1 976 résultats
1984ARCrnPER9Cleveland: Cleveland Museum of Art & The Kimbell Art Museum in cooperation with Indiana University Press 1984. 1984. 4to. pp. xiii 266. profusely illus. in b/w some colour. biblio. index. cloth. dw. corners bumped. Exhibition Catalogue. Hardcover. Fine/Dust Jacket Included. Cleveland: Cleveland Museum of Art & The Kimbell Art Museum in cooperation with Indiana University Press, [1984]. Hardcover
2003K17NS1169Ikon Gallery Birmingham 2003. 1st Edition. HARDCOVER. 4to in colour printed glossy boards as issued 59pp on glossy art paper colour plates 1 folding etc __CONDITION : An extremely well preserved AS NEW unmarked copy An excellent copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Ikon Gallery, Birmingham hardcover
200029292<p>London:: Jonathan Cape 2000. First Printing of the First UK Edition. A Fine copy in a Fine unclipped dust jacket. The Bottom of the Harbor is considered a fundamental New York book. Every story Mitchell tells every person he introduces every scene he describes is illuminated by his passion for the eccentrics and eccentricities of his beloved adopted city. The stories tell of a life that has passed--of vacant hotel rooms deserted communities once-thriving fishing areas that are now polluted and studded with wrecks. This collection includes Up inthe Old Hotel The Bottom of the Harbor The Rats on the Waterfront Mr. Hunter's Grave Dragger Captain and The Rivermen.</p> Jonathan Cape, hardcover
199928865Lincoln:: University of Nebraska Press 1999. First Printing of the First US Edition. A Fine tight copy in a Near Fine dust jacket with a crease to the front flap. Originally published in France in 1934 Break of Day is André Breton’s second collection of critical and polemical essays following The Lost Steps. In fewer than two hundred pages Breton captures the first full decade of the surrealist movement. The collection opens with an essay composed in 1924 that examines key elements of surrealism and concludes with Breton’s harsh revaluation in 1933 of automatic writing. Among the other essays are “Burial Denied” and “In Self-Defense” two pieces that “mark surrealism’s conscious break from the mainstream and the beginning of its attempts to work alongside the French Communist Party.” Also included are “Psychiatry Standing before Surrealism” which addresses Breton’s complex ambivalent views on mental illness and the emerging psychiatric establishment; “Introduction to Achim von Arnim's Strange Tales” which reveals surrealism’s debt to such precursors as the German romantics and delineates a surrealistic aesthetic of the macabre; and “Picasso in His Element” in which Breton demonstrates his formidable talents as a critic of the visual arts. University of Nebraska Press, unknown
19593ivDc0068Columbus OH: The Ohio State University Press 1959. Book. Very Good. Hardcover. Copyright © 1959 by the Ohio State University Press. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 396 xv pp. A rare hard-to-find out-of-print scarce true collectible gem! A wonderful copy! A great almost spotlessly clean copy and dust jacket! Solidly and tightly bound essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp pages spotlessly clean text and light shelf wear. Smooth covers. Dust jacket shows minimal minor or light wear around edges. . The Ohio State University Press Hardcover
2015TK234057Serpentine Gallery London 2015. 1st Edition. SOFTCOVER. Inscribed and signed by Michael Craig-Martin on the title-page no other marks or inscriptions. 119pp colour plates etc __CONDITION : NEW unread and unmarked copy in a NEW complete Dust Jacket. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Serpentine Gallery, London paperback
2012TH253482Collection & Cortes Fine Arts Madrid 2012. 1st Edition. HARDCOVER. Extra Large 4to. in black cloth backed colour printed boards gilt lettering to spine 151pp on thick art paper colour plates illustrations in text bibliography etc. __CONDITION : A well preserved AS NEW unmarked copy. __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so orders made by card will only be completed after you have approved any extra cost. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Collection & Cortes Fine Arts, Madrid hardcover
2009P18JS1268Lund Humphries Farnham 2009. 1st Edition. HARDCOVER. Extra Large 4to. in bright orange cloth black lettering to spine. 128pp on thick art paper colour plates bibliography index etc. Inscribed in black ink and signed in blue ink by Ann Stokes on the front blank fly-leaf __CONDITION : A well preserved almost AS NEW copy merest hint of tanning to leaves in an almost AS NEW complete Dust Jacket the front inner flap partly torn but neatly repaired from the verso looks fine in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our books on Ceramics type DbbPOTTERY in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Lund Humphries, Farnham hardcover
