483 résultats
Spine and part of wraps lightly sunned. Bump and crease to base of spine. Faint creasing and very light chipping to wraps. Gift inscription with initials of both authors to half-title. ; XIII, 445 p. La pagina e il testo. Sulle funzioni della doppia rigatura verticale nei codici latini antiquiores Raffaelli, Renato. • p. 1-24; Essay Lignes d'un examen codicologique du "Virgile Vatican" et du "Virgile Romain" Ruysschaert, José. • p. 25-36; Essay Il Fragmentum Bobiense de nomine (Gramm. Lat. VII 540-544 Keil) Mariotti, Scevola. • p. 37-68; Essay La presentazione del testo nei manoscritti tardo-bizantini Prato, Giancarlo. • p. 69-84; Essay Livre et texte dans les manuscrits byzantis de poètes: continuité et innovations Irigoin, Jean. • p. 85-102; Essay The relation of text and commentary in Greek books Wilson, Nigel Guy. • p. 103-110; Essay Esemplari con subscriptiones e tradizione dei testi latini: l'Apuleio Laur. 68,2 Pecere, Oronzo. • p. 111-137; Essay Les manuscrits latins à gloses et à commentaires: de l'antiquité à l'époque carolingienne Holtz, Louis. • p. 139-167; Essay Italienische Handschriften des neunten bis elften Jahrhunderts in frühmittelalterlichen Bibliotheken ausserhalb Italiens Bischoff, Bernhard. • p. 169-194; Essay Noir et blanc. Premiers résultats d'une enquête sur la mise en page dans le livre médiéval Bozzolo, Carla • u. A.. • p. 195-221; Essay Gli umanisti, I testi classici e le scritture maiuscole Rizzo, Silvia. • p. 223-241; Essay The Florentine scribes of Cardinal Giovanni of Aragon De la Mare, Albinia C.. • p. 243-293; Essay Le livre manuscrit de la Renaissance. Notes pour une étude statistique Derolez, Albert. • p. 295-305; Essay Antigrafo/apografo. La formazione del testo latino degli Atti del Concilio constantinopolitano dell'869-870 Palma, Marco. • p. 307-335; Essay Il Metro e il Libro. Per una semiologia della pagina scritta di Plauto, Terenzio, Prudenzio, Orazio Questa, Cesare. • p. 337-396; Essay Minuta, autografo, libro d'autore Petrucci, Armando. • p. 397-414; Essay Frammenti di un discorso grafico-testuale Cavallo, Guglielmo. • p. 415-429.; Studi E Commenti, 1; 167 pages; Signed by All Authors
125p. Highly Illustrated. Original full cloth binding. Covers foxed. Limited edition. BEFORE ORDERING PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
light dustsoiling to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). Light shelfwear to DJ. ; Machon was a writer of Comedies who lived and worked in Alexandria in the middle of the third century B. C. All of his work that survives is preserved in the Deipnosophistae of Athenaeus who, besides two fragments of Comedies of no great importance, quotes also 462 verses from a collection of anecdotes which Machon called Xpeiai. These anecdotes are written in the iambic verse of Comedy. They are concerned with the doings and sayings of courtesans, parasites, and musicians, sometimes in relation to persons of historical importance. They are often scabrous but also not infrequently amusing; and they are of considerable interest both as documents of social history and as a type of literature which, though popular in antiquity, has hardly survived. The Xpeiai, which present many problems of reading and interpretation, have never before been separately edited. Recent editors of Athenaeus have improved the text; but to find commentaries it is necessary to go back to Casaubon's edition of Athenaeus, published in 1600, and to Schweighauser's, published in 1801-7. ; Cambridge Classical Texts and Commentaries 1; 172 pages
Very light shelfwear to book. DJ is price-clipped. DJ has 1 small tear with very minor chipping. ; Machon was a writer of Comedies who lived and worked in Alexandria in the middle of the third century B. C. All of his work that survives is preserved in the Deipnosophistae of Athenaeus who, besides two fragments of Comedies of no great importance, quotes also 462 verses from a collection of anecdotes which Machon called Xpeiai. These anecdotes are written in the iambic verse of Comedy. They are concerned with the doings and sayings of courtesans, parasites, and musicians, sometimes in relation to persons of historical importance. They are often scabrous but also not infrequently amusing; and they are of considerable interest both as documents of social history and as a type of literature which, though popular in antiquity, has hardly survived. The Xpeiai, which present many problems of reading and interpretation, have never before been separately edited. Recent editors of Athenaeus have improved the text; but to find commentaries it is necessary to go back to Casaubon's edition of Athenaeus, published in 1600, and to Schweighauser's, published in 1801-7. ; Cambridge Classical Texts and Commentaries 1; 172 pages
