(Bernard NOEL) - Marc TRIVIERBiblio.com
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198362275s. l.: Par l'auteur 1983. Fine. Par l'auteur s. l. 1983 22 x 22 cm une feuille Large original black and white photographic portrait by Marc Trivier. Original unsigned gelatin silver print like most of Trivier's works. A precious original gelatin silver print by the celebrated Belgian photographer one of the most secretive contemporary artists who despite early international success preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits and the printing paper he used is no longer commercially available. The artist ""produces his own prints on Ilford baryta paper devoting several days of work to each one with particular concentration on rendering the whites in contrast with blacks of rare density. A print by Marc Trivier resembles no other. When he agrees to exhibit them he suspends them in stainless steel frames of his own making giving free rein to the life of the paper."" Xavier-Gilles ""Marc Trivier et la tragédie de la lumière"" ""Marc Trivier and the tragedy of light"" in Le Monde Libertaire 2011. This ""life of the paper"" ""vie du papier"" participates in the work just as much as the various alterations that photographs undergo when they are exhibited: ""Dans les boites les tirages gondolent mais qu'importe : le photographe affectionne ce genre d'accident."" ""In the boxes the prints warp but no matter: the photographer is fond of this kind of accident."" Claire Guillot ""Les face à face sans échappatoire du photographe Marc Trivier"" ""The inescapable face-to-face encounters of photographer Marc Trivier"" Le Monde 2011. Marc Trivier has a particular sensitivity for the material aspect of his productions. While photography is essentially about multiples this intervention by the artist in the entire creative process confers an autographic aura to these prints. Photographs of artists madmen trees or slaughterhouses Marc Trivier approaches all these subjects with a gaze as precise as it is intense. ""Dans sa cosmogonie chaque chose chaque être végétal animal ou humain mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude."" ""In his cosmogony each thing each being plant animal or human deserves the same respect. For all are confronted with the same iron law: solitude."" Luc Desbenoit. The beauty that emanates from his photos comes from this nakedness. There is neither retouching nor cropping. We find in his work the same square format emphasized by the square of the negative that Trivier leaves on his prints. This frame traps our gaze in photographs where the artifice of color is rejected for an incisive black and white. With all artificiality having disappeared we do not face the staging of a subject but a presence exacerbated by radiating and singular light witness to an instant of life and not of pose. It is this light linked to the photographic medium that unites Marc Trivier's series: ""Les photographies de Marc Trivier écrivent une tragédie de la lumière celle-ci n'accueillant les êtres - hommes arbres ou bêtes - qu'en les brûlant avant disparition."" ""Marc Trivier's photographs write a tragedy of light welcoming beings - men trees or beasts - only by burning them before disappearing."" Xavier-Gilles in Le Monde Libertaire. It is also this light freed from all artifices that gives his works the aura that makes them so present. This ""burning"" ""brûlure"" of light brings us back to a real instant to Barthes' ""that-has-been"" ""ça a été"" La Chambre Claire 1980: ""De trente-cinq ans de pratique photographique d'obsessions c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière décliné d'une image à l'autre en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie."" ""From thirty-five years of photographic practice of obsessions this is perhaps what remains Par l'auteur unknown