2000048644BERKELEY CA: CHAMELEON BOOKS/UNIVERSITY OF CALIFORNIA PRESS. small closed tear to the dj book is clean & unmarked. . VG. Hardcover. First Edition. 2000. CHAMELEON BOOKS/UNIVERSITY OF CALIFORNIA PRESS hardcover
39806NEW YORK DODD MEAD 1980. RE-ISSUE. LIMITED TO 212 COPIES THIS BEING NUMBER 83. SIGNED BY 'OGDRED WEARY' EDWARD GOREY. 14 BY 16 CM VERY GOOD WITH DUSTWRAPPER. VERY SCARCE. NEW YORK, DODD, MEAD, 1980 unknown
20141381954Bologna: Damiani 2014. Hardcover. Quarto 384 pages. In Very Good condition with a Very Good minus dust jacket. Spine is white with grey print. Dust jacket has slight edge wear. Price unclipped: “$65.00â€. Boards in grey cloth. Illustrated: color plates. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. <br /> <br /> <p>NOTE: Shelved in Locked Annex Area Netdesk Column QC ND-QC. 1381954. FP New Rockville Stock. Damiani hardcover
1878041587London: George Routledge And Sons 1878. 1st Edition . Hardcover. Very Good. X 400; Viii 385 Pp. Original Brown Cloth Gilt Decorated In Black Black Endpapers. 1878 Dates On Title Pages. Lightly Used Gilt Brilliant. Volume 1 Has Short Fray On Rear Spine Edge. <br/> <br/> George Routledge And Sons hardcover
1935058539New York: E. Weyhe / Lynton R. Kistler 1935. 1st Edition . Soft cover. Very Good. Illustrations Of Title Pages; Design By Merle Armitage. 14 Pp. Covers. Stapled Folded Sheets. Essays Plus Descriptions Of The Eleven Books By Means Of Short Reviews Mostly Published Previously. Some Browning At Edges; Two 3/16" Tears At Top Of Rear Cover. Also Included Is The Promotional Flyer For The Exhibitions In New York City Washington Chicago And Los Angeles 1935 Printed On One Side By Kistler And With An Original Ink Drawing By Pasquale G. Napolitano Of A Motorcyclist On The Otherwise Blank Reverse. Napolitano Studied At Chouinard And Otis In 1922-925 Engaged In Work On Architectural Murals 1925-1930 Working For Designer Herman Sachs On Such Buildings As Bullocks Wilshire Los Angeles City Hall The Palm Beach Biltmore Etc.; Studied Pottery In Ny And Mural Painting In Germany 1929-1931 Returned To Architectural And Other Work In The U.S. Completed Many Wpa Murals In Southern California 1934-1938 And Some Private Commissions Illustrated Many Books For Merle Armitage 1935-1960 Worked As A Set And Prop Designer And Artist In The 1940'S And Notably Did Church Art Work For Th Next Twenty Years Including Full Church Interiors Monumental Sculptures Etc. He Is The Subject Of The Monograph "Napolitano" 1934 By Merle Armitage. <br/> <br/> E. Weyhe / Lynton R. Kistler paperback
133<p>Los Angeles CA: Fellows of Contemporary Art; Otis Art Institute Gallery 1978. First Edition First Printing. Softcover. Octavo. 8-1/2 in. x 11 in. 118 pages. Fully illustrated with black & white photographic reproductions 161 plates. Near fine in original pictorial wrappers minor rubbing to extremities else sound.</p><p>Published on the occasion of the travelling exhibit from The Fort Worth Art Museum 1979 to University Art Museum Berkeley 1979 to the Seattle Art Museum 1980.</p><p>". The fascination of these Verifax series of magic 'TV' lantern shows these treasure boxes of stones of these votive offerings signals inscriptions is that lastingly I mean to suggest of just such an invisible projective content a seeding then most invisible in its being so present in the fashioning out of the matter of which is so much seen." - Robert Duncan</p> paperback
19850079793Kobe Japan: Gallery Santica 1985. Paperback. Very Good. 1985 Exhibition Catalog. First Edition. Softcover. 121 pp. Illustrated throughout. Text in Japanese and English. Very Good. Light shelfwear to the spine and wraps. Clean and unmarked contents. Scarce catalog by this British artist. Gallery Santica paperback
