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LEFEBVRE DURUFLE Jacques Noel BONIGTON FIELDINGBiblio.com

Excursion sur les côtes et dans les ports de Normandie.

CA32Paris J. F. Ostervald Imprimerie de Jules Didot l'Aîné 1823 1823-1825.Folio 697 x 410 mm 2 ll. title and table 54 ll. of text 40 plates on large Indian paper each one mounted with printed title. Aubergine quarter-shagreen spine ribbed and decorated with gilt fleurons. Contemporary binding.First issue of the most sumptuous work published about the coasts and ports of Normandy in the reign of Charles X.It was published in several parts. The first three were published under the title "Voyage pittoresque dans les ports et sur les côtes de France."It was an atypical editorial adventure because two of the artists approached for the drawing of these exceptional plates were English: BoningtonandCopley Fielding as well as many engravers such as Thales and Théodore Fielding who worked in Paris "at this remarkable time for English watercolour art".Abbey Travel 92.The magnificent iconography comprises 40 superb aquatints finely watercolored at the time which represent various views of the Norman coasts. They were mounted at the time on thick paper and captioned.The various views are dedicated to: Rouen 6 views; Caudebec 1 view; Quilleboeuf2 views; Harfleur 2 views; Honfleur 4 views; Le Havre 10 views; Etretat3 views; Fécamp 3 views; Saint-Valéry-en-Caux 1 view; Pourville 1 view; Dieppe 5 views; Tréport2 views.This exquisitely watercolored set aesthetically and realistically presents scenes of everyday life of Norman marines and fishermen in sites that for some of them are now destroyed.Prideaux mentions p. 276 that this book is the most important work by Théodore Fielding.The work was offered for sale under 4 different forms: ordinary issue issue with proofs before the letters issue with proofs before the letters on Indian paper watercolored issue on very large paper.Our copy belongs to the deluxe issue watercolored at the time on very large Indian paper.It is one of the very few copies on very large paper and entirely untrimmed. Measuring 598 mm it is by far larger than the Abbey copy.A very pure copy untrimmed admirably watercolored "in which the quality of the coloring and engraving is exceptionally high" preserved in its contemporary binding. FrançaisIn-folio 2 ff. titre et table 54 ff. de texte 40 planches sur grand papier indien chacune montée avec titre imprimé.Demi-chagrin aubergine à coins dos à nerfs orné de fleurons dorés. Reliure de l'époque.598 x 410 mm.Premier tirage du plus somptueux des ouvrages publiés sur les côtes et ports de Normandie sous le règne de Charles X.Il fut publié en plusieurs parties. Les trois premières parurent sous le titre " Voyage pittoresque dans les ports et sur les côtes de France. "C'était une aventure éditoriale atypique car deux des artistes pressentis pour le dessin de ces planches exceptionnelles étaient anglais : Bonington etCopley Fielding ainsi que plusieurs des graveurs tels Thaleset Théodore Fielding qui travaillaient à Paris "at this remarkable time for English watercolour art".AbbeyTravel 92.L'iconographie de toute beauté comprend 40 superbes planches à l'aquatinte finement aquarellées à l'époque qui représentent diverses vues des côtes normandes. Elles sont montées à l'époque sur papier fort et légendées.Les diverses vues sont consacrées à : Rouen6 vues ; Caudebec 1 vue ; Quilleboeuf 2 vues ; Harfleur 2 vues ;Honfleur 4 vues ; Le Havre 10 vues ; Etretat 3 vues ; Fécamp 3 vues ; Saint-Valéry-en-Caux 1 vue ; Pourville 1 vue ; Dieppe 5 vues ; Tréport 2 vues.L'ensemble aquarellé de façon exquise présente de manière à la fois esthétique et réaliste des scènes de la vie quotidienne de marins et de pêcheurs normands dans des sites maintenant détruits pour certains.Prideaux souligne p. 276 que ce livre est le plus important ouvrage de Théodore Fielding.L'ouvrage était proposé à la vente en 4 formes différentes : impression ordinaire impression avant la lettre impression avant la lettre sur papier indien impression aquarellée sur très grand papier.Notre exemplaire appartient au tirage de luxe aquarellé à l'époque sur très grand papier indien.C'est l'un des rarissimes exemplaires sur très grand papier et entièrement non rogné. Mesurant 598 mm il dépasse de beaucoup l'exemplaire Abbey.Exemplaire très pur à toutes marges admirablement aquarellé "in which the quality of the colouring and engraving is exceptionnaly high" conserve dans sa reliure de l'époque. hardcover

Byron, [George Gordon Noel], LordBiblio.com

Autograph letter signed with initials "N. B." to George Stevens written below a letter in Italian by Pietro Gamba

