1 976 résultats
19641601Austin: University of Texas Press 1964. First American Edition. Collection of 39 essays on various historical figures originally published as 'Otras Inquisiciones' in 1952 and translated here into English for the first time. A stunning copy. First Printing. Octavo; pale gray cloth with titles stamped in silver and dark gray on spine; 205pp. Fine in a Fine dustjacket with a barely-perceptible degree of sunning to spine. University of Texas Press unknown
200712041Calgary: Illingsworth Kerr Gallery / Alberta College of Art & Design 2007. First Edition. Flexible boards. Fine. Small folio. Pp. 35. Photo illustrated endpapers. Color illustrated throughout. Color illustrated boards. <p>Laid is a 2pp. TLS from Wayne Baerwaldt the director of the gallery to one of the loaners to the exhibit.<p>A color card printed for the exhibit when it travelled to Nation Museum of the American Indian.<p>Also laid in are copies of numerous reviews of the artist's work from various publications and galleries in U.S and Canada<br /> including the Smithsonian and an original NYT Weekend Leisure section with Holland Carter review.<p>. Pootoogook one of the most important Inuit artists of the 21st century re-defines Inuit art by unflinchingly showing the realities of life in today's Canadian North. This exhibition catalog was published before she was Canada's representative at the 2008 Venice Biennale. Illingsworth Kerr Gallery / Alberta College of Art & Design unknown
1990240548Livingston MT: Clark City Press 1990. First edition first printing. Publisher's full tan cloth title stamped in gilt in Russell Chatham dust jacket. Gently bumped top corners shelf wear still near fine in near fine spine-sunned dust jacket with moderate shelf wear in mylar cover. Full page color reproductions by Russell Chatham. 135pp. 10.25" x 11.25" CHATHAM'S SIGNED FINAL PUBLICATION<br /> <br /> Californian landscape artist Russell Chatham draws near to the land in this collection of oil paintings. Featuring paintings spanning his thirty year career this copy of Chatham's final publication features a brief inscription by Chatham to the half title and one hundred full page color reproductions of his work. Clark City Press unknown
178024077London 1780. First Edition. Hardcover. Very good. 9.75" x 7.75" 173 pp itinerary list of plates index table of contents with engraved title page and 21 plates in contemporary full-leather finding. Some chipping to spine ends front joint cracked and reinforced with cloth tape at the hinge. Contents sound and very clean. According to the Oxford Dictionary of National Biography "Cordiner's significance centres on two publications: Antiquities and Scenery of the North of Scotland in a Series of Letters to Thomas Pennant 1780 and Remarkable ruins and romantic prospects of north Britain with ancient monuments and singular subjects of natural history 2 vols. 1788–95. Both works relying on visual and verbal description were early contributions to the construction of a romantic image of the Scottish highlands; and both were conceived as supplements to Thomas Pennant's very successful Scottish tours of 1769 and 1772. hardcover
200845095London: The Folio Society 2008. Fine. London: The Folio Society 2008. Second printing thus. Folio; 154pp. Color plates by Salvador Dali. Green morocco spines lettered in gilt over moire boards; topstain; decorative endpapers. Housed in publisher's illustrated slipcase. Tight in binding; pages unmarked; slipcase sound; a Fine copy. The Folio Society unknown
192982422London: The Fleuron Ltd 1929. First Limited Edition. One of 300 numbered copies this being copy no.222. Quarto 25.75cm; tan cloth with titles stamped in gilt on spine and decorations stamped in gilt on front cover; top edge gilt; publisher's patterned paper-covered slipcase; viii642pp; with color illustrations by Albert Rutherston. Gentle sunning to spine with a very shallow indentation to upper rear board edge resulting in a mild ripple to text at upper margin; some offsetting to endpapers a handful of faint foxed spots to half-title else clean throughout; about Near Fine. Slipcase is shelfworn a bit sunned with some partial splits and general tenderness along the joints; still sound but only Good to Very Good. The first and only printing of this collection of five essays. BROMER A20. 82422. The Fleuron Ltd unknown
