19 572 résultats
19112727H84234London: Hodder And Stoughton. No date c.1911. This edition is illustrated by A.C. Michael with 13 full page illustrations including 8 tipped-in color plates. Wear to cover but pages illustrations and plates are complete. Binding sound. . Acceptable. Hardcover. 1911. Hodder And Stoughton hardcover
1967325417Norwalk Connecticut: Easton Press 1967. First Edition; First Printing. Hardcover. Illustrated by Reginald Birch. Near Fine. Leather Bound. Printed on archival paper with gilded bottom and side edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; Collector's Edition. Easton Press hardcover
GB01B98R6G2I5N00Penguin Classic October 011984. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Penguin Classic (October 01,1984) paperback
1843GB005ECXR9KI3N01Chapman & Hall 1843. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Chapman & Hall hardcover
2005010449Dalmatian Press 2005. Book. Near Fine. Full-Leather. "Collector's Edition". 8vo - over 7¾ - 9¾" tall. 278pp 2005. Collectors Edition in full red leather with gilt cover and spine lettering and decoration and gilt page edges red placemarker ribbon. Full numberline beginning with 1. Dalmatian Press Hardcover
1967325785Norwalk Connecticut: Easton Press 1967. First Edition; First Printing. Hardcover. Illustrated by Reginald Birch. Near Fine Leather Bound. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; Collector's Edition. Easton Press hardcover
2003207768New York: Barnes & Noble 2003. First Edition Thus; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. Barnes & Noble hardcover
324909The World Publishing Company. First Edition. Hardcover. Near Fine/Near Fine. Stated first edition. 4to in greenish blue cloth boards with gilt ornamentation. Binding is tight and square. Pages are very crisp clean and bright with no markings. Small closed tear to the DJ front panel at the right side edge. Very minor rubbing and shelving wear. DJ is now protected by a clear plastic cover. The World Publishing Company hardcover
1843319 - 970 - 175<p>First editions of all five of Dickens' Christmas books. Uniformly bound in striking full crimson morocco by George Bayntun early twentieth century; stamped "Bayntun Bath England" on the turn-ins with gilt holly leaf motifs lettering fillet borders dentelles and edges. Hand-marbled endpapers. The original cloth covers are bound in at the rear. The first two were published by Chapman & Hall; the last three by Bradbury & Evans. <br /><br />All five are first impressions but with mixed issue points. Edition and condition details provided below in separate sections.</p><p><strong>Edition Details</strong></p><ol><li><strong>A Christmas Carol. </strong>First impression with the title page dated 1843 printed in blue and red but faded; see condition section and no edition statement. The textual errors remain uncorrected which distinguishes the first impression from all later impressions collated by hand against all entries in Smith II:4. Period faint after "gloom" on p 21 noted by Smith in a minority of first editions. Second state of the chapter headings with the numbers spelled out "Stave One". Second issue of the original cloth cover: the "D" in "Dickens" lacks the upper serif and the closest gap between the wreath and blindstamping is 12-13 mm. With a hand-colored frontispiece and three additional plates by Leech and in-text wood-engravings by Linton after Leech. Smith II:4; Todd 1967. <br /><br /></li><li><strong>The Chimes. </strong>First impression with the title page post-dated 1845 but printed 1844 and no edition statement. Second state of the title vignette publisher imprint centered and at the foot. With an etched frontispiece and vignette by Daniel Maclise; additional plates and wood-engravings after Doyle Leech and Stanfield. Smith II:5. <br /><br /></li><li><strong>The Cricket on the Hearth. </strong>First impression with the title page post-dated 1846 but printed 1845 and no edition statement. Second state of the Oliver Twist ad leaf "New Edition". With a half-title an etched frontispiece and vignette by F. P. Becker after Maclise; in-text illustrations after Doyle Leech and others. Smith II:6. <br /><br /></li><li><strong>The Battle of Life. </strong>First impression with the title page dated 1846. Fourth state of the vignette title Cupid with "A Love Story" banner and no publisher imprint underneath. With an etched frontispiece and vignette by Daniel Maclise; wood-engravings after Doyle Leech and Stanfield. Smith II:8. <br /><br /></li><li><strong>The Haunted Man. </strong>First impression with the title page dated 1848 and no edition statement. First and only state of the vignette titles. With an etched frontispiece and vignette by Martin & Corbould after Tenniel; in-text illustrations after Leech Stanfield Tenniel and Stone. Smith II:9.