1823352339Cephalonia 1823. 3 pp. on a single sheet bifolium with address To Msgr Stevens Argostoli. 8vo. Small tear above signature from opening wax seal still present. Old docketing in French. 3 pp. on a single sheet bifolium with address To Msgr Stevens Argostoli. 8vo. A notable Byron letter showing his commitment to join the armed struggle in Greece just before he left Cephalonia for the Greek mainland. As is frequently the case Byron writes beneath a letter from Count Gamba whose sister was Byron's mistress Countess Guiccioli addressed "Caro Stevens". The correspondent George Stevens was a customs official at Argostoli on Cephalonia and a recipient of several letters from Byron in 1823. "P.S. Dear sir Gamba is half asleep and and sic don't know what he says. I do not suppose it to be Parry's Brigade - but whoever or whatever it be - if it came from the committee I will attend to it with all diligence. The boats had better be engaged because if this intelligence is not confirmed I must sail at any rate and even if it be I shall sail as soon as possible after communicating with the vessels on their voyage which if my instructions do not err or I for them are committed to my direction. I do not perceive however how a ship directed to Greece Continental from London can touch at Ancona in its propoer course unless it has continued to pass the Alps by Steam or a special wind of Providence added to a new Deluge. But whether correct or otherwise the repeat of our friend Count Delladecima believe that I am ever and truly ." Byron had been staying on Cephalonia since August. Edward Trelawny his opportunistic and self-aggrandizing sometime travelling companion had gone to Greece in September and was soon converted to another faction in the Greek struggle for independence. In November Byron was besieged by requests for money and a week after this letter would pledge large sums to the cause. Here he demonstrates a considerable flash of wit and knowledge of current technology as he reminds his correspondent of the realities of Italian geography and suggests Steam power or a new Deluge as the only possible explanation for a proposed itinerary Ancona is on the Adriatic far to the north of Cephalonia. As the representative of the London Greek Committee "Byron remained in Cephalonia with Pietro Gamba multiplying his Greek contacts and assessing information he was gathering as a prelude to action. When Prince Alexander Mavrocordatos who eventually became first president of independent Greece moved to Missolonghi in December he invited Byron to join him and his forces" ODNB. Byron and Gamba departed from Argostoli on 29 December 1823. Gamba's vessel was captured and briefly held by the Turks; Byron reached Missolonghion 4 January 1824. This letter was previously known only in an excerpt from the description in catalogue 44 of F. Naylor July 1878 incorrectly dated to May and lacking the name of the correspondent published in A Heart for Every Fate: Byron's Letters and Journals Vol. 10 1980 pp. 161-162. A CHOICE BYRON LETTER FROM JUST BEFORE HIS FATEFUL EXPEDITION TO MISSOLONGHI. Marchand 10:161-2 a partial transcription misdated to May 1823 unknown

James Cummins Bookseller · États-Unis30 000,00 $US≈ 25 383,00 €

NOEL, FrancoisBiblio.com

Observationes Mathematicae et Physicae in India et in China Factae à Patre Francisco Noël Societatis Jesu ab anno 1684. usque ad annum 1708.

1710B5718FROM PEKING TO PRAGUETHE CHINESE ASTRONOMY OF FRANÇOIS NOËLWITH A LARGE FOLDING STAR CHART OF THE SOUTHERN HEMISPHERE4to 19.1 x 15.2 cm 133 pp. 1 pp. including full-page engraved Chinese Calendar p. 59 numerous woodcut diagrams and tables with woodcut Chinese letters a full-page engraved plate of astronomical observations verso of p. 133 and with 1 large folding engraved star chart for the epoch 1687 signed Balthasar van Westerhaut woodcut headpiece and initials. Bound in contemporary calf gold-tooled spine red sprinkled edges. Some rubbing and edge wear to spine and boards minor warning to covers. Contemporary annotations moderate browning in a few quires occasional minor toning small 3 mm. hole in chart not affecting images.Rare first and sole edition of one of the few works published in Europe to record detailed first-person observations made at Jesuit astronomical observatories in China in the 17th century and one of the first works to convey information on Chinese observational data and astronomical traditions to a Western audience. Compiled by the Belgian-born polymath François Noël 1651-1729 the Observationes Mathematicae et Physicae in India et in China represents a full account of this Jesuit's astronomical career. The volume is illustrated with a large folding celestial chart of the southern skies incorporating observations Noël made at the Jesuit Colleges at Rachol in Goa Macao and Bahia in Brazil. Other illustrations include a full-page plate engraving the 1690 transit of Mercury Noël's observations of Jupiter and his method for recording magnetic inclinations for use in navigating by compass at sea as well as a full-page plate illustrating the Chinese Sexagenary calendar.Noël's discussion of Chinese astronomy Chapter V not only serves as an introductory primer but also is a fastidious record of Chinese observational data collected by Noël from Chinese star catalogues and charts and he even retains information which was at odds with European observations. Noël produces a chart of the relevant Chinese calendrical characters the Ten Heavenly Stems and the Twelve Earthly Branches an engraving of the Sexagenary calendar a table of the 28 Chinese constellations a list of Chinese zodiacal signs with a chart comparing them to European signs. His extensive Catalogus Latino-Sinicus pp. 65-103 compares Chinese and European stellar nomenclatures. Here Noël lauds the "extreme antiquity of Chinese astronomy which began some 4000 years ago" but puzzles over the fact that the Chinese tradition records "many small stars which are no longer visible"; he dutifully records these numerous stars in the Catalogus but notes that "they are either very faint or perhaps made up" "minimae aut fictae" "vel minimae vel fictae" etc. Noël apologizes for not printing the Chinese characters for star names "because of the difficulty of having them cut in Europe" p. 67. Chinese weights and measures are also discussed.In other chapters Noël offers his observations of Jupiter's satellites made while in Huai'an in 1689-90 including tables comparing his data to observations made by others in Nanjing and Paris as well as a description of 16 observations both telescopic and made with naked-eye instruments of lunar and solar eclipses he made in Goa Macau Siam Peking Shanghai Nanjing Huai'an Tshusima Island Trincomalee Sri Lanka etc. between 1684 and 1707. He provides an extensive list of his longitude and latitude observations for numerous locations in China and India which he made between 1687-1708 as well as readings from Bahia in Brazil including a table summarizing the longitude and latitude of more than 80 cities and towns in China. In his 13-page catalogue of some 350 southern stars ascensions declinations magnitudes for the epoch 1687 Noël cites the recent work of Riccoli Hevelius and Halley taking issue with several of their measurements; the folding Mappa Stellarum Australium engraved by Balthasar van Westerhaut illustrates the placement of southern stars as observed by Noël.The work's final chapter includes Noël's extensive notes on the Comets of 1695 1701 and 1702 which he observed from Peking and Java meteorological curiosities he saw in Asia twilight unusual rainbows and planetary observations including an unusual visual aberration that occurred when he viewed Jupiter through a 13.5-foot telescope in Nanchang in 1694 this observation is illustrated aberrations he encountered in viewing Venus through a 40-foot telescope in 1697 and data from Jean de Fontenay's 1643-1710 observation in Canton of the 1690 transit of Mercury also illustrated here.Interestingly the present example preserves contemporary annotations to Noël's catalogue of magnetic declinations and inclinations he made Chapter VIII using a magnetic needle during his 1706 journey from Portugal to India and his 1708 voyage from the Sunda Strait between Java and Sumatra westward to Brazil. The annotator has carefully underlined and enumerated Noël's 201 location readings apparently for incorporation into a larger table or chart he hoped would be useful in resolving the ongoing problem of pinpointing longitude in sea navigation. Halley had only recently published his groundbreaking map of magnetic variation in Atlantic waters 1701 and his world chart was still decades away from publication.Noël joined the Society of Jesus at age 19 in 1670 and studied theology mathematics and astronomy at the University of Douai. He departed on his first Asia journey in 1684 hoping to join the Japan mission but the longstanding ban on Western missionaries by the Tokugawa shogunate foreclosed on this possibility. Noël instead spent two years learning Chinese at Macao before traveling to the Chinese mainland in 1687 where we traveled widely doing missionary work primarily related to the lower classes and abandoned women and children. He was a major figure in the Chinese Rites controversy and his role in this and other Jesuit Roman Embassies was the impetus for the various journeys recorded in the Observationes Mathematicae et Physicae. Known in Chinese as Wei Fangji Noël published widely on Chinese Confucian classics. He returned to Europe for good in about 1709 settling in Prague to teach mathematics at the Jesuit-staffed Charles-Ferdinand University under whose auspices he quickly published the Observationes Mathematicae et Physicae.OCLC locates U.S. copies at the Library of Congress Adler Planetarium Boston College Michigan Princeton and Wisconsin. De Backer Sommervogel V.1791.6; NBG xxxviii.174; Warner Sky Explored p. 194 incorrectly giving his nationality as Czech with star chart illustrated; Pfister I.414-19; J. Needham Science and Civilization in China III.454. Joachim Joannes Kamenicky hardcover