18392133Boston: Marsh Capen Lyon and Weber 1839 Volume 1 and 2 bound together in a three quarter leather binding marbled boards. Light foxing page 69- 70 has a rip possibly from binder very solid book subtly rubbed through on marbled boards leather in nice condition. A seemingly scarce book edited by Horace Mann. Marsh, Capen, Lyon and Weber hardcover
1900DEMO016342ILondon & New York: Macmillan And Co. 1900 - 1901. First Limited edition. Hardcover. . Frontispiece portraits. 8vos later blue linen parttially unopened foxing; vol. 3 of MARIUS has dampness damage. <br/><br/>The ordinary edition one of only 775 sets. Previously owned but you can still be the first person to read this set. Frontispiece portraits. Macmillan And Co. hardcover
2011209Pasadena California: The Marg Foundation and Curatorial Assistance Inc. 2011. First edition. Hardcover. Very Good/Very Good. 8 7/8 x 9 3/8. Monotone photographs by E.O. Hoppé. Paper-covered boards in dustjacket. The photos are published here for the first time in a catalog to accompany the 2011 exhibition. Opening widely but signature-sewn so binding is firm and hinges are intact. No marks. The corners and spine-ends of book and dustjacket are bumped else little sign of wear. The Marg Foundation and Curatorial Assistance, Inc. hardcover
19941409293New York: Random House 1994. First Edition Second Printing. Hardcover. Quarto 183 pages. In Very Good condition with a Good plus Dust Jacket. Spine white with blue lettering. Dust jacket protected with mylar covering. Light shelf wear and rubbing all over dust jacket. Slight staining age toning on front of dust jacket. Mild scuffing on lettering of front dust jacket. Mild bumping on spine edges and corners of board. Small chipping on top edge of back board. Signed flat by Avedon on front free endpaper. Shelved in Case 11. 1409293. Shelved Dupont Bookstore. Random House hardcover
2022L08230<p>Jodan Schnitzer family foundation 2022. Book. Very Good. Hardcover. Signed by Subject. VG pictorial hardcover. No jacket. 2022. SIGNED by ARTIST WOLF with NO inscription on FFEP. Pages all clean/unmarked. Artwork throughout. Mildest of scuffs. Covers bright and clean. Binding solid. OVERSIZE volume. SCARCE SIGNED COPY> 148 pp.</p> Jodan Schnitzer family foundation hardcover
18390006865London: L. A. Lewis 1839. Revised edition. Octavo. Very Good. 8vo 26m v vi-lxxii 396 pages 9pp. index at end; triangular chip in bottom margin of leaf 10/11; full extra-gilt pictorial cloth covers and spine rebacked with original spine chipped at tips laid down. <br/><br/>"This edition is a reissue of the third Major edition of 1835 No. 43. without Major's introduction which has been replaced by the biographies of the authors by Sir John Hawkins; the Thomson notes have been abridged. . The illustrations are those of the Major edition of 1835 but it has only 76 woodcuts instead of 77 'Walton surrounded by the Graces' having been omitted. The 15 copperplates are present. Coigney had six copies in two variant publisher's bindings -see Coigney 49 ; however this uncited variant shows motifs of a heron in a bird bath a fishing rod net fish fishing creels a dragon fly a butterfly and more. Church Catalogue 60; Wood's ANGLER p.66. Edited by Richard Thomson and John Major. L. A. Lewis unknown
195928968Boston:: Houghton Mifflin 1959. First Printing of the First US Edition. A Near Fine copy with discreet owner name on the flyleaf in a Very Good unclipped dust jacket with wear and shallow tears to the extremities. The Bottom of the Harbor is considered a fundamental New York book. Every story Mitchell tells every person he introduces every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. The stories tell of a life that has passed--of vacant hotel rooms deserted communities once-thriving fishing areas that are now polluted and studded with wrecks. This collection includes Up inthe Old Hotel The Bottom of the Harbor The Rats on the Waterfront Mr. Hunter's Grave Dragger Captain and The Rivermen. Houghton Mifflin, unknown
197929419<p>New York:: Simon & Schuster 1979. First Printing of the First US Edition. A Near Fine copy with previous owner name on flyleaf in a Very Good plus unclipped dust jacket with a small nick to the head of the spine. Examining key events figures and trends of the era-including Charles Manson the Black Panthers and the shopping mall-through the lens of her own spiritual confusion Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision The White Album is a central text of American reportage and a classic of American autobiography.</p> Simon & Schuster, hardcover
