ABIRACHED Robert, FERRERI Maurice (dir.)MareMagnum
4 331 résultats
INSTITUT SMITHKLINE BEECHAM, Actes Sud, 2000, 136 pp., broché, très bon état.
Paris, Grasset, 1952. In-8, broché, 407 pp. Édition nouvelle illustrée de dix planches hors-texte (dont frontispice). Un des 220 exemplaires numérotés sur Alfa,(tirage de tête) seul tirage en grand papier. Bel exemplaire.
Editions Borderie, 1978. 2 tomes reliés en 1 volume. In-4 ( 275 X 215 mm ) de 152 et 144 pages, pleine toile Bradel bien complet de sa jaquette illustrée en noir de l'éditeur. Abondante iconographie dans et hors-texte. Bel exemplaire en parfait état. Nombreuses coupures de presse jointe. " Analyse d'un mythe ". Études sur le Don Juan de Molière et le Don Giovanni de Mozart, les autres Don Juan (Apollinaire, Baudelaire, Butor, Byron, Mérimée, Powys, Trakl, etc.) et un Tombeau pour Don Juan par Georges Bataille et Michel Leiris. Nombreuses coupures de presse jointe. Exemplaire en parfait état.
Paris, Denoël et Steele, Bibliothèque psychanalytique, 1932. In-12, broché, 269 pp.
M., s.a., 24 x 15'5 cm., separata de la Revista de la Universidad de Madrid, páginas 607 a 642.
M., 1932, 23'5 x 16 cm., separata, 25 págs. con firmas facsímiles.
Klincksieck, 2006, 415 pp., broché, légères traces de plis sur le dos, état très correct.
Klincksieck, 50 Questions, 2005, 171 pp., broché, deux légers plis sur la première de couverture, état correct.
bross. edit. ill. con bandelle, piccola abrasione e lievi macchie in cop. - prima edizione - alcune cartine nel testo
México, Editorial Porrua, 1956, 22,5 x 14,5 cm., rústica editorial con sobrecubiertas en papel cebolla, 74 págs. + 1 hoja. (Ejemplar intonso).
B., Planeta, 1970, 21'5 x 15'5 cm., tela original con sobrecubiertas en colores, 340 págs. - 2 h.
M., 1936, 25'5 x 17 cm., 103 págs. (Falto de la anteportada).
M., Hernando, 1936, 25'5 x 17 cm., 103 págs.
Paris, Christian Bourgois, 16 février 1974. Fort in-8, broché, couverture à rabat, bien complet de sa bande annonce " La connerie est-t'elle française ?", 448 pp. Edition originale, rare.
Paris, Librairie Arthème Fayard, " L'homme et son oeuvre ", 1942. Fort in-12, broché, 632 pp. (papier uniformément jauni). papier uniformément jauni.
Paris, Librairie Arthème Fayard, Les Grandes études Littéraires, 1960. In-8, broché, jaquette conservée, 446 pp.
281p. + Plus full page photographs. Text browned but not brittle. Uncut. Inked ownership of Harry E. Seyler. 8vo. Original full printed wraps. Spine darkened. Pre-bebop era jazz, with chapters devoted to: Louis Armstrong, Duke Ellington, Fats Waller, Coleman Hawkins, Bill Coleman, Milton Mesirow (Mezzrow), Sam Wooding, Muggsy Spanier, Bennie Carter, Dickie Wells, Eddie South, to foundation of Hot Club de France and its famous quintet with Django Reinhardt and Stephane Grappelly, etc. Text in French. JAZZ 1 ** !