Martayan Lan, Inc. · États-Unis28 500,00 $US≈ 24 113,85 €

LEFEBVRE DURUFLE Jacques Noel BONIGTON FIELDINGBiblio.com

Excursion sur les côtes et dans les ports de Normandie.

JUINBB06Paris J. F. Ostervald Imprimerie de Jules Didot l'Aîné 1823 1823-1825.Folio 494 x 310 mm 1 l. 54 ll. of text 40 plates on large Indian paper each one mounted with printed title 1 l. of table. Half-roan rebacked spine with raised bands and gilt fleurons. Contemporary binding.First issue of the most sumptuous work published about the coasts and ports of Normandy during the reign of Charles X.It was published in several parts. The first three were published under the title "Voyage pittoresque dans les ports et sur les côtes de France."It was an atypical editorial adventure because two of the artists approached for the drawing of these exceptional plates were English: BoningtonandCopley Fielding as well as many engravers such as Thales and Théodore Fielding who worked in Paris "at this remarkable time for English watercolour art".Abbey Travel 92.The magnificent iconography comprises 40 superb aquatints finely watercolored at the time which represent various views of the Norman coasts. They were mounted at the time on thick paper and captioned.The various views are dedicated to: Rouen6 views; Caudebec 1 view; Quilleboeuf 2 views; Harfleur 2 views; Honfleur 4 views; Le Havre10 views; Etretat 3 views; Fécamp 3 views; Saint-Valéry-en-Caux 1 view; Pourville1 view; Dieppe 5 views; Tréport 2 views.This exquisitely watercolored set aesthetically and realistically presents scenes of everyday life of Norman marines and fishermen in sites that for some of them are now destroyed.Prideaux mentions p. 276 that this book is the most important work by Théodore Fielding.The work was offered for sale under 4 different forms: ordinary issue issue with proofs before the letters issue with proofs before the letters on Indian paper watercolored issue on very large paper.Our copy belongs to the deluxe issue watercolored at the time.A very pure copy untrimmed admirably watercolored"in which the quality of the coloring and engraving is exceptionally high". FRENCH Paris J. F. Ostervald Imprimerie de Jules Didot l'Aîné 1823 1823-1825.In-folio de 1 f. 54 ff. de texte 40 planches sur grand papier indien chacune montée avec titre imprimé 1 f. de table.Demi-basane à coins dos à nerfs refait orné de fleurons dorés. Reliure de l'époque.494 x 310 mm.Premier tirage du plus somptueux des ouvrages publiés sur les côtes et ports de Normandie sous le règne de Charles X.Il fut publié en plusieurs parties. Les trois premières parurent sous le titre " Voyage pittoresque dans les ports et sur les côtes de France. "C'était une aventure éditoriale atypique car deux des artistes pressentis pour le dessin de ces planches exceptionnelles étaient anglais : Boningtonet Copley Fielding ainsi que plusieurs des graveurs tels Thales et Théodore Fielding qui travaillaient à Paris "at this remarkable time for English watercolour art".Abbey Travel 92.L'iconographie de toute beauté comprend 40 superbes planches à l'aquatinte finement aquarellées à l'époque qui représentent diverses vues des côtes normandes. Elles sont montées à l'époque sur papier fort et légendées.Les diverses vues sont consacrées à : Rouen 6 vues ; Caudebec 1 vue ; Quilleboeuf 2 vues ; Harfleur 2 vues ; Honfleur 4 vues ; Le Havre 10 vues ; Etretat 3 vues ; Fécamp 3 vues ; Saint-Valéry-en-Caux 1 vue ; Pourville 1 vue ; Dieppe 5 vues ; Tréport 2 vues.L'ensemble aquarellé de façon exquise présente de manière à la fois esthétique et réaliste des scènes de la vie quotidienne de marins et de pêcheurs normands dans des sites maintenant détruits pour certains.Prideaux souligne p. 276 que ce livre est le plus important ouvrage de Théodore Fielding.L'ouvrage était proposé à la vente en 4 formes différentes : impression ordinaire impression avant la lettre impression avant la lettre sur papier indien impression aquarellée sur très grand papier.Notre exemplaire appartient au tirage de luxe aquarellé à l'époque.Exemplaire très pur à toutes marges admirablement aquarellé "in which the quality of the colouring and engraving is exceptionnaly high". hardcover

