10 360 résultats
1957145156Culver City CA: RKO Radio Pictures 1957. Vintage linen backed keybook photograph from the set of the 1957 film. Mimeo snipe on the verso. <br /> <br /> Hal Ditmar James MacArthur the teenage son of a wealthy movie producer gets in a fight the manager of a theater and struggles to convince either the police or his father that he acted in self-defense. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. Near Fine. RKO Radio Pictures unknown
1970163450Hollywood: Tempo Enterprises / Crown Pictures 1970. Revised Final Draft script for the 1971 film. Copy belonging to an unidentified crew member with annotations in manuscript ink and pencil on the title page and three leaves of the script.<br /> <br /> While waiting for the results from a pregnancy test a precocious high school senior decides to leave her family older lover and boyfriend behind and hitchhike to Big Sur California with her best friend.<br /> <br /> Red titled wrappers noted as copy No. 23 in manuscript ink on the front wrapper. Title page present undated noted as Revised Final Draft with credit for screenwriter David Allen Dixon. 125 leaves with last page of text numbered 124. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Tempo Enterprises / Crown Pictures unknown
1961151378N.p.: N.p. 1961. Draft script for the 1961 British film musical and souvenir 45 rpm record with slipcase from the December 13 1961 World Premiere at the Warner Theatre in London's West End. Script noted as copy No. 2 on the front wrapper with annotations in manuscript pencil and ink throughout. <br /> <br /> Released in the US as "Wonderful to be Young" and not to be confused with the 1982-1984 BBC British sitcom starring Adrian Edmondson Rik Mayall Nigel Planer Christopher Ryan and Alexei Sayle.<br /> <br /> Loosely based on the 1939 musical "Babes In Arms" directed by Busby Berkeley and starring Mickey Rooney and Judy Garland. A group of teens try to save their youth club from a ruthless property tycoon by recording a hit song and broadcasting it on a pirate radio station. The first in a string of British film musicals starring Cliff Richard including "Summer Holiday" 1963 and "Wonderful Life" 1964. Adapted in 2007 as a stage musical by John Plews which premiered that December at the Gatehouse in London.<br /> <br /> Set in London's West End shot on location in Finsbury Park Empire and Castrol House now Marathon House London and Middlesex England. <br /> <br /> Blue wrappers with titled label dated 18th May 1961 with credits for Screenplay Words and Music by Peter Meyers & Ronald Cass and Copy No. 2. Title page present dated 18th May 1961 with credits for Screenplay Words and Music by Peter Myers & Ronald Cass. 73 leaves with last page of text numbered 81. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound internally with three flat metal brads.<br /> <br /> 45 rpm Record Near Fine. <br /> <br /> Record Slipcase 7.5 x 7.75 inches Very Good plus with light creasing and two vertical adhesive stains on seams of verso. N.p. unknown
1973162618N.p.: Cannon Group 1973. Two vintage studio still photographs from the US release of the 1972 British film originally released in the UK under the title "Au Pair Girls." Both photographs with a provenance stamp on the verso one also with a label obscuring a previous provenance stamp. <br /> <br /> Several young women from continental Europe and Asia arrive in England to begin jobs as au pairs and spend more time bedding their hosts than doing their jobs. Veteran British director Val Guest's first foray in the sex comedy genre. <br /> <br /> Shot on location in London and Berkshire England. <br /> <br /> 8 x 10 inches. Near Fine. Cannon Group unknown
1964150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. <br /> <br /> Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. <br /> <br /> 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown
1971162117New York: American International Pictures AIP 1971. Vintage reference photograph from the American release of the 1969 Italian film showing actor Pierre Clémenti holding a photograph of Britt Ekland. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Loosely based on the classic Athenian tragedy "Antigone" set in contemporary Milan and using the play to explore the protests of 1968 the Years of Lead and the Italian countercultural movement. <br /> <br /> 10 x 7.5 inches. Very Good plus with moderate glue residue on the verso. American International Pictures [AIP] unknown
