328 résultats
2539London: printed by Elizabeth Sadleir in School-House-Lane; for Patrick Dugan Bookseller on Cork-Hill 1719. Hardcover. Good. . Octavo. 36pp. A8 B4-C4 D2. Third edition. Wrappers. ESTC T136523. A parody of Robinson Crusoe published the same year as that work Gildon's pamphlet contains a vitriolic attack on Defoe and his book. No love was lost between the two men who had a long-standing mutual animus: Defoe had attacked him as a rakehell and Gildon disliked Defoe's politics. Gildon was fundamentally a hack who was prosecuted for seditious libel a few years prior to this work although he avoided prison and pillory. Kate Loveman's Reading Fictions 1660-1740 contains an interesting analysis of this work noting how its critique ironically reflects both Defoe's own methods of criticism and the modes and mores of the coffee-houses. Three copies in the UK and two in North America. <br/> <br/> London: printed by Elizabeth Sadleir in School-House-Lane; for Patrick Dugan, Bookseller on Cork-Hill, 1719. hardcover
183457412<p>NO OTHER COPY LOCATED - SATIRICAL LITHOGRAPHED PRINTS ON AN OXFORD DRUNK WITH VERSE PARODY OF WOLFE'S POEM ON A FALLEN HERO<br />first edition folio 38.6 x 28.3 cms. 7 leaves of satirical lithographed drawings the lithographs on India paper sheets of ca. 23.5 x 19.5 cms. laid on the plain backing sheets as issued lithographed verse captions below the images buff coarse paper front wrapper with printed title as above inside a bold decorative printed border presumably lacks the rear blank wrapper slight foxing to the margins of the backing sheets four marginal splits no loss in edges of last backing sheet else very good. Lightly pencilled easily removable on each backing sheet and in places running on to the margins of the India paper are the original verses of Charles Wolfe's poem T'he Burial of Sir John Moore After Corunna' which are being parodied in the caption verses.<br /><br />Not located by Library Hub formerly COPAC. Library Hub does however locate a work reissue with the same title and imprint but dated 1836 in Oxford only and OCLC locates a copy in Yale of that same 1836 edition 7 plates. No other copy of this 1834 edition located. The title and date are taken from the cover.<br />This satirical series of prints and verses describes how a drunken Oxford university official apparently the Marshal or possibly a don staggered out a drinking establishment without paying his bill pursued by the landlady and was discovered later that night lying unconscious in the gutter "with his Marshall cloak around him". The two finders and narrators carried him home on an old door undressed him and got him into bed with the help of his wife and daughter who lamented that he had spent all his money. Throughout all this the drunk remained unconscious "and we left him alone in all his glory". The verses parody those of the Irish poet Charles Wolfe's celebrated poem 'The Burial of Sir John Moore'. Wolfe's poem on the laying to rest of the military hero was in 8 verses and the parody is likewise in 8 verses one for each plate except for plate 2 which has two verses. Wolfe's original verses are lightly pencilled on the prints apparently at an early date and would be very easily removable. It seems likely that the front page of buff paper with the title was the front leaf of a bifolium with the other half folded around to create a rear wrapper but there is however no definite trace that such was the case.<br />An interesting and very rare addition to the great corpus of British caricature in its golden age. At the lower left hand corner of each caricature is printed "Published by J. R. High St. Oxford". The title page states only "Published by J. R." without name of place. The publisher is almost certainly the printseller James Ryman who was established at 24 High Street Oxford from 1832 to 1865 or 1873. He published mezzotint portraits and views including one specially commissioned from Joseph Mallord William Turner. His coyness in not giving his full name on both prints and title page perhaps implies that the drunken figure depicted was a real and identifiable person in contemporary Oxford. The anonymity of the creator points in the same direction. The rarity may indicate that they were published only for the amusement of a small circle.</p> Published by J. R. [James Ryman?] paperback
