to Wilem de Ridder. - Weekly Vol.4 Issue 50 13-19 December 2007. Includes article 'The life Fantasion Willem de Ridder trips out on his 1960s memories'. - HN MagazineYr 47 No.9 March 2 1991. Includes artucle 'De spiegelogie van Willem de Ridder'. - Index Year 1 No.1 March/April 1991. Features an interview and lecture by De Ridder in Dutch. - Stencilled brochure containing the text of lecture by Willem de Ridder held on January 4 1991 at PMV centrum Nijmegen organised by Index Nijmegen. unknown
19571Atom Club Magazine CASSETTE EXPLOSION. One. Uitgave Willem Rietveld Willem de Ridder a.o.;. Autumrn 1985. Atom Club Prins Hendrikkade 142 Amsterdam. 88 pages. glued in the spine under glossy black covers. 13.4 x84 cm heavily illustrated english text. -Together with Atom Club Magazine Number 1 1985. William Levy Geertjan Hobijn Willem de Ridder. 18 pages 21 x 135 cm. stencilled sheets. -Together with a stencilled newsletter and a small handbill. - Also added a entry pass for the Atom Club undated. Flyer 21 x 15 cm. stencilled black on white. The address was that of KOSMOS Center for spiritual thought workshops etc. unknown
20793Annie Sprinkle's BOSOM BALLET. Copyright Annie Sprinkler 1991;Art Unlimited. Photo's by Leslie Barany. Photoprint 60x60-cm'Signed on the blank verso by ANNIE SPRINKLE. unknown
20792Holland Festival . WILLEM DE RIDDER presenteert in de STADSSCHOUWBURG. 121618 en 20 Juni. 1983 "Vaudeville". Printed in black and red on white paper 50 x 35 cm.; in perfect condition unfolded. Willem de Ridder Mood Engineer Hans Claessen Sound Poster: Peter Pontiac. With: Honeysuckle Divime Vafiniste Veronica Vera Corset Artiste Betti Paerl Sandra Astrid Antonczyk Hand van Galen. Soundtrack: Hessel Veltman. unknown
20532STUDIO. Willem de Ridder edited the issue of Studio Amsterdam 3e jaargang 1991 nr 18 NYX Global Amsterdam 1991 Tabloid folded in the center 43 x 29 cm 48 pp numerous illustrations. Fictitiously dated. Tabloid on newsprint designed by de Ridder folded in the center 43 x 29 cm 48 pp ill Rare title story "Adolf Hitler was een vrouw" Adolf Hitler was a Woman. unknown
20794Willem de Ridder. RETROSPECTIEF GRONINGER MUSEUM 8 Juli - 28 Augustus 1983. 83 x 30 cm. Poster in black red and yellow on white paper. Drawings by Peter Pontiac. unknown
20812Announcement for the ínteractive exhibition ''Willem de Ridder is famous in The Netherlands". New York Stephen Gang Gallery May 9-29 1999. Card 14 x 10 cm printed black on white. The show claimed to include works by Larry Miller containing the DNA of Willem de Ridder. Mint copy. unknown
19641De Ridder Retrospective. July-August 1983 Holland Festival Groninger Museum. Yellow ills. wrappers 26 x 21 cm 80 pages Catalogue with inserted POSTER as issued: Holland Festival Presents Willem de Ridder Populaire Kunstgeschiedenis. Print van Wulften. Pontiac Studios. Poster b/w 91 x 68 cm folded 6 times. Written & edited by William Levy and Willem de Ridder contribs.Peter Pontiac; Anna Beeke. unknown
20797Tour 87-88 Announcement sheet 4 pages printed b/w promoting Willem de Ridder's monthly performance programme in small theaters around the country starting in September 1987. Slightly creased copy. . unknown
20810- POSTER Nieuw-Sensatie-Opzienbarend. Breng een zelfgemaakte CASSETTE mee 64.5 x 46.5 cm printed black on white folded 3 times. Announcement for an audience participatory event taking place in Amsterdam Ijsbreker; Maastricht Theatercafé Rotterdam Centrum Arena Groningen Grand Theatre Nijmegen Doornroosje Eindhoven Apollohuis. 4-18 mei 1983 . The audience presented instant visual and sound performances which were broadcasted simultaneously on the radio. TOGETHER with Photograph b/w 24 x 15 cm featuring a performance at one of the venues for the Grote Nationale Salon voor Volksvlijt. and a blue announcement card 10.5 s 15 cm for a Walking Safari Live event by Willem de Ridder as part of the Festival a/d Werf in Utrecht Participants were asked to bring their own radio to the gathering point at de Neude on May 28 1999. unknown
