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191129433.1London: Chapman & Hall 1911. 1st edition NCBEL III 831. Purple cloth binding with gilt stamped lettering. Abt VG spine sunned to tan. xii 318 2 pp. 41 illustrations. 8vo. <br/><br/> Chapman & Hall hardcover books
19147161.1London: Longmans Green and Co 1914. 1st edition NCBEL III 810. Early 20th C. 3/4 green morocco binding with marbled paper boards & eps. TEG. Original printed peachish-yellow paper wrappers bound-in. Spine sunned as are some edges of the boards. A square & tight VG copy of an uncommon piece of Dickensiana. 95 1 blank pp. Binder's blanks. Maclise's "Nickleby" portrait reproduced on front wrapper. 8vo. <br/><br/>Dickens brought suit against 5 defendants for publishing/selling a piratical edition of his 'Christmas Carol'. 4 offered no substantial defense but Lee & Haddock showed fight and as a result this work makes for interesting reading. Longmans Green and Co hardcover books
1982WRCLIT83438Los Angeles: Heritage Book Shop 1982. xvi41203pp. Quarto. Gilt lettered cloth. Illustrated with photographs of bindings and relevant text leaves. First edition. About fine in near fine faintly sun-struck jacket. Heritage Book Shop hardcover books
192321670Berlin: Hans Heinrich Tillgner Verlag 1923. Number 71 of 100 copies with the lithographs signd by the artist. Lithograph illustrations by Rahel Szalit-Marcus 6 full-page signed in pencil by the artist several illustrations in the text. 1 vols. Folio. Brown morocco gilt by "Wübben & Co. Berlin." Some rubbing of binding light marginal discoloration of some leaves else a very good copy. Number 71 of 100 copies with the lithographs signd by the artist. Lithograph illustrations by Rahel Szalit-Marcus 6 full-page signed in pencil by the artist several illustrations in the text. 1 vols. Folio. Contains "Eine Dampferfahrt" "Familie Tuggs in Ramsgate" and "Das Bordinghaus". Hans Heinrich Tillgner Verlag unknown books
1868740301868. Large oval portrait photograph measures 20 inches by 16 inches. Matted in a contemporary frame which measures 25.5 inches by 29.5 inches. Signed "Charles Dickens with a large flourish Boston Sixth March 1868." In 1867 Charles Dickens began his second American reading tour at Boston's Tremont Temple where an enthusiastic audience delighted in some of his most notable works members of the audience included legendary literary stars such as Henry Wadsworth Longfellow and Ralph Waldo Emerson. Although Dickens was in declining health he embarked on an ambitious travel schedule across the United States. Dickens returned to Boston once more before concluding his U.S. tour in New York City. When Charles Dickens arrived in Boston on November 19 1867 the celebrated English author spent several days at the Parker House hotel recuperating from the voyage. As conscientious a performer as he was a writer Dickens had prepared diligently for his performances redrafting and memorizing key passages from his books especially for these engagements. He used a book only as a prop; he was so familiar with the material that he could improvise with ease. However during his 1867-1868 tour he was plagued with Flu-like symptoms insomnia and an inflammation of his foot which forced him to walk with a cane. During his last tours in 1868 Dickens confined much of his performances to the New England area. Dickens was grateful for the income he desperately needed from his readings which generated $140000 close to $2000000 today; but he longed for home. On April 8 1868 Dickens gave the last performance of the tour. Prolonged applause followed the reading. He closed by telling the audience "In this brief life of ours it is sad to do almost anything for the last time. Ladies and gentlemen I beg most earnestly most gratefully and most affectionately to bid you each and all farewell." He died two years later having written 14 novels several of which are considered classics of English literature. A desirable piece of Victorian literary history. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and by the twentieth century critics and scholars had recognized him as a literary genius. unknown books
186858251868. Signed "Charles Dickens with a large flourish Washington D.C. Seventh February 1868." Large oval portrait photograph measures 13 inches by 13 inches. Matted in a walnut frame which measures 24 inches by 27 inches. On his Washington tour Dickens met President Andrew Johnson and signed this photograph on the date of that meeting February 7 which also happened to be Dickens' birthday. He discussed in a letter to his friend and agent John Foster regarding that day "This scrambling scribblement is resumed this morning because I have just seen the President: who had sent to me very courteously asking me to make my own appointment. He is a man with a remarkable face." From the Library of The Cosmos Club in Washington D.C. Portrait photographs of this size signed by Dickens are exceptionally rare especially with such noted provenance. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and by the twentieth century critics and scholars had recognized him as a literary genius. unknown books