LIBRAIRIE CAMILLE SOURGET · France23 000,00 €

BYRON, George Gordon Noel, LordBiblio.com

Childe Harold.

1816174164London: John Murray 1816. Inscribed by Byron to inspire his fellow writer and later by Maturin in memory of his friend Presentation copy of Childe Harold's Pilgrimage inscribed by Byron on the half-title "To the Revd R. C. Maturin from the Author". Following Byron's death in 1824 Maturin inscribed a quatrain from a contemporary poem by James Montgomery on the rear free endpaper in memoriam: "Friend after friend departs; / Who hath not lost a friend / There is no union here of hearts / That hath not here an end". Byron and Maturin enjoyed a warm literary friendship beginning in December 1815 when they were introduced by Walter Scott. That month Maturin sent Byron the manuscript for his Gothic tragedy Bertram. Byron adored the play writing to John Murray that he received the manuscript "late in the evening and read it through without being able to stop" Murray letter to Scott 25 December 1815. In a letter to Maturin he praised the work as "a very extraordinary production - of great & singular merit as a composition" 22 December 1815. Byron helped Maturin bring his work to the stage sending the manuscript to George Lamb with whom he managed the Drury Lane Theatre Lamb like Byron read the play by candlelight and "could not go to bed without finishing it". Despite his enthusiasm for Maturin's tragedy Byron found himself exiled from England from April 1816 and never saw the play performed. His Childe Harold was nonetheless an important influence on its success: "Bertram undoubtedly benefitted from the great popularity of Byron's Childe Harold's Pilgrimage the first two cantos of which had been published in 1812 for the hero of Maturin's play was spoken of by a number of contemporary critics as a 'Byronic figure'" Lougy p. 45. The play became Maturin's first critical and commercial success and his touching inscription at the rear of the volume reveals the gratitude and affection he felt for the poet. This copy of Childe Harold is from the 1816 edition of Byron's collected works. Vol. I of IV only duodecimo 165 x 106 mm. Engraved plate by Thomas Stothard with tissue facing p. 10. Contemporary unlettered calf. Housed in a custom brown quarter morocco folding box by the Chelsea Bindery. Book label of J. O. Edwards to front pastedown. Binding worn front joint cracked but cords firm contents clean. A good copy in unrestored condition. Robert E. Lougy Charles Robert Maturin 1975. unknown

Peter Harrington · Royaume-Uni12 500,00 £GB≈ 14 272,50 €

Byron, George Gordon Noel [Lord Byron]Biblio.com

Don Juan.

