4 331 résultats
Paris, Editions Rieder, "Maitres des Littératures", 1931. In-8, broché, 71 pages de texte et 60 planches en héliogravure. Rousseurs sur les tranches et à l'intérieur du livre.
Paris, Flammarion, 1943. In-8, broché, 452 pp. Edition originale. Un des 250 exemplaires numérotés sur beau vélin. Coupures de presse jointes.
Containing ten essays and over 250 illustrations, this impressive catalog of the controversial show at the Whitney Museum (Nov. 9, 1995-Feb. 4, 1996), put together by the curator, documents the pervasive influence of the Beat Generation on American art and culture. The exhibit includes manuscripts, photographs, and artwork by Jack Kerouac, Allen Ginsberg, and Gregory Corso, as well as work by several West Coast artists, including Bruce Conner, Jay DeFeo, and Robert Lavigne. Essay topics, stressing shared artistic and cultural concerns, range from African American influences on the Beat Generation to the aesthetics of Beat filmmaking. A detailed chronology rounds out the book. — Testi: Phillips Lisa, Watson Steven et al. F.to: 22,5x29; pagg. 284; BN; rileg. rigida con sovracoperta. Editore: Flammarion, Paris, 1995.
A clean, unmarked book with a tight binding. Previous owner's name or label inside. 418 pages. Recounts the lives of six Afro-American abolitionists: James W.C. Pennington, William Craft, Ellen Craft, Robert Campbell, John Sella Martin, and William Howard Day.
Montpellier, Typ. de Gras, 1867, 22 x 14 cm., 34 págs.
Paris, Michel Levy, 1858. 2 volumes in-8 ; XI- 522 pp. - 596 pp. demi-chagrin noir, (reliure époque). deuxième édition. Bon exemplaire.
Paris, Librairie Académique Perrin, 1971. In-8, reliure skivertex rouge et rhodoïd de l'éditeur, 415 pp. Planches hors-texte.
220x145 mm. XVII+206 pages. Hardcover with dust-jacket. Gilt spine. Dust-jacket corners and edges slightly worn. Spine bottom edge slightly bumped and worn. Pen marks on some pages. Else in good condition.
Paris, Hachette, 1971. In-8, broché. Envoi autographe de l'auteur.
No marks or inscriptions. A very clean very tight copy with bright unmarked boards, slight browning to page edges and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with signs of handling and storage. 252pp. George Melly introduces a selection from The Guardian 1984-5.
First Edition. Original Publisher's Cloth in Dust Jacket. Large 8vo. 294 pages. Very Good Condition in Good dust jacket with light edgewear. No inscriptions, not price-clipped (AC-22-17)
VOLUME TWO ONLY. 240x170 mm. 188+44 pages. Softcover. Cover slightly wrinkled. Spine edges slightly worn. Else in good condition.
Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Dsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf, and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings. — Testi: Moure Gloria, Pelzer Birgit et al. F.to: 17x23; pagg. 538; COL e BN; rileg. rigida. Editore: Ediciones Poligrafa, Barcelona, 2003.
Contains b&w plates. 255x210 mm. 573 pages. Gilt hardcover with dust-jacket. Jacket slightly stained. Stamp on front whitepage. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Emile-Paul. 1924. In-12 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur acceptable. 214 pages. Annotation en page de garde. 'Le charme de sentir est-il donc si fort ?' Bossuet.
Paris, Emile-Paul frères, Éditeurs, 1918. in-12, broché, 214 pp. (dos de la couverture tâchée). Edition originale numérotée.
This seminal book outlines Porter’s ideas for a union of science and art, which he dubbed “Sciart.” In it he proposes wild and revolutionary improvements to, as well as new uses for, books, poetry, clothing, theater, architecture, art, food, toys, and automobiles — Testi: Porter Ben, Higgins Dick. F.to: 13,5x20; pagg. 46; rileg. brossura. Editore: Something Else Press, New York, 1971.
M., 1952, 19'5 x 12'5 cm., 299 págs. (Ejemplar intonso).
M., Rialp, 1952, 19 x 12 cm., 299 págs.
Paris, Gallimard, 1948 ; in-8, broché, 299 pp. Portrait en frontispice. Edition originale sur papier d'édition. (Il n'a été tiré de cet ouvrage que 25 ex sur vélin pur fil). Bel exemplaire.
Paris, Arthème-Fayard, " L'homme et son oeuvre ", 1939. In-12, broché, non coupé, 341 pp. Exemplaire du Service de Presse.
Paris, Arthème-Fayard, " L'homme et son oeuvre ", 1939. In-8, broché, exemplaire à grandes marges, non coupé, 341 pp. Edition originale. Un des 65 exemplaires numérotés sur vélin pur fil Lafuma-Navarre. Bel exemplaire.
Paris, Librairie Académique Perrin, 1978. In-8, cartonnage rouge de l'éditeur, rhodoïd, 347 pp.
Terrain Vague Losfeld, 1989, 51 pp., broché, couverture très légèrement empoussiérée, très bon état.
Paris, Librairie Plon, 1938. In-8, broché, 356 pp.