3 731 résultats
2649Dont la Vente commencera le 4 Mars 1756. vi 63 pp. 8vo cont. vellum over boards single gilt fillet round sides flat spine gilt gilt wheat sheaves in five of the compartments red morocco lettering piece on spine. Paris: G. Martin & P.G. Simon 1756. <br/> <br/> bound with:<br/> <br/> SIREJACOB J.A.J. Catalogue d’une très-belle Collection d’Estampes de Rubens Van Dyck Jordaens Teniers Callot & autres fameux Maîtres Italiens François & Flamands. Assemblées depuis longues Années & Délaissées par Monsieur J.A.J. Sirejacob Ecuyer. Qui se Vendront…a Bruxelles Lundi le 27. Août 1764. & jours suivans… 1 p.l. 76 pp. 8vo. Brussels: H.V. Lemincks 1764. <br/> <br/> bound with:<br/> <br/> LE BRUN. Catalogue de Tableaux Estampes Desseins Bronzes Figures de marbre Bustes & Gaînes de marbre Procelaines d’ancien Japon de France & de Saxe montées en Bronze doré d’or moulu & non montées du Cabinet de Monsieur; dont la vente se fera le Mardi 19 Juin 1764…& jours suivans… 21 pp. 8vo. Paris: Merifot Fils 1764. <br/> <br/> bound with:<br/> <br/> COLLIN DE VERMONT Hyacinthe. Catalogue des Tableaux Desseins Estampes et Bosses provenans du Cabinet de M. Hyacinthe Collin de Vermont Peintre ordinaire du Roi & Adjoint à Recteur de son Académie Royale de Peinture & Sculpture dans lesquels sont compris des Tableaux Desseins & Estampes de M. Rigaud Peintre duRoi… 35 1 pp. 8vo. Paris: Didot l’aîné 1761. <br/> <br/> bound with:<br/> <br/> ROBYNS Martin. Catalogue de Tabeleaux de Cabinet de feu Monsieur Martin Robyns; qui se Vendront publiquement en Argent de change Lundi 22. Mai 1758. & jours suivans… 24 pp. Brussels: P.J. De Grieck 1758. <br/> <br/> bound with:<br/> <br/> COSTA Benjamin da. Catalogue d’un Magnifique & très Renommé Cabinet de Tableaux des plus grands Maitres Italiens Francois & du Pais-Bas; Recueillis avec beaucoup de fraix…par Monseeur Benjamin da Costa Lesquels seront Vendu publiquement…le Lundi 13 Août 1764. 14 pp. 8vo. The Hague: P. Gosse & D. Pinet 1764. <br/> <br/> bound with:<br/> <br/> NOAILLES — Maréchal de. Catalogue des Tableaux qui composent le Cabinet de feu Mr. le Marechal de Noailles. 41 pp. 8vo. Paris: Didot 1767. <br/> <br/> bound with:<br/> <br/> SYDERVELT Antoine. Catalogue du beau & précieux Cabinet de Tableaux des principaux Maîtres Hollandois; de Desseins…d’Estampes…de divers Instrumens pour des Expériences de Phisique & d’Optique…de Medailles d’argent…de feu Monsieur Antoine Sydervelt dont la Vente se fera le Mercredi 23. Avril 1766 & jours suivans chez Arnoldus Dankmeyer…par Henri de Winter Couretier. 1 p.l. 132 pp. 8vo. Amsterdam: P. Yver 1766.<br/> <br/> A remarkable and most attractive sammelband of eight French Dutch and Belgian art auction catalogues. All of them are rare. <br/> <br/> I. Jean Omer Joly de Fleury 1700-55 a member of a prominent and wealthy family was an important collector of prints drawings books scientific instruments and natural history objects. We learn from Gabriel Martin’s preface that due to the collector’s sudden death the prints and drawings would be sold “as found†in portefeuilles and the large collection of specimens again would be sold “as found†in the drawers. Nevertheless the collection is quite well catalogued and we can gather an excellent idea of the contents. Dezallier d’Argenville described Joly’s collection in 1755 calling it “famous.†He illustrates some of the specimens. <br/> <br/> II. A fine sale of 847 lots of prints and 19 lots of books with plates. Very rare; no copy in OCLC. <br/> <br/> III. 116 lots. OCLC locates only one copy at the BN. <br/> <br/> IV. A painter’s collection of art. 443 lots including paintings drawings prints and reliefs. Collin de Vermont 1693-1761 was “a pupil of Rigaud and Jouvenet. He studied in Rome and entered the Académie in 1725. In 1727 he was one of the artists to work on decorations for the Apollo Gallery in the Louvre.â€â€“Benezit III p. 1244. OCLC locates only one copy at the BN. <br/> <br/> V. 300 lots of paintings by Rubens van Dyck Breughel Wouwermans and Teniers. Very rare; no copy in OCLC. <br/> <br/> VI. Benjamin da Costa a member of the prominent Anglo/Dutch Jewish family formed a small but important collection of paintings. 