Full leather binding. Corners edgeworn. Spine browned. Ex-library copy with usual stamps, call numbers. Boards are worn. Front board almost detached but holding. Rear board starting to weaken with crack along upper part of joint. A few small ink stains to textblock. Former owner's name to ffep and obverse of titlepage. Last page has lower corner torn (no loss of text). A few tiny holes through pages (insect damage). Foxing passim. Minor pencilling to a few pages. Pages tanned. Fair to good. ; Xxvi, 507 pp ; Vol. 1 Only; Vol. 1; 506 pages
298 pages. "Toronto is the home of a superb opera company, and the place where a number of the world's greatest singers have received their training: this much we more or less know. What we have forgotten is that lyric theartre has always been a central part of our culture, as the archivist of the Canadian Opera Company shows us in the hundreds of fascinating bits of evidence she has assembled in this album. Profusely illustrated in black and white. Fascinating decorated endpapers show a very detailed drawing of the city of Toronto when Queen's Park was near the outskirts of town! Book clean and unmarked with moderate wear to black boards. Moderate wear to dust jacket with one inch tear to bottom edge of back panel. Very good copy. Book
4 pages. Great cover photo of Fatty Arbuckle. "A comedy stuttering song dedicated to Roscoe "Fatty" Arbuckle, Paramount star, sung successfully by Henry Lewis." - from front cover. Above-average wear. Tape repairs to covers. Bit of writing on front cover. A worthy copy. Book
16 pages. Contents: Ladies' spring house and street dresses; The Love of Dress; Manners Upon the Road - of snow; New York Fashions - the spring suit, misses and children's clothing, boys' clothes; Personal; Necessaire for sewing utensils; tatted and crochet collars; cover for sofa-pillow - gold or silver embroidery; corners for album-covers, cushions, etc.; border for trimming lingerie; work-basket with stand; tassels for work-baskets, curtains, etc.; mignardise and crochet cover for toilette cushions; point lace and crochet cover for toilette cushions, etc.; Gold Beads; Some toilettes at Washington; Sayings and Doings; Ladies' and children's walking and house dresses; Color in Rooms; Illustrations - "Comedy of Married Life" - shows bull confronting man and woman; How it was Done; English Gossip; Sabres and Skirts; Peonies; Useful Recipes; To the Bitter End - continued; Who Will My Husband Be? - text and large illustration of women pouring water through the end of a key; humor. Average wear. Book
français Sans date (circa 1835). Réunion de comédie, vaudeville, tragédie, et opéra comique en un volume in-8 ; demi-basane marron, dos lisse à faux-nerfs orné (reliure de l'époque). Contient : Un duel sous le Cardinal de Richelieu, par Lockroy et Edmond Badon. - Michel et Christine, par Scribe et Dupin. - Le mariage de raison, par Scribe et Varner. - Le budget d'un jeune ménage, par Scribe et Bayard. - Une faute, par Scribe. - La dame blanche, opéra comique, paroles de Scribe, musique de Boyeldieu. - La chanoinesse, Par Scribe et Francis Cornu. - Le philtre champenois, par Mélesville et Brazier. - Zoé, ou l'amant prêté, par Scribe et Mélesville. - Louis XI, par Casimir Delavigne. - Estelle ou le père et la fille, par Scribe. - Le pré-aux-clercs, parles de Planard, musique de Hérold. - La tour de Nesle, par Frédéric Gaillardet et Alexandre Dumas. - Fra-diavolo, ou l'hotellerie de Terracine, par Scribe. - Robert-le-diable, par Scribe et Delavigne. - Les projets de mariage, ou les deux officiers, par Alexandre Duval. - Un premier amour, par Bayard et Emile Vander-Burch. - Elle est folle, par Mélesville. - Catherine ou la croix d'or par Brazier et Mélesville. - Le diner de Madelon, ou le bourgeois du Marais, par Désaugiers. - Le Barbier de Séville, ou la précaution inutile, par Beaumarchais. - Marie, par Planard. - Don Juan d'Autriche, ou la vocation, par Casimir Delavigne. - Le chalet, par Scribe et Mélesville. - Fanchon la vieilleuse, par Bouilly et Pain. - Texte sur deux colonnes, quelques tâches, petit accroc au mors inférieur.
