19 572 résultats
201710172Marseille, Club du livre , 1948 ; in-8, cartonnage de l'éditeur sous boitage . Les 3 volumes. En 3 volumes illustrations de Berthold Mahn - exemplaire n°4561/5000.
201208754Paris, Imprimerie nationale andré sauret , 1956 ; in-8, br. Les 2 volumes. Sous boitage en 2 volumes lithographie originale de berthold mahn.
201208753Paris, Imprimerie nationale andré sauret , 1956 ; in-8, br. Les 2 volumes. Sous boitage en 2 volumes lithographie originale de berthold mahn.
201414990Marseille, Club du livre , s.d. ; grand in-8, br. Les 3 volumes. En 3 volumes illustrés par berthold-mahn.
201800874Paris, Librairie hachette et cie , 1910 ; in-4, 328 pp., cartonnage de l'éditeur. Editions abrégée et illustrée de 30 gravures, tranche doré.
200711057Paris, Editions G.P. - 80 rue Saint-lazare, 1954 ; in-8, 192 pp., cartonnage d'éditeur avec jaquette. ROUSSEURS - ILLUSTRATIONS de P. Rousseau - 59e vol de la collection.
201316634Paris, Hachette, 1946 ; in-8, 256 pp., cartonnage de l'éditeur. Ouvrage en bon état.
201228971Paris, Hachette Bibliotheque verte, 1974 ; in-12, 256 pp., cartonnage de l'éditeur.
201324330Paris, Hachette, 1978 ; in-12, 251 pp., cartonnage de l'éditeur.
201306609Paris, Hachette, 1969 ; in-12, 188 pp., cartonnage de l'éditeur. Bon état.
1972306577First edition so stated. 4to. Illustrated with b/w halftone photographs. Dust jacket designed by Nick Frank unclipped with sticker over the price. Very good. 249 pages. No other signatures or bookplates. Boldly signed and inscribed by James Cagney in black ink to author Roy Moseley on the front free endpaper: "For Roy Moseley - all good wishes - Sincerely - Jim Cagney." Provenance: from the collection of author Roy Moseley. The Citadel Press hardcover
201738275Ogdensburg NY: Caliban Press 2017. Fine. Number 63 of about 110 copies signed and numbered by the highly regarded book artist and printer Mark McMurray. This is a beautifully produced new edition of A Christmas Carol that captures the power of this timeless story through the inventive use of text images paper type and binding. McMurray writes in the prospectus: "We know the story we know the characters but the language of the text offers new rewards with each reading. This edition of Dickens' classic returns to the dark sleep-deprived angst of the original complete text." The prospectus states that the text in this edition comes from the 1843 edition with minor corrections. Printed on a variety of handmade and mould-made papers including Zerkal Ingres and papers from La Papeterie-St. Armand. The text is printed entirely from metal and wood types including monotype Bell plus many from the 19th century. There are wonderful images of the ghosts that visit Scrooge on that fateful night and many other ornaments and designs throughout. They are done in various media including pochoir collage wood engraving and relief blocks. Bound in black ribbed flexible covers with a red morocco leather spine with title in gilt on spine and inside a cutout on the front cover. Housed in a stiff black paper slipcase with a subtle chain design. In fine condition. 7.5 x 10.5 inches. 107 pages. PRI/121725. Caliban Press unknown
24580No place or date. 1940s London. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Three items: a page with a quotation from Dickens and list of characters in MP’s autograph; and two copies of the speech. Text entirely legible throughout but on worn and creased paper MP is not named as the author but the item is undoubtedly his work: one of the two copies has autograph emendations in pencil. ONE: Typed Notes for ‘Dickens Fellowship Speech’. 2pp 4to. Begins: ‘Comment on previous speaker’s points. / Dickens the great Englishman - more than that the great man of the Middle Classes. He championed the Poor but he believed in his own class. All his real people are not of the Aristocracy but of the Middle Classes. That is why we want him today. He would have championed us and we need a champion.’ Later: ‘If he were here today - what a Prime Minister he would make. And one could get a Cabinet from amongst his characters. Let us try to make one. With the Master himself as Prime Minister who follows’ He gives a list of characters their cabinet posts and reasons for appointment beginning with Micawber as Chancellor and ending with ‘Health. Dr Parker Peps. added in autograph: ‘NEVER HEARD OF A PATIENT GETTING WELL’ / Labour. One of the Cheeryble Brothers - or Joe the Blacksmith.’ Ends: ‘It is the privilege of thye Dickens Fellowship to pay homage to his name but he would make the whole country one great English Fellowship if he could come amongst us again.’ TWO: Second copy of One without any autograph annotations. THREE: Leaf 1p 4to with three typed lines at head giving Micawber’s celebrated ‘happiness’ and ‘misery’ speech. Beneath this in pencil autograph a list of twelve cabinet posts and names of characters to fill them pretty much repeating the suggestions in the speech.From the Macqueen-Pope papers. See his entry in the Oxford DNB. Three items: a page with a quotation from Dickens and list of characters in MP’s autograph; and two copies of the speech. Text entirely legible throughout but on worn and creased paper MP is not named as the author but the item is undoubtedly his work: one of the two copies has autograph emendations in pencil. ONE: Typed Notes for ‘Dickens Fellowship Speech’. 