</li></ol><p><strong>Condition Details</strong> Small octavos approximately 6.5 x 4.25 inches. Bindings tight; leather boards supple gilt bright overall with minor losses to edges and gilt fillet borders on the front and rear boards. A few minor isolated darker spots rubbing and shallow surface indentations from handling. No bookplates underlining or prior owner markings. Contents largely clean with only an occasional light stain or age spot. All volumes retain their original cloth covers and spines bound in at the rear. Some leaves show signs of gentle cleaning most noticeably the title page of <em>A Christmas Carol</em> resulting in fading especially of the blue ink and very subtly to the vignette titles of other volumes without discernable fading. Likely this was done by Bayntun himself at the time of rebinding as similar treatment has been observed in his other bindings including another copy of <em>A Christmas Carol</em> and was standard practice of the era see Zaehnsdorf 1890; Cockerell 1901. <em>A Christmas Carol</em> shows a small dent to the fore-edge of the text block a marginal chip to the illustration page of the Ghost of Christmas Present and a discreetly mended tear to the margin of that same leaf neither flaw affects the image as shown. All four plate leaves are lightly tanned. Bound without the terminal ad leaf as common else complete. In the other four volumes the ad leaves are present and the illustration plates are all complete intact and undamaged. The title vignettes of The Haunted Man are noticeably darkened and stained mainly on the edges. Additional pictures available upon request. A finely preserved and visually striking set.</p><p><strong>Binder Note</strong></p><p>The turn-ins are gilt-stamped "Bayntun Bath England" confirming the work predates the firm's 1939 acquisition of Riviere. The Bayntun-Riviere bindery remains one of the most celebrated of the twentieth century known for its technical precision and visual elegance and continues to operate under the same name today.</p><p>-</p><p><em>"I will honour Christmas in my heart and try to keep it all the year."</em> — A Christmas Carol Stave IV</p><p>In 1843 desperate for income and determined to make a moral statement Charles Dickens wrote A Christmas Carol in six weeks and paid for its production himself. He rejected cheap formats insisting on gilt-edged pages hand-colored illustrations and cloth boards stamped in gold. Although the first impression sold out within days high production costs and disputes over profits left him with little return. Each of the Christmas books that followed carried the same intent: to unite moral purpose with visual warmth and seasonal charm. Dickens wanted his Christmas books to be beautiful. This set rebound by Bayntun in full crimson morocco honors the beauty he demanded at personal and financial risk.</p><p><strong>Reference List</strong><br /><br />Smith W. E. 1983. Charles Dickens in the original cloth: A bibliographical catalogue of the first appearance of his writings in book form in England with photographs of the bindings titlepages and other relevant data. Part Two: The Christmas books and selected secondary works. Heritage Book Shop.</p><p>Todd W. B. 1961. Note 170. Dickens's Christmas Carol. The Book Collector 10Winter 449–454.</p><p>Zaehnsdorf J. W. 1890. The art of bookbinding: A practical treatise for amateurs 2nd ed. Sampson Low Marston & Co.</p><p>Cockerell D. 1901. Bookbinding and the care of books. Macmillan & Co.</p><p>Inventory ID: 319 - 970 - 175</p> Chapman & Hall; Bradbury & Evans hardcover
1976B11170<p>Nevada City CA: Harold Berliner 1976. Limited illustrated edition signed by illustrator Wolfgang Lederer on the limitation page at the back of the volume. Numbered 304 of 750 total. Near fine condition in very good dust jacket. Brown cloth spine with light tan boards. Gilt decaoration to front cover and spine. Sharp corners tight binding clean pages. Dust jacket has a cut along the back edge otherwise fine.</p> Berliner hardcover
2003210301New York: Barnes & Noble 2003. First Edition Thus; First Printing. Hardcover. Illustrated by Mark Summers. Near Fine in a Near Fine dust jacket. Barnes & Noble hardcover
