10 360 résultats
1986167874Burbank CA: Warner Brothers 1986. Seven vintage studio still photographs from the US release of the 1986 French film. <br /> <br /> Years after their affair the titular man and woman meet again in order to reflect on their relationship with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman" and followed by "The Best Years of a Life" in 2019. <br /> <br /> 10 x 8 inches. Fine. Warner Brothers unknown
1966144479Paris: Les Films 13 1966. Four vintage photographs from the 1966 film. With agency stamps and manuscript annotations on the versos. <br /> <br /> Anne Gauthier Anouk Aimee and Jean-Louis Duroc Jean-Louis Trintignant meet as they drop their children off at boarding school. She works as a script supervisor and he as a race-car driver. They quickly become friends and as a romance starts to emerge they both reveal that each are widows still experiencing the grief of their losses. Winner of The Palme d'Or and the OCIC Award at the Cannes Film Festival also winner of two Academy Awards including Best Screenplay and Best Foreign Language Film. Nominated for two more. <br /> <br /> Shot on location in Paris Deauville and Saintes-Maries-de-la-Mer France. <br /> <br /> 10 x 8 inches. Near Fine. Les Films 13 unknown
1988169970Burbank CA: Warner Brothers 1988. First Draft script for Season 1 Episode 4 of the 1989 television series.<br /> <br /> Based on the 1985-1988 television series "Spenser: For Hire" which was based in turn on Robert B. Parker's long-running detective novel series. In this episode Hawk helps an old friend a defense attorney who has taken on a seemingly hopeless murder case. Originally aired on February 18 1989 on ABC.<br /> <br /> Shot on location in Washington DC.<br /> <br /> Red titled wrappers dated December 23 1988 and noted as First Draft on the front wrapper. Title page present dated December 23 1988 noted as First Draft with credit for screenwriter Jerome Coopersmith. 57 leaves with last page of text numbered 54. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1987139456Los Angeles: TNT / Agamemnon Films / British Lion Film Corporation 1987. British Draft script for the 1988 television film originally airing on December 21 1988 on TNT the first made-for-television movie produced for the fledging network. Brief annotations in manuscript ink throughout. <br /> <br /> Based on the 1960 Broadway play by Robert Bolt about Sir Thomas More's devotion to the Catholic Church during the English Reformation. Previously filmed in a 1966 Academy Award winning theatrical release directed by Fred Zimmerman and starring Paul Scofield Wendy Hiller and Leo McKern. <br /> <br /> Tan wrappers with die-cut title window in the British style. Title page present dated November 16 1987 with a credit for screenwriter Bolt. 180 leaves with last page of text numbered 177. Xerographically reproduced. Pages and wrapper Near Fine bound internally with a silver prong brad. TNT / Agamemnon Films / British Lion Film Corporation unknown
1964164256N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 film including one of director Jean-Luc Godard pushing longtime cinematographer Raoul Cotard seated in a wheelchair on the set. Layout annotations in ink and pencil on the versos and one with a Télérama stamp. <br /> <br /> Godard used a cameraman seated in a wheelchair instead of a camera dolly in several films including "Breathless" 1959.<br /> <br /> During a period of romantic tumult a woman discovers she is pregnant with two possible fathers. After premiering at the Venice Film Festival the film was briefly banned in France for its scandalous depiction of infidelity and was only passed by the censors after forcing Godard to make several small changes including changing the film's title from "The Married Woman" to the slightly less inflammatory "A Married Woman." <br /> <br /> Four photographs 7.25 x 9.5 inches one photograph 5 x 7 inches. Very Good plus to Near Fine. <br /> <br /> Masters of Cinema 80. N.p. unknown
1945137348Hollywood: Paramount Pictures 1945. Original pressbook for the 1945 film based on an original story by John Steinbeck and Jack Wagner. The duo received an Academy Award nomination for their work. <br /> <br /> 12.25 x 15 inches. 28 pages saddle stapled. Light fading on the front edges lightly rubbed and soiled about Near Fine overall. Paramount Pictures unknown
1945282390Paramount Pictures 1945. First Edition. Poster. Poster 27 x 41 inches. Starring Dorothy Lamour Arturo de Cordova J. Carrol Naish. Steinbeck and Wagner won the Academy Award for Best Story. First edition first printing. A near fine copy. Poster previously folded twice into quarters. Small pinholes in corners. Small cracks at center folds.<br> Paramount Pictures unknown
1992158397Overland Park KS: InterStar 1992. Vintage press kit for the 1992 film. Two-color illustrated pocketed folder containing five black and white photographs in the original glassine sleeve and a gathering of promotional reading material.<br /> <br /> Based upon the 1982 novel by William Wharton. In December 1945 the members of an American intelligence squad decide to negotiate with a small group of German soldiers who wish to surrender rather than die in one final offensive.<br /> <br /> Shot on location in Utah.<br /> <br /> Folder photographs and promotional material about Near Fine. InterStar unknown
1992158402N.p.: N.p. 1992. Vintage reference photograph from the 1992 film.<br /> <br /> Based upon the 1982 novel by William Wharton. In December 1945 the members of an American intelligence squad decide to negotiate with a small group of German soldiers who wish to surrender rather than die in one final offensive.<br /> <br /> Shot on location in Utah.<br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
