2 018 résultats
In 16° br. pp. 188, usuali tracce del tempo
Gutes Ex.; Seiten minimal nachgedunkelt. - INHALT : VORWORT ---- ERSTES KAPITEL GOTTSCHED UND DIE FOLGEN ---- I. Die Verbannung Hanswursts vom Theater der Aufklärung. ---- II. Das weitläufige Schauspiel des regelmäßigen Geschmacks. ---- ZWEITES KAPITEL BÜRGERTUM UND NARRENTUM IM ACHTZEHNTEN JAHRHUNDERT ---- I. Das Ärgernis des Lachens. ---- II. Die Wissenschaft vom Narren. ---- III. Der Verruf der Singularität. ---- DRITTES KAPITEL DAS MASKENSPIEL DES AUFGEKLÄRTEN GEISTES ---- I. Anno 1761: der freigesprochene Harlekin. ---- II. Die lachenden Philosophen. ---- VIERTES KAPITEL DER TRIEB ZUM ABSURDEN ODER DIE EINBILDUNGSKRAFT ---- I. Der Prinz von Pallagonia. ---- II. Die Unmöglichkeit aller Poesie aus dem Grund der Frühaufklärung. ---- III. Die Einbildungskraft als Problem für Dichter und Denker des Rationalismus. ---- FÜNFTES KAPITEL DER SPÄTRATIONALISMUS - EIN BEDLAM FÜR VERSTIMMTE TALENTE ---- I. Unruhige Geister, fliegsame Seelen. ---- II. Der Mensch als Monstrum und Kuriosität ---- SECHSTES KAPITEL ANSICHTEN DER VERNÜNFTIGEN TOLLHEIT ---- I. Die Fratze der Vernunft. ---- II. Songes Hannswurstiques. ---- SCHLUSSBEMERKUNG ---- Anmerkungen. ---- Bibliographie. ---- Personenregister. ISBN 9783596268726
In 16° br. fig. pp. 121, ben tenuto
In 16° leg. edit. pp. 211, ben tenuto
Amsterdam, Elsevier 1923, 124pp., mooie staat
?????? ?? ???? ??? -? ‘???????’ ???????? ?????? ????? ???? ??? ????????? ????? ?????? ??, ????? ???????? ??? ???? ?? ???? ???, ??????? ???? ??? ???????? ?? ???? ??? ?? ???? ????? ??? ???????? ???? ?? ???????? ???? ??? ???????? ?? ?????? ?? ??? ?? ?? ???? ?? ???????? ???? ??? ???? ?? ??? ???? ?????? ?????? ?? ????? ???? ??? ???? ??????? ?? ??????? ?? ?????-????? ?? ?????? ??? ???? ??? ????? ?? ???????? ?? ????? ?? ?? ?? ???? ???????? ???? ???? ?? ?? ????? ?? ???????? ??? ?? ????? ??? ?? ?? ??????? ????, ?? ?????? ????? ???, ?? ???? ?? ?? ?? ???? ???? ???? ???????? ?? ???? ???? ???-?????? ??? ??????-?????? ?? ????? ?? ????-????? ????? ??? ?? ???? ?? ?????? ?? ??? ??????? ?? ???? ???? ?? ??? ???? ??? ?? ???? ??? ?????? ???? ?? ?? ????????? ????? ?? ????? ???? ??? ??? ???? ??? ???? ?? ?????? ????? ????? ?? ?????? ?? ????? ?? ????? ??? ????? ???? ?? ??? ???? ?? ????? ?? ????? ??? ????? ?? ???? ??? ???? ??? ????? ?????, ????? ????? ?? ???? ??? ?? ???????? ???? ??? ??? ?? ??? ??????? ?? ?????-???? ??? ?? ???? ?? ?????? ??? ????? ?? ???? ?? ?????? ?? ???????? ?? ?? ??? ???? ?? ???? ??? -? ???? ??? ?????????? (1880 -1936) ?? ???????? ??? ?? ???? ???? ???, ?? ?????? ?? ????? ?? ???????? ???????? ??????????, ???????? ??? ?????? ??? ???????? ???????, ??????????, ???????, ???????, ???, ????????, ????? ??? ???? ??? ????? ??????? ??? ???, ??? ?? ???, ??? ????????, ??? ?? ?? ????, ???? ????, ?? ????? ?? ??? ??? ??? ?? ?? ???? ???????? ?????? ????? ?? ??????? ?????? ??? ????? ????? ?????? ??? ???????? ????? ???????? ???? ??? ?? ??? ?????? ????? ?? ?????? ????????? ?????, ???????, ??????, ???????, ????, ???? ??? ??? ????? ?????? ?????? ???? ????? ??? ????????? ??????? ??? ?? ?????? ?? ??????? ?? ????? ???? ??? ???????? ??????? ????? ????? ?? ??? ??? ???? ??? ??? ?? ???? ???? ???? ???????? ??????? ?? ????? ????? ????? ?? ?? ???? ??? ???? ?? ???? ???? ?? ????? ????? ?? ?? ??????? ???? ??? ??? ???? ?????? ?????? ???? ????? ??????, ??????? ?? ???????? ?????? ?????????, ??? ?????? ?????, ????? ?????? ????? ??????? ??? ????????? ?????? ?????? ??????? ???? ???? ??? 1906 ?? 1936 ?? ??? ???? ??? ???????? ?? ??????? ?? ??? ?????? ?? ??????? ?????????? ???????? ??? ????? ?? ??? ?? ????????? ?????????, ????????? ??????? ??? ?????????? ????????? ?? ??????? ???????? ?? ?????? ?????? ??? ????? ????, ????? ?????, ????????, ????, ??????, ???? ???, ????? ?????, ????????, ??????-????? ??????, ??? ?? ??? ?? ??? ?????? ???????? ?? ?????? ????? ??? ???????????? ????????? ???? ??????? ?? ????? ??????? ??? ?????? ????? ??? ??????? ?? ??????? ??? 1918 ?? 1936 ?? ?? ??????? ?? ‘???????? ???’ ??? ???? ??? The Title '??????? (Sangram) written/authored/edited by ????????? (Premchand)', published in the year 2022. The ISBN 9788121265645 is assigned to the Hardcover version of this title. This book has total of pp. 204 (Pages). The publisher of this title is Gyan Publishing House. This Book is in Hindi. The subject of this book is Drama. Size of the book is 14.34 x 22.59 cms Vol:-