1862031798UK: Chapman and Hall 1862. New Edition . Soft cover. Near Very Good. 24mo - over 5" - 5¾" tall. New Edition 1862. A very rare early soft cover paperback version from 1862. Published by Chapman and Hall. This edition never issued with the four Leech plates. Bound in the original paper covers. The soft cover book is near very good and quite bright. Spine tips and corners a little rubbed. Light soiling to boards. Loss to spine tips. Internally clean and complete. More images can be taken upon request. Ref19411 <br/> <br/> Chapman and Hall paperback
ANAIS-0434958573Lippincott 1915-01-01. First Edition. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Lippincott hardcover
1988328385New York: Reader's Digest Association 1988. First Edition; First Printing. Hardcover. Illustrated by Arthur Rackham Robert Buchanan Barbara Buchanan. Very Good in boards. Light rbbing on spine crown.; The World's Best Reading; 287 pages. Reader's Digest Association hardcover
1987031886UK: Nottingham Court Press 1987. New Edition . Cloth. Fine. 16mo - over 5¾ - 6¾" tall. New Edition Facsimile 1987. Produced as a facsimile of the 1st edition originally printed in 1846. A nice quality production. Book is fine. Contents very good. Ref19422 <br/> <br/> Nottingham Court Press hardcover
1977031887UK: Paradine 1977. First Edition Thus . Full-Leather. Fine. 16mo - over 5¾ - 6¾" tall. 1st Edition Thus 1977. A new limited edition of 135 copies this being number 67. Includes all the plates being hand coloured. Produced by Paradine books as a facsimile of the 1st edition originally printed in 1846 and bound up in a bespoke beautiful full leather binding by a master bookbinder. Exceptional quality production with a hand made custom slip case. Book is as new. Ref19420 <br/> <br/> Paradine hardcover
19340855042Boston: Limited Editions Club at the Merrymount Press 1934. First Edition Thus. Hardcover. Very Good/No Dust Jacket. Illustrations By Gordon Ross. 4to - over 9¾" - 12" tall. In half-green cloth over x-mas tree patterned paper covered boards printed spine label 4to 100pp. #1225 of 1500 copies designed and printed by D. B. Updike at the Merrymount press Boston. Signed by illustrator Gordon Ross on colophon page. light rubbing and toning to spine label. Limited Editions Club at the Merrymount Press hardcover
2025BIBSD0112200292025. Full Leather Bound. NEW. Size: 14.60 x 22.86 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1910 and this unique edition is Reprinted in 2025 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - English Pages 97. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
0872320049New. New. Satisfaction Guaranteed or your money back. unknown
1916C218971London: George G. Harrap 1916. Paperback . Very Good. Small octavo. 133pp colour frontis. Original illustrated paper covers. Text pages with decorative borders. Slight wear and fading spine ends slightly torn and yapped edges with creasing. An interesting misbound copy which has mistakenly used the cover for The Cricket on the Hearth. No date c.1916. George G. Harrap, paperback
196447085Philadelphia: J.B. Lippincott Company 1964. Very Good/Very Good. Philadelphia: J.B. Lippincott Company 1964. Reprint. Octavo; Illustrated dust jacket; red cloth boards stamped in black; 147pp. 12 color illustrations; numerous black and white illustrations throughout. Dust jacket rubbed with chipping to edges. Boards show mild shelfwear; spotting to joints and heavier dampstaining to rear board; ownership "F." to front; binding sound; gift inscription to preliminaries; faint staining to margins of a few leaves else unmarked; still a Very Good copy with Rackham's classic illustrations originally published in 1915. J.B. Lippincott Company unknown
mon0000037516Arcturus Holdings Limited. paperback. Like New. in x in x in. Arcturus Holdings Limited paperback
2003006288<p>London: Folio Society 2003. Book in very good clean condition. Box has some scuff marks. Folio. Pictorial Hard Cover. Very Good/Boxed Set. 10 1/2" x 10". Boxed Set.</p> Folio Society hardcover
19471771833374ADAWilliam Heinemann 1947. Hardcover. Good. 1947. Reprinted. 147 pages. No dust jacket. Green cloth. Black and white and colour illustrations throughout. Pages and illustrations have light tanning and foxing throughout. Sticker to rear pastedown. Binding remains firm. Boards have light shelf-wear with corner bumping. Light sunning to spine and edges. William Heinemann hardcover
191410631<p>David McKay Philadelphia 1914. HC Near Fine/VG dark blue with decorative gold gilt titles and borders on the front cover and spine. Dust jacket has very minimal edgewear mainly on spine top. Fingerprint soiling on cover. 8 full-page color plates including a frontispiece illustrations by Arthur I. Keller an award-winning American painter.</p> David McKay hardcover