1819142573London: Thomas Davison i.e. John Murray 1819-1821 Cantos I-V Volumes I-II/John Hunt 1823-24 Cantos VI-XVI Volumes III-VI. Scarce complete first edition set of Byron's great work which was widely criticized as immoral upon publication and is now considered one of the greatest poems of the Romantics; from the library of American writer Erica Jong. Volume one was produced in quarto format and the subsequent 5 volumes in octavo Davison abandoned the quarto format after disappointing sales of the first volume six volumes uniformly bound in full morocco with gilt titles and tooling to the spine double gilt ruling to the front and rear panels gilt inner dentelles marbled endpapers all edges gilt. With an autograph letter signed by Lady Byron bound into the first volume. Written from Moore Place Esher the letter reads in part "Dear Sir I am much obliged to you for offering to look for another young Teacher in place of the one who is engaged but I have no difficulty in finding a Substitute. I should however be glad if you could find me an older master for a situation in Warwickshire - to manage a day-school on the Garden plan for Bogs - the emolument would not exceed 20 to 24 pounds with Board - He would be under the direction of a very good Clergyman - A single man would be preferred there being no room at the Schoolhouse for him - she must lodge at some distance. Lady Olivia Sparrow is still active in her charitable undertakings though I sometimes wish they were less governed by hasty feelings in religious matters. Yours truly A.I. Noel Byron Moore Place Esher Nov 19th." From the library of Erica Jong. Jong remains best known for her 1973 novel Fear of Flying which became famously controversial for its portrayal of female sexuality and figured prominently in the development of second-wave feminism. Written in the first person and narrated by its protagonist 29-year-old American poet Isadora Wing Fear of Flying was written in the throes of the Sexual Revolution of the 1970s and encapsulated the movementâ€™s redefinition of female sexuality. In interviews Jong stated: â€œAt the time I wrote Fear of Flying there was not a book that said women are romantic women are intellectual women are sexualâ€”and brought all those things togetherâ€¦ What Isadora is looking for is how to be a whole human being a body and a mind and that is what women were newly aware they needed in 1973.â€ The novel remains a feminist classic and has sold more than 20 million copies worldwide. Jong notable used a quotation fromÂ DonÂ Juan as the epigraph in Fear of Flying "Alas! the love of women! it is known To be a lovely and a fearful thing; For all of theirs upon that die is thrown And if 'tis lost life hath no more to bring To them but mockeries of the past alone And their revenge is as the tiger's spring Deadly and quick and crushing; yet as real Torture is theirs -- what they inflict they feel. They are right; for man to man so oft unjust Is always so to women; one sole bond Awaits them -- treachery is all their trust; Taught to conceal their bursting hearts despond Over their idol till some wealthier lust Buys them in marriage -- and what rests beyond A thankless husband -- next a faithless lover -- Then dressing nursing praying -- and all's over. Some take a lover some take drams or prayers Some mind their household others dissipation Some run away and but exchange their cares Losing the advantage of a virtuous station; Few changes e'er can better their affairs Theirs being an unnatural situation From the dull palace to the dirty hovel: Some play the devil and then write a novel" Lord Byron Don Juan 1824. In fine condition. Scarce and with fine provenance. "The War and Peace of English poetry Don Juan contains an epic sweep that moves from Spain to the East and to Russia before ending in Englandâ€¦ At the same time that Byron's broad canvas foretells the scope of the great 19th-century novels the poet's own sensibilities echo the picaresque 18th-century novels of his early reading Smollett and Fielding with their bawdy humor and sly inversions of vice and virtue. Unlike these prose narratives however Don Juan has no beginning middle or end. It draws us in not to learn 'what happens next' but to hear what this seductive confidential teasing voice is going to tell us" Eisler 610. When Cantos I through V appeared they did so without the name of either author or publisher on the title page. Publisher John Murray refused to print Byron's dedicatory poem which ridiculed English poet laureate Robert Southey and Byron refused to put his name on a censored publication. Because of Byron's change from his long-standing publisher Murray to John Hunt brother of writer Leigh Hunt midway through Don Juan complete first-edition copies with all cantos are scarce. Thomas Davison [i.e., John Murray] unknown

Raptis Rare Books · États-Unis15 000,00 $US≈ 12 691,50 €

CHOMEL, Noel and Jacques Alexandre de CHALMOTBiblio.com

Algemeen huishoudelijk- natuur- zedekundig- en konst- woordenboek vervattende veele middelen om zijn goed te vermeerderen en zijne gezondheid te behouden.

1778L72A782E8WD9Leiden Johannes Le Mair; 1778. 4to. Leeuwarden Jacques Alexandre de Chalmot Contemporary uniform half calf and sprinkled paper sides gold-tooled spines in compartments with a red morocco title label lettered in gold and a black oval with gold lettering detailing the parts letters included in each volume. With an allegorical frontispiece in volume 1 and a total of 153 folding copper engravings in the 16 volumes and a woodcut vignette at the end of volumes 1 8-11 13 and 15. 16 volumes. XXXVII 1 blank 565 1 blank; 566-1194; 2 1195-1902; 2 1903-2502; 2 2503-3170; 2 3173-3761 3; 2 3763-4370; VIII 1-749; 3 750-1495 1; 3 1498-2284 4; 3 2290-3031 1; 3 3034-3823 1; 3 3826-4540; 3 4542-528 A rare untrimmed and complete set of the most popular domestic encyclopaedia of the 18th century uniformly bound. This second edition is considerably enlarged and expanded: it is more than twice the size of the first edition has 9000 more pages and 73 more plates. Furthermore a continuation was written called Vervolg op M. Noël Chomel which added a further 9 volumes to the already hefty work.The encyclopaedia was originally published in French by Noël Chomel 1632-1712 as Dictionnaire oeconomique 1709. Chomel was an agronomist entrusted with the domestic management of the possessions of the abbey at Vincennes where he acquired all the knowledge necessary to write his encyclopaedia. The first Dutch version of the encyclopaedia translated and edited by Jacques Alexandre de Chalmot -1801 was published in 1743. The second edition appeared between 1768-1777 and was published a second time in 1778. Chalmot who was also the author of the Vervolg lists the sources he has used to complement Chomel's text in the introduction: for instance the works of Linnaeus Houttuyn Merian Van Leeuwenhoek Swammerdam Bufon Lobel Dodonaeus en Knoop. He also mentions the cooperation of Prof. Petrus Camper who has contributed many articles.Interestingly the Dutch edition also became popular in Japan. In the 18th century the Japanese came into contact with Western-European science via a Dutch trading post on the island of Deshima. Parts of the encyclopaedia were translated into Japanese between 1811 and 1845 under the title Koshei Shimpen. A small portion of the sprinkled paper on the front board of volume 11 has scraped off. Volume 15 has a small stain on the front. Volume 5 and 7 are missing the "bericht aan den boekbinder". Overall the set is in very good condition with only slight traces of use.l Sijs N. van der Verantwoording van de digitale uitgave van huishoudelyk woordenboek door Noël Chomel; STCN 21514368X ad 1 and 156926164 ad 2; cf. Brunet 6287; Goodman The Dutch impact on Japan 1640-1853 p. 129-130; Thiébaud Bibl. des ouvr. fr. sur la chasse pp. 202-4. ABE CAT Agriculture unknown