447413TASCHEN. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. When German artist Charlotte Salomon 1917-1943 handed her gouache series Life or Theater over to a friend she beseeched him to take good care of it it is my entire life. A few months later the five-months pregnant Charlotte was picked up by a Gestapo truck deported to Drancy and then on to Auschwitz where she died upon arrival at the age 26.The work Salomon left behind is in a very real sense her pice de rsistance - in her own words something wildly eccentric. A cycle of nearly 1300 autobiographical gouaches it combines creative force with pioneering personal narrative into one shattering document of self-expression.Divided into three sections the gouaches unveil a vivid self-portrait spanning across all facets of Charlotte's existence: from a complicated family life marked by the suicides of nearly all female relatives; growing up in Berlin; her close relation to singing teacher Alfred Wolfsohn; the rise of the Nazis; to her exile to France in 1939. Throughout the artist challenges these destructive forces by deploying playful pseudonyms and fantastical elements alongside emotional candor remarkable observation and a meticulous visual memory. Her film strip-like sequences are interspersed not only with words but also musical suggestions making Life or Theater the storybook for a whole musical years before the heyday of that genre.Without comparison the gouaches are a triumph of personal truth and individual expression. Published here with a selection of the 450 most important pieces Life Or Theatre is an unrivaled opus magnum from a great and ambitious artist dark with her early death but luminous with her precision her lyricism and her courage. TASCHEN hardcover
2006012285Cody Wyoming: Buffalo Bill Historical Center 2006. First Edition. Cloth. Fine/Fine. Folio - over 12" - 15" tall. 225p. The essential work for Ranney's body of work. Essential for the scholar collector and art gallery personnel. Buffalo Bill Historical Center unknown
19562080502106912901Not Available 1956. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2001TH204674Museu De Pollenca Mallorca 2001. 1st Edition. HARDCOVER. 4to in illustrated thick boards 163pp on thick glossy art paper colour plates etc. Dual text in Spanish and English. Inscribed and signed initials by Susy Gomez on the half title leaf with small sketches to 2nd fly-leaf and the half title leaf all done in red ink no other marks or inscriptions __CONDITION : A well preserved AS NEW copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Museu De Pollenca, Mallorca hardcover
2020TH216138White Cube London 2020. 1st Edition. HARDCOVER. 4to in white printed green linen covered boards 176pp on stiff art paper illustrations in text colour plates some folding etc __CONDITION : NEW unread and unmarked copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS White Cube, London hardcover
2014T203562Tate Publishing London 2014. 1st Edition. SOFTCOVER. Thick very heavy 4to in colour printed stiff card covers 350pp on stiff art paper colour plates one folding illustrations in text bibliography index etc __CONDITION : NEW unread and unmarked copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tate Publishing, London paperback
1985T217587British Museum Publications London 1985. 1st Edition. SOFTCOVER. Large 4to. in colour printed stiff glossy card covers 160pp numerous illustrations in text colour plates etc. exhibition curated by Paolozzi items selected from the museum collection shown alongside a selection of his own work. This copy inscribed to a friend and signed by Paolozzi as Eduardo on the bottom edge of the contents leaf the first leaf with any white space no other marks or inscriptions __CONDITION : A well preserved FINE very clean and tight unmarked copy some very slight tanning to covers and leaves very slight bump to top corner tip of page-block fore-edge. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS British Museum Publications, London paperback
2021TH250472El Visio Paris 2021. 1st Edition. SOFTCOVER. Inscribed in red and black ink by the artist and signed by her as Florence on the front blank fly-leaf. Thick heavy 4to. in stiff card covers 204pp on thick art paper colour plates etc. Dual text in French and English __CONDITION : NEW unread and unmarked copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS El Visio, Paris paperback
2013153382New York: Matthew Marks Gallery 2013. First Edition. First Edition. Published in conjunction with an exhibition held at the Matthew Marks Gallery between May 11 and June 29 2013.<br /> <br /> Fine and unread in a Fine dust jacket. Matthew Marks Gallery unknown
197022810<p>Carbondale:: Southern Illinois University 1970. First Printing of the First Edition. A Fine tight copy in a Near Fine dust jacket with just a hint of rubbing to the extremities. Review copy with review slip & author photo laid in. This collection brings together 14 of Cowley's critical essays on the major and a few minor American writers whose impact on American literature Cowley celebrates.</p> Southern Illinois University, hardcover