1956143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. <br /> <br /> Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. <br /> <br /> 7.25 x 9.25. About Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1965148522N.p.: N.p. 1965. Early Draft script for the 1965 British comedy film. <br /> <br /> Based on the 1889 novel by Robert Louis Stevenson and Lloyd Osbourne.<br /> <br /> In 1818 the parents of 20 boys establish a tontine a fund to go to the last surviving boy. It is now 1882 and only 2 elderly brothers are left Joseph Ralph Richardson protected by his nephews Peter Cook and Dudley Moore determined to keep him alive and Masterman John Mills in ill health and poverty protected by his perpetually confused grandson Michael Caine.<br /> <br /> Shot on location in Surrey England. <br /> <br /> Yellow untitled wrappers with die-cut title window in the British style. Title page present dated May 21 1965 with credits for screenwriters Larry Gelbart and Burt Shevelove. 127 leaves with last page of text numbered 125. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. N.p. unknown
1967153864N.p.: N.p. 1967. Vintage borderless reference photograph from the 1968 film showing actress Sharon Tate posing in a negligee. <br /> <br /> Tate's final film before her tragic death at the hands of Manson Family members the fourth and final entry in the comedy/spy franchise starring Dean Martin as Matt Helm based on the popular novels by Donald Hamilton and written for the screen by noted crime novelist George P. McGivern.<br /> <br /> Shot in Hollywood and on location in Idyllwild and Palm Springs California.<br /> <br /> 8.25 x 10 inches. Near Fine. N.p. unknown
1977163609Beverly Hills CA: Twentieth Century-Fox 1977. Vintage bi-fold color program for the 1977 film. Printed on the recto and the verso. <br /> <br /> A parody of 1920s silent film and actors particularly actor Rudolph Valentino. A studio that rivals Valentino's decides to hire an actor to compete with him choosing a baker from Milwaukee. <br /> <br /> Set in Hollywood shot on location in California. <br /> <br /> Near Fine. Twentieth Century-Fox unknown
1977166312N.p.: N.p. 1977. Rainbow Revision Final Draft script for the 1977 film. Copy belonging to actor Nick Dimitri. Bound in with the script is a Typed Letter Signed on custom letterhead for the film addressed to Dimitri from Wilder's secretary Kate Kovacs dated February 22 1977. Also bound in with the script are five revision pages. <br /> <br /> The script also appears to have been used by actor Sal Viscuso with his annotations in manuscript ink on pages 80-A and 81.<br /> <br /> A parody of 1920s silent film and actors particularly actor Rudolph Valentino. A studio that rivals Valentino's decides to hire an actor to compete with him choosing a neurotic baker from Milwaukee. <br /> <br /> Shot on location in California.<br /> <br /> Tan illustrated titled wrappers. Title page present dated January 3 1977 noted as FINAL with credits for screenwriter Gene Wilder. 141 leaves with last page of text numbered 126. Mimdographic duplication rectos only with blue pink green yellow and goldenrod revision pages throughout dated variously between 1/19/77 and 4/20/77. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1964142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and manuscript annotations on the verso. <br /> <br /> An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Olive Films 1339. Ulysse Productions unknown
1981034231Franklin Mint 1981. April 1 1981 Certified. " Certificate of Authenticity: This is to cerify that the World's Great Historic Seals is a collection of 50 Seals re-created in sterling silver from documents that have shaped the world history and issued in a limited edition by the Franklin Mint. It is further certified that each Silverseal was combined with an original work of art on fine parchment bond." Commences with Charter of Priveleges For the Knights of St. John and finishes with United States China Agreement 1980. Only two parchment bonds with a couple of faint tiny foxing to bottom fore corner otherwise all sheets are clean and intact within a clear plastic sleave. Cover: clean brown faux leather look with grainy cloth on boards with gilt titles. Rear cover: light white strips. Light rubbing to head & foot of spine. Brass screw-in binding is strong. Heavy book: 305 x 290 x 105 mm. Hb. VG/None. Franklin Mint Hardcover
CA01B-00199BASIC COMMUNICATIONS. Collectible - Good. Wheeling WV: Basic Communications 1969. Sm 4to. Unpaginated. Illus. Good book. Corners creased. radio broadcast country music Inquire if you need further information. BASIC COMMUNICATIONS unknown
1973163692Los Angeles: Wolper Productions 1973. Treatment script for the 1973 television movie originally aired on November 27 1973 on ABC. <br /> <br /> An hourlong documentary film about the Battle of Yorktown during the Revolutionary War focusing on George Washington's role in the conflict.<br /> <br /> Beige untitled Wolper Productions wrappers with a die-cut title window on the front wrapper. Title page present dated June 12 1973 with credit for screenwriter Al Ramrus. 44 leaves with last page of text numbered 43. Xerographic duplication rectos only with three white revision pages dated 6/25/73. Pages Near Fine wrapper Near Fine with a black Velo binding. Wolper Productions unknown