1927122027London: Martin Secker 1927. First editions first impressions scarce in the jackets and especially so in such nice condition. First written in 1921 and then revised into its final form in 1927 Sirocco premiered on 24 November 1927 at Daly's Theatre; Home Chat on 25 October 1927 at the Duke of York's Theatre. Neither play was well-received when first produced. Two works octavo. Original grey cloth printed paper labels to spines. With dust jackets. Housed in a custom brown quarter morocco slipcase and matching linen chemise. A fine set in the bright dust jackets spines just slightly sunned short closed tear and crease to head of rear panel of Home Chat. hardcover
195314635London: Michael Joseph 1953. A first edition first printing published by Michael Joseph in 1953. Pictorial dust jacket over grey and yellow cloth. Contains black and white in text illustrations and colour plates by G. Calthrop. Illustrations and plates are bright and clear with some light tanning and foxing to edges. Unclipped jacket. Some light rubbing and loss to the corners and to the spine tips. This copy was previously part of a collection of selected volumes that were formerly kept at the London Office of Sir Noel Coward in Cadogan Square. Complete with Noel Coward Society authentification. Michael Joseph hardcover
192612482London: Benn 1926. A first edition first printing published by Benn in 1924. A very good book in like wrapper with some edgewear and rubbing and a chip to the head of the spine. Coward's third stage play. Benn unknown
1965140940840New York / New Orleans: Lyle Stuart Inc. printed by the Loujon Press 1965. First Edition. Near Fine. First edition first printing from a limited edition of 3100. Signed by Bukowski in red ink dated 4-4-65. Self-wraps with wrap-around belly band. Illustrated by Noel Rockmore. Near Fine with light rubbing at edges wear to corners light toning to spine. Belly band is slightly nicked creased at spine. A beautiful copy of a key early Bukowski poetry collection. Lyle Stuart, Inc., printed by the Loujon Press unknown books
1807267757Newark: S. & J. Ridge 1807. First edition Large Paper second issue with half-title. xiii i errata 187 pp. 8vo 9 x 5-7/8 inches. Almost contemporary plum cloth text uncut. Covers unevenly toned few blisters hinges strengthened. Laid into quarter blue morocco slipcase and chemise. First edition Large Paper second issue with half-title. xiii i errata 187 pp. 8vo 9 x 5-7/8 inches. LARGE PAPER. Byron's first regularly published book following the privately printed Fugitive Pieces and Poems on Various Occasions. This copy has the second issue points as follows: leaf D3 i.e. pp 21-22 is not a cancel; p. 114 'Thunder' in spelled correctly; p. 171 numbered as 71; and p. 181 has 'The' correctly printed in the penultimate line. Wise I p. 8; Randolph pp. 9-10 thinks this is a forgery S. & J. Ridge unknown books
1807267757Newark: S. & J. Ridge 1807. First edition Large Paper second issue with half-title. xiii i errata 187 pp. 8vo 9 x 5-7/8 inches. Almost contemporary plum cloth text uncut. Covers unevenly toned few blisters hinges strengthened. Laid into quarter blue morocco slipcase and chemise. First edition Large Paper second issue with half-title. xiii i errata 187 pp. 8vo 9 x 5-7/8 inches. Byron's first regularly published book following the privately printed Fugitive Pieces and Poems on Various Occasions. This copy has the second issue points as follows: leaf D3 i.e. pp 21-22 is not a cancel; p. 114 'Thunder' in spelled correctly; p. 171 numbered as 71; and p. 181 has 'The' correctly printed in the penultimate line. Wise I p. 8; Randolph pp. 9-10 thinks this is a forgery S. & J. Ridge unknown
186110753Washington DC: Government Printing Office 1861. First Edition Senate Issue. 13115430631pp. Quarto 29 cm Original black cloth with the title gilt stamped on the backstrip and the steamboat 'Explorer' gilt stamped on the front board. Very good. Boards gently rubbed more so at corners and hinges. Complete with all 26 tipped-in plates all eight Indian portraits have been nicely tinted Both large folding maps are present at the front both have short closed tears where they are bound in. All eight fold-out panoramas are present. Lacks the two rarely seen geologic maps. <br /> <br /> On the front pastedown the book is inscribed: "Presented to Thetford Academy by the Hon. Jacob Collamer Received Apr. 2 1862." Collamer was a longtime politician from Vermont