William ShakespeareMareMagnum
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William Shakespeare William Shakespeare. Hamlet. Londra, Longman 1979 - XI , in ottavo pp. lxxviii + 242 Testo teatrale dell'Amleto di Shakespeare. Copertina e pagine ingiallite. Sottolinature e scritte a matita su alcune pagine. Copertina lievemente usurata.
Zaragoza, Imprenta de Faustino Gambón Castillón, s.a. (1917). 4to.; 60 pp. Cubiertas mudas en cartulina.
In-8° (cm. 20,5), brossura editoriale figurata, pp. VIII 424 [2]. Ottimo stato di conservazione, illustazioni fuori testo. (MG4)
3962 William Shakespeare William Shakespeare. Antonio e Cleopatra. Milano, Rizzoli 1996 - IV multilingual, in sedicesimo pp.256 Tragedia teatrale di Shakespeare. Copertina ingiallita. Pagine lievemente ingiallite.
Reliure ?diteur. 131 pages.
William Shakespeare William Shakespeare, Teatro, 3 volumi indivisibili. Einaudi, Millenni, 1980. , Einaudi 1980 italiano, in ottavo 2995 10898 William Shakespeare, Teatro, 3 volumi indivisibili. Einaudi, Millenni, 1980 Traduzione di Cesare Vico Lodovici, preceduto dalle note su Shakespeare di Boris Pasternak. Illustrazioni di Henry Fuseli presentate da Giulio Carlo Argan. 3 volumi con cofanetto figurato In-8, cartonato telato con fregi al dorso, sovracoperta figurata, taglio superiore colorato, segnapagina, numerose illustrazioni fuori testo a colori e in bianco e nero Tomo I: pp.988, si segnala una leggera scoloritura sul dorso della sovracoperta, senza perdita di testo. Tomo II: pp.1009 Tomo III: pp.998 Ottimo stato di conservazione
ill., br. Shakespeare aveva la capacità straordinaria di evocare la vita di re e regine, innamorati, soldati e persone semplici e di interrogare il cuore di ciascuno. Le sue parole accendono l'immaginazione del pubblico ancora oggi. Età di lettura: da 7 anni.
William Shakespeare William Shakespeare, le tragedie. , Mondadori 1900, Libro usato in buone condizioni. Rilegato in pelle in cofanetto cartonato. Copertina rigida Buono (Good) . <br> <br> <br> 1068<br>
AA.VV. William Shakespeare Vol II. , Il giornale 1990, Copertina cartonata, leggermente sporca e ingiallita. Tagli e pagine sporchi di polvere e ingialliti. Collana:"Il teatro 10". Mediocre (Poor) . <br> <br> <br> 450<br>
467 p., f.to cm 24,5x17, copertina rigida, illustrazioni in nero. Ottime condizioni.
ill. Età di lettura: da 7 anni.
Collana "Sidera". Un volume di 353 pagine, tela editoriale con sovracoperta illustrata. Dimensioni: 15x22,5 cm. Minime tracce d'uso alla sovracoperta (che risulta in alcuni punti incollata ai piatti della brossura), per il resto ottime condizioni. Un ritratto di Shakespeare in b/n nel frontespizio. Prima edizione italiana. Traduzione di Luciana Lombardo Frezza.
AA.VV. William Shakespeaere Volume I. , Il giornale 1994, Copertina cartonata, leggermente sporca e ingiallita. Tagli e pagine sporchi di polvere e ingialliti. Collana:"Il teatro 9". Mediocre (Poor) . <br> <br> <br> 450<br>
Broch?. 821 pages.
19541206428Cambridge (Mass.), Harvard Univ. Press, 1954. 302 pp., 1 leaf, 11 plates. Orig. cloth with orig. dust jacket (dust jacket dusty and with small marg. tears).
21220At head of first page: 'Copy January 16 1894'. A highly interesting letter from a leading Victorian dramatic critic Thomas describes himself in the letter as 'For five & twenty years . theatrical critic of the Daily news & the Graphic' who has 'served under at least thirteen editors' to a leading actor-manager Hare was knighted in 1907 on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp 8vo. On four leaves. Aged and worn but with text complete and clear. Thomas has noted on the reverse of the last leaf: 'Letter to Hare about Grundy's Comedy An Old Jew produced at the Garrick Janry 6 1894.' Grundy wrote 'An Old Jew' for Hare who portrayed the main character Julius Sterne. Draft of long letter with numerous minor emendations. He was glad to read Hare's letter despite its 'lingering trace of the languor of the sick room'. 'To me so many years your senior it seems strange indeed to find you speaking of the close of your stage career. I can only say on that head that I hope to live to see you for many more years gathering fresh laurels'. On the subject of Grundy's play he states that he does not believe that 'the journalistic world has any claim to be exempt from the satire or even the extreme caricature which is freely allowed in the case of other classes. Literary cliques & côteries undoubtedly do exist as they existed in the days of Delatouche's Tour de Faveur & Delavigne's Comédiens and Scribe's Camaraderie'. He deplores critics who 'will now fall down & worship certain Scandinavian idols & their crude & offensive methods'. He cannot conceive of 'editors who give instructions to critics to denounce plays contrary to their real opinions'. He can 'only say that I have never met with any such editor. For five & twenty years I have been the theatrical critic of the Daily news & the Graphic & for some years of that time I occupied the same post on The Academy besides writing drama notices occasionally for other journals. Altogether I have served under at least thirteen editors and I can conscientiously affirm that never did any one of these attempt to entice me to speak ill of what I thought or might think a good paly or performance or vice versâ.' After some more observations he concludes: 'Depend upon it the whole thing will be forgotten ere long or remembered only to excite wonder that any sensible journalist of decent standing should have made a fuss about it'. At head of first page: 'Copy | January 16, 1894'. unknown
In-4, 42p. Illustrations en noir et blanc.