20807Colour print of the original slide for the show with paper constellations here in polyeathylene at the RAI Congress Centre Amsterdam 1964 202x202 cm.; signed by Willem de Ridder in black marker on the image at the lower right corner. This photograph was used in onf the frontover of the book publication "The Adventures of Willem de Ridder". Amsterdam 2017 unknown
20772Fluxus Festival Materials related to the Happening/ performance in the spirit of AFRINMOR-International part of the International Program December 181963: "Internationaal Programma. Nieuwste Muziek Nieuwste Theater Nieuwste Literatuur." Algehele Leiding: General Direction by: Willem de Ridder Tomas Schmit. Wim T. Schipper Emmett Williams. Theatre De Kleine Komedie Amsterdam December 18 1963; With works of : MESH /Moood Engineerung Society Holland Fluxus-International High Red Center Tokyo Adynamical Works. - a Announcement and PROGRAM for this performance Woensdag 18 December 14.30 uur Matinee printed in black on beige stock 31 x 21.2 cm; 4 pages folded once; ontwerp design K. Zedden Franeker Fr. in fine condition. On page 3 the full proposed program - b Original Photo by Dorine van der Klei of item 13 of the program: "13 Façons d’employer la crane de Emmett Williams" gelatin silver print 40.6 x 30.5 cm unique print signed by De Ridder on the reverse with the photographer’s copyright label minimal imperfections general condition good. - c Duplicate of b/w press photograph of item 3 "Fluitconcert" of the program Willem de Ridder "Whistling" Emmett Williams Tomas SchmittWimT.Schippers. 175x 238 cm. Signed by Willem de Ridder on the front - d Duplicate of b/w press photograph another Head Covering of Emmett Williams of item 13 of the program. 175x23.8 cm. Signed by Willem de Ridder on front. See: "The Lunatics are on the Loose". European Fluxus Festivals p.281; this photograph serves as front cover for this publication. On the program: 16 items. Participants: Benjamin Patterson Arthur Koepcke AFSRINMOR. Robert Watt Takehisa Kosugi Tokyo Jackson Mac Low Willem de Ridder Wmmett Williams Ronin Page George Brecht La Monte Young Robert Filliou Wim T. Schippers AFSRINMOR C.230 La Foret Chante Tomas Schmitt. unknown
20796-a Annie Sprinkle Post Porn Modernist. Created by Willem de Ridder. Cover photo Eric Kroll. Published by Torch Books Amsterdam March 1991. Softcover 27.5 x 21 cm 128 pages/ paperbound. Preface by Willem de Ridder. All texts in English. Numerous photographs b/w and colour. Fine copy. - b Annie Sprinkle Pleasure Playing Card promotional plasticized card 14 x 10 cm - c Annie Sprinkle/ Love Postcard No.60 25 x 16 cm. Features a b/w photo of Sprinkle by Charles Gatewood on recto. - d Anatomy of a Pinup Photo. Postcard 15 x 10.5 cm published by Torch gallery. Photo Zorro 1981. Drawings and idea by Annie Sprinkle. Recto is fine verso contains some glue remnants. -e The Sprinkle Report. The newsletter devoted to Piss Art. Vol.1 No. 4. New York R. Mutt Press/ The Filangieri Foundation c. 1976. Designed by Willem de Ridder edited by Annie Sprinkle. 30 x 19.7 cm 16 pp printed b/w. With contributions by Marco Vassi John Reilly Gunter Brus Adolf Henkel et al. - f Sprinkle & Vera from the school of high-heel journalism undated. Publicity postcard 16.5 x 10.2 cm printed b/w . Designed by Willem de Ridder. De Ridder helped Annie Sprinkle and Veronica Vera to set up the Sprinkle Salon Mail Order Co where one could order pubic hair soiled panties magazines and audio tapes. Collection of items related to De Ridders Fluxus creation Annie Sprinkle. paperback
19667169St. Helena California: St. Helena Star 1966. First Edition. Newspaper. Very good . 2 large volumes in newspaper format each 8 leaves. In very good or slightly better condition printed on brittle newsprint and with some light tearing at the folds but overall clean and well-preserved. A fantastic snapshot of the California wine scene in 1966; apparently the inaugural year of this short-lived wine festival. Articles and advertisements discuss Mondavi Krug Beringer and other vintners some of which had been maing wine for a century others of which were just getting off the ground. The famous "Judgment of Paris" the wine competition held in Paris in which a California wine won in each category would not happen for another decade and so the California winemaking world at this time while long-lived was much sleepier and less competitive than it is today. This supplement to the St. Helena Star the local paper is scarce in commerce; OCLC records full runs of the newspaper at several libraries in California wine country though this issue is not separately catalogued. A great piece of California wine ephemera. St. Helena Star unknown