and at the time of this publication was the senior Senator from Vermont. This report is the first to deal with the Colorado River specifically. One of the most important and best illustrated United States Government surveys of the American west. This work describes in detail Lieut. Ives and his crew taking a steamboat up the Colorado River the ship made it as far as Black Canyon the site of the Hoover Dam. The group then went on foot making it to the lower Grand Canyon. The illustrations by Mollhausen are excellent and the fold-out panoramas by Frederick W. von Egloffstein are some of the earliest maps of the Canyon. Eberstadt 120: 120. Fales & Flake 105. Farquhar 21. Flake/Draper 4287. Howes I-92. Paher 952. Reese Best of the West 163. Wagner/Camp 375. Wheat 947 948. Government Printing Office unknown
50584Washington: Government Printing Office 1861. First edition. Hardcover. 1311415430731 pp. in five parts with appendices. Quarto 29 cm Rebound in grained black buckram with gilt stamped title on the backstrip. Two maps present at front of volume one map is detached. Both maps have six inch closed tears. Very good. Faint rubbing to corners. May require extra shipping charges due to weight. This is the first book to deal with the Colorado River specifically. The Ives report is also one of the first descriptions of the Grand Canyon Big Canon of the Colorado and of the area's native inhabitants. Ives expedition predated John Wesley Powell's expedition by a decade. Lacks the oft-missing laid-in geological maps else complete with all plates maps wood cuts and panoramic views. Includes seven colored plates of the Indians of the southwest. ".the report is one of the most desirable books in the Colorado River field" - Francis P. Farquhar. Howes I94. Wagner/Camp 375. Wheat 947-948. Farquhar 21. Flake 4287. Government Printing Office hardcover
1937403107London: William Heinemann 1937. 8vo 220 x 145 mm; 8 x 5¾ in. 431 pages. Black-and-white plates. Original cloth; dust jacket. Dampstaining to jacket and covers. Provenance: Paul Robeson; Huntly Carter ca 1862-1942 British writer and critic of performing and visual arts; Herbert P. J. Marshall 1906-1991 British writer filmmaker theater designer and director; Robert Hollister. FIRST EDITION PAUL ROBESON'S COPY signed by him on the pastedown. Paul Robeson's copy signed by him on the pastedown. Robeson was a contemporary of Coward's and had great success in England after his 1928 performance in Show Boat where he established the definitive version of "Old Man River." Paul and his wife Essie first met Coward in 1926 probably introduced by their mutual friend Rebecca West. Essie's diaries reveal that she saw Coward a great deal during the winter of 1930-31 when he was the recipient of her woes about her marital difficulties with Robeson. "His attentions were evident from a letter Robeson wrote to Essie in January 1931: 'I had a talk with NC. We talked frankly as he said he knew all the facts. He was noncommittal and rightly so. After all his business with you is your concern not mine.' Robeson's biographer. Martin Duberman found 'no evidence of a sexual affair. Nonetheless the oblique reference in Paul Robeson's letter leaves the matter in doubt.' Essie and Noël 'stopped traffic' when they arrived together at the NAACP . annual ball at the Savoy" Philip Hoare Noël Coward: A Biography. Laid-in: Playbill for Coward's Present Laughter at the Theatre Royal Haymarket. A fine association copy. . <br/><br/> William Heinemann hardcover books
2014x-1461486777Springer Verlag 2014. Hardcover. New. 1000 pages. 10.39x7.36x1.73 inches. Springer Verlag hardcover
199550381ULLSTEIN LEOPOLD 04/1995. 5. softcover. Dirk Gently ULLSTEIN, LEOPOLD paperback
199450383ULLSTEIN LEOPOLD 01/1994. 4. softcover. Dirk Gently ULLSTEIN, LEOPOLD paperback