17012506"A Gringuenaude i.e. Paris: chez Vincent d'Avalos & Fleurimont Mordant rue du Gros Visage a l'Enseigne du Privé Conseil attenant l'Hôtellerie de la Fleur" 1701. 12mo 129 x 76 mm. viii 64 pp. Half-title. Expressive woodcut vignette on title a chamber pot and its contents. Occasional very light spotting else fine. 19th-century citron morocco sides gilt panelled spine gilt lettered longitudinally turn-ins gilt gilt edges pair of vellum flyleaves by Koehler with his signature on verso of front free endpaper. First Edition of a silly scatological spoof. Farts excrement latrines and their Rabelaisian synonyms provide characters' and place names and an endless supply of windy jokes in this ultimately tragic love tale. The hero Prince Croqu'Etron Sht-eater son of the sneaky Roi de Vesse Silent-But-Deadly-Fart falls in love with the lovely Princess Foirette Diarrhea daughter of his father's enemy the open-hearted Roi Petaut Loud Fart. Abetted by King Vesse's minister Constipati whose secret liaison with one of Foirette's governesses Lady Clisterine Enema makes him take the Prince's side Croqu'Etron persuades his father to replace war with dynastic marriage a gentler path to territorial aggrandizement. Love vanquishes all King Petaud gives Prince Croqu'Etron a handsome commode chair and the Kingdom of Caca finds peace but the newly married lovers meet their demise at the hands of the evil Prince Gadouard Manure who drowns them in vats of perfume and is punished by the king with the opposite fate being buried alive in you know what. This clever extended dirty joke complete with satirical preface and facetious printing permission dated from Laval 1 Sept. 1701 and a final selection of verses sung at the royal marriage at some point became associated with the fairy tale author Mlle. de Lubert ca. 1702-ca. 1779 whose style it appears to parody. Either through a misunderstanding or as a joke the book was even sometimes attributed to her notwithstanding both its contents and the date of the permission d'imprimer. This is the only 18th-century edition but the book's publishing history was garbled by Gay who describes two 18th-century editions dating the supposed first ca. 1701 based on the facetious permission and a second edition from ca. 1790; according to Gay only the second edition contains the section titled Contes et devis. which appear in this edition on pp. 56-64. Confused library cataloguers have thus dated this edition to ca. 1790. Its typography however points to an earlier date. Stanford University holds a manuscript of the text from the Phillipps collection with textual variants dated 1716. Reprints appeared in the nineteenth and twentieth centuries. OCLC lists 4 copies in N. American libraries. Jannet Bibliotheca scatologica 1850 28; Gay-Lemonnyer II:581-2; Barbier II:833; Quérard La France Littéraire V: 382; Cioranescu 18. s. 40961. Cf. note in the Bulletin du bibliophile et du bibliothécaire vol. 14 p. 645; D. Haase ed. Greenwood Encyclopedia of Folktales and Fairy Tales 2008 I:590-91. chez Vincent d'Avalos & Fleurimont Mordant, rue du Gros Visage, a l'Enseigne du Privé Conseil, attenant l' hardcover books
184730013New York: Williams and Brothers 1847. 1st US edition cf. Gimbel H-338; Kitton 540; Miller p. 249; NCBEL III 798. Modern black leather spine with gilt lettering with period brown cloth covered boards. EPS renewed. Pale yellow printed wrappers bound-in at rear. Bound with Tavistock Books' item #30012 Dombey & Son and price is for both titles. Fore-edge occasionally closely trimmed otherwise a VG copy. 2 94 pp. Bound from the UK sheets. Illustrated with 12 wood-cuts. Tall 8vo. <br/><br/> Williams and Brothers hardcover books
18106229Dublin: Hibernia Magazine 1810. Uncut engraved sheet in the shape of a hand fan 32.5 x 50 cm. Printed verso only. A parodic table setting. The image depicts the table for a "Marriage Feast" with a main table and dessert and liquor side tables. The tables are decorated with cupids arrows and quivers doves and paired lovebirds. The names of the dishes reveal the conceit with "Devine Part of a Man Boiled" and "An Unruly Member Garnished". Mounted in a simple matte. Light creases at folds lines otherwise fine. Hibernia Magazine unknown books
First and only edition. A COMPLETE SET OF THIS RARE AND IMPORTANT SUITE OF SATIRICAL LITHOGRAPHS BY CHAM, devoted to British and Irish manners. Complete with lithographed title-page and 15 numbered lithographs by Cham on fine wove paper, with lithographed advertisement by Belin at the end. Folio. IN THE ORIGINAL BOARDS, WITH THE LITHOGRAPHED TITLE-PAGE REPEATED ON THE COVER. A bit of wear and soiling to boards. Internally a few specks of faint, marginal foxing, but otherwise FINE AND BRIGHT. Very rare, especially in such pristine state. Cham