Asher Rare Books · Pays-Bas8 500,00 €

[Fine Binding - Cosway style] Williams, H NoelBiblio.com

Queen Margot Wife of Henry of Navarre Extra-illustrated

19076241London and New York: Harper & Brothers 1907. Fine. Quarto 9 3/8 x 7 3/8 inches; 238 x 188 mm. xviii 409 1 blank pp. Colored frontispiece and nineteen photogravure plates with tissues printed in red & brown extra-illustrated by the insertion of twenty-five engraved plates of which six are hand-colored. Bound ca. 1925 by Bayntun stamp-signed in gilt "Bayntun. Binder. Bath. Eng." on front turn-in. Full dark blue crushed levant morocco over beveled boards covers with elaborate gilt frames spine with five raised bands elaborately decorated and lettered in gilt in compartments gilt ruled board edges wide elaborate gilt turn-ins all edges gilt. Front doublure of red morocco surrounded by a frame of inlaid maroon morocco. Set into the front doublure are two very fine oval miniature paintings set under beveled glass within a double gilt frame. The upper miniature is of Margaret de Valois Queen Margot of Navarre. The lower miniature is of her spouse Henry III of Navarre later Henry IV of France. Both miniatures measure 3 3/16 x 2 1/2 inches; 81 x 63 mm. The rear doublure is of red morocco surrounded by a frame of inlaid maroon morocco. Blue watered silk end-leaves. A very fine example housed in its original felt-lined blue cloth clamshell case. Margaret of Valois 1553-1615 was a French Princess who became Queen of Navarre and France. Highly educated and a patroness of the arts Margaret would kind herself embroiled in political upheavals. Her marriage to Henry III of Navarre later Henry IV of France was organized to promote reconciliation between Catholics and Huguenots. However she would find herself at odds with her husband during continued religious tensions and unable to conceive an heir. Margaret also faced conflict with her brother Henry III. Eventually she would choose to side with the Catholic League survive prison annul her marriage and eventually live out her life in her an intellectual court pursuing her own scholarly devours. George Bayntun 1873-1940 was the founder of Bayntun Bindery. Trained by apprenticeship with the Taylor family Bayntun opened his own book bindery in 1894 dedicated to using traditional hand-crafted techniques and high-quality materials. The Bath-based firm acquired the Rivière Bindery also based in Bath in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. Although named after the English miniaturist Richard Cosway 1742-1821 the desirable "Cosway Binding" with its jewel-like portrait miniature set into a fine binding was first developed at the turn of the century by J.H. Stonehouse director of London's Henry Sotheran Booksellers. Their miniatures were painstakingly crafted by the talented painter Miss C. B. Currie 1849-1940. As the style grew in popularity other publishing houses quickly began to reproduce this technique-each developing their own desirable take on the aesthetic-referred to as "Cosway style.". Fine. Harper & Brothers unknown

Whitmore Rare Books · États-Unis9 500,00 $US≈ 8 037,95 €

Ricourt, Directeur; Eugene Delacroix; Thomas, Gavarni, Prout, Deveria, Alophe, Preault, Dessain, Deroy, Beaume, Noel, Johannot,Biblio.com

L'Artiste : journal de la littérature et des beaux-arts. 2 volumes for 1834. Vols. VII and VIII. First edition.

51-4180Paris: L'Artiste 1834. 4to. 27 x 20.5 cm. 2 vols. Elaborate contemporary Romantic binding with gilt and blind stamping. 308 308 pp. about 108 of 110 original graphic works. Missing appear to be 1834-1 Clerget and 1834-68 Alophe. Among the other works is the original lithograph by Delacroix: Le jeune Clifford trouvant le corps de son père 1834-104; Delteil no. 99 first state of 3; Young Clifford Finding the Body of his Father image of Shakespeare King Henry VI Part IICatalogued in "Les Estampes de L'Artiste 1831-1904" by Pierre Sanchez and Xavier Seydoux nos. 1834- 2 to 1834-110. Textes des grands écrivains romantique tel que Gérard de Nerval Théophile Gautier qui est rédacteur en chef de 1856 à 1859 Jules Janin Étienne Eggis Théodore de Banville Henri Murger Charles Monselet Champfleury Charles Baudelaire Joseph Méry Eugène Sue Alphonse Esquiros Hector de Callias entre autres.Illustrés de lithographies et de gravures sur bois des plus grands artistes de l'époque puisque le fondateur Hector Brame fut l'associé de Durand-Ruel et que le repreneur de la revue n'est autre qu'Armand Houssaye qui a voulu faire de cette revue un véritable musée de la gravure. Nos volumes comptent des gravures de :Thomas Gavarni Prout Deveria Alophe Préault Dessain Deroy Beaume Noël Johannot Debacq Roqueplan Gsell Livet Champin Perrières Perlet Champmartin Bellange Dreux Charlot Boulanger Guët Delaroche Raffet Brume Scheffer Carrier Newton Peroy Vernet Decamps Leroy Grenier pour le premier volume et Giraud Alophe Noël Roqueplan Debacq Lerac Grenier Decamps Lebreton Pingret Leroy Francis Dauzat Cattemole Gavarni Provost Jaime Frey Gigoux Gintrac Delacroix Leclerc Boulanger Bourge Charlier Wilkie. Le second volume est incomplet d'une gravure page 48. Par contre il contient deux gravures d'Eugène Delacroix. .Fondée en 1831 aux plus beaux jours de la révolution romantique la revueL'Artiste connut une longue vie se transformant et se renouvelant plusieurs fois au cours du XIXe siècle pour ne s'éteindre définitivement que dans les toutes premièresannées du XXe siècle. C'est dire que durant ses soixante-quatorze ans d'existence cetterevue porte un témoignage direct sur l'évolution des mouvements artistiques etlittéraires ayant joué souvent un rôle actif soit dans la légitimation de la modernité et de l'innovation soit au contraire dans la défense des principes proclamés et propagés par les organes officiels de l'Institut et du gouvernement. Paris: L'Artiste, 1834. unknown