19802090502128300350Not Available 1980. Soft Cover. Fine. The book is in fine condition. Not Available paperback
160216Burbank CA: Warner Brothers 1981. Final Draft script for the 1982 film. Rainbow copy with a manuscript ink annotation on the title page noting copy No. 209. <br /> <br /> Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br /> <br /> Shot on location in New York and New Jersey. <br /> <br /> Blue titled PanArts/Warner Brothers wrappers. Title page present dated January 1981 noted as Final Draft with credits for screenwriter Steve Tesich and novelist John Irving. 170 leaves with last page of text numbered 139. Xerographic duplication rectos only with pink blue and yellow undated revision pages throughout. Pages Very Good plus with soil on the fore-edge of the title page wrapper Very Good slightly yapped at the edges and lightly soiled bound internally with three gold brads. Warner Brothers unknown
1982168493N.p.: N.p. 1982. Vintage borderless oversize reference photograph from the 1982 film showing director George Roy Hill with actor Robin Williams on the set. Mimeo snipe on the verso. <br /> <br /> Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br /> <br /> 11.75 x 8.75 inches. About Fine. N.p. unknown
166272Iver Heath Buckinghamshire: Pinewood Studios 1998. Revised Draft script for the 1999 film seen here under the working title "Bond 19." Copy belonging to visual effects technician Brian Smithies with his name in manuscript ink on the first page of the script and his annotations on several script pages denoting scenes utilizing visual effects. Numeric watermark on each script page. <br /> <br /> During an assignment to protect a late billionaire's daughter from her father's killers James Bond uncovers an international scheme to increase petroleum prices by way of a nuclear disaster. The nineteenth film in the James Bond series and the third to star Pierce Brosnan as the titular MI6 agent. <br /> <br /> Shot on location throughout Spain France Azerbaijan Turkey and the UK.<br /> <br /> Self wrappers. Title page replaced with a memo revision page dated December 4 1998. 119 leaves with last page of text numbered 115. Xerographic duplication rectos only with 16 pink revision pages bound in at the beginning of the script dated December 4 1998. Pages Very Good plus bound with a silver prong with light rust near the binding and moderate dampstaining on the first page of the script. Pinewood Studios unknown
1959148328Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Three vintage French lobby cards from the 1959 film. <br /> <br /> Based on the 1901 novel "The Purple Cloud" by M. P. Shiel and the 1951 short story "End of the World" by Ferdinand Reyher. Harry Belafonte is a mine inspector who becomes trapped in an underground collapse. Upon digging his way out he finds the world deserted and sets out to find other survivors. <br /> <br /> Set in Pennsylvania and New York shot on location in New York New Jersey and California. <br /> <br /> 11.75 x 9.25 inches. Very Good plus faint edgewear two with pinholes in margins one with single pinhole with light rust staining top center of image. Metro-Goldwyn-Mayer [MGM] unknown
1959151606New York: Metro-Goldwyn-Mayer MGM 1959. Vintage press kit for the 1959 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 16 black and white photographs and 5 gatherings of promotional reading material.<br /> <br /> Based on M.P. Shiel's 1901 novel "The Purple Cloud." A miner trapped in a cave for several days resurfaces only to realize humankind has been virtually wiped out in a nuclear holocaust. He travels to New York where he bands together with a young woman survivor but their fragile existence is soon disrupted by the arrival of another survivor. <br /> <br /> Shot on location in New York and New Jersey.<br /> <br /> Folder photographs and promotional material Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
199667826Baltimore MD: The Johns Hopkins University Press 1996. First edition. First printing stated. Hardcover. Very good/very good. xxiii 981 p. Index. From Wikipedia: "David S. Wyman born 1929 Weymouth Massachusetts is the author of several books on the responses of the United States to Nazi Germany's persecution of and programs to exterminate Jews. Wyman earned an A.B. in history from Boston University and a Ph.D. in history from Harvard University. From 1966 until his retirement in 1991 Wyman taught in the History Department at the University of Massachusetts Amherst where he also chaired the Judaic studies program. Wyman holds honorary doctoral degrees from Hebrew Union College and Yeshiva University both in New York City. He is currently chairman of the David S. Wyman Institute for Holocaust Studies in Washington D.C. Deborah Lipstadt characterizes Wyman's book Paper Walls; America and the Refugee