90 lots. Very rare; no copy in OCLC. <br/> <br/> VII. Adrien Maurice duc de Noailles 1678-1766 had a brilliant military career and served in the wars of Louis XV in Italy and Germany. He was appointed a marshal of the French Army in 1734. The duc de Noailles was also a fiscal advisor to Louis XV and unsuccessfully recommended financial prudence. This catalogue contains only 88 lots but we find paintings by Leonardo da Vinci Michelangelo Titian Raphael Carracci Dürer Breughel Rembrandt etc. OCLC locates only one copy at the BN. <br/> <br/> VIII. One of the most important art sales in Holland of the period. 117 lots of paintings Wouwerman Ruysdael and others 172 lots of drawings 227 lots of prints 85 lots of illustrated books 20 lots of instruments 192 lots of medals and 29 lots of “Diverses Raretés.†Not in OCLC. <br/> <br/> Fine copies. <br/> <br/> â§ I. Lugt 906. N.B.G. Vol. 26 col. 861. <br /> <br> <br> II. Lugt 1404. <br /> <br> <br> III. Lugt 1395. <br /> <br> <br> IV. Lugt 1181. <br /> <br> <br> V. Lugt 1006. <br /> <br> <br> VI. Lugt 1400. <br /> <br> <br> VII. Lugt 1654. <br /> <br> <br> VIII. Lugt 1528. unknown
2649Dont la Vente commencera le 4 Mars 1756. vi 63 pp. 8vo cont. vellum over boards single gilt fillet round sides flat spine gilt gilt wheat sheaves in five of the compartments red morocco lettering piece on spine. Paris: G. Martin & P.G. Simon 1756. bound with: SIREJACOB J.A.J. Catalogue d'une très-belle Collection d'Estampes de Rubens Van Dyck Jordaens Teniers Callot & autres fameux Maîtres Italiens François & Flamands. Assemblées depuis longues Années & Délaissées par Monsieur J.A.J. Sirejacob Ecuyer. Qui se Vendront.a Bruxelles Lundi le 27. Août 1764. & jours suivans. 1 p.l. 76 pp. 8vo. Brussels: H.V. Lemincks 1764. bound with: LE BRUN. Catalogue de Tableaux Estampes Desseins Bronzes Figures de marbre Bustes & Gaînes de marbre Procelaines d'ancien Japon de France & de Saxe montées en Bronze doré d'or moulu & non montées du Cabinet de Monsieur; dont la vente se fera le Mardi 19 Juin 1764.& jours suivans. 21 pp. 8vo. Paris: Merifot Fils 1764. bound with: COLLIN DE VERMONT Hyacinthe. Catalogue des Tableaux Desseins Estampes et Bosses provenans du Cabinet de M. Hyacinthe Collin de Vermont Peintre ordinaire du Roi & Adjoint à Recteur de son Académie Royale de Peinture & Sculpture dans lesquels sont compris des Tableaux Desseins & Estampes de M. Rigaud Peintre duRoi. 35 1 pp. 8vo. Paris: Didot l'aîné 1761. bound with: ROBYNS Martin. Catalogue de Tabeleaux de Cabinet de feu Monsieur Martin Robyns; qui se Vendront publiquement en Argent de change Lundi 22. Mai 1758. & jours suivans. 24 pp. Brussels: P.J. De Grieck 1758. bound with: COSTA Benjamin da. Catalogue d'un Magnifique & très Renommé Cabinet de Tableaux des plus grands Maitres Italiens Francois & du Pais-Bas; Recueillis avec beaucoup de fraix.par Monseeur Benjamin da Costa Lesquels seront Vendu publiquement.le Lundi 13 Août 1764. 14 pp. 8vo. The Hague: P. Gosse & D. Pinet 1764. bound with: NOAILLES - Maréchal de. Catalogue des Tableaux qui composent le Cabinet de feu Mr. le Marechal de Noailles. 41 pp. 8vo. Paris: Didot 1767. bound with: SYDERVELT Antoine. Catalogue du beau & précieux Cabinet de Tableaux des principaux Maîtres Hollandois; de Desseins.d'Estampes.de divers Instrumens pour des Expériences de Phisique & d'Optique.de Medailles d'argent.de feu Monsieur Antoine Sydervelt dont la Vente se fera le Mercredi 23. Avril 1766 & jours suivans chez Arnoldus Dankmeyer.par Henri de Winter Couretier. 1 p.l. 132 pp. 8vo. Amsterdam: P. Yver 1766. A remarkable and most attractive sammelband of eight French Dutch and Belgian art auction catalogues. All of them are rare. I. Jean Omer Joly de Fleury 1700-55 a member of a prominent and wealthy family was an important collector of prints drawings books scientific instruments and natural history objects. We learn from Gabriel Martin's preface that due to the collector's sudden death the prints and drawings would be sold "as found" in portefeuilles and the large collection of specimens again would be sold "as found" in the drawers. Nevertheless the collection is quite well catalogued and we can gather an excellent idea of the contents. Dezallier d'Argenville described Joly's collection in 1755 calling it "famous." He illustrates some of the specimens. II. A fine sale of 847 lots of prints and 19 lots of books with plates. Very rare; no copy in OCLC. III. 116 lots. OCLC locates only one copy at the BN. IV. A painter's collection of art. 443 lots including paintings drawings prints and reliefs. Collin de Vermont 1693-1761 was "a pupil of Rigaud and Jouvenet. He studied in Rome and entered the Académie in 1725. In 1727 he was one of the artists to work on decorations for the Apollo Gallery in the Louvre."