18473553London: Thomas Farris 1847. 1st edition Gimbel H-338; Kitton 540; Miller p. 249; NCBEL III 798. Period brown half-leather with brown cloth boards. Original wrapper covers from Parts I & II priced 6p bound-in at rear. VG spine leather a bit sunned/some minor rubbing to joints/multiple bookplates to eps. 2 94 pp. Illustrated with 12 wood-cuts. Tall 8vo. 10-1/8" x 6-1/2" <br/><br/> Thomas Farris hardcover books
18244737London: Printed for Jones & Co 1824. 1st ed. Modern maroon half-leather binding with marbled boards. New eps. Fine bpt. 2 vol 30 hand-colored plates 8vo. <br/><br/>A satrical look at the times. Printed for Jones & Co hardcover books
1887165344London: Longmans 1887. Small octavo pp. 1-8 1 2-119 120: ad rebound in full nineteenth century polished calf front and rear panels ruled in gold spine panel tooled in gold black leather title piece inner dentelles. First edition. A bibliographically complex book this is probably the second printing with "Authors" changed to "Author" on the title page and "ALAN" corrected to "ALLAN" on the dedication page for bibliographical particulars see Locke A Spectrum of Fantasy Volume II pp. 143-4. A Haggard parody perhaps written with some assistance from Haggard himself that "consists of adventures around London paralleling those of Holly and Vincey culminating in a swindle." - Bleiler The Guide to Supernatural Fiction p. 299. The supernatural curses witchcraft etc. are parodied and rationalized. An amusing story. Bleiler p. 118. Reginald 08596. Scott 625. Attractively bound with the original front and rear wrappers preserved. The binding is cracked along the outer hinge which is still holding tight and there is a small chip from the lower spine end which has been reattached. Internally a lovely copy. #165344 Longmans unknown books
180188085London: Bulmer for J.Bell 1801. First edition. Hardcover. Additional engraved vignette title 2 hand-coloured etched plates only of 3. 1801 First edition. 8vo. Advertisement page. Contemporary mottled calf gilt rebacked in cloth preserving contemporary leather backstrip. A delightfully macabre work originally assumed to be by Matthew Gregory "Monk" Lewis but now assumed to be a parody. "The book is gruesome and in its illustrations even disgusting and it seems impossible that Lewis could have had anything to do with it. Some of the ballads are too coarse and grotesque to stand comparison with any work by M.G.Lewis." Montague Summers <em>A Gothic Bibliography</em>. Some foxing and marking; calf rather worn at edges. No jacket Bulmer for J.Bell hardcover
187318376Reading, Pa., Pilger Buchhandlung (Wackernagel & Mendel), 1873. 2 Bl., 72 S. Hlwd. d. Zt. (Reste alter Klebezettel, etwas berieben).
184973304London: George Peirce 1849. First edition. Octavo. iv 160 pp. Frontispiece and 5 full-page illustrations by George Sala vignettes in text. Contemporary full tan calf gilt. Original pictorial wrappers bound in along with a leaf from the "Pictorial Times" containing a contemporary portrait of Dickens. Covers detached. A very clean copy.A spoof Dickens's Battle of Life the tale describes the adventures of "Boz" and his secretary Mr. Phillipson. Gimbel H333. George Peirce unknown
18504212BAltona, Verlagsbüreau, ohne Jahr [1850?]. Kl.-8°. Illustriertes Frontispiz, 94 (2), 93 (3), 91 (5), 92 Seiten und 23 leere Blatt zum Schluß. Brauner Halblederband der Zeit auf 5 unechten Bünden mit gold- und blindgeprägtem ROrnamenten und goldgepr. RTitel.
1848166763Druck von E. Lauter & Co., Klosterstrasse 64, 1848. 36 x 46 cm [bxh], Einblatt, 2°. Weigel 206 und 207. - Markantes Flugblatt der Märzrevolution von 1848. Warnung vor einem Wiedererstarken der Reaktion mit einem dreizehnstrophigen Gedicht in Berliner Dialekt, frei nach Goethen. Mit einer Karikatur - ein Bürger mit grosser Schere kappt den langen Zopf eines feisten Mannes in clowneskem Kleid mit Kelch und Kerzenhalter als Zepter. Die Moral der Fabel: "Denkt ihr, die Geschicht hätt' keen Dröppken Moral nich? - Ick sag euch: 'Na ob!' Begegnet euch wo een kleen Zöppken: Rutsch weg! - sonst wird's wieder'n Zopp". Der Autor dieser Goethe-Persiflage ist unbekannt, der Drucker, E. Lauter & Co, war unabhängig und hat zahlreiche weitere Flugblätter gedruckt. Anders als anderswo, waren sie hier nicht gratis zu haben. Für das vorliegende Blatt verlangte er einen Silbergroschen. Selten. Softcover Etwas gebräunt und mit Feuchtigkeitsrändern sowie Einrissen in den Rändern und Bruchstellen im Falz.