1986BN206216Kimbell Art Museum 1986. 1986. Giuseppe Maria Crespi and the emergence of genre painting in Italy <br/><br/>Giuseppe Maria Crespi and the emergence of genre painting in Italy John T. Spike Autor; Mira Pajes Merriman; Giovanna Perini Essays; William B. Jordan Vorwort Kimbell Art Museum unknown
1994TN252974Ego St Petersburg 1994. 1st Edition. SOFTCOVER. Two matching books both 4to in glossy card covers published to accompany the exhibition 'Lithographed artist's Books in Russia - First Third of the XX Century' at the Anna Akhmatova Museum in the Fountain House St Petersburg 1994. The first is an 80pp catalogue of 119 contemporary artists's and illustrated books published c. 1900 to c. 1933 all or most illustrated in colour. Brief artist biographies at rear text in Russian. It was curated by Mikhail Karasik who wrote the introductory text plus essay by Gleb Ershov. The second book is a 32pp detailed catalogue of 21 works illustrated and made by Karasik edited by Irina Freshko essay by Galina Nosova all or most illustrated in colour ISBN 5827600091 text in Russian. The books are housed in a thin card slip-case with a heart shaped piece of cut cloth sewn to the front cover with a white button there is a sample of Karasik's own work pasted and overprinted on the rear cover as issued __CONDITION : Both books AS NEW the slipcase is very slightly tanned but otherwise AS NEW. An excellent set. __NOTE. Depending on destination this item may require an extra payment for shipping insurance. If so orders made by card will be completed only after you have approved the extra cost. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Ego, St Petersburg paperback
DADAX0917493044Brand: Newport Harbor Art Museum 0000-00-00. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Newport Harbor Art Museum paperback
19972021174Koln: Walther Konig 1997. A clean fine paperback exhibition catalog in four identifcal volumes plus three essays by Cherix Jenny & Meyer in decorative wrappers soft cover book in fine paper slip case. In 1966 Bochner curated an exhibition of working drawings collected from artist friends and colleagues. This landmark show of conceptual collaboration included work by Donald Judd Robert Smithson Eva Hesse Sol LeWitt Robert Mangold Dan Graham John Cage and others. Also included were contributions from composers mathematicians choreographers and engineers. The work was Xeroxed and then bound into four identical volumes that were then mounted on pedestals in the center of the gallery. This is a 1997 recreation of that event. Koln: Walther Konig paperback
198829100Livingston:: Clark City Press 1988. First Printing of the First US Edition. A Fine copy of this paperback original in a Fine unclipped dust jacket. This copy is signed by Chatham. Russell Chatham is best known as a painter of the highest quality. But he is also a fine writer with a painter's eye for detail. In this volume Chatham writes on a variety of subjects including Roderick Haig-Brown the lore of flies culinary delights drinking and fly fishing in various locales ranging from Baja California New Zealand Montana France and British Columbia. Clark City Press, paperback
198827802Livingston:: Clark City Press 1988. First Printing of the First US Edition. A Fine copy of this paperback original in a Fine unclipped dust jacket. This copy is signed by Chatham. Russell Chatham is best known as a painter of the highest quality. But he is also a fine writer with a painter's eye for detail. In this volume Chatham writes on a variety of subjects including Roderick Haig-Brown the lore of flies culinary delights drinking and fly fishing in various locales ranging from Baja California New Zealand Montana France and British Columbia. Clark City Press, paperback
1999165614Los Angeles: Los Angeles County Museum of Art 1999. Softcover. Two volumes in a custom labeled slipcase as issued. About Fine. Los Angeles County Museum of Art unknown