-Benezit III p. 1244. OCLC locates only one copy at the BN. V. 300 lots of paintings by Rubens van Dyck Breughel Wouwermans and Teniers. Very rare; no copy in OCLC. VI. Benjamin da Costa a member of the prominent Anglo/Dutch Jewish family formed a small but important collection of paintings. 90 lots. Very rare; no copy in OCLC. VII. Adrien Maurice duc de Noailles 1678-1766 had a brilliant military career and served in the wars of Louis XV in Italy and Germany. He was appointed a marshal of the French Army in 1734. The duc de Noailles was also a fiscal advisor to Louis XV and unsuccessfully recommended financial prudence. This catalogue contains only 88 lots but we find paintings by Leonardo da Vinci Michelangelo Titian Raphael Carracci Dürer Breughel Rembrandt etc. OCLC locates only one copy at the BN. VIII. One of the most important art sales in Holland of the period. 117 lots of paintings Wouwerman Ruysdael and others 172 lots of drawings 227 lots of prints 85 lots of illustrated books 20 lots of instruments 192 lots of medals and 29 lots of "Diverses Raretés." Not in OCLC. Fine copies. ❧ I. Lugt 906. N.B.G. Vol. 26 col. 861. II. Lugt 1404. III. Lugt 1395. IV. Lugt 1181. V. Lugt 1006. VI. Lugt 1400. VII. Lugt 1654. VIII. Lugt 1528. hardcover books
1867017623Paris France: No publisher 1867. Book. Very good condition. Hardcover. Signed by Authors. First Edition. Octavo 8vo. A bound volume containing over 120 manuscript leaves used by art critic and Realist novelist Jules François Felix Fleury-Husson to write the original manuscript for his work "l'avocat trouble-menage" under the pseudonym Champfleury. The paper is a wide variety of shapes sizes color etc. and was collected from many sources including Parisian exhibition catalogues. On the back of one sheet is a drawing of a cat. Bound in blue cloth with a leather spine label. Engraved armorial bookplate on the inside front cover "Vaillant et Veillant" and the bookplate of Jacques Dalyphard on the front endpaper. The inner front hinge is detached. No publisher Hardcover books
17725087Dechambault Quebec: 12 August 1772. Reference: Lande Political Economy of New France #245. Very Good/Poignant letter from Claire Gorgendière Louis Jolliet's daughter in a strong readable hand despite her advanced age at the time she lived to be 102 to her cousin François-Joseph Cugnet 1720-1789 a lawyer who floundered under the French Regime but thrived after 1760. The letter written 12 years after the fall of Quebec is still filled with a sense of regret for things lost in that cataclysmic event. It also discloses affection between the Gorgendieres and their Indian housekeepers. Translating from the French it reads in part ".I have heard M. de la Gorgendière her late husband mention that is was a company which they had formed together for the islands and that the papers had been lost at the siege of Quebec with many others. Concerning the parcel that Mr. Menage wants returned it contained a head-dress and one or two cotton dresses which M. de la Gorgendière had given to a girl who had served him for twenty five years. and there was also a little gold cross which he had given during the siege to Miss Guinette and a little virgin of ivory which he donated to a little chapel. She had part of what remained after the pillage." Information about this extraordinary woman whose life spanned Canada's formative years is scarce. 155 x 192 mm; 4 pages docketed on last page "Lettre de Mde. Veuve de la Gorgeniere à M. Cugnet. En explication du 12 Août 1772." Vertical folds a bit tender but very good condition over all. 12 August unknown books
