MareMagnum
The New Art
Testi: Battcock Gregory, Cage John et al. F.to: 11x18,5; pagg. 256; BN; rileg. brossura. Editore: E.P.Dutton & Co., Inc, New York, 1966.
4 331 résultats
Testi: Battcock Gregory, Cage John et al. F.to: 11x18,5; pagg. 256; BN; rileg. brossura. Editore: E.P.Dutton & Co., Inc, New York, 1966.
This book documents and encapsulates the story of The Newsstand, a pop-up retail space conceptualized and produced by Alldayeveryday and curated by Lele Saveri. The most comprehensive anthology of contemporary zine culture of New York and beyond, including more than a thousand contemporary artist publications and independently produced zines, books, and artworks. The Newsstand was a pop-up conceptual retail store that transformed an ordinary subway hub into a mecca for independently published magazines, books, comics, and zines. Located within Brooklyn’s Metropolitan Avenue L/G stop in 2013, the temporary space hosted events and art exhibitions in which the artists, acting as guest clerks, were given carte blanche to transform the space. In November 2015, The Newsstand will be re-created and built to scale at the Museum of Modern Art, New York, including the zines and books sold in its original location.The Newsstand catalogue features images of the zines, books, and ephemera sold; documentation of the events and exhibitions; images of the guest clerks and artists; essays by leading cultural figures; and interviews with the publishers, artists, commuters, MTA workers, and police officers influenced by The Newsstand. Designed in the style of a zine, this book documents not only a prolific time within independent publishing, but also the thriving community that supports it. — Testi: Saveri Lele, Sachs Tom et al. pagg. 352; COL e BN; rileg. brossura. Editore: Rizzoli International, New York, 2016.
F.to: 16,5x23; pagg. 112; COL e BN; rileg. punto metallico. Editore: Kant, Prague, 2005.
Revised Edition. This book was published on the occasion of The Rainbow Show exhibition in San Francisco. It focuses on the meaning of color (physically and metaphysically) from ancient to modern times, and information is arranged in increasing order of complexity. Many black and white photographs and illustrations. 7 1/4"w x 11 7/8"h. 208 pages.
Testi: Freeman Gillian, Stafford-Clark David. pagg. 196; BN; rileg. rigida con sovracoperta. Editore: Nelson, London, 1967.
M., Ediciones Paulinas, 1981, 21 x 18 cm., cartoné original, ilustraciones, 318 págs. - 1 h.
235X310mm. 55 pages. Softcover. Cover yellowing, stained and pencil marked. Cover edges bumped. Spine partly peeling. Spine yellowing. Pages yellowing. Few page corners bumped. Else in good condition.
Testi: Hazard Patrick D., Bluestone George Dessart George et al. F.to: 13,5x22; pagg. 222; rileg. brossura. Editore: National Council of Theachers of English, Champaign, 1966.
Testi: Tyler Parker . F.to: 10,5x17,5; pagg. 250; BN; rileg. brossura. Editore: Grove Press, New York, 1969.
Testi: Burke Feldman Edmund. F.to: 23x30; pagg. 680; COL e BN; rileg. rigida telata. Editore: Harry N. Abrams, New York, 1971.
This is not a mainstream publication, but an ad hoc book; a type frequently seen in the early and mid-seventies. Video By Artists contains several articles (including ones by Dan Graham and Les Levine) and graphic output (photos, histories, resumes and documents) by Ant Farm, General Idea, Dan Graham, Lisa Steele, David Askevold, etc. It contains a useful bibliography of articles in periodicals. It is a Canadian publication, and it should be noted that video was a popular medium for artists in Canada. In fact, the story of the entire avant-garde in Canada in the early and mid-seventies and its impact on video is well worth a long careful look. Consider just the dynamic impact of Michael Snow's films on later video art, for example. — Testi: Town Elke. F.to: 20,5x27; pagg. 152; BN; rileg. brossura. Editore: Art Metropole, Toronto, 1986.
Testi: Hanhardt John, Davis Douglas et al. F.to: 23x15,3; pagg. 296; rileg. brossura. Editore: Visual Studies Workshop Press, New York, 1986.