1960143236Paris: Filmsonor 1960. Collection of 11 vintage black-and-white still photographs from the set of the 1960 French-Italian film here under the original French title "Une fille pour l'été." Featured are several images of the cast and crew on the waterfront basking in the shade director Molinaro in white straw hat and images of starring actress Petit including a striking portrait image of her under an elegant sconce and with Auclair reading scripts. All but one photograph with annotations in the verso in manuscript ink film title names of persons pictured and all but two photographs with numerical annotations on the verso in manuscript pencil. <br /> <br /> Based on a novel presumed by screenwriter Clavel. Philippe Auclair is an unsung artist with a mistress he does not love. He spends leisurely vacations at Paule's Presle in the Riviera where he meets Manette Petit a poor girl whom he befriends and lusts for to the chagrin of Manette herself under the romantic allure of Philippe. <br /> <br /> Late in the canon of cinematographer Jean Bourgoin whose credits include some of Jean Renoir's films in the 1930s Orson Welles' film noir "Confidential Report" 1955 and Jacques Tati's "Mon Oncle" 1958. <br /> <br /> 1 photograph 3.25 x 4.25 inches remaining photographs 5 x 7 inches. Very Good plus overall. Filmsonor unknown
1960162165N.p.: N.p. 1960. Vintage borderless lobby card for the German release of the 1960 French film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on Maurice Clavel's 1955 novel about a little-known artist's summer relationship with a beautiful poor young woman. <br /> <br /> 9.25 x 11.5 inches. Very Good with two hole punches at the left and right sides closed with paper tape on the verso. N.p. unknown
1104327201.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1354995929.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1356095321.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1355182743.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
143674105X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
16-2756San Francisco: ACT 1978. Poster 26.5 x 18.5 inches. From the collection of the Russian theater historian Alma Law. San Francisco: ACT, 1978. unknown
20062092902137602065National Museum of Japanese History 2006. Soft Cover. Fine. Number of pages: 4 pages text 320 pages Size: A4 Number of books: 1 National Museum of Japanese History paperback
1973139507Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. <br /> <br /> Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br /> <br /> Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9 inches. Fine. <br /> <br /> Thrower Nightmare USA. Penthouse unknown
178853218X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1968140637Moore Park Australia: Embassy Pictures 1968. Draft UK script for the 1969 film. With several annotations in manuscript ink throughout. <br /> <br /> Based on Anne Piper's 1959 novel "Marry at Leisure" about Candida Ferris who goes to live with her relatives after the death of her father. Bored with life she leaves for Paris where she meets a young student and becomes pregnant but keeps the baby a secret from her family. Bored yet again with life she leaves for Italy where she meets an American and is soon pregnant again. As she leaves Italy a woman gives her baby to Candida at the train station. So with two babies and one on the way her life is unraveling quickly and her only confidant is Savage Andrews the caretaker of her late father. <br /> <br /> Set in London and Paris shot on location there as well as Venice. <br /> <br /> Pink blank wrappers with die cut title window in the British style. Title page present dated July 1968 with credits for screenwriter and author Anne Piper and novelist Desmond Davis. 112 leaves with last page of text numbered 111. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a pink ribbon. Embassy Pictures unknown
1957146091Los Angeles: Twentieth Century-Fox 1957. First Draft script for the 1958 film with single "" notation in manuscript pencil. <br /> <br /> Good-guy Max Tom Ewell and mooch Gus Mickey Rooney are horse-race loving pals whose lives are going nowhere. Desperate they turn to bank robbery and actually pull it off. Using the money to buy a race horse their bookie pal Rocky Mickey Shaughnessy wants in. When they loose their bank roll after their horse is disqualified they figured they'd rob a bank again.<br /> <br /> Blue titled wrappers noted as First Draft on the front wrapper and production No. 767 dated October 9 1957. Distribution page present with receipt removed. Title page present dated October 9 1957 noted as First Draft with credits for screenwriter Sydney Boehm. 124 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown
1935148169N.p.: N.p. 1935. Vintage studio still photograph of Groucho Marx from the 1935 film.<br /> <br /> The first of five films the Marx Brothers made for Metro-Goldwyn-Mayer. A smash hit wherein the Marx Brothers take on the world of opera and high society.<br /> <br /> Selected for the National Film Registy in 1993.<br /> <br /> 8 x 10 inches. Near Fine light creasing in margins. <br /> <br /> Goddard "Histoires du Cinema. N.p. unknown
1978155782N.p.: N.p. 1978. Vintage borderless reference photograph showing Lina Wertmüller directing actors Candice Bergen and Giancarlo Giannini on the set of the 1978 film. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> An American photographer falls in love with a chauvinistic Italian journalist while visiting a small Italian village. <br /> <br /> Set and shot on location in San Francisco and Rome. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1958125081London: The Rank Organization 1958. Vintage French theatrical release poster for the seminal 1958 British docudrama "A Night to Remember" here under its French title "Atlantique Latitude 41 Degrees."<br /> <br /> Probably the most distinctive poster produced for the film. Novelist Ambler and director Baker set out to make a film that depicted the sinking of the Titanic as accurately as possible with no added fictional subplots. In addition to being massively entertaining the film is today held in high regard by "Titanic" historians compared to the more melodramatic and big-budget take by James Cameron in 1997. <br /> <br /> Director Baker noted in a 1991 interview "The whole purpose of making the film was to show a society that had persuaded itself that you could make a ship which could never to be sunk."<br /> <br /> 34 x 52 inches on archival linen Fine condition. <br /> <br /> Criterion Collection 7. McFarlane p. 51. The Rank Organization unknown