1934190147London: William Heinemann; The St Catherine's Press 1934 & 1937. First editions first impressions both of de Fleury's scarce but classic cocktail recipe books presented together with the very scarce dust jackets over the publisher's full leather bindings. At the time de Fleury's 1700 Cocktails was the most comprehensive to be included in one book. The author's note in his follow up volume 1800 and all that reads "This volume though complete in itself is intended as a companion to my previous book. the two together forming a complete library of all kinds of drinks through the ages to the present day. Up to now I do not know of any book which gives the formulae and methods of preparation of the drinks that were so popular during the 18th and 19th centuries and I have therefore traced a good number of these and included them in this volume as I feel sure there would be a demand for them if people only knew how to prepare them." A handsome pairing rare thus. Two works small octavo. A few advertisement illustrations within. Original navy leather titles to spines gilt. With the illustrated dust jacket. Excellent copies with the dust jacket of 1700 somewhat chipped around ends and corners and somewhat dust-soiled and 1800 price-clipped but with a few much smaller chips or closed tears a split starting at the foot of front joint notably bright. hardcover
28110Paris, Maison Quantin, 1889. In-8 ; [2] ff. (faux-titre ; au V°, justification du tirage) ; [1] f. (titre rouge et noir, orné d'une vignette) ; 130 pp. ; et 1 f. n. ch. (table des matières). Demi-chagrin brodeaux à larges coins, filet doré sur les plats, dos à nerfs richement ornés, tête dorée, belle couverture bleue imprimée conservée (reliure signée V. CHAMPS).
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover
21236Caen, chez G. Leroy, 1781. 25 volumes au format 20x26 cm, reliures plein-cuir, 5 faux-nerfs et pieces de titre rapportees en cuir rouge, environ 600 pages chacunes. Les a-plats presentent des epidermures, et des griffures, quelques coins sont abimes, il manque une piece de titre au dos du tome 22, mais interieur tres frais et bel ensemble.
2010835362Hatje Cantz. New. 2010. Hardcover. 3775725822 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and English. 248 pages; 123 illus. -- with a bonus offer-- . Hatje Cantz hardcover
15682565A Paris: Chez Claude Fremy en la rue sainct Jaques à l’enseigne S. Martin 1568. First edition. Papered spine. Light water stain throughout the second half of the book. Last leaves chipped the very last somewhat damaged at the outer corners with no effect on the print space. Otherwise in very good condition. First edition. Papered spine. ff. 36. Scarce Wars of Religion document related to the Peace of Longjumeau.<br /> <br> <br /> The Peace of Longjumeau marked the end of the brief second French Wars of Religion signed by the Crown on 23 March 1568. On the Huguenot party Admiral of France Gaspard II de Coligny was Louis de Bourbon Prince of Condé’s delegate during the negotiation. After the conclusion of the treaty the The Admiral published his “Remonstrance au Roy Par Monsieur l'Admiral sur les calamitez aduenues depuis l'Edict de la Paix†and the present pamphlet is Antoine Fleury’s fierce response to it from a royalist Catholic point of view. <br /> <br> <br /> Besides the present Paris edition the text appeared in several major cities throughout France in the same year. <br /> USTC 4049. Chez Claude Fremy, en la rue sainct Jaques à l’enseigne S. Martin unknown
1691707691691. Fleury Claude and Jean Claude Fabre. HISTOIRE ECCLESIASTIQUE par Mr. Fleury Pretre Abbe de Loc-Dieu sous-precepteur de Monseigneur le Duc de Bourgogne & de Monseigneur le Duc d'Anjou. Paris: Pierre Emery etc. 1691-1738. Quarto. 36 volumes. First edition. A beautiful set in full mottled calf gilt with lettering-pieces and five raised bands to spines. Probably bound at publication of the final volume. Title woodcut and copper-engraved headpiece with history scene to each volume mostly by Sebastien LeClerc. Volumes 21-36 by Fabre are subtitled "Pour servir decontinuation a celle de Monsieur l'Abbe Fleury." Beginning with Volume 20 the imprints vary to include Jean Mariette Saugrain Pierre Martin and Hippolyte-Louis Guerin. A thorough theological historical and anecdotal chronicle of the Catholic Church from the time of the Evangelists to 1595. A standard work first published in 1691 and reprinted many times. Small losses to three spine ends wear to extremities and small superficial cracks to hinges of six volumes; occasional light waterstaining but on the whole a very good copy. The OCLC shows only one other copy of the first edition at Yale. unknown books