304,[xii] pp., frontispice manque (mais l'ouvrage même et le texte sont bien complet), 2e édition revue et augmentée (la première date de 1695), 16cm., reliure plein-cuir d'époque (dos à 5 nerfs avec titre et décorations dorées, coins usés, qqs. petits manques de cuir), texte frais et en bon état, rare, [Recueil de parodies musicales e.a. sur des oeuvres de J.B. Lully, Charpentier, Desmarets, etc. // contient de nombreuses partitions de musique - avec les textes de chansons], M95499
183849663London: W. Marshall 24 Tavistock Street Covent Garden 1838. 1st printing presumed. Early but probably not original plain brown paper wrappers. Now housed in an archival mylar sleeve. Disbound. General wear & soiling to wrappers. Occasional soil & foxing. About Very Good. 12 36 pp. Publisher advert p. 4 advising all that "Marshall's Pocket-Book Business is Removed from 1 Holborn Bars." Contains 11 additional sketches: The Dilemma anonymous 2 pp A Day at Epping anonymous 2 pp We Must Go to Margate This Season anonymous 2 pp My Maiden Speech Carpenter 2 pp Good Shots Attree 2 pp Balloning anonymous 1 pp A Tale of Mystery anonymous 2 pp I'll Have a Gala Night by the author of 'Love for Light Hearts &c' 2 pp Our Festival Day by the author of 'Random Rhymes &c' 2 pp A Progeny of a Punster Harcourt 1 p. Frontis. T.p. vignette. 12 other illustrations 11 full page with contributions by at least 2 other unidentified artists. 12mo. 7" x 4-1/2" <br/><br/>Date of printing determined from the dated advert p. 4. <br /> <br />"Boz the Younger" signs in type the first two sketches: "Old Weller's Chapter of Fat and Sam's Visit to see the Goswell Street Cattle Show"; "Sam Weller's Description of the Proclamation of Victoria I." Each one page in length. Given at the time of this publication Dickens was immersed in Oliver Twist & Nicholas Nickleby we feel confident in saying this booklet was an effort to captialize on his burgeoning fame as Boz. <br /> <br />A rather rare early 19th C. illustrated publication; at the time of cataloguing not found in any of the standard Dickens references not found on COPAC with OCLC listing just 3 institutional holdings of only 12 pages. W. Marshall, 24, Tavistock Street, Covent Garden unknown books
1915GD9-582M?nchen, Holbein-Verlag, 1915. illustierter original Pappband, 4?, 24 Bl?tter, R?cken berieben, gutes Exemplar
1873290383San Francisco.: A.L. Bancroft and Company. 1873. 1st Edition. Publisher’s maroon cloth blind ruled borders gilt titles. Very good corners lightly bumped spine slightly sunned. 18x12 cm. Rare first edition of this curious parody on the poems and poetic style of Joaquin Miller. weight: 0.5 lb. A.L. Bancroft and Company. hardcover
In 16 gr. (mm. 187x119), brossura originale (macchie al dorso; piccole manc. al piatto poster.), pp. XIII,(3),213,(3) con 1 tavola all'antiporta e 27 affascinanti tavole f.t., in litografia, dove sono raffigurati Garibaldi, Cavour, Pulcinella, e altri personaggi. Offriamo solo la prima parte dedicata all'Inferno (nel 1864 venne pubblicato il Purgatorio - il Paradiso non fu mai pubblicato) di questa operetta parodico-satirica di carattere politico. Francesco Plantulli, garibaldino di Avellino, poeta e combattente risorgimentale, animoso pubblicista e patriota ferventissimo, fu imprigionato nelle carceri borboniche, visse alcuni anni con Garibaldi a Caprera e morì nel manicomio di S. Onofrio a Roma. Nella "Nuova Divina Comedia" “riscrive completamente la prima cantica della ‘Commedia’ in forma satirica, sferzando l'intera scena politica italiana, dai Moderati ai Monarchici” (così Rossini A. “Palinsesti Danteschi”, Carabba, 2017). Filomeno Alessandroni, repubblicano, ex volontario garibaldino, scrisse per riviste umoristiche fra cui l'Arlecchino; fu direttore de “L'Arca di Noe'", "La Torre di Babele", "La Riscossa". Firma di appartenenza al frontespizio, altrimenti esempl. ben conservato, con barbe.
