2 018 résultats
Scholar's bookplate to inner cover (G. P. Goold). Light foxing to top of textblock. Sticker to ffep: "with the author's compliments". DJ spine sunned. DJ has a couple of small tears. ; Cambridge Classical Texts and Commentaries; 1.42 x 8.74 x 5.79 Inches; 417 pages; In this edition Professor Tarrant provides a much needed critical text. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context, it contains material illustrating Seneca's relationship to earlier Greek and Roman drama, Augustan poetry (Ovid's in particular) , and the rhetoric of declamation. This edition will be welcomed by classical scholars and students of Latin poetry, and may also prove valuable to those interested in Seneca's influence on later European drama.
Former owner's name to ffep in pencil. DJ spine sunned. DJ has light edgewear with minor chipping. ; Cambridge Classical Texts and Commentaries 18; 1.42 x 8.74 x 5.79 Inches; 417 pages; In this edition Professor Tarrant provides a much needed critical text. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context. Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition. His commentary is the fullest yet published on a Senecan play and attempts both to interpret the text and to define the originality of Senecan drama by placing it in its proper literary context, it contains material illustrating Seneca's relationship to earlier Greek and Roman drama, Augustan poetry (Ovid's in particular) , and the rhetoric of declamation. This edition will be welcomed by classical scholars and students of Latin poetry, and may also prove valuable to those interested in Seneca's influence on later European drama.
Spine is a little browned and light edgewear to wraps. Pages tanned. Scholar's bookplate to inner cover (G. P. Goold). Light pencil marginalia. ; Corpus Scriptorum Latinorum Paravianum; 325 pages
Spine is a little browned and light edgewear to wraps. Pages tanned. Scholar's bookplate to inner cover (G. P. Goold). ; Corpus Scriptorum Latinorum Paravianum; 384 pages
Spine is a little browned and light edgewear to wraps. Pages tanned. Scholar's bookplate to inner cover (G. P. Goold). ; Corpus Scriptorum Latinorum Paravianum; 231 pages
Spines are browned. Some scuffing to wraps. ; Xxix 766pp. 2 volume set. ; 2 Volume Set COMPLETE. Studi Pubblicati Dall'istituto Di Filologia Classica XX; Vol. 1/2/2022; 766 pages
Two volumes bound in one books. 1/4 leather spine with marbled brown boards. Spine crudely repaired with 3 pieces of cellotape. Rubbing to spine and boards. Boards and spine ends edgeworn. Light ink marginalia to only a few pages. 4 raised bands to spine; gilt lettering remains bright. ; 2 volumes bound in 1 books. Text is in Latin. Editorial Matter in Latin. V1: (1898) 304 pp, V2: (1898) 318 pp; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER. 3 VOUME SET; Vol. 1-2.1; 12mo 7" - 7½" tall; 622 pages
Books has been rebound in dark brown boards with gilt lettering to red spine. A bit of edgewear to boards. Former owner's name on ffep. Pen markings and light underlining to 3-4 pages. Chipping to foreedges of some pages. Else VG. ; Text is in Latin. Editorial Matter in Latin. Xxviii, 594; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER. 3 VOUME SET; Vol. 3; 594 pages
Light shelfwear. Minor dustsoiling to top of textblock. ; 496 pages
Spine a bit browned with slight soiling. Minor shelfwear. ; Xii, 575pp. ; Wege Der Forschung 310 (CCCX) ; 592 pages
Remainder mark to bottom of textblock. Black marker 'x' to barcode. ; Penguin Classics; 7.6 X 5.0 X 0.7 inches; 320 pages
Scholars' bookplate to front cover (Elaine Fantham). Creasing to spine ; Penguin Classics; 7.6 X 5.0 X 0.7 inches; 320 pages
Very faint bump to bottom corner else fine. ; The volume includes Trojan Women, Thyestes, Phaedra, Medea, and Agamemnon, plus a preface. ; Complete Roman Drama in Translation; Vol. 1; 224 pages
Wraps are browned. Light chipping to base of spine. Light tanning to pages. Corner crease to ffep. ; Latin Text with italian introduction and commentary; Collana Di Testi Critici Latini; 175 pages
Hardcover quarto in orange cloth boards. xvi, 344 pages ; 22 cm Contents: The actor as a playmaker -- Building the stage image -- Dramatic pantomime -- Dramatic speech -- Playing the part -- A question of style -- The actor as artist and showman -- Eighteen dramatic scenes -- Exercises for the actor as a playmaker -- Exercises for stage imagery -- Exercises for dramatic pantomime -- Exercises for dramatic speech -- Exercises for playing the part -- Exercises for style -- Exercises for the actor as artist and showman -- Seven pantomimes. || Abstract: This volume contains descriptions and exercises for basic acting forms as well as eighteen dramatic scenes and seven pantomimes for practice.