1691707691691. Fleury Claude and Jean Claude Fabre. HISTOIRE ECCLESIASTIQUE par Mr. Fleury Pretre Abbe de Loc-Dieu sous-precepteur de Monseigneur le Duc de Bourgogne & de Monseigneur le Duc d'Anjou. Paris: Pierre Emery etc. 1691-1738. Quarto. 36 volumes. First edition. A beautiful set in full mottled calf gilt with lettering-pieces and five raised bands to spines. Probably bound at publication of the final volume. Title woodcut and copper-engraved headpiece with history scene to each volume mostly by Sebastien LeClerc. Volumes 21-36 by Fabre are subtitled "Pour servir decontinuation a celle de Monsieur l'Abbe Fleury." Beginning with Volume 20 the imprints vary to include Jean Mariette Saugrain Pierre Martin and Hippolyte-Louis Guerin. A thorough theological historical and anecdotal chronicle of the Catholic Church from the time of the Evangelists to 1595. A standard work first published in 1691 and reprinted many times. Small losses to three spine ends wear to extremities and small superficial cracks to hinges of six volumes; occasional light waterstaining but on the whole a very good copy. The OCLC shows only one other copy of the first edition at Yale. unknown
1973Middle East: Paris Impremerie de C.L.F.Pancoucke 1820-1829. Large double page copper engraved view entrance to the Templeof Luxor Thebes from the third volume of the "Antiquities "of the "Description de l'Egypte" 2nd Edition; black & white; verso blank. Blind stamp of the publisher Panckoucke to margin. The view shows the entrance to the temple with the two obelisks the one on the right now stands in the Place de la Concorde in Paris with two defaced heads of statues buried in the sand in front of the pylons of the temple with their decorated walls; just glimpsed through the entrance can be seen the hall of columns. Good dark impression; some light foxing. mainly to upper margin. "Description de l'Egypte ou Recueil des observations et des recherches qui ont été faites en Egypte pendant l'expédition de l'armée française." When Napoleon Bonaparte invaded Egypt in 1798 he brought with him an entourage of more than 160 scholars and scientists. Known as the French Commission on the Sciences and Arts of Egypt these experts undertook an extensive survey of the country's archeology topography and natural history. . For four years more than 150 artists engineers linguists and scientists traveled throughout the country examining almost every aspect of ancient and contemporary Egypt. They recorded and measured in meticulous detail Egypt's topography flora and fauna and its ancient and contemporary architecture. A soldier who was part of the expedition found the famous Rosetta Stone which the French linguist and scholar Jean-François Champollion 1790-1832 later used to unlock many of the mysteries that long had surrounded the language of ancient Egypt. The Egyptian expedition ended with a total military failure. The French left Egypt in 1801 with the honors of war but defeated; yet military failure remains a significant event in the history of knowledge because it is the first time a military expedition was accompanied by a scientific expedition. In 1802 Napoleon authorized the publication of the commission's findings in a monumental multi-volume work that included plates maps scholarly essays and a detailed index. Publication of the original Imperial edition began in 1809 and continued to 1822 sold by subscription. It proved so popular that a second edition was published under the post-Napoleonic Bourbon Restoration. The "Royal edition" published in Paris by C.L.F. Panckoucke from 1820-1830. The Second edition consists of 11 or 12 volumes of plates in folio and 24 of text bound as 26 8vo. Brunet:II 617; Blackmer/Navari: 476 1st edition Middle East Egypt Luxor Thebes Paris Impremerie de C.L.F.Pancoucke 1820-1829 unknown