1759302808Berlin et se trouve a Amsterdam, chez J. H. Schneider, 1759. 8°. Bracelet original en demi-cuir marron avec titre en relief doré sur le dos. Coins et bords usés et en partie frottés. Copie non coupée. 3 feuilles Frontispice avec page de titre illustrée, 224 pages en français. Il y a un très petit cachet du propriétaire précédent sur la couverture intérieure avant. Impression de titre en noir et rouge. Taches brunes minimes à l?intérieur. Papier de garde avant avec trou de rouille de taille mm. Pages 17-24 avec anciennes marges humides sur le côté, non dérangeantes. Bon exemplaire. // 8°. Brauner Originalhalblederband mit goldgeprägtem Rückentitel. Ecken und Kanten be- und teils abgerieben. Unbeschnittenes Exemplar. 3 Bll. Titelei mit illustriertem Titelblatt, 224 Seiten in französischer Sprache. Auf dem vorderen Innendeckel ein sehr kleiner Vorbesitzerstempel. Schwarz-roter Titeldruck. Im Innenbereich minimalst braunfleckig. Vorderes Vorsatzblatt mit mm-großen Rostloch. Seiten 17-24 mit altem Feuchtrand seitlich, nicht störend. Gutes Exemplar. [6 Warenabbildungen]
1903WRCLIT79860London: Heinemann 1903. Two octavo volumes. Pictorial olive green cloth stamped in red and black. Frontispieces and illustrations by "S.R." i.e. Stafford Ransome. Light offset to endsheets some foxing to tissue guards between titles and frontispieces otherwise a very good to near fine set. First edition of these parodies of ALICE. by the prolific journalist and miscellaneous writer written with the unspecified collaboration of M. H. Temple. Both are primarily political satires the product of frustrations about the Boer War and the British government of the time. Begbie went on to support pacifists and conscientious objection to the Great War and put himself out front with a vigorous defense of the reality of the supposed apparition of the Angel of Mons. The initial volume of this parody was so successful that by the time of the appearance of the second the first was in its tenth 'edition'. Heinemann hardcover books
1850100761Hildburghausen und Leipzig, Ferd. Kesselring, o. J. (um 1850). Mit Vignetten auf dem Einband und einer ganzseit. Illustration auf dem Frontispiz von Martin Disteli. XXIV S., 275 S., 4 Bll. Kl.-8vo. in HLwd.-Einband. mit eingebundener illustr. OBrosch.
19696974Hamburg, Merlin Verlag, Hamburg, 1969. 16 nn S., Quer-Folio, OHLn, mit montiertem Deckelschild, Blockbuchbindung. Druck auf Kupferdruck-Bütten. Durchgehend mit Illustrationen. Eines von 200 Exemplaren der Vorzugsausgabe, die handschriftlich nummeriert und von Janssen im Kolophon signiert wurden. Durchgehend illustriert. Kleiner Einriß am unteren Leinenrücken. Erstausgabe. Signed by the artist. Limited for about 200 copies. Das Foto zeigt eine Abbildung aus dem Inhalt.
1790030800Georg Joachim Göschen, Leipzig 1790. Hardcover Sehr gut
11 fascicoli di cm. 38,8x28,2), ognuno di 12 pagine, di cui 4 illustrate a colori a piena pagina (11 da RUBINO, 7 da Sergio TOFANO, le altre da Natoli o da Bisi o con storie della mula Checca, Arcibaldo, al cui versione italiana è disegnata da RUBINO, v. wiki). Provenienti da scorporo (ma non rifilati!), carta economica, qualche strappo senza perdite, ma le tavole illustrate sono tutte integre. Particolarmente preziose quelle di RUBINO, sia per le scorrevolissime rime deliziosamente perfide che stravolgono o contàminano o parodiano o scorgono incongruenze o estremizzano aspetti efferati delle fiabe più amate dai bambini qui elaboratissimamente figurate ma talora piene di ragnatele: Cappuccetto (quello Rosso!), Barbablù pentito assediato da litigiose, il Gatto cogli Stivali, l'Orco ("dei bambini / il sapor troppo dolciastro / mi disturba l'intestino / mi rivolta l'epigastro"), il Re Ceraunavolta che butta a fiume il libro dei Grimm, il Dragon che fa le caldarroste, i nani petulanti sui trampoli, una fantasmagoica Fata Fantasia sorvegliata da uno stolido Buon Senso, Cenerentola col piedone, la Bella che si sveglia e il Principe che russa ecc. Anche le pagine in bianco e nero hanno sorprese (per es., al n. 14 un ironico testo illustrato di RUBINO e suoi disegni al n. 17; e disegni di Mussino, di Nardi, di Melandri ecc.). STO mette in scena il Bellissimo Cecè (6 storie) e lo sventurato Bonaventura (1 storia). Le geniali rime del Corrierino, in specie quelle di Rubino, meritano un esame filologico-letterario. Il lotto