2pp 4to. Begins: ‘Comment on previous speaker’s points. / Dickens the great Englishman - more than that the great man of the Middle Classes. He championed the Poor but he believed in his own class. All his real people are not of the Aristocracy but of the Middle Classes. That is why we want him today. He would have championed us and we need a champion.’ Later: ‘If he were here today - what a Prime Minister he would make. And one could get a Cabinet from amongst his characters. Let us try to make one. With the Master himself as Prime Minister who follows’ He gives a list of characters their cabinet posts and reasons for appointment beginning with Micawber as Chancellor and ending with ‘Health. Dr Parker Peps. added in autograph: ‘NEVER HEARD OF A PATIENT GETTING WELL’ / Labour. One of the Cheeryble Brothers - or Joe the Blacksmith.’ Ends: ‘It is the privilege of thye Dickens Fellowship to pay homage to his name but he would make the whole country one great English Fellowship if he could come amongst us again.’ TWO: Second copy of One without any autograph annotations. THREE: Leaf 1p 4to with three typed lines at head giving Micawber’s celebrated ‘happiness’ and ‘misery’ speech. Beneath this in pencil autograph a list of twelve cabinet posts and names of characters to fill them pretty much repeating the suggestions in the speech. No place or date. [1940s? London.] unknown
26724Undated. Contemporary Photograph 15 x 10.5 cm good condition. Image compared with online googled images and is a slightly different angle to the closest. See Image. Undated. unknown
184809685London: Chapman & Hall 1848. First Edition. Fine. octavo two items each bound in green printed wrappers. The 8 portraits are Dombey & Carker Miss Tox Mrs. Skewton Mrs. Pipchin Old Sol & Capt. Cuttle Major Magstock Miss Nipper and Polly. The Kenyon Starling - William Self copy with their bookplates. Bookplate of Francis Kettaneh. Fine; both items housed in a red folding case spine lettered in gilt. Fine. Chapman & Hall unknown
70178Routledge/Thoemmes Press London 1999. Five hardcover volumes octavo; hardcovers with gilt spine titles; 1607pp. 278pp. 249pp. 222pp. 466pp. 392pp. with many engraved illustrations. Mild dusting and staining of the text block edges. No dustwrappers as issued. Near fine. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. "Dickens' novels present a variety of depictions of family life from the 'happy families' such as the Nubbles in "The Old Curiosity Shop" and the Toodles in "Dombey and Son" to the families impaired by the absence of one or more members of the nuclear group like David Copperfield who has never known his father and the motherless Paul Dombey. The 'happy families' are typically working-class industrious and equally notable for cheerfulness and cleanliness; they perhaps represent to some extent not only a democratic contrast with the failings and corruptions of middle-class families but a sentimental wish fulfilment or idealization of the kind of family that Dickens would have liked to have grown up in. His own family life had much more closely resembled the ramshackle insecure existence of the Micawbers in "David Copperfield". In all these ways and many others Dickens never ceased to explore in his imaginative writings the dynamics and tensions of family life. The outline . of his own experience of living in a family first as son and brother and later as husband and father suggests that he was exceptionally well qualified to do so." Norman Page. Routledge/Thoemmes Press, London, 1999. hardcover
12758May 1859. Four pages 12mo detached a little roughly from book some damage where bound in. It includes the explanation of "the cessation of Bradbury & Evans connection with 'Household Words'" headed "Mr. Charles Dickens and his late Publishers" discussing relationship with Dickens and his desire to publish personal revelation without consultation with the publishers. May 1859. unknown
1837288239London: John Macrone 1837. Second Series. Quarter Leather. Good binding. First Edition Second Issue of Charles Dickens' first published book. Lacking the half title 'Contents' leaf and publisher's advertisement at the rear. With frontispiece; additional title page engraved; and eight additional plates. Foxing to the plates and opposite pages. Rubbing to the boards; loss to the top edge of the spine and to the spine label. Half calf with remnants of a black leather label over marbled paper boards. All edges marbled. John C. Eckel First Editions of the Writings of Charles Dickens 12-13 pp. Good binding. John Macrone unknown
1880002695Londion: Chapman and Hall 1880. Full-Leather. Complete three volume set. Very Good/No Jacket. First Edition. Bound in full red crushed morocco with raised bands elaborately gilt inner dentelles deep maroon endpapers and top edges gilt. Original cloth front cover and backstrip mounted on blank prelims original rear cover bound in at rear each volume. Facsimile autograph each volume as half-title. Volume I 1833-1856; Volume II 1857-1870; supplemental Volume III published in 1882 1836-1870. Index present in Vol.II and Vol. III 32 page publishers catalog appended Vol. III and errata slips extant as called for in all three volumes. Very light rubbing to tips raised bands and outer joints; rear joint on Vol. II cracked. All hinges solid and boards firmly attached. An attractive set in a quality fine binding. Podeschi D85. First Edition. Hardcover. Very Good. 8vo - over 7¾" - 9¾" tall. Chapman and Hall Hardcover