78526London 1817-1824. . Sieben Einzeldrucke zusammengestellt und privat gebunden: WERNER a tragedy. London John Murray 1823. VI von VIII 188 S. Zweiter Druck der ersten Ausgabe. Mit Druckwidmung für Johann Wolfgang von Goethe. - Die Tragödie erschien im gleichen Jahr in Paris bei Galignani; und. der Hamburger Georg Lotz veröffentlichte "Byron's Werner als Novelle" auch unter dem Titel "Werner der Verirrte" Schröder 2330 20. Ohne Vortitel. Wise II S. 44. - // MAZEPPA. A Poem. By Lord Byron. London John Murray 1819. 2 Bl. 46 S. Zweiter Druck der ersten Ausgabe. - // ODE TO VENICE. S. 47 - 56. - // A FRAGMENT OF A NOVEL. S. 57 - 69 von 72. Eines der frühesten Vampirmärchen der englischen Literatur. Ohne das letzte Blatt mit den Anzeigen. Wise I S. 132. - // THE ISLAND OR CHRISTIAN AND HIS COMRADES. By the Right Hon. Lord Byron. Second edition. London printed for John Hunt 1823. 92 von 94 S. Die Dichtung beruht teils auf dem Bericht über die Meuterei auf der Bounty 1789 und teils auf "Mariner's Account of the Tonga Islands" 1817. Ohne den Vortitel u. das letzte Blatt mit den Anzeigen. Wise IIS. 43. - // THE AGE OF BRONZE; or Carmen Seculare et Annus Haud Mirabilis. Second edition. London printed for John Hunt 1823. 36 S. Wise II S. 42. - // THE DEFORMED TRANSFORMED. A Drama. By the Right Hon. Lord Byron. Second edition. London Printed for J. and H. L. Hunt 1824. 86 S. Wise II S. 46. - Erste Blätter gering knickspurig gelegentlich leicht stockfleckig. Gutes Exemplar. London, [ 1817-1824]. unknown
42529Paris : Les Editions de Minuit (jusqu'au n°9) puis Editions Julliard - Directeur : Jacques Brenner - 49 fascicules 14,5x22,8 cm, pour les 15 premiers numéros, 14,1x19,3 cm et 12x20 cm pour les suivants - Le premier numéro s'intitule "Cahiers des quatre saisons" - Ensemble en bon état, la plupart des exemplaires sous papier cristal -Textes de François Augiéras, Dominique Aury, André Breton, Michel Butor, Albert Camus, Jean Cocteau, René Crevel, Jean-Paul de Dadelsen, André Dhôtel, Jean Follain, André Frédérique, Jean-Pierre George, André Gide, Pierre Herbart, Ionesco, Philippe Jaccottet, Max Jacob, Marcel Jouhandeau, Ernst Jünger, Jack Kerouac, Georges Limbour, Armen Lubin, Ossip Mandelstam, Joyce Mansour, Roger Martin du Gard, Roger Nimier, Bernard Noël, Ricardo Paseyro, Boris Pasternak, Jean Paulhan, Cesare Pavese, André Pieyre de Mandiargues, Robert Pinget, Marcel Proust, Raymond Queneau, Alexeï Remizov, Jean Reverzy, André de Richaud, Armand Robin, Maurice Sachs, Françoise Sagan, Jean-Philippe Salabreuil, Jules Supervielle, Henri Thomas, Alexandre Vialatte, Boris Vian, Orson Welles, etc. Des numéros en partie consacré à Jacques Chardonne, Jean Cocteau, Jean-Louis Curtis, Jean-Paul de Dadelsen, Eugène Ionesco, Armen Lubin, Jean Paulhan, Armand Robin, Jean Schlumberger, Marcel Schneider, Marguerite Yourcenar, etc.
1645123431645 Orléans, Maria Paris, 1645, "3 parties en un fort vol. in-4,reliure plein veau fauve, dos à nerfs cloisonné et fleuronné, pièce de titre havane, s (reliure de l'époque). 1 ff bl+titre imprimé en rouge et noir, portrait du duc d'Orléans, 6 ff avertissement, , portrait de Marguerite de Lorraine, 4 ff +De l'origine et fondation de la ville d'Orléans 566 pp (une inversion feuillet 347, une note en marge p 408 manuscrite) + 8 ff table + De l'université d'Orléans 'erreur de pagination 48/45, 168 pp + antiquitez et choses mémorables de l'église et diocèse d'Orléans 1645 p de titre + 3 ff +144 pp + histoire et vie des evesques d'Orléans 108 pp + 6 ff antiquitez et choses mémorables de l'église et diocese d'Orléans 1645 p de titre + 3 ff + 144 pp +
0937600040-8-1Occoquan Books. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Occoquan Books unknown
0937600040-11-1Occoquan Books. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Occoquan Books unknown
184947588London: Richard Bentley 1849. First Edition. Hardcover. Near Fine. 2 volumes. 12mo. Pp. xxxiv 354; iv 402. An error in pagination in volume at p. 337 and incorrect chapter headings printing errors only content in good order. Original brown cloth with gilt spine titles and decorative borders to the boards in blind. Cloth lightly chipped and bumped at the spine ends ink name at head of volume 1 title-page otherwise a fresh and unmarked set clean and tight throughout in tight bindings. Christmas's work explores the role of popular mythology in perpetuating beliefs surrounding the occult alchemy and the paranormal. In the first volume the author delves into astrology dream interpretation magic and whimsical automata. They highlight how certain beliefs became deeply rooted in tradition and societal norms almost being accepted as factual thus exerting a negative impact on rational thinking. A scarce work. Richard Bentley hardcover
