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Sulcer, Patricia (Project Director and Editor), and Levier, Francis (Editor)Biblio.com

A Congregationalist DirectorBiblio.com

"The Tables Turned" A Letter to the Congregational Association of New York reviewing the Report of their committee on "The Relation of the American Tract Society to the Subject of Slavery"

18551617The Congregational Association of New York established a committee to investigate and report on "The relation of the American Tract Society to the Subject of Slavery". The report of that committee was made in 1855. The conclusions drawn are not clear for it had been the policy of the Society to not take any position on slavery since they believed it was not a proper religious issue. In any event one member of The Congressional Association wrote "The Tables Turned" -- A Letter to the Congregational Association of New York reviewing the Report of their committee on "The Relation of the American Tract Society to the Subject of Slavery" By a Congregationalist Director taking issue with the procedures actions conclusions and writings of the Committee.This letter writer did not wish to identify himself other than by the nom-de-plume of A Congregationalist Director. He expressed his dissatisfaction however with words such as ".The facts are these: the chairman of your committee whose name alone would entitle it to general credit – never saw the report till weeks after your meting had been held and was absent from the meeting at which it was presented.And the further fact is stated without fear of contradiction that the acting chairman of your Committee whose multiform duties have required him to pass almost daily the door of the Tract house during the year of his appointment has in no instance within that period made an inquiry of any officer or Committee-man connected with the institution on any point embraced in the Report while there is indubitable internal proof in the document itself of a total lack of investigation of the public documents of the Society.".The letter is contained in a 44 pages string-bound booklet with a front paper cover but no rear cover that measures approximately 5 ¾ x 9 inches. The pages are tanned and there are pencil notes in the margins of a number of pages. The text is clear and easily read. There are markings on the front cover related to the prior ownership by the Western Reserve Historical Society Cleveland Ohio. The booklet is a first edition as published in Boston by Crocker & Brewster and in New York by Edward P. Rudd. The booklet is in good conditionThe illustrations accompanying this description show the booklet's front cover the first page of text and a typical 2-page spread of further text. Crocker & Brewster and Edward P. Rudd paperback

Pages For Sages · États-Unis60,00 $US≈ 50,77 €

'Ben Greet' [ Sir Philip Barling Greet ] (1857-1936), Shakespearean actor, director, impresario, manager of Old Vic Theatre, LonBiblio.com

'Ben Greet' Sir Philip Barling Greet Shakespearean impressario and 'an ardent opera goer'. Two Autograph Letters Signed both 'Ben Greet' to Neil Forsyth Royal Opera House Covent Garden requesting boxes and commenting on productions.

20624One from 20 Buckingham Street WC London on letterhead of 'The Ben Greet Players' 14 July no year. The other from 2 The Terrace Camden Square. 17 August no year. ONE: On letterhead of 'The Ben Greet Company' addressed from 20 Buckingham Street WC London . 14 July no year . 2pp. 8vo. In fair condition aged and worn with the first page carrying pencil scorings and a short note by Forsyth. The first paragraph reads: 'If business will permit can I have one of the small boxes for Monday night. You generally let me have something during the Season. I've been a very regular Gallery & Amphitheatre and stallite this season.' He continues: 'You've got a genius in Frau <Temina> & you sd keep her. Everyone is raving about her. I saw her as K<> last Bayreuth & I've heard her every night since she's sung here except Thursday when I unfortunately had some Pastorals at Ramsgate.' He realises that there is not likely to be 'an off night' but if there is he should like a seat adding: 'Please remember I am an ardent opera goer'. He ends with some illuminating comments on the state of Covent Garden thanking him for having 'those shutters opened â€“ the difference was marvellous' and expressing a wish that 'the Syndicate wd only remove the awful spangles of fire or â€œelectrifyâ€ them & back the 2/6 gallery'. These changes would be welcomed by 'their grateful public'. He concludes: 'Dont laugh at my managerial requirements!' TWO: 2 The Terrace Camden Square. 17 August no year. 2pp. 12mo. In good condition lightly aged and worn. Headed with recipient's name: 'Neil Forsyth Esq'. Having just returned from America he asks to be presented with four seats for that night: 'I want much to hear â€œArmidaâ€. If full up never mind & I'm glad.' He announces that he is 'going to produce shortly in Chicago almost the earliest known opera one of Cesti's circ 1606 sic Musical and Dramatic.' The letter concludes referring to America: 'Things out there are very very faddy â€“ the Covent Garden Opera season seems to go on very steadily'. One from 20 Buckingham Street WC [ London ], on letterhead of 'The Ben Greet Players', 14 July [no year]. The other from 2 The T unknown

Richard M. Ford Ltd · Royaume-Uni80,00 £GB≈ 91,34 €

Jack Pulman (1925-1979), British screenwriter [ Ronald Duncan (1914-1982), author; Jack Cardiff (1914-2009), film director; TheBiblio.com

'The Girl on a Motorcycle' 1968 film starring Alain Delon and Marianne Faithfull. Material relating to arbitration by Jack Pulman for the Writers' Guild of Great Britain of dispute over credits between Jack Cardiff and Ronald Duncan.