Un libro di Sirio Luginbühl e Paolo Cardazzo, con una nota di Luciano Giaccari. `Introduzione alla videoarte`, `Classificazione della videoarte`, `Video e Performances musicali`, `Videoarte nell'Est europeo`, `Videoarte in Canada`, `Videoarte in Giappone`, `Videoarte in Gran Bretagna`. — Testi: Luginbuhl Sirio, Cardazzo Paolo. F.to: 17,5x17,5; pagg. 60; BN; rileg. brossura. Editore: Mastrogiacomo Editore, Padova, 1980.
The French weekly magazine VU was where the modern status of photography in the media was first established. Spearheading the media revolution of the 1920s, it ran over 600 issues between 21 March 1928 and 29 May 1940. Like a cinema newsreel on paper, it aimed to set itself apart with its ‘illustrated reporting of world affairs’. The magazine covered an eclectic range of subjects including politics and current events, social issues, discoveries, disasters, the arts, sport, entertainment, and anything that would surprise or delight its readers. It promised ‘pages crammed with photographs’ and ‘sensational illustrated features’ – and it always delivered. VU also made use of photomontage as a vehicle for pointed political or social criticism, in particular through the work of Alexander Liberman, who was art director from 1932 and had worked with Cassandre, who designed the VU logo. The rotogravure printing technique gave VU’s layout artists more creative leeway and gave new quality and power to the photographs themselves, by photographers including Kertész, Man Ray, Krull, Lotar and Brassaï. This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU: striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an unparalleled insight into how the modern media came into being, as well as offering a superb snapshot of an entire era. — Testi: Frizot Michel, De Veigy Cédric. F.to: 26x31; pagg. 320; COL e BN; rileg. rigida. Editore: Thames & Hudson, London, 2009.
A clean, unmarked book with a tight binding. Text in Italian. 8 5/8"w x 11 3/8"h. 64 pages.
IN HEBREW. 22.5x16 cm. 18+236 pages. Hardcover. Inner cover slightly torn. Some pages are age-stained. Pages are slightly yellowing. Else in good condition.
Testi: Leary Timothy. pagg. 240; BN; rileg. brossura. Editore: 88 books, Beverly Hills, 1976.
M., Sáenz de Jubera, 1891, 17 x 10'5 cm., 63 págs. (Trata de la incorporación de la mujer en las Academias).
Testi: Simonetti Gianni-Emilio. F.to: 15x20,5; pagg. 256; COL; rileg. brossura. Editore: Arcana Editrice, Roma, 1971.
427 p. + Portrait Frontis. All edges gold gilt. Early manuscript ownership of Henry C. Goettinger (Lebanon, PA), Dec. 1867. 24mo. 145 mm. Original embossed blue cloth binding. Spine lettered and decorated in gold gilt. Extremities rubbed with slight wear. Author's revised edition. Hardbound. Good. **PRICE JUST REDUCED! AI BX 6
VG (no dj, maroon cloth with gilt titles slightly rubbed both ends of the spine but no cuts or tears., no foxing, a good clean tight copy with university of manchester discrete stamps. we have vol 2 also.
VG (no dj, maroon cloth with gilt titles slightly rubbed both ends of the spine but no cuts or tears., no foxing, a good clean tight copy with university of manchester discrete stamps. we have vol 2 also.
Paris, Calmann-Lévy, 1947. In-8, broché, couverture rempliée, non coupé, 198 pp. 17 Planches photographiques hors-texte. Edition originale, un des 150 exemplaires hors-commerce numéroté sur Alfa mousse, enrichi d'un envoi autographe de l'auteur au critique Richard Borel. 17 illustrations hors-texte et une bibliographie.
Paris, NRF., Bibliothèque de la Pléiade, 1971. In-12, 315 pp, reliure éditeur, bien complet de sa jaquette blanche illustrée d'un seul tenant, et de son étui. Bel exemplaire à l'état de neuf. Dixième volume de la collection.
Paris, René Julliard, Sequana, Etudes et Essais, 1945. In-12, broché, 241 pp. Edition originale sans grand papier.