1912WRCLIT41351Boston: Houghton 1912. Two volumes. 12mo. Green boards t.e.g. Frontis portraits. First this edition. One of 550 numbered sets. Boards slightly marked else a near fine bright set. Houghton hardcover books
1993WRCLIT40766New York: Morrow Junior Books 1993. Quarto. Pictorial boards. Illustrations by Diane Stanley. First edition. Morrow Junior Books hardcover books
1938WRCLIT40780New York: International 1938. Cloth. First U.S. edition. Endsheets and edges a bit tanned else very good in a price- clipped chipped and worn dust jacket with old inner tape repairs. International hardcover books
15085Famed English Victorian novelist. 2 page Autograph Letter Signed and dated Tuesday the 26th of March 1844. Writing to The London Magazine Dickens praises the poetry of contemporary writer and magazine editor Thomas Hood as well as committing to send new work to be published in the magazine. This letter was written during the same period when Dickens was writing the final installments of Martin Chuzzlewit the novel that he would ultimately call his best work.<br/><br/>From Devonshire Dickens writes in his hand in full<br/><br/>"Dear Sir<br/>It is quite unnecessary for me to say that I have a great respect for Thomas Hood and hold his genius in high estimation.<br/><br/>I cannot promise to render any but the slightest assistance with his magazine in case it should receive consequences of its late appearance this month. But if it should and if it should be within the hands of the Spottiswoodes publishing house I will certainly write something for the next number. It will necessarily be very short and will most probably refer to its starting under new and favorable circumstances. But in the case I have put I will do that much with sincere pleasure -- and would do much more if my engagements permitted."<br/><br/>He signs boldly " Charles Dickens."<br/><br/>Dickens' lengthy novels were each published as magazine serials prior to their final release in book form and this letter provides an important glimpse into how he retained these important relationships with editors while negotiating the balance between creating much-loved literary masterpieces and meeting the demands of magazine deadlines. Deeply engaged in the composition of his novel Martin Chuzzlewit which Dickens would call his best work Dickens admits to the editor his desire to submit work but his concern at missing a deadline and holding up publication of the upcoming issue. Rather than inconvenience the editor or bring about the dissatisfaction of subscribers Dickens commits to "writing something for the next issue" if the current issue is already "within the hands of the Spottiswoodes" publishing house. Given Dickens' "great respect" for the position of Thomas Hood who was both a famed writer and one of the magazine's editors he guarantees a strong piece and assures his correspondent that he is "writing under new and favorable circumstances." Such conditions could be credited to the near-completion of Martin Chuzzlewit as well as to the birth of Dickens' third son in the same year.<br/><br/>An important letter providing a glimpse into Dickens' publication and writing. With minor age related toning. In very good condition with bold clean signature. unknown books
190030397Philadelphia: Henry Altemus Company 1900. Ca 1903 cf. Sternick ALTEMUS 74 & GP-27 for images. Gilt decorated white cloth spine with pale yellow boards decorated with a floral pattern Dainty Format 2. Buff printed dust jacket Dainty Format 1. VG average wear/VG chip from each spine end/chip from bottom edge of front panel. 64 pp. Illustrated with a frontis & 12 full-page illustrations. 8vo. 8-1/4" x 6-1/8" <br/><br/> Henry Altemus Company hardcover books
196870735n.p.:: Lancelot Press. Very Good in Very Good dust jacket. 1968. Hardcover. First edition thus. Very good in a very good minor edge wear and age toning lower corner of front flap is clipped dust jacket. . Lancelot Press, hardcover books
1918WRCLIT69308London: Printed at the Chiswick Press for Cumberland Clark 1918. Small quarto. Linen and gilt lettered boards. Tipped-in 4pp. manuscript facsimile. Boards a bit marked and soiled endsheets tanned but a good copy. First edition. Explanatory note by Cumberland Clark and with his year of publication presentation inscription to bookseller Charles Sawyer one of the then leading specialists in Dickens and his circle. Printed at the Chiswick Press for Cumberland Clark hardcover books
191833022.1London: Printed at the Chiswick Press for Cumberland Clark 1918. 1st edition. Not found in the NCBEL. The 'William Miller' 'Self' copy with both owners' ownership labels to the front paste-down. Green cloth binding with gilt stamped title lettering to front board. Modest wear with slightly darkened spine. Bookplate to ffep. A VG copy. 15 1 blank pp. 4 pp facsimile letter tipped-in. 8vo. <br/><br/>A look at the tiff between Dickens & Colburn on the editorship & publishing of PIC NIC PAPERS 1841 presumably issued to benefit Macrone's widow and from which Dickens was criticized for Colburn's inclusion of material without attribution and without Dickens' knowledge. Somewhat uncommon- the first time we've been able to offer a copy. Printed at the Chiswick Press for Cumberland Clark hardcover books