18371The Writers' Guild of Great Britain 430 Edgware Road London. Two items on Pulman's letterhead 31 Steele's Road London. 1968. Six items relating to Pulman's arbitration including 'a careful breakdown by him of scene continuity of the Bourguignon script the Duncan script and the final shooting script' these three breakdowns Items Two to Four below totalling 8pp. In his four-page arbitration Pulman gives a detailed account of the process of the film's composition of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" Writers involved - S. Bourguignon Ronald Duncan Jack Cardiff Gillian Freeman'. A full description of the case in fourteen numbered sections giving a great deal of detail regarding the composition of the script beginning with a list of six 'writing stages' and Pulman's reasons for reaching his conclusion. He describes the film as 'a story done very much in the style of â€œUn Homme et Une Femmeâ€ using a very similar continuity of flashback and throught sic track'. On reading through the material presented to him Pulman found that 'one impression emerged clearer than ever â€“ that the final shooting script 6 differed very little from Bourguignon's adaptation which Cardiff says could â€œnever be used on a professional basis.â€ To see whether this impression was correct or not I made a careful breakdown of scene continuity of the Bouguignon script the Duncan script and the final shooting script and compared them. These are enclosed with this opinion.' The are Items Two to Four below. He does not 'believe that anyone comparing these breakdowns could come to any conclusion other than that the screenplay credit belongs niether sic to Cardiff nor Duncan but solely to Bourguignon'. Since Bourguignon 'seems to be claiming no credit' he proposes to amend the credit to: 'SCREENPLAY by S. Bourguignon. Additional Scenes by Ronald Duncan and Jack Cardiff.' TWO: Two-page typescript headed 'Continuity - BOURGIGNON sic'. Twenty-four points beginning with 'Rebecca rises from her husband's bed puts on her black suit takes her motorcycle and sets off to see her lover Daniel.' Last point: '24. She leaves the cafe and gets on her motor cycle again. She is going very fast. She is killed in a collision.' THREE: Three-page typescript headed 'Ronald DUNCAN - Continuity. Second Draft'. Twenty-seven numbered points beginning with: '1. Rebecca rises from her husband's bed takes her black suit and motorcycle and sets off for her lover.' Last point: '27. She leaves the grass verge and drives on. She arrives at Daniels. He is not present but she sees the photo frame this time with the woman in it which is sic obviously always takes out when he visits her. She walks out of his life leaving the motor cycle there.' FOUR: Three-page typescript headed 'Continuity - Final Script Jack Cardiff'. Thirty-one points beginning with: '1. Rebecca asleep with her husband has a dream about him and Daniel.' Last point: '31. She leaves the grass verge and gets back on the road again. Thinking of Daniel she has a collision with a car and is killed.' FIVE: Copy of typed 'postscript to my opinion dated 29th April 1968' by Pulman. On his letterhead. Dated 6 May 1968. 1p. 4to. Amending his proposed credit following a discussion 'at some length with Dick Sharples' to 'Screenplay by - RONALD DUNCAN Adapted by - JACK CARDIFF'. SIX: Copy of letter from Alan Griffiths General Secretary of the Writers' Guild to Stuart Freeman 14 May 1968. 1p. 4to. With Griffiths' compliments slip. [ The Writers' Guild of Great Britain, 430 Edgware Road, London. ] Two items on Pulman's letterhead, 31 Steele's Road, London. 1 unknown

Richard M. Ford Ltd · Royaume-Uni250,00 £GB≈ 285,45 €

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"It's Our War"

"M" Original Vintage 1931 German Publicity Still

"RailOhio": The Rail Plan for Ohio 1978-1979

"Rare Argentinian Journal on Cinema. Attractive Covers. No Complete Copies in US Libraries"

"The Tables Turned" A Letter to the Congregational Association of New York reviewing the Report of their committee on "The Relation of the American Tract Society to the Subject of Slavery"

'Ben Greet' Sir Philip Barling Greet Shakespearean impressario and 'an ardent opera goer'. Two Autograph Letters Signed both 'Ben Greet' to Neil Forsyth Royal Opera House Covent Garden requesting boxes and commenting on productions.

'Finian's Rainbow film script. June 21 1967

'The Collected Works of Billy the Kid' Poster advertisement for theatrical production between September 24th and October 10th c.1971 at the Cell Block Theatre Darlinghurst

'The Girl on a Motorcycle' 1968 film starring Alain Delon and Marianne Faithfull. Material relating to arbitration by Jack Pulman for the Writers' Guild of Great Britain of dispute over credits between Jack Cardiff and Ronald Duncan.

'Tis Pity She's a Whore Two original photographs from the 1971 film

'Tis Pity She's a Whore Two original photographs from the 1971 film

'Toodle-Oo' Hundredth Night 1929: A Musical Comedy in Two Acts.

'You would do well to realise': Sir William James Ingram Managing Director of the Illustrated London News. Autograph Letter Signed negotiating the purchase of newspapers from another proprietor.

.And Justice for All Original photograph from the 1979 film

.And Now the Screaming Starts Eight photographs from the 1973 film

.And Now the Screaming Starts Collection of 8 photographs from the 1973 film

007 From Russia with love

007 The Spy Who Loved Me

10 Issues: Afganistan Revue Trimestrielle Publiee par La Direction Generale du Departement de la Presse

10 Rillington Place Two original photographs of Judy Geeson from the 1971 British film

10 Rillington Place Original photograph from the 1971 film

10 Years Ballet Russe de Monte Carlo. Season 1948-1949

100 Rifles One Hundred Rifles Three original oversize photographs from the 1969 film

100 Rifles One Hundred Rifles Original oversize photograph of Raquel Welch and Jim Brown from the 1969 film

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