1 904 résultats
19732110502150308670Gendai shiso-sha 1973. Soft Cover. Fine. Volume: 1 Gendai shiso-sha paperback
6139998018.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024BN201281Swan Charm Publishing 2024. 2024. Softcover. Winter's White Peace <br/><br/>Winter's White Peace Sara Säde Swan Charm Publishing paperback
2024BN199948Swan Charm Publishing 2024. 2024. Softcover. Wings of Joy's Light <br/><br/>Wings of Joy's Light Sara Säde Swan Charm Publishing paperback
2024BN220990Swan Charm Publishing 2024. 2024. Softcover. Wings Drenched in Joyful Radiance <br/><br/>Wings Drenched in Joyful Radiance Sara Säde Swan Charm Publishing paperback
2025BN199814Swan Charm Publishing 2025. 2025. Softcover. Whispers in Storms <br/><br/>Whispers in Storms Sara Säde Swan Charm Publishing paperback
2024BN225010Swan Charm Publishing 2024. 2024. Softcover. Whispers Carried by Joyful Winds <br/><br/>Whispers Carried by Joyful Winds Sara Säde Swan Charm Publishing paperback
2025BN218135Swan Charm Publishing 2025. 2025. Softcover. Wheaten Pods Inside the Mermaid Deck <br/><br/>Wheaten Pods Inside the Mermaid Deck Sara Säde Swan Charm Publishing paperback
1995BN136621Könemann 1995. 1995. Werke 2-3 : Justine oder Die Leiden der Tugend / Juliette oder Die Wonnen des Lasters 1 <br/><br/>Werke 2-3 : Justine oder Die Leiden der Tugend / Juliette oder Die Wonnen des Lasters 1 Donatien-Alphonse-François de Sade Könemann unknown
91118Köln Könemann 1995 Auflage: 1. dieser Ausgabe. Leinen gebunden; mit farbig bedruckten Schutzumschlägen / 5 Bände / Anz. Seiten: 480 600 912 408 / 123 x 175 cm / mit zahlreichen Illustrationen der Ausgabe von 1797 / Zustand: schönes Exemplar; Schutzumschläge leicht berieben und am Rücken etwas aufgehellt Köln, Könemann, 1995, Auflage: 1. dieser Ausgabe unknown
177659469s. l.: S. n. 1776. Fine. S. n. s. l. circa 1776 32 x 40.50 cm une feuille encadrée Original drawing in ink and watercolor depicting an animated seaside view with a village perched on a cliff. Modern framing in blonde molding. Drawing executed during the journey made with the Marquis de Sade during the year 1776. Jean-Baptiste Tierce 1737-1794 student at the École des Beaux-arts in Rouen then at the Academy of Painting and Sculpture in Paris quickly distinguished himself as a landscape painter for his views of the South of France and Italy. His paintings are preserved at the Uffizi in Florence and in several French museums. When in December 1775 Sade left Rome for Naples he was welcomed by the son-in-law of his friend Doctor Mesny Jean-Baptiste Tierce who at that time was receiving commissions from Cardinal de Bernis. He found lodging for the Marquis ""who intended to see everything in the region learn about everything judge admire criticize love hate in short to give free rein to that insatiable and passionate curiosity which led him into museums galleries churches palaces and libraries as well as into grottos vaults catacombs and even into the bowels of volcanoes. He was not content to contemplate works of art ancient or modern monuments; he also observed customs politics religion administration social life. The beauty of women worldly customs the quality of entertainments ways of eating drinking dressing praying conducting oneself in society: nothing left him indifferent. He wanted to grasp all the present and all the past of this civilization to embrace it entirely in a single and universal vision. A gigantic program commensurate with his exceptional imagination but which he could no longer fulfill which was impossible for him to fulfill. Yet such was his first ambition as a writer: grandiose excessive. With this 'great work' in view Sade hastily took notes at roadsides or in inns which he supplemented with the notes of his correspondents Mesny and Iberti. Thus was built this monument which he intended for the public but which would not see the light of day until the 20thth century. Jean-Baptiste Tierce collaborated closely: he reread the notes and recorded his observations in small notebooks with numbers referring to the works described. Sade took the greatest account of them. Often the painter accompanied him on his excursions his sketchbook in hand drawing the buildings and landscapes before their eyes. About a hundred of these drawings and gouaches were recently found in the archives of the Sade family. They give the Journey to Italy the appearance of a true reportage."" Maurice Levert Sade pp. 283-284. Provenance: archives of the Sade family. S. n. unknown