français Réunion de comédie, vaudeville, tragédie, et opéra comique en un volume in-8 ; demi-basane marron à coins, dos lisse à faux-nerfs orné (reliure de l'époque). Contient : Les huguenots, par Scribe. Chez Barba, 1837. Cinquième édition. - L'oraison de S. Julien, par St Amand et Villeran. Chez Marchant, Paris. - Turiaf-le-pendu, par Dumanoir et Mallian. Chez Marchant, 1834. - Le capitaine Roland, par Varin, Desvergers et Edouard. - Le commis et la grisette, par Paul de Kock et Charles Labie. Chez Marchant, 1834. - Une passion, par Varin, Desvergers. - Antony, par Alexandre Dumas. - Les enfans d'Edouard, par Casimir Delavigne. - Catherine Howard, par Alexandre Dumas. Imprimerie de Dondey-Dupré. - Être aimé ou mourir! Par Scribe et Dumanoir. - Le cheval de bronze, par Scribe. - Le père Goriot, par Théaulon, Decomberousse et Jaime. - La berline de l'émigré, par Mélesville et Hestienne. - Le pauvre Jacques, par Cogniard Frères. - Le gamin de Paris, par Bayard et Vanderbuch. - Chut! Par Scibe. - Une Saint-Barthelemy, ou les huguenots de Touraine, par Dumanoir et Cogniard Frères. - Le luthier de Venise, par Saint-Georges et de Leuven. - Kean, ou désordre et génie, par Alexandre Dumas. - Marie, ou trois époques, par Ancelot. - L'ambassadrice, par Scribe et de Saint-Georges. - Le matelot à terre, par Chabot de Bouin et Alboize. Chez Marchant, 1837. Texte sur deux colonnes, quelques tâches et légères rousseurs.
Lyon, Scheuring, 1875. In-8 broché, XXIX-346 pages, quelques illustrations dans le texte, bandeaux et culs-de-lampes. Minimes défauts à la couverture. Imprimé su papier vergé.
complet en 2 vols.: 327 + 354pp., 19cm., imprimé sur papier de luxe, demi-page de la couverture est dechiré et y manque, intérieur et texte en bon état
xx,545 + 166 + 211pp, 27cm., dans la "Collection des auteurs latins, avec la traduction en français, publié sous la direction de M. Nisard", bilingue: latin-français, reliure toile avec dos en cuir, plastifiée, (titre et décorations dorés au dos), cachet, qqs.rousseurs, bon état, K51811
Very light bump to top edges of boards. Very minor shelfwear. ; Die Cistellaria ist von der Plautus-Philologie lange vernachlässigt worden. Dieser Befund mag einerseits auf ihren stark lückenhaften Erhaltungszustand zurückzuführen sein; man wähnte sie auch als 'menandrischstes' der plautinischen Stücke, so daß die Vermutung, das 'Plautinische im Plautus' lasse sich an dieser Komödie nicht so deutlich wie an anderen zeigen, zu diesem geringen Interesse beigetragen hat. Dieser Sammelband zur lange vernachlässigten, aber geistvollen Cistellaria präsentiert 30 Beiträge von Gelehrten aus 10 Ländern, die das Stück mit vielfältigen Fragestellungen aus den Bereichen Analyse, Interpretation, Gender, Datierung, Metrik, Textkritik und Rezeption erschließen. Durch den Blick auf andere plautinische Komödien trägt der Band auch zu einer Erweiterung der Perspektive auf das Gesamtwerk des römischen Dichters bei. ; Scriptoralia 128.; 491 pages
Very light rubbing to boards. Scholars' bookplate to inner cover. Very light pencil marginalia on a few pages. Spine slightly slanted. ; Scholia in Aristophanem II 2; 194 pages
Gift inscription from author to ffep. Spine and part of rear wraps are sunned. Minor shelfwear with creasing to corners. Small closed tear to base of spine (3 cm). Light tanning to pages. ; Centres upon the problem of how an author exploited language to underline a person's characteristic or emotion. ; University of Ioannina. Philological Periodical of the School of Philosophy ; Dodone ; Supplement No. 5; 211 pages; Signed by Author