1851978Q12London: David Bogue 1851 . Cloth. Very Good. 5.5" by 4". George Cruikshank. The third edition of this charming ballad collaboration between Charles Dickens and George Cruikshank complete with the latter's amusing cartoons. The third edition. Illustrated with eleven plates. In other copies one of the plates is bound as the frontispiece however in this copy the plates are bound throughout the text. Collated complete. A charming poem by Charles Dickens the last of his collaborations with George Cruikshank. This poem began life when Cruikshank overheard a cockney version of the traditional ballad outside a public house subsequently repeating it to Dickens who revamped it into this version here. The authorship of this poem has seen a lot of debate with people believing that William Makepeace Thackeray was the author and that Dickens provided the notes and preface however it seems that Cruikshank told people that Dickens wrote the ballad for him.Illustrations by George Cruikshank the well known caricaturist. Bound the publisher's original cloth boards rebacked on full green morocco. Externally very good with rubbing to the joints and extremities. 'Lot 97' label to front board. Ink inscription to front endpaper. Internally firmly bound with bright clean pages. Very Good David Bogue hardcover
190655480London / New York: J.M. Dent & Co. / E.P. Dutton & Co 1906. Very good plus. Beautifully bound Edwardian edition of the Christmas classic featuring a Vellucent vignette binding by Cedric Chivers of Bath. After the success of A CHRISTMAS CAROL Dickens continued to produced "little Christmas books" in order to meet demand that swelled for the holiday season then as now the busiest time for booksellers. First published in 1845 CRICKET ON THE HEARTH is the third in the series featuring a drama of domestic happiness that picks up on themes from the Ghost of Christmas Past scene in A CHRISTMAS CAROL. This copy was bound by Chivers of Bath in the trademark style he developed that was also a landmark in the history of book design: the Vellucent binding. In this technique a painted design is protected by the addition of a layer of vellum so thin that it is translucent giving it the appearance of a delicate glass window. A striking copy of the beloved Victorian tale. 7'' x 4.5''. Contemporary tan morocco by Cedric Chivers stamped with elegant gilt ornaments central Vellucent title vignette to front board. Top edge gilt marbled endpapers. Illustrated by Brock with 8 full-page color plates as well as black-and-white vignettes. 171 1 pages. Slight fading to spine faint spotting to boards rubbing to vignette. Some instances of foxing to interior. Hinges firm. J.M. Dent & Co. / E.P. Dutton & Co unknown
201310612Paris, Henri veyrier, 1985 ; in-4, 264 pp., br. Ouvrage en bon état.
195096305éditions du Globe, coll. « Des auteurs et des textes » 1950 In-16 17 x 11,5 cm. Broché, jaquette, premier plat illustré en couleurs, 206 pp. Exemplaire en bon état, bien complet de sa jaquette.
2006LFA-126719575Revue trimestrielle fondée par Raymond Aron : 272 pages, format 185 x 255 mm, brochée, bon état
1802839541802. DENNIE Joseph and DICKENS Asbury eds. The Port Folio: Enlarged. Vol. II no. 1 - no. 52. 16 January 1802 - 15 January 1803. Philadelphia: Joseph Dennie and Asbury Dickens. Folio. 416pp. Partially unopened. Contemporary blue paper boards with paper spine nearly perished. Front board detached rear board nearly so. Water staining to first several leaves at fore-edge some foxing else very good in contemporary binding. Mott I pp. 223-246. Complete second volume of an important Federalist literary magazine founded in Philadelphia in 1801 and edited by Joseph Dennie 1768-1812 under the pen name "Oliver Oldschool Esq." Dennie is best remembered for his essay series entitled "The Lay Preacher" which were mostly didactic but not always religious. Asbury Dickens 1780-1861 was a Philadelphia bookseller and later US diplomat and politician but as a young man was involved in an unknown incident serious enough to make him flee to London in 1801 and he ended his partnership in the paper at the end of 1802. The second volume of the Port Folio contains several points of interest. Among them are John Quincy Adams' translation of Baron von Bulow's highly critical Der Freistaat von Nordamerika 1797; a dark recounting of Little Red Riding Hood in which she meets a bloody end first published in London in Tales of Terror 1801; an obituary notice for Marth Washington in the June 5th issue; and five satirical poems about Thomas Jefferson's affair with the enslaved Sally Hemmings. In subsequent years Dennis wrote scathing attacks on Jeffersonian Democracy and would be sued for seditious libel; although he was acquitted the Port Folio's critiques soon leveled off. Despite Dennie's death from cholera in 1812 the Port Folio survived until 1827 though in a monthly format. unknown