177659528s. l.: S. n. 1776. Fine. S. n. s. l. Circa 1776 40 x 50 cm une feuille encadrée Italian scene: animated seaside with square tower Original pencil drawing showing an animated seaside scene. Modern black wooden frame. A drawing done during the journey the artist undertook with Sade in 1776. Jean-Baptiste Tierce 1737-1794 who studied at the School of Fine Arts in Rouen and subsequently at the Academy of Painting and Sculpture in Paris quickly built a reputation as a landscapist for his views of the South of France and Italy. His paintings are in the Uffizi in Florence and several French museums. When in December 1775 Sade left Rome for Naples he was welcomed by the son-in-law of his friend Dr. Mesny Jean-Baptiste Tierce who at the time was working on commissions for Cardinal de Bernis. He found lodgings for the Marquis who intends to see everything of the region learn everything judge admire critique love hate in short give himself over to the insatiable and passionate curiosity that takes him to museums galleries churches palaces and libraries as well as grottoes caves catacombs and right down to the very innards of volcanoes. He was not content merely to look at the various works of art and ancient and modern monuments; he also set out to observe the local mores politics religion administration and social life. The beauty of the women the local traditions the quality of plays table manners and the way people drank dressed prayed and made their way in the world all interested him. He wanted to take in both the present and the past of this culture to encompass it all in a unique and universal vision. A massive undertaking to match his extraordinary imagination which he was however unable to fulfil it being impossible for him to do so. This was however the nature of his central ambition as a writer: grandiose and outsized. With a view to this great work Sade took hurried notes at the side of the road or in hostelries which he then complemented with notes from his correspondents Mesny and Iberti. Thus he built up the monument he intended to put before the public but which did not end up seeing the light of day until the 20th century. Jean-Baptiste Tierce was a close collaborator: he re-read Sade's notes and gave his observations on the little notebooks with numbers referring to the works mentioned. Sade took the greatest notice of his views. Often the painter accompanied him on his rambles sketchbook in hand drawing the buildings and landscapes before them. A hundred or so of these drawings and watercolors were recently found in the Sade family archives. They give the Voyage en Italie the charm of a real travel diary. Maurice Levert Sade pp. 283-284. Provenance : Sade family archives. S. n. unknown
2743618302.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
107405Paris, Librairie Arthème Fayard 1995, 265x280mm, reliure d'éditeur. Sous emboitage toilé de l’éditeur. Format oblong. Très bel exemplaire.
19671252431967 Tchou, Éditeur - 1967 - In-8, broché, couverture à rabats - 656 pages - Édition originale numérotée, exemplaire N°200 /1000
199521543Paris Fayard 1995
1995107405Paris : Librairie ArthÂme Fayard 1995. 265x280mm. 521 pages IX - 123 planches en couleurs et n/b reliure d'ÂŽditeur. Sous emboitage toilÂŽ de lՎditeur. Format oblong. TrÂs bel exemplaire. 3819 Librairie ArthÂme Fayard unknown
1995BOOKS116533IParis: Fayard. Fine copies in slipcase. 1995. 1st. hardcover. Oblong 4to 644 pp. I. Edition établie et présentée par Maurice Lever. II. Dessins de Jean- Baptiste Tierce. Choix des oeuvres et des légendes par Maurice Lever. Notice sur Tierce par Olivier Michel. . Fayard hardcover
1987100146652Gallimard / Blanche 1987 205 pages in8. 1987. Broché jaquette. 205 pages. Roman d'Hervé Guibert publié en 1987 aux Éditions Gallimard qui raconte le dressage d'enfants capturés dans des crèches et orphelinats pour des combats évoquant la corrida. L'œuvre décrit un voyage initiatique malsain parsemé de sang et comporte des scènes à caractère pédophile
2025BN240719Swan Charm Publishing 2025. 2025. Softcover. Vivid Shards Amid the Wizard Yolk <br/><br/>Vivid Shards Amid the Wizard Yolk Sara Säde Swan Charm Publishing paperback
2025BN226284Swan Charm Publishing 2025. 2025. Softcover. Vivid Ores Beneath the Wizard Fang <br/><br/>Vivid Ores Beneath the Wizard Fang Sara Säde Swan Charm Publishing paperback
In-16° pp. 150, bross. edit. ill.
In-16° pp. 150, bross. edit. ill. Timbro sul frontesp.
Mm 105x175 Collana "Vetrina Minima - Pagine Ardenti" - Brossura editoriale a stampa con titolo e riproduzione de "La ninfa fustigata", bulino di Augusto Carracci, 149 pagine. Opera in buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Nella Biblioteca rara delle curiosità. Opera edita in 500 esemplari, il nostro n° 74. Illustrazione all'antiporta. Esemplare intonso a fogli chiusi in stato perfetto, prima edizione. Brossura editoriale, pp. 136, in 8°