Alan Wofsy Fine Arts · États-Unis6 500,00 $US≈ 5 499,65 €

COUNIHAN, Noel (1913 - 1986)Biblio.com

War or Peace. Twelve linocuts by Noel Counihan signed edition

27106London: Collet’s Holdings Ltd. 1950. Later lettered paper portfolio 385mm tall cut lettering from the original folio pasted on foxed 4pp. letterpress long split along fold twelve linocuts on separate sheets very good examples. Limited to 300 copies signed by the artist this is number 88. In this example each linocut has been signed by the artist and dated '50/81 created in 1950 signed in 1981. Rare. ‘In this set of lino-cuts he illuminates the terrible fears and the impatient hopes of mankind in their daily struggle with the danger of war. They are a proud justification of the confidence of his Australian friends in his continuation of clear vision and optimism’ - James Boswell. Foreword to War or Peace. When Jack Lindsay saw Counihan’s powerful linocuts folio in London in 1950 he was moved to write a poem to accompany each of them. These poems along with reproductions of the Counihan originals together with some additional poems by Paul Eluard and Pablo Neruda were published later the same year again by Collet’s Holdings as a booklet titled Peace is Our Answer. Born in the aftermath of the Second World War the booklet bore a dedication to the Second World Peace Conference in Warsaw and the original linocuts from this folio War or Peace were exhibited there in Poland as well as Counihan’s 1951 exhibition in London DIMMACK Max. Noel Counihan. Melbourne: MUP 1974 p.49. Counihan returned to Melbourne in 1953 and exhibited these linocuts at Tye’s Gallery in a group exhibition with Vic O’Connor and James Wigley from 6 - 16 October that year. They received wide critical acclaim the review in The Age writes ‘If the War or Peace series of lino-cuts are not a convincing social indictment they succeed as art through brilliant disposition of black and white masses’. Counihan probably inscribed this set to Flora at the exhibition sets were priced at three guineas a folio. 'This folio of linocuts begins with a stark image of a mother cradling a child through the ruins left by war and ends with a group of stevedores striding confidently forward pointing to the future. Between these two images are ten linocuts all of which make clear Counihan’s political and artistic focus. Here is a work which stands full of humanism and the belief that humanity is yet to see its golden age. In these linocuts we can see all those European influences that drove the Neue Sachlichkeit movement in Germany. There is George Grosz Max Beckmann Otto Dix and especially Kathe Kollwitz.' - Monica Oppen Artists’ Books : an exhibition hosted by Rare Books 28 September – 25 November 2011. Monash University Library 2011 p. 3. In 1979 Melbourne private press publisher Richard Griffin produced a new edition of the work again titled War or Peace. It was a very different style of publication housed in a half-calf binding and matching slipcase in line with the emerging trend for deluxe editions rather that the plain wrappers of both the 1950s editions. The 1979 War or Peace is really a reissue of Peace is Our Answer as it contains reproductions of the original linocuts along with the various poems which Lindsay and others wrote inspired by the original linocuts. Of three publications this is the first and only to contain original graphics. The limitation of three hundred seems generous yet the work is known in only a handful of examples no doubt as the vast majority of folios were split up in fact even at Counihan’s own exhibitions the linocuts were for sale individually. The only collections we can locate the work in are the National Gallery of Australia and State Library of Victoria. The impact of the folio has been wide however due to the release of the 1950 and 1979 editions which reproduce the linocuts. This is the only set we have identified with the artworks individually signed by the artist. As they are dated 50 / 81 they were probably exhibited / sold at the time of the launch of Robert Smith's catalogue raisonné in 1981. A rare significant and influential work by one of Australia’s greatest social realists. Reference : SMITH Robert. Noel Counihan Prints 1931 – 1981. A catalogue raisonné. Sydney : Hale & Ironmonger 1981 pp. 59 - 67 all linocuts illustrated Smith 27 28 29 30 31 32 33 34 35 36 37 38 Collections: National Gallery of Australia State Library of Victoria MOADOPH unknown

Douglas Stewart Fine Books · Australie7 700,00 $AU≈ 5 075,07 €

Coward, NoelBiblio.com

Vol.1 Present Laughter & Vol.2 This Happy Breed : Both Copies Signed By Noel Coward And All The Cast : With A Loosely Inserted Advertising Handbill For The Two Plays