1998Q-0198184573Clarendon Press 1998-06-04. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Clarendon Press hardcover
193059412New York 1930. 1 vols. Black and white photograph 9 x 7 1/4 with archival matt framed. Photographer's studio stamp on reverse. Framed. 1 vols. Black and white photograph 9 x 7 1/4 with archival matt framed. Photographer's studio stamp on reverse. Beautifully composed portrait of Noel Coward at his most suave and debonair by the noted photographer of society and stage. unknown
1965140947657New York & New Orleans: Lyle Stuart Inc. printed by the Loujon Press 1965. First Edition. Near Fine. First edition first printing from a limited edition of 3100. Signed by Charles Bukowski in red ink dated 3-17-65. 101 3 pp. Printed on variously colored textured paper illustrated with etchings by Noel Rockmore. Bound in publisher's printed wraps. Near Fine with light wear to covers bumping at tail of spine and cracking to front hinge. In a Near Fine orange printed wrap-around belly band lightly worn with 2 short tears to fold lines. A beautiful production uniting two major talents of the 1960s. Lyle Stuart, Inc., printed by the Loujon Press unknown
16-4013Paris : Paul Renouard 1826. Color lithograph. 255 x 435 cm. Plate X.From "Vues et paysages des reÌgions eÌquinoxiales recueillis dans un voyage autour du monde par Louis Choris avec une introduction et un texte explicatif.".OCLC Number: 936613121Choris served as artist on Otto von Kotzebue's expedition of 1815 to 1818. On this voyage Kotzebue traveled from Russia around South America via Cape Horn visited many Polynesian islands and charted the Alaskan coast. Image placed horizontally on page. "In July 1815 Choris at the age of 20 joined Otto von Kotzebue's expedition on the Rurik as the official artist. This was the first Russian circumnavigation devoted exclusively to scientific purposes and several well-known scientists contributed greatly to its success. Choris made a great many drawings during this voyage. In 1822 he published Voyage Pittoresque autour du monde . . Despite his using many of his drawings in that work Choris found 24 subjects among the remaining drawings which he published 4 years later in the present work" Lada-Mocarski.The plates are of subjects from the Atlantic and Pacific and include five of the coast of Brazil three in Chile eleven in the South Pacific and Hawaii and the remainder in Kamchatka the Marianas Manila the Cape of Good Hope and St. Helena. "Choris' drawings are original and faithful pictorial representations of the subjects he drew" Lada-Mocarski.References:Borba de Moraes pp.180-181; Forbes I 632; Lada-Mocarski 90; O'Reilly & Reitman 786; Sabin 12885.Louis Choris peintre et voyageur russe habile à peindre des objets d'histoire naturelle accompagna en 1813 le botaniste Marschall de Biberstein dans le Caucase et l'année suivante Otto de Kotzebue. A Paris en 1819 sur l'invitation des scientifiques il dessina ses belles études qu'il avait recueillies dans ses voyages. Il en fit publier le Voyage pittoresque autour du monde en 1822 dont les dessins sont estimés pur leur exactitude. La parution en 1826 des vues et passages des régions équinoxiales en forment la suite. Parti de France en 1827 pour un nouveau voyage en Amérique Choris fut assassiné par des voleurs au Mexique.Expertise by Jean-Paul Veyssière 37000 Tours France. Paris : Paul Renouard, 1826 unknown