18286Number 1 all publ. Syke BRD Wirrwahr Verlag 1979. 29x21 cm stapled 46pp. Contrubutions by H. Lührs D. Schmidt L. Bickel C. Russin M. Lindon et al. Edited by Johann Luft and Hajo Lührs. Contributions by H. Lührs D. Schmidt L. Bickel C. Russin M. Lindon a.o. unknown
21208<b>Wolf Vostell Betonvagina 2 / Die Geburt; one signed photograph and two artist proof screenprints 1974.</b> <b>Wolf Vostell Betonvagina 2 undated c. 1974.</b> Black and white silver gelatin photograph 28 x 28.5 cm with slim white borders signed by Vostell on the lower margin. The photo features a still image from Vostell’s 16 mm film ‘Desastres’ 1972 produced for the Neuer Berliner Kunstverein’s video art library which was the first of its kind in the world and co-founded by Vostell. The film incorporates a variety of visual resources: archive material documentary photos Vostell’s own concrete sculptures mixed with surreal scenarios alluding to the brutality and violence in a post-war divided Germany. This still depicts a ‘betonvagina’ motif concrete-vagina used in several works by Vostell in which he places an angular slab of concrete over the genital zone of a woman lying down with her legs spread apart. By ‘betoniering’ concreting various body parts the artist emphasises the structural violation of the vulnerable body in an almost abstract concrete manner. Some surface wear to print with staining to corner of verso not showing through small pinholes to the corners. <B>Betonvagina 2 / Die Geburt The Birth 1974.</B> Two colur screenprints in black and dark red on thick board 24 x 30 cm each with the same heightened dark-red lettering both identified as artist proofs on verso EA in pencil next to a printed Vostell logo. The source for the title ‘Betonvagina 2 / Die Geburt’ derives from Wolfgang Vomm Wolf Vostell: Die Druckgrafik. Bergisch Gladbach Städtische Galerie Villa Zanders 2005. p. 120. The first screenprint <B>Betonvagina 2</B> presents a grainy black and white reproduction of the ‘Desastres’ film still identical to the photograph in this group with a handwritten text ‘La Beauté est un acte moral!’ printed in red suspended over the lower part of the picture. This screenprint was originally produced in a signed and numbered edition of 500 copies for the deluxe edition of the catalogue for Vostell’s exhibition in December 1974 - January 1975 at the A.R.C. 2. Musée d'Art Moderne de la Ville de Paris titled ‘Environnements / Happenings 1958 - 1974’. Paris Editions du Chene 1974. The second screenprint <B>Die Geburt The Birth</B> features a different grainy black and white image with the same motto: ‘La Beauté est un acte moral!’. Pictured is a woman giving birth surrounded by a happy family. According to Vomm this serigraphy was probably not published. It does not appear in ‘Desastres’ but seems to be a pendant to the Betonvagina 2 still. The image is sourced from a French film depicting Max Ploquin's experimental ‘pain-free’ childbirth technique without epidural. Verso of the print includes the printed caption: ‘Cette image photo Maurice Henry - L'Express est extraite du film Les yeux de l enfant du Docteur Max Ploquin sur l'accouchement sans douleur.’ Both screenprints have minor surface wear generally in fine condition. <B>Wolf Vostell Leverkusen 1932 – Berlin 1998.</B> One of the founders of Fluxus Vostell was an eclectic pioneer engaged with a variety of media. He was among the first artists to adopt video and installation in his practice and the first to include a television within an artwork in 1958. Techniques such as blurring Dé-coll/age and embedding objects in concrete are characteristic of his work. Destruction and political engagement are recurring themes. Disturbing images often depicting war horrors and menacing instruments like saw blades populate Vostell’s work. He mobilized concrete’s ambivalent connotations of permanence and inflexibility strenght and violence to engage with the unrelenting presence of violence in postwar society. Vostell reasoned that if art and life are one violence must have a place in art and the art public cannot be protected from the awareness of this daily threat. unknown