Very light rubbing to boards. Scholars' bookplate to inner cover. Very light pencil marginalia on a few pages. ; Scholia in Aristophanem II 1; 248 pages
180p. + Color frontis of Brunet reciting his puns, satires, and jokes. Some age stained. Edges uncut. Early full vellum binding. Ragueneau de La Chainaye (1777-1850) was a popular comic and dramatic stage performer who kept his humor and head throughout the French Revolution. This is apparently the true first edition. Quite scarce. No examples of this edition are located by OCLC in the U.S. FR-VOYAGE 3RD FL
Two Volumes. Eleven of sixteen color plates. Signed bookplate of Henry W. Shoemaker in both volumes. Henry Wharton Shoemaker (1880-1958), was a prominent American folklorist, historian, diplomat, writer, publisher, and conservationist. XLib stamps embossed in blind on title pages and elsewhere. Slightly foxed. Large 8vo. Original full blue cloth bindings. Spines lettered and decorated in gold with XLib call numbers on spine. Bindings rubbed and worn. Hardbound. Good. VERY SCARCE. **PRICE JUST REDUCED! JUN5 BOX 3
First edition of this important compilation of medieval comedies, most of which are practically impossible to find elsewhere. Beautifully printed on fine laid paper. 8vo, publisher's cloth. Uncut. Near fine. Bossuat 5846 and 5904; Gay III, 953; Brunet IV, 1147; Graesse VI(1), 48.
16 pages. Contents: Winter Toilettes; Medical Study for Women in New York; Nomadic Wealth; The Dry-Rot of Vanity; Women and Men - city and country; New York Fashions - business suits, morning suits, frock-coat suits, dress suits, overcoats, shirts, collars and cuffs, scarfs and neckties, chamois vests, underwear, handkerchiefs, gloves, hats, shoes and canes, house coats, gowns, small boys' suits; Personal; tapestry borders, brooches and lace-pins; bulbs in the house; The Woodlanders - continued; Mother Goose Costumes; The Career of Nicholas Braun, by Margaret B. Rudd; Useful Recipes; "The Tower of Babel" - full-page illustration; Pattern included; The Flight of the Swallow - illustration by Howard Pyle; Madame Burrill's Pitcher, by Mary L. Bolles Branch; Family Living on $500 a Year - part XLV; "Hamlet" at the Comedie Francaise - with full page of illustrations; Some Island Neighbors; humor. Above-average wear. Book
Approximately 60 pages. Songs include: Yes! We have no Bananas; Annabelle; Oh! Min; Way Down Yonder in New Orleans; If I knew you then as I know you now; Seven or Eleven; I've Got the Yes!; The Gold-Digger; Lost (A Wonderful Girl); Abie's Irish Rose; Underneath the Sip Sip Sippy Moon; Stingo Stungo; Away down east in Maine; Rosetime and You; Honeymoon Chines; Somebody Else Took You Out of My Arms; Rock me to sleep with My Virginia Melody; Down on the farm; Frankie and Johnie; Where the Bamboo Babies Grow; Mammy's Little Silver Lining; Little Rover; Starlight Bay; Doggone Whipporwill; True Blue Sam; Magic Eyes. Arranged in dance form as fox trots, one steps and waltzes. Piano solo only. Average wear. Covers holding by one staple. Book
80 pages. Features: Jessie Arms Botke - a painting career that has revolved around peacocks; Fashion illustration as fine art; Lillian Langseth-Christensen; Mabel Dwight - master of the Comedie Humaine; The Hurst Page - an interview with Bill Chessman; The Weathervane - by way of retrospect; The Drawings of Isabel Bishop; The Taubes Page - study of nature; Flora Smith; and more. Average wear. A sound copy. Book
xx,545 + 166 + 211pp., bilingue: latin-français, couv.cart., dos en toile (charnière supérieure peu déchirée aux coins), rousseurs, 27cm., intérieur en bel état
xx,545 + 166 + 211pp., bilingue: latin-français, couv.cart., dos en toile, peu usé, rousseurs, 27cm., bon état