1943122334455741A 2 Vols. set : Both books are First UK printings and published by William Heinemann London in 1943. The books are signed by Noel Coward and all the cast : Joyce Carey and Judy Campbell on the initial blank and on the half-title: Gerald Case Beryl Measor Molly Johnson Billy Thatcher James Donald Dennis Price Gwen Floyd Meg Titheradge and also that of the Peggie Dear the stage manager. Loosely inserted is a rare advertising handbill flyer promoting the original West End production of these plays at the Theatre Royal Haymarket in London. Following a Provincial Tour 'Present Laughter' opened April 29th 1943 and 'This Happy Breed' opened April 30th 1943. Both productions played just over five months at the Haymarket Theatre. Both BOOKS are in Very Good or better condition. The wrapper has adhered in a very small area to the lower edge of the rear cover of 'Present Laughter'. A little toning and spotting to the text-blocks. Light offsetting to the blank end-papers with a little toning to the page edges due to the cheap quality of the war-time paper stock used. The WRAPPERS are in Very Good condition with a little edge-wear and some age related markings but are remarkable survivors. Both wrappers are protected in removable Brodart archival covers. Provenance: Matthew Bell 'Matt' props master whom the books were inscribed to by the author. In 2019 there was a revival stage production of 'Present Laughter at 'The Old Vic Theatre' for which Andrew Scott won the 'Laurence Olivier Award for Best Actor in a Leading Role in a Play'. A wonderful two volume set with such unique attributes. More images available on request. Ashton Rare Books welcomes direct contact. William Heinemann, London hardcover

Ashton Rare Books ABA, PBFA, ILAB · Royaume-Uni4 250,00 £GB≈ 4 852,65 €

Jong, Jacqueline de (ed); Noel Arnaud (ed)Biblio.com

The Situationist Times. International Edition. Issues 1 2 3 4 5 6 6 volumes Complete Original Lithographs

196448570Hengelo Netherlands Copenhagen Paris: The Situationist Times 1964. First edition. Softcover. Near fine condition. Quartos. Original illustrated stiff wraps with lettering in variant colors on covers protected by modern mylar. The Situationist International SI was formed by a group of international social revolutionaries from a variety of fields including avant-garde artists intellectuals and political theorists in 1957. The theoretical foundation was derived from so-called libertarian Marxism and avant-garde art movements like Dada and Surrealism. Its theoretical underpinnings relate to the concept of the spectacle as it was developed by Guy Debord in his book "The Society of the Spectacle." Jacqueline de Jong a Dutch artist and graphic designer had joined the movement in 1960 and advanced quickly into its Central Committee. She decided to start "a completely free magazine based on the most creative of the Situationist ideas" and published the first issue in 1962 a broad representation of the movement and its efforts to synthesize the diverse fields and theoretical disciplines into a comprehensive critique of advanced capitalism. Six issues of the magazine were published until 1967 before the student uprising of May 1968 leaving the seventh issue compiled but unpublished. The first two issues were co-edited by the French pataphysician Noël Arnaud. The magazines contained literary contributions artwork found objects and used quotations relating to such issues as topology politics and "spectacle culture." It was originally released in offset print and starting with issue # 4 switching to full color lithography printed to different quality paper of variant color and weight with text in English French and German. Issue one: 30 leaves. Includes an essay by Noel Arnaud an extensive certified transcript of the Criminal Court in Munich relating to accusations of production and distribution of lewd writings in the magazine "Spur" and public slander against Dieter Kunzelmann Helmut Sturm Heimrad Prem and Hans-Peter Zimmer including facts of the case and an answer of the court comics by R. Gasché and others a Proclamation for L'Internationale Situationiste! and other contributions. Small strip of sunning along top and foredge. Issue two: 32 leaves two folding. Includes a declaration concerning the conviction and imprisonment of the Situationist Uwe Lausen various contributions relating to the trial mentioned in issue one including the verdict and a reaction to the trial by Rodolphe Gasché artwork by Gail Singer and others a musical concept on two folding pages poetry by Marcel and Gabriel Piqueray among other contributions. Issue three International British Edition: 48 leaves. Includes an essay by Anton Ehrenzweig "Meditations on the Future of Art" artwork by Ann Hagen an extensive contribution on the patterns of Situological Aspects found in a the "Early Christian monuments in Scotland and b the "Principles of topological psychology" by Kurt Lewin with a mathematical analysis situs introduction by Max Brucaille and other contributions. Some light staining on front cover. Issue four: 184pp. Focusing on labyrinths this issue includes contributions Lech Tomaszewski by Italian artist Piero Simondo the Max Bucaille W. Lietzmann H. L. C. Jaffé the Dutch architect Aldo van Eyck Lars-Ivar Ringbom Julius Schwabe Gaston Bachelard Kalevalla A Finnish Myth and Franz Kafka An Imperial Message and James Joyce among other contributions. Profusely illustrated with drawings and photographs throughout. Issue five: 110 leaves. Articles by Asger Jorn "Mind and sense" and "Art and Orders" various contributions by Max Bucaille excerpts from the opera "The Labyrinth" by Jim Ryan "Kreisen Kreissegmenten und Wellenlinien etc." by F. van der Waals "Some mathematical aspects" by H. C. Doets drawings and poems by Karl Pelgrom and Jim Ryan and many other contributions. Editor's note at rear: "In this No. of the Situationist Times 5 do we try to open up the problem of the ring interlaced rings and consequently chains. Half an inch chip on edge of back cover. Issue six: 32 card stock leaves: Contains thirty-three full page original lithographs including cover in color and b/w by Pierre Alechinsky René Bertholo Martin Engelmann Maurice Henry Jacqueline de Jong Asger Jorn Peter Klasen Wilfredo Lam Lea Lublin Milvia Maglione Roberto Matta Lucio del Pezzo Antonio Saura Yasse Tabuchi and others. Cover by Ulf Trotzig. The Situationist Times unknown

Eric Chaim Kline - Bookseller · États-Unis5 000,00 $US≈ 4 230,50 €

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