21508Galerie Parnass 149-101963. Wuppertal Galerie Parnass 1963. Autobusabfahrt.am Sonnabend den 14 September 1963. Softcover staple-bound 16 fold-out pages from poster; very good condition; light rubbing to covers; Together with a Annoubncement for the Exhibitiobn Lil Picard in Galerie Parnass very small defectr in right upper corner. vertaling google: 831 Vostell Wolf: 9 decollages by Vostell. Decollages and blurring. Parnassus Gallery September 14–October 10 1963. 1st edition. Wuppertal. Gallery Parnassus. 1963. 26.5 x 23.0cm. 8 folding plates. O box with staples. Very good copy. 160.— Rare catalog for an exhibition with decollages and smearings as well as for a happening starting from the gallery in the form of a car trip: 9 decollages or Life as Image or Image as Life announced on the folding poster used as title page. Some of the catalogs only have a one-page title page which refers to the exhibition not the leaflet with information about the happening. The remaining leaflets document works texts and happenings. A reference card to the exhibition of Lil Picard in the Galerie Parnass from September 14th to October 10th 1963 in the format of the catalog is enclosed. paperback
21509Stuttgart Reflections Press. Manifests and Happenings. Stuttgart. ReflectionPress. Circa 1969. 30 x 21 cm. 37 sheets. OPlastic rail mount. Good to very good copy. 160.— Collection of various happening instructions action texts Wolf Vostell's manifestos as matrix prints and xerographs partly offset printing. Available include: HappeningManifest New York March 26 1966; 9 decollages or life as image or image as life; "read this manifesto and decolage it by washing and drying yourself in it"; Rest refuel: The Event Road – A Happening; emergency curb; CIELO heaven air paradise; KLEENEX 5-8/1961; A 3 continent happening; cleaning: Action instructions for cleaning the action unit. Mostly on the simplest paper partly stamped. Together in red plastic splint. Appeared with different front motives. Enclosed: Wolf Vostell. HAVE. Happening Archive Berlin. Information letter from Wolf Vostell 1973 1 sheet DIN A4; Wolf Vostell: Event is architecture. Action lecture TH Aachen November 9th 1967. 8 sheets hectographed stapled DIN A4; Independent Olympic Committee. press release. November 18 1971 Munich. 2 sheets xerography stapled. Rare. unknown
20856München Galerie van de Loo 1972. Colour serigraph in green-gray printed gray and black on light cardboard 67.5 x 98 cm. From an edition of 50. Signed and numbered 23/50 in pencil at the lower center. Also handwritten in pencil 'VS-DDLG Vietnam Sinfonie- Desastres de la guerra. Based on an object-drawing by Vostell from the same year. Moderate crease on upper left margin and hard to see tear of about 1 cm at top right margin lower margin has very light rubbing on the edges generally a good copy. Added is a printed poster on light cardboard featuring the same image as the silkscreen 67.5 x 99 cm with text announcing Vostell's exhibition 'Neue Serie Objektzeichnungen 1971-72' at Galerie van de Loo from 17 February 10 April 1972. Very light rubbing along extremities else very good. unknown
6920Heft 1-10 all publ. Innsbruck/Wien 1946-1948. Roy-8vo; original wrappers with last issue in reprint; iillustrated. Important Austrian literary and art periodical thick issues of ab. 160 pp. ills. of the post-war period with the last issue in photoreprint. Ed. by L. von Sauter & M.Bourgeois with contribs. by Beguin Aragon Vernet Saint-Exupery Camus St.Zweig Kafka Hans Weigel Fr.Wildgans a.o.; the later issues are scarce. unknown