In 8', mz. pelle, piatti marm., tit. in oro al dorso, pp. 185, ; abrasioni alla cop., firma d'appartenenza alla prima bianca e al frontespizio, sporadici segni a margine n. t , fioriture e segni del tempo.
24581No date or place. 1947. London. From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published but it was probably the London magazine ‘Everybody’s’ for which MP contributed a weekly column. ONE: 4pp 4to double-spaced on four leaves. Autograph corrections to first sentence and an altogether more untidy effect including an additional passage on the last page which is correctly positioned in the second draft below suggest that this is an earlier draft. Begins: ‘It was a freak of fortune that made Will Fyffe into a music hall star instead of remaining on the legitimate stage where he had made his beginning as a small boy.’ Contains information not present in the second version including several astute assessments. For example: ‘Unlike Sir Harry Lauder the other great Scot of the Halls Will Fyffe was a realist. He could create a character and be it. It was not Will Fyffe at whom you gazed it was a gamekeeper a centenarian a Scots engineer on a steamship a guard on the Highland Railway - finding a report of the Battle of Waterloo in the lining of his ill fitting cap a country doctor a real country bumpkin the blacksmith at Gretna Green or the inebriated gentleman to whom Glasgow belonged on a Saturday night. He studied his types and he reproduced them magnificently. They were real people.’ Other topics include his mastery of make-up international popularity and ‘magnificent service’ in the First World War. TWO: 3pp 4to single-spaced on three leaves. More polished than One and with emendations deletions and recasting. Ends: ‘Our stage has lost one of its greatest artists and finest men. How fine an actor he was few knew although one celebrated critic glimpsed it when he wrote “Mr Fyffe has a sob here of which Garrick had bee proud.’ No date or place. [1947. London.] unknown
19051267174Berlin, Schuster & Loeffler, (etwa 1905). 85, (3) S., 6 Tafeln u. 1 Faksimile (Das Theater 7). Grüner OLdrbd m. Silberprägung (Rücken verblichen, Heftklammern gerostet).
Paris, Librairie Hachette et Cie, 1875, in-16, mezza tela editoriale, titolo oro (un po' scolorito) al dorso, piatti in cartone, pp. (4), XXIV, 235, (1). Minime tracce d'uso alla coperta, cerniera del piatto anteriore un po' allentata.
Goethe Wilhelm Meister la vocazione teatrale. , Garzanti 1991, Pagine testo: ingiallite, brunite ai margini. Copertina: in brossura, con segni d'usura ai margini, con fioriture. Interno in ottime condizioni. Buono (Good) . <br> <br> <br> <br> 881158177X
18683293DBZürich, Bürkli, 1868. 8°. 197 S. Späterer Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 3293DB
Oscar Wilde, Sàlome. Poema drammatico, unica versione italiana consentita dall’Autore di G. G. Rocco, con prefazione critico-biografica e ricche illustrazioni, Stabilimento Tipografico F. Bideri, Napoli 1915, pp. XVI, 96, 6 c. di tavv. f.t. ill. b.n., cm 19, legatura in mezza tela muta con titolo manoscritto al dorso. Collezione dei grandi autori antichi e moderni. Serie terza, n. 22. Segnatura di collocazione alla prima carta, firma d’appartenenza e data all’occhiello e al frontespizio. Lievissime tracce d’uso alla legatura, minime fioriture, qualche segnetto di lapis, per il resto ben conservato.
Oscar Wilde, Salomè. Dramma in un atto, Rizzoli Editore, s.l. (ma stampato a Milano, presso la Rizzoli e C. Anonima per l’Arte della Stampa) 1950, prima ed., pp. 86, cm 16, br. ed. Collana Biblioteca Universale Rizzoli, n. 120. Titolo originale dell’opera: Salomè. Traduzione di Domenico Porzio. Firma d’appartenenza all’occhiello. Leggere tracce d’uso, minime fioriture, lieve brunitura della carta, ma nel complesso buona copia.