16-4011Paris : Paul Renouard 1826. Color lithograph. 255 x 435 cm. Plate VII. .View of Concepción Chile. Includes a group of men and women in European dress in foreground. Also includes dwellings churches and palm trees.From "Vues et paysages des reÌgions eÌquinoxiales recueillis dans un voyage autour du monde par Louis Choris avec une introduction et un texte explicatif.".OCLC Number: 221396485.Choris served as artist on Otto von Kotzebue's expedition of 1815 to 1818. On this voyage Kotzebue traveled from Russia around South America via Cape Horn visited many Polynesian islands and charted the Alaskan coast. Image placed horizontally on page."In July 1815 Choris at the age of 20 joined Otto von Kotzebue's expedition on the Rurik as the official artist. This was the first Russian circumnavigation devoted exclusively to scientific purposes and several well-known scientists contributed greatly to its success. Choris made a great many drawings during this voyage. In 1822 he published Voyage Pittoresque autour du monde . . Despite his using many of his drawings in that work Choris found 24 subjects among the remaining drawings which he published 4 years later in the present work" Lada-Mocarski.The plates are of subjects from the Atlantic and Pacific and include five of the coast of Brazil three in Chile eleven in the South Pacific and Hawaii and the remainder in Kamchatka the Marianas Manila the Cape of Good Hope and St. Helena. "Choris' drawings are original and faithful pictorial representations of the subjects he drew" Lada-Mocarski.References:Borba de Moraes pp.180-181; Forbes I 632; Lada-Mocarski 90; O'Reilly & Reitman 786; Sabin 12885.Louis Choris peintre et voyageur russe habile à peindre des objets d'histoire naturelle accompagna en 1813 le botaniste Marschall de Biberstein dans le Caucase et l'année suivante Otto de Kotzebue. A Paris en 1819 sur l'invitation des scientifiques il dessina ses belles études qu'il avait recueillies dans ses voyages. Il en fit publier le Voyage pittoresque autour du monde en 1822 dont les dessins sont estimés pur leur exactitude. La parution en 1826 des vues et passages des régions équinoxiales en forment la suite. Parti de France en 1827 pour un nouveau voyage en Amérique Choris fut assassiné par des voleurs au Mexique.Expertise by Jean-Paul Veyssière 37000 Tours France. Paris : Paul Renouard, 1826 unknown
16-4014Paris : Paul Renouard 1826. Color lithograph. 255 x 435 cm. Plate XXI. cm. Small burn mark in lower margin. From "Vues et paysages des reÌgions eÌquinoxiales recueillis dans un voyage autour du monde par Louis Choris avec une introduction et un texte explicatif.".OCLC Number: 22156035.Choris served as artist on Otto von Kotzebue's expedition of 1815 to 1818. On this voyage Kotzebue traveled from Russia around South America via Cape Horn visited many Polynesian islands and charted the Alaskan coast. Image placed horizontally on page. "In July 1815 Choris at the age of 20 joined Otto von Kotzebue's expedition on the Rurik as the official artist. This was the first Russian circumnavigation devoted exclusively to scientific purposes and several well-known scientists contributed greatly to its success. Choris made a great many drawings during this voyage. In 1822 he published Voyage Pittoresque autour du monde . . Despite his using many of his drawings in that work Choris found 24 subjects among the remaining drawings which he published 4 years later in the present work" Lada-Mocarski.The plates are of subjects from the Atlantic and Pacific and include five of the coast of Brazil three in Chile eleven in the South Pacific and Hawaii and the remainder in Kamchatka the Marianas Manila the Cape of Good Hope and St. Helena. "Choris' drawings are original and faithful pictorial representations of the subjects he drew" Lada-Mocarski.References:Borba de Moraes pp.180-181; Forbes I 632; Lada-Mocarski 90; O'Reilly & Reitman 786; Sabin 12885.Louis Choris peintre et voyageur russe habile à peindre des objets d'histoire naturelle accompagna en 1813 le botaniste Marschall de Biberstein dans le Caucase et l'année suivante Otto de Kotzebue. A Paris en 1819 sur l'invitation des scientifiques il dessina ses belles études qu'il avait recueillies dans ses voyages. Il en fit publier le Voyage pittoresque autour du monde en 1822 dont les dessins sont estimés pur leur exactitude. La parution en 1826 des vues et passages des régions équinoxiales en forment la suite. Parti de France en 1827 pour un nouveau voyage en Amérique Choris fut assassiné par des voleurs au Mexique.Expertise by Jean-Paul Veyssière 37000 Tours France. Paris : Paul Renouard, 1826 unknown