Crisis as having stood for many years as "one of the most important books " on American immigration policy in the Nazi years. In Paper Walls Wyman discusses the combination of antisemitism nativistic nationalism economic crisis and isolationism that made rescue inconceivable." In his later work Wyman's position shifted he came to believe that the attitude of American Jews during the Nazi era was to be faulted and that the approach of the Bergson Group was the correct one. If American Jews had taken a more forceful approach government policy could have been changed." The vast body of knowledge assembled about the Holocaust has reconstructed nearly every aspect of that tragedy. Monographs document collections memoirs oral histories novels and films have all contributed to an understanding of the events that shocked the world into stunned silence in 1945. But what happened in the aftermath-as stunned silence gave way to a full realization of the horror-has not been as thoroughly studied. Indeed there exists no systematic examination of how countries around the world have responded to the Holocaust after 1945. Sponsored by the Holocaust Memorial Center and under the editorship of David S. Wyman The World Reacts to the Holocaust is a major new reference work that chronicles country-by-country the impact of the Holocaust on world history. Covering twenty-two countries and the United Nations the volume carefully traces the contentions and controversies involved in the efforts to come to terms with the Holocaust from the attitudes and perceptions of 1945 to the political economic and cultural legacies of the 1990s. Following a standard format the essays all written by prominent scholars begin with a brief history of the Jews in each country prior to the Holocaust. They next address the characteristics of the Jewish settlements the presence of anti-Semitism and any related violence the role of Jews in the society and the nature of the relationship between Jews and non-Jews. A brief narrative of the Holocaust in each country follows. Among the issues examined are the extent of the human destruction the degree of collaboration Jewish reactions and efforts to save the Jews. The essays then proceed to the post-World War II era and recount the treatment of Holocaust survivors upon their return; the postwar trials of war criminals; the changes in the culture and economy of the postwar Jewish community and its position in the society; the political literary and historical responses to the Holocaust; and the evolving attitudes toward Jews and Jewish culture. Contributors: Irving Abella Franklin Bialystok Randolph L. Braham David Cesarani Frederick B. Chary Deborah Dwork Andrew Ezergailis Seymour Maxwell Finger Zvi Gitelman Radu Ioanid Dermot Keogh Tetsu Kohno David Kranzler Dov Levin Robert M. Levine Andrei S. Markovits Meir Michaelis Beth Simone Noveck Dalia Ofer Bruce F. Pauley Jeffrey M. Peck Charles H. Rosenzveig Livia Rothkirchen Milton Shain Michael C. Steinlauf Robert-Jan van Pelt David Weinberg . The Johns Hopkins University Press hardcover
1972161899Burbank CA: New Line Cinema 1972. Vintage studio still photograph from the US release of the 1971 Italian film here under the US release title "Lulu the Tool." Provenance stamp on the verso. <br /> <br /> Director Elio Petri's socio-political drama wherein a hard working factory worker Ludovico Lulu loses a finger in a working accident and joins a faction of workers calling for a strike only to fired for agitational behavior after the workers reach an agreement with the management. Winner of the Palm d'Or.<br /> <br /> Shot on location in Piedmont Italy. <br /> <br /> 8 x 10 inches. Very Good plus with faint creasing and a wax pencil annotation on the top right of the recto. New Line Cinema unknown
1965162615Hollywood: G and S Productions 1965. Two vintage studio still photographs from the 1965 film. <br /> <br /> A henpecked maintenance man continually finds himself in compromising situations with beautiful women who are partially clad or naked. <br /> <br /> 8 x 10 inches. One photograph with a faint crease in the bottom margin else Near Fine. G and S Productions unknown
1968162604N.p.: International Film Artists 1968. Three vintage studio still photographs from the 1969 film here under the release title "The Women" also released under the titles "The Vixens" and "Friends and Lovers." Two photographs with provenance stamps on the versos.<br /> <br /> Bob slips to his death off a dam bridge. His wife Betty reconstructs recent events to the police flashing back to a series of trysts and couple swapping that have nothing to do with Bob's accident.<br /> <br /> Shot on location in Connecticut and New York. <br /> <br /> 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation to the top right margin and a crease and a small closed tear in the bottom margin. International Film Artists unknown