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. MAI SFOGLIATO, LIEVISSIMI SEGNI DEL TEMPO, LIEVE BRUNITURA. Raymond Williams (Llanfihangel Crucorney, 31 agosto 1921 – Saffron Walden, 26 gennaio 1988) è stato uno scrittore e sociologo britannico, figura influente all'interno della nuova sinistra. Raymond Williams è una delle figure di maggior prestigio della saggistica anglosassone. [...] egli è un attento ed acuto osservatore delle trasformazioni che si attuano in Europa ed in Inghilterra nel periodo compreso tra la fine dell'Ottocento ed i primi del Novecento ed ha dedicato a questo problema diversi studi ed almeno un paio di volumi tra cui anche il ben noto Drama from Ibsen to Eliot. A questo disegno mancava però finora la prospettiva del romanzo. Con la pubblicazione di The English Novel from Dickens to Lawrence Williams colma anche questa lacuna. Descrizione bibliografica Titolo: Drama, from Ibsen to Eliot Autore: Raymond Williams Editore: Harmondsworth: Penguin Books (In Associations with Chatto & Windus), 1967 Edizione: Reprinted from the revised edition published in 1964. (Ristampa) Lunghezza: 315 pagine; 21 cm ISBN: 0140214925, 9780140214925 Collana: Peregrin Books Y46 Soggetti: Literary Critic, Literature, Drama, History and criticism, Essays, Saggi, Libri in inglese, Drammaturgia, Critica letteraria, Letteratura anglosassone, Classici, Poetica, Poesia, Theatre, Teatro, Marxismo, New Left, Henrik Ibsen, August Strindberg; Anton Pavlovic Čehov, George Bernard Shaw, William Butler Yeats, Thomas Stearns Eliot; John Millington Synge, Gerhart Hauptmann, Ernst Toller, Luigi Pirandello, Jean Anouilh, 19th century, 20th, Ottocento, Novecento, Dramatists, Opere, Works, Studi, Bibliografia, Bibliography, Vintage Parole e frasi comuni achievement action actors Allmers Antigone artist Ascent of F6 attempt audience Brand characters Chekhov Checov Cherry Orchard child comedy communication consciousness contemporary theatre convention criticism Dead Awaken death Deirdre device Doll's House dramatic form dramatic method dramatist elements Eliot Elizabethan emotion Emperor and Galilean emphasis essential example experience expression Family Reunion fantasy Ghosts Hedda Gabler human Ibsen illusion important John Gabriel Borkman judgment Julian kind Lady Julie language limited literature Little Eyolf living Marchbanks modern naturalism naturalist pattern Peer Gynt performance phrase Pirandello's poetic poetry prose play question realisation rejection relation Road to Damascus romantic drama Rosmersholm Rubek Samhain scene seagull seems sense Shaw situation soul speech stage Stranger Strindberg success Sweeney symbolism Synge T. S. Eliot theatrical theme thing Treplef verse Weavers whole Wild Duck words writing Yeats
Madrid, Taurus, 1956, 21 x 14 cm., cartulina editorial, 213 págs. + 1 hoja. (Ensayo sobre la forma, la función y la sustancia metafísica de la tragedia).
<I>Dread: The Dizziness of Freedom</I> reflects on possible re-articulations of the concept of dread in our times. Associated with the "dizziness of freedom" by Søren Kierkegaard, and with "the ecstasy of nihilism" by China Miéville, the experience of dread is a defining characteristic of the contemporary human condition, and--according to the contributors to this volume--an essential and potentially productive emotion. However dark and fatalistic its connotations, through its dialectical coupling of caution and transgression, of paralysis and overdrive, dread allows us to imagine the world differently. Through conversations with and essays by some of today's foremost cultural commentators, this book explores the creative agency of dread--an agency that is created by the very forces wishing to suppress or even destroy it--as well as its politics and related conceptions of fear and anxiety. — Testi: Mieville China, van 't Zelfde Juha et al. pagg. ple; rileg. brossura. Editore: Valiz, Amsterdam, 2014.
138p. Hardcover Very good condition in slipcase Wood-engravings by Boyd Hanna
Gallimard, Idées, 1979, 351 p., poche, légères traces d'usage, état correct.
Paris, Bernard Grasset, " Les Cahiers Verts " - N° 11, 1952. In-12, broché, couverture rempliée, portrait en frontispice, non coupé, 220 pp. Edition originale. Un des 150 exemplaires sur Alfa hors commerce réservés à la presse. Etat neuf.
Paris, Bernard Grasset, " Les Cahiers Verts " - N° 11, 1952. In-12, broché, couverture rempliée, portrait en frontispice, non coupé, 220 pp. Edition originale. Un des 52 exemplaires du tirage de tête numérotés sur vergé de Montval.