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears, now wrapped in protective clear cover. Previous owner's name or sticker in front section of the book. 123 pages.
x + 163pp., 24cm., study in English and text edition in old French, Doctoral Dissertation (A Dissertation in romance languages presented to the Faculty of the graduate school in partial fulfillment of the requirements for the degree of Doctor of Philosophy), softcover (with small trace of removed label), stamp at verso of title page, text is clean and bright, T112596
C. H. Beck Wissen; 12mo 7" - 7½" tall; 128 pages
Light creasing to wraps. Minor shelfwear. ; Oxford Readings Classical Studies; 360 pages; Aristophanes is the only author of Greek Attic comedy whose work survives in any form beyond fragments. His eleven surviving comedies reflect the spirit of Athens in the golden age and its unique freedom of speech. This anthology brings together all the most important contributions to the study of Aristophanes; it addresses a range of subjects from the classic question of Aristophanes' relationship to contemporary politics to more modern issues such as performance context, the interaction between fifth century comedy and tragedy, and gender
Light creasing to wraps. Minor shelfwear. Scholar's name to ffep (Robert Brown). Gift plate to ffep. Ex-library copy with usual stamps, and pocket. Else VG. ; Oxford Readings Classical Studies; 360 pages; Aristophanes is the only author of Greek Attic comedy whose work survives in any form beyond fragments. His eleven surviving comedies reflect the spirit of Athens in the golden age and its unique freedom of speech. This anthology brings together all the most important contributions to the study of Aristophanes; it addresses a range of subjects from the classic question of Aristophanes' relationship to contemporary politics to more modern issues such as performance context, the interaction between fifth century comedy and tragedy, and gender
Gift inscription from Segal to G. P. Goold and Philippa Goold on ffep in pen. Foxing/dustsoiling to top of textblock. Very minor shelfwear to DJ. ; Oxford Readings Classical Studies; 360 pages; Aristophanes is the only author of Greek Attic comedy whose work survives in any form beyond fragments. His eleven surviving comedies reflect the spirit of Athens in the golden age and its unique freedom of speech. This anthology brings together all the most important contributions to the study of Aristophanes; it addresses a range of subjects from the classic question of Aristophanes' relationship to contemporary politics to more modern issues such as performance context, the interaction between fifth century comedy and tragedy, and gender
Minor shelfwear. Scholars' name to ffep (Mark Golden) with additional name. Former owner's name neatly written to top, foreedge and bottom of textblock. Pages a little tanned and browned. ; In Roman Laughter, the first book-length study of Plautus, Segal argues that this neglected writer, often denounced by scholars for such crimes as "barbarous clownery," merits our serious attention precisely because he was the most successful poet of the ancient world. He analyzes the reasons behind this success, placing the author in his social and historical context and observing that Plautus's wildly comedic flouting of Roman law and custom had a cathartic effect upon a people bound by rule in every aspect of their lives. This expanded edition contains a new preface that reconsiders the work of Plautus in light of recent scholarship and also contains essays on the Amphitryon and the Captivi. ; Harper Torchbooks; 316 pages
72pp., 19cm., cachet sur page de titre
Scholars' name to ffep (Mark Golden). Very light bump to 1 corner. DJ spine is sunned and discolored. ; A new way to interpret the musical design underlying the music and choreography of Sophoclean theater. ; 352 pages
