ARLIX ERICMareMagnum
4 331 résultats
ISBN : 284761009X. Al Dante - Léo Scheer. 2002. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 163 pages. M.A.J. est un run/freeride/visite/shot/incruste au pays des flux énergisants combinant mélodies de l'ère de l'information (capitalisme phases 3 et 4), fictions diverstissantes et dynamiques d'interactions...
Les livres Nouveaux. Non daté. In-8 Carré. Broché. Etat d'usage. Tâchée. Dos frotté. Intérieur acceptable. 131 pages. Illustré de nombreuses photo-gravures en noir et blanc sur planches hors texte. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Compositions de Marcelle Perey. Clichés de Jean d'Armana.
Calmann-Lévy. 1965. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 252 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. 'Questions d'actualité'.
Le Castor Astral, 1990, 172 pp., broché, dos bruni, couverture partiellement brunie, nom et date sur la troisième de couverture, état très correct.
You may know John Armleder as a Swiss artist whose work is emblematic of 80s Neo-Geo. Or you may know him as the artist who recently hung a disco ball at The Museum of Modern Art, New York. But this catalogue raisonna of Armleder's drawings shows how great a contribution he has made to shaping of the history of recent abstraction. Collecting almost 40 years of some 600 works on paper, the book traces Armleder's career through his Fluxus, Constructivist, "dot," and Neo-Geo periods, though it would be a mistake to pin any label on so versatile an artist and one who hasn't ever closed off a line of investigation. This branch of his oeuvre offers direct insight into his continued, often humorous confrontation with art, especially with the abstract and conceptual, and with the relationship of art to everyday reality. — Testi: Bovier Lionel, Ruf Beatrix. F.to: 25,5x32; pagg. 1200; 600 COL; rileg. rigida. Editore: JRP Ringier, Zürich, 2005.
Paris, Christian Bourgois, 16 février 1974. Fort in-8, broché, couverture à rabat, bien complet de sa bande annonce " La connerie est-t'elle française ?", 448 pp. Edition originale, rare.
Seuil, Ecrivains de toujours, 1978, 187 pp., poche, couverture jaunie, annotation en première page, bon état.
Presses de l'Université Paris Sorbonne, Sillages critiques, 1999, 190 pp., broché, très bon état.
Presses de l'Université Paris Sorbonne, Sillages critiques, 2003, 153 pp., broché, très bon état.
In-8, 282p.
8vo., First Edition, neat signature on half-title; original blue buckram, boards framed in blind, gilt back, chocolate endpapers, uncut, neatly recased, a very good, bright, clean copy. Collects seven essays, together with Prefaces to Poems (1853 and 1854).
207 p. Hardcover Very good binding worn
xci, 348 p. 18 cm. Hardcover Very good condition, spine darkened & spine ends lighly worn
pp. xvii; 356. Frontis plus numerous illustrations. 8vo. Original cloth backed paper boards. Loss at top of spine. **PRICE JUST REDUCED! REF2
U.G.E.,10/18, 1976, 188 p., poche, tranches brunies, un nom en première page, bon état.
ISBN : 2070729435. Gallimard. 1993. In-12 Carré. Broché. Très bon état. Couv. fraîche. Dos impeccable. Intérieur frais. 123 pages. Avec bandeau d'éditeur. Nrf. 'Essai sur la lettre intime'.
Madrid, S. Aguirre, 1935, 21,5 x 16 cm., cartulina editorial, 70 págs. (Tema: Algunas consideraciones, documentos y noticias sobre la preocupación de la pureza de la lengua en la historia literaria española.Contestación de D. Vicente García de Diego).
Clean Copy
he publication accompanying the Belgian Pavilion at the next Venice Biennale, Personne et les autres borrow its title from a lost play by André Frankin, a Belgian art critic affiliated with the Lettrist and Situationist Internationals. The exhibition takes the history of the Belgian Pavilion and the international context of the Biennale (both derived from the colonial exhibitions and world expositions) as its points of departure. The Belgian Pavilion itself was the first foreign Pavilion to be built in the Giardini in Venice, during the reign of King Leopold II. Meessen’s work and artistic research have consistently explored the history and afterlife of colonial modernity. Edited by the curators of the Pavilion, Katerina Gregos and Vincent Meessen, this book will feature all the artists invited to show work alongside Meessen’s: Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimarães & Kasper Akhøj, Maryam Jafri, and Adam Pendleton. Essays by Katerina Gregos, Raoul Vaneigem, Harry Garuba, and Pedro Monaville — Testi: Gregos Katerina, Meessen Vincent. pagg. 180; COL e BN; rileg. brossura. Editore: Mousse Publishing, Milano, 2015.
Testi: Barilli Renato. F.to: 28x21; pagg. 182; BN; rileg. brossura. Editore: Altro/La Nuova Foglio Editrice, Macerata, 1977.
Testi: Kostelanetz Richard. F.to: 15,5x22; pagg. 478; BN; rileg. brossura. Editore: Out of London Press, New York, 1975.
Testi: Haberl Horst Gerhard. F.to: 36x30,5; pagg. 166; COL e BN; rileg. rigida. Editore: Pool, Graz, 1974.
Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Dsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf, and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings. — Testi: Moure Gloria, Pelzer Birgit et al. F.to: 17x23; pagg. 538; COL e BN; rileg. rigida. Editore: Ediciones Poligrafa, Barcelona, 2003.
Testi: Birnbaum Daniel, Valjakka Timo et al. F.to: 17,5x23; pagg. 130; COL; rileg. brossura. Editore: Propexus, Lund, 1999.
"Questa cronistoria, la cui prima stesura è dell'agosto 1972, prende in considerazione solo gli avvenimenti collettivi costituiti principalmente da manifestazioni di gruppo e da fonti scritte, quali saggi, pubblicazioni e dichiarazioni che hanno determinato, nella storia dei singoli movimenti, gli atteggiamenti teorici e le definizioni linguistiche, mentre tralascia gli apporti individuali dei singoli artisti. La scelta del periodo dal 1966 al 1969 è dovuta al fatto che questi quattro anni hanno segnato la pre-historia della minimal art, della conceptual art, della land art, dell'arte povera, della body art, dell'arte ambientale, della pittura sistematica e dei nuovi media (videotape, disco, fotografia, film, ecc.) affermatisi definitivamente negli anni settanta. Il materiale raccolto, desunto dalle manifestazioni e dai documenti pubblicati, ha pertanto ragione storica. Solo in alcuni casi, in assenza del documento iconografico, se ne è pubblicato uno storicamente simile". — Testi: Celant Germano , Palazzoli Daniela et al. F.to: 14,5x20,5; pagg. 180; BN; rileg. brossura. Editore: Centro Di, Firenze, 1976.