2003705Portland Oregon USA: Lewis & Clark College 2003. First Edition First Printing. Cloth. New/Fine in Archival Plastic Cover. Signed by all four authors for Parrish Books at the time of publication! the owner of Parrish Books was the Associate Provost at Lewis & Clark at the time. A fine unread first edition first printing of this comprehensive production of essays and bibliography of the Lewis & Clark College collection of Lewis & Clark Expedition literarature and memorabilia. Signed by Beckham Stephen Dow Essays Erickson Doug; Skinner Jeremy; and Merchant Paul Bibliography This collection is one of the finest if not the finest of any existing collection in the world today. In fine blue cloth with a fine dustjacket in protective plastic cover. Lewis & Clark College unknown
201152065London: Phaidon Press 2011. Hardcover. Very good- to fine condition. Quarto. 390 10pp. Original textured white buckram with blind-stamped lettering on cover green on spine in original texture stiff glossy dustjacket with green lettering on cover and spine. Light green endpapers. Frontispiece photograph. Title page printed in red and gray. Illustrated half-titles. Profusely illustrated with color and b/w reproductions of photographs and drawings. The publication contains chapters on the Braun Manufacturing company the Braun Archive the Kronberg House Dieter Rams at Home Vitsoe Manufacturing company among other topics. Contains index and illustrated timeline in various colors at rear. Dieter Rams born 1932 was the head of design at Braun Manufacturing Company from 1961 to 1995.<br /> <br /> "Dieter Rams is one if the most influential product designers of the twentieth century. Even if you don't immediately recognize his name you have almost certainly used one of the radios clocks lighters juicers shelves or hundreds of other products he designed. He is famous not only for his vast array of well-formed products but for his remarkably prescient ideas about the correct function of design in the sometimes messy and out-of-control world we inhabit today. These ideas are summed up in his 'ten principles' of good design the last of which is that good design is as little design as possible." Publisher. Dustjacket with very light wear along edges but one 3/4 inch closed tear at bottom front cover. Binding with two light bumps at bottom of front cover. Phaidon Press hardcover
199215518Milan: Electa 1992. 1st. HC. New. 11.5x10.3x1.7in. An important survey of Italian frames from the Renaissance to the Neoclassical with 115 illustrations accompanying the text. 117 frames are described and illustrated each with a full page color plate. An appendix illustrates 165 frames related to those described. Also includes an extensive glossary and bibliography. Text in Italian. <br>373pp 6.39lb 11.5x10.3x1.7in <br>EXTRA SHIPPING CHARGES NECESSARY Electa hardcover
201454521Farnham Surrey UK: Lund Humphries 2014. First edition. Hardcover. Near fine to fine condition. Small Folio. 225 520 528pp. Original blue cloth with color plate laid to covers and white lettering on covers and spines; housed in matching slipcase with color plates and pull lever with white lettering on spine. Blue endpapers. Frontispiece photographs. Vol. I: Essays and References. Vol. II: Catalogue Entries P1-P846 1901-1951. Vol. III: Catalogue Entries P847-PW89 1952-1965. With contributions by Juliana D. Kreinik Paul Moorhouse Peter Morrin Marcelle Polednik and Karen Wilkin. Beautifully illustrated with color photographs of Hofmann's works. Vol. I contains chronology notes exhibition history bibliography list of titles public collections general index and photography credits. Slipcase with very light wear. "We revere Hofmann as Pollock did and Rauschenberg does for proving that the straightforward manipulation of pigment can create exalted art. To put it simply Hofmann's ability to handle paint to fuse the action of painting and drawing into a single immediate gesture carried colored pigment into the viewer's presence with the force of a bomb. The power of this visual explosion catalyzed the bond of European and American art cementing the first half of twentieth-century art inseparably to the second half. Hofmann's paintings of the '50s and '60s. were magnificent. They were without precedent except in Hofmann's own work. More amazingly they were without equal when they were painted and are without equal in quality since they were painted." that's Frank Stella 1999. Lund Humphries hardcover