191833022London: Printed at the Chiswick Press for Cumberland Clark 1918. 1st edition Gimbel B108. Not in the NCBEL. Quarter bound with white cloth spine over red paper-wrapped boards. Gilt title stamping to front board. Wear & soiling to binding with board showing at tips. Age-toning to eps. An About VG copy. 15 1 blank pp. Facsimile of Dickens' letter. 8vo. <br/><br/> Printed at the Chiswick Press for Cumberland Clark hardcover books
19681366.10Bloomington: Indiana University Press 1968. 1st edition. Blue cloth bindings. Blue dust jackets. NF/NF. A nice set. 2 volumes xx 359; xii 361 - 716 pp including index. 132 annotated illustrations. 8vo. <br/><br/> Indiana University Press hardcover books
19003597London: Merrill & Baker 1900. First Thus. Edition des Bibliophiles. Limited to twenty-six lettered and registered copies this copy being Letter "H" Printed for Sadie Belle Lufkin. Thirty-two octavo volumes 227 x 154 mm. Contemporary blue crushed levant morocco. Covers decoratively tooled in gilt in a floral design within a gilt single fillet border spines decoratively tooled and lettered in gilt in compartments with five raised bands gilt-dotted board edges turn-ins decoratively tooled in gilt within an outer border of a gilt-dotted rule and two gilt fillets red calf doublures red watered silk liners top edge gilt others uncut. Partially unopened.<br/><br/>Elaborately illustrated with frontispieces and plates including photogravures etchings photo-etchings from the original illustrations by Frederick Barnard Hablot K. Browne "Phiz" George Cattermole George Cruikshank Dalziel F.O.C. Darley Luke Fildes John Gilbert Edwin Landseer John Leech Daniel Maclise J. Mahoney F.W. Pailthorpe Robert Seymour Stanfield F. Stone Marcus Stone and others including fifty original watercolor drawings "Aquarelles" by "Kyd" Joseph Clayton Clarke of Dickens's characters. Descriptive tissue guards.<br/><br/>Few writers in English have generated such sustained fame as Charles Dickens. A prolific novelist interested how science technology economics and religion shaped human experience in the changing modern world he deftly combined good natured humor and biting satire. The present is a near comprehensive gathering of his best loved works. Although the spines are uniformly faded to green and a few leaves are poorly opened this set is in a spectacular binding. Merrill & Baker unknown books
19331843.3Cambridge MA: Harvard University Press 1933. 1st edition NCBEL III 827. Brown cloth binding stamped in gilt. Printed buff paper dust jacket. VG bpt/glue residue to ffep/top edge dusty/VG edge chipping primarily to top edge. xvii 1 65 1 blank pp. Sm. 8vo. <br/><br/> Harvard University Press hardcover books
19603703.5London: Longsman Green & Co 1960. New edition. Wrappers stapled. VG. 48 pp frontis 8vo. <br/><br/> Longsman Green & Co unknown books
19663703.7London: Longsman Green & Co 1966. Reprinting of the revised edition of 1963 with additions to the Bibliography. Yellow-green wrappers stapled. Front wrapper printed price canceled with new price pasted over. VG minor wear/unobtrusive stain to rear wrapper. 52 pp. Frontis of Dickens. 8vo. <br/><br/> Longsman Green & Co unknown books
201236822.7Calabasas: David Brass Rare Books 2012. 1st edition. Green cloth binding. Dust jacket. As New in a similar dust jacket still in publisher's shrink wrap. xxxvi 420 pp. Illustrated. 4to. <br/><br/>Absolutlely essential reference to the collector of Dickens US editions. David Brass Rare Books hardcover books
19501529.1London: Andrew Dakers Ltd 1950. 1st edition NCBEL III 830. Orange cloth binding with gilt stamped lettering to spine. Dust jacket. Printed dark yellow belly band with blurb by "Dr. Edith Sitwell". VG square & tight/spine slightly sun-darkened/VG spine panel a bit sun-tanned. 459 1 blank pp including Index. Publisher info card laid-in. 8vo. <br/><br/>Somewhat uncommon biography of the Inimitable especially so in jacket & with the belly band on which Dame Sitwell states "Mr. Lindsay's study seems to me infinitely the most important long book on Dickens that has appeared." Andrew Dakers Ltd hardcover books
19146059London: Hodder & Stoughton 1914. 1st printing thus. Broadweave cloth-like covers. VG edgewear. 207 1 xiv pp. Adverts last 14 pages. profusely illustrated in color & b/w 4to. <br/><br/>An anthology of selections & commentary from early 20th c. Dickensians such as G. K. Chesterton & F. G. Kitton. Hodder & Stoughton hardcover books
197049391Buffalo: State University of New York 1970. 1st Printing. Pale green & blue paper covers stapled. Now housed in an archival mylar sleeve. Nr Fine. 4 i 1 26 pp. 8vo. 8-7/16" x 5-3/8" <br/><br/>"This catalogue is issued in connection with the Dickens Centennary Exhibit in the Lockwood Library State University of New York at Buffalo." State University of New York unknown books
19536281.3London: Cassell 1953. 1st edition. Black cloth binding. Dust jacket. VG bpt/VG pc. 6 270 pp including index. Illustrated. 8vo. <br/><br/>A biography by one who wished to show all sides of the Inimitable. Cassell hardcover books