1850322242A Paris: chez P.G. Le Mercier rue S. Jacques au Livre d'or et al. 1850. First Edition. Hardcover. Worn set bound in the original leather binding. Gilt decoration to the spines. Wear and tear as with age with some boards loosely attached. Remains well preserved overall; bright clean and sharp-cornered. Physical description 36 volumes. Contents; Tome Premier ; Tome Second ; Tome Troisieme ; Tome Quatrieme ; Tome Cinquieme ; Tome Sixieme ; Tome Septieme ; Tome Huitieme ; Tome Neuvieme ; Tome Dixieme ; Tome Onzieme ; Tome Douzieme ; Tome Treizieme ; Tome Quatorzieme ; Tome Quinzieme ; Tome Seizieme ; Tome Dix-Septieme ; Tome Dix-Huitieme ; Tome Dix-Neuvieme ; Tome Vingtieme ; Tome Vingt-Unieme ; Tome Vingt-Deuxieme ; Tome Vingt-Troisieme ; Tome Vingt-Quatrieme ; Tome Vingt-Cinquieme ; Tome Vingt-Sixieme ; Tome Vingt-Septieme ; Tome Vingt-Huitieme ; Tome Vingt-Neuvieme ; Tome Trentieme ; Tome Trente-Unieme ; Tome Trente-Deuxieme ; Tome Trente-Troisieme ; Tome Trente-Quatrieme ; Tome Trente-Cinquieme ; Tome Trente-Sixieme ; Table Genérale des Matieres. Subjects; Catholic Church History. Church history. A Paris: chez P.G. Le Mercier, rue S. Jacques, au Livre d'or [et al.] hardcover
4206Contient 12 ordres de paiement pour frais d’imprimerie et 4 reçus des imprimeurs James Brown, James Dunlop, Edward Edwards, Nathan Mower, Louis Roy et William Vonderwelden.
1655101512Lyon : Chez A. Besson sans date vers 1655. 145x85mm. 3 ff. 228 pages 5 ff. 1 planches dÂŽpliante lettrines bandeaux culs-de-lampe reliure veau-marbrÂŽ de lՎpoque. Trou sur le bas du dos et piÂce de titre manquant autrement bon ÂŽtat intÂŽrieur propre. Ex-libris. 148 Chez A. Besson unknown
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover books
228517Paris, Bibliothèque historique de la ville de Paris, 1970 - 1997 20 vol. in-4, cartonnage ivoire, avec quelques jaquettes illustrées en couleurs, parfois sous emboîtage (reliure de l'éditeur).
15797Contes de Printemps : Paris, Victor Lecou, 1853. Contes d'Automnes : Paris, Vicor Lecou, 1954. Les Souffrances du Professeur Delteil, La Succession Camus - Les Amis de la Nature et Monsieur de Boisdhyver : Paris, Poulet-Malassis et de Broise, 1861. Histoire de l'imagerie populaire : Paris, E. Dentu, 1869. Histoire de la caricature antique et Histoire de la caricature moderne : Paris, E. Dentu, s.d. 8 volumes in-8, demi maroquin grenat à coins, dos à nerfs janséniste, tête dorée, tranches de gouttière et de queue non rognées, reliures signées Pouget (frottements discrets, petite épidermure sur le plat supérieur de "Contes de printemps", mors du plat supérieur de "Monsieur de Boidhyver" partiellement fendu).
1876003094Paris, Alphonse Lemerre, 1876
101512Lyon, Chez A. Besson sans date, vers 1655, 145x85mm, reliure veau-marbré de l’époque. Trou sur le bas du dos et pièce de titre manquant, autrement bon état, intérieur propre. Ex-libris.
156751823Ex Veterib. exemplaribus multo emendatiores, Cum indice copiosissimo, qui etiam locorum communium ac epitomes vicem supplet, 1 vol. in-8 reliure postérieure pleine basane marron, dos muet à 4 nerfs, Apud Andream Wechelum, Paris, 1567, 4 ff., 795 pp. et 16 ff. n. ch. (index et errata)
1514014465Paris 1514 In aedibus Ioannis Parvi [et] Ascensianis Full-Leather
12023Paris, Emery, Saugrain père, Martin (tomes I-XII) - Pierre-jean Mariette (tomes XIII-XXXVI sauf pour le tome XXV, Hyppolite-Louis Guérin), 1719-1738, 36 volumes in-4°, reliés plein veau brun d'époque, dos richement orné, titre et tomaison or sur pièces peau, tranches jaspées rouges, gardes marbrées ; des coiffes arasées (5 de tête, 4 de queue), accrocs à une douzaine d'autres ; galerie de vers sur une quarantaine de pages au t. 3, au t. 23, sur quelques pages du t. 30 ; auréoles sur une quarantaine de pages du t. 13 et à un feuillet du t. 30 ; déchirure sans manque p. 3 du t. 26. En dépit des défauts signalés, exemplaire agréable dans une reliure uniforme au dos richement orné.