Contains : Aeschylos - Agamemon / Sophocles - Oedipus the King & Antigone / Euripides - Electra & Hippolytus / Aristophanes -Lysistrata. Pbk. Book
pp. xxxix, 215 + Full page color illustrations by George Him. Text drawings. 290mm. Original full green cloth binding. Original yellow slip-case, soiled. LOC W32
Translated and edited by Peter D. Arnott, this classic and highly popular edition contains two essential plays in the development of Greek tragedy- Oedipus the King and Antigone-for performance and study. The editor's introduction contains a brief biography of the playwright and a description of Greek theater.107p. Book
235 pages. Olive green cloth covers, inscription by previous owner on front free endpaper.
About the book:-Karpuramanjari is a Prakrit drama (Sattak) composed by the famous Sanskrit playwright and poetic poet Rajasekhar. This work has a special place in the pure literary works of Prakrit language. It has been said in Karpuramanjari – The drama composition which is similar in many things in the play is called sattaka. But it does not have entrances, poisons and numbers. According to Sahityadarpan, Sattak is composed in Prakrit language from beginning to end, and not like Sanskrit plays in which only some characters are composed in Prakrit language. It has the characteristic of wonderful rasa. The word Javanikantar is used for the number. In the rest of the matter, the plot is often like a drama. Both have the title after the heroine. Rajasekhara had extraordinary authority over Sanskrit and Prakrit languages. They were called Sarvabhanishanishan. The nature of Karpuramanjari is mature and Pranjal. Earlier it was said that its poetry is in Shaurseni Prakrit. But Dr. Manmohan Ghosh has proved this opinion invalid. In this, mainly Shaurseni is used only. In this, the poet has made mature and successful use of Sanskrit verses like Sragdhara, Shardulvikridit, Basanttilka etc. There are also Prakrit verses in it. About the Author:- Manomohan Ghose ( 1844 –1896) was the first practicing barrister of Indian origin. He is notable for his contributions towards the fields of women's education, for arousing the patriotic feeling of his countrymen and for being one of the earliest persons in the country in organised national politics. At the same time his Anglicised habits often made him a target of ridicule in Calcutta. He was the son of Ramlochan Ghose, of Bikrampur (now Munshiganj in Bangladesh). His father was a renowned sub-judge and a patriot, and had acquired his broad frame of mind from Ram Mohan Roy, when he came in contact with him. He was associated with Hindu Mahila Vidyalaya and after Annette Akroyd was married, with the revival of the school as Banga Mahila Vidyalaya. The Title 'KARPURAMANJARI: (THE PRAKRIT PLAY OF RAJASEKHARA) written/authored/edited by MANOMOHAN GHOSH', published in the year 2022. The ISBN 9788121262798 is assigned to the Hardcover version of this title. This book has total of pp. 181 (Pages). The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is Litreture, Drama. Size of the book is 14.34 x 22.59 cms Vol:-
No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased. 344pp. No 30 of JD Robb's 'In Death' novels.
No marks or inscriptions. A very clean very tight copy with bright unmarked boards, a little tanning to page edges, tiny ding to rear and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with minor traces of storage. 375pp. No 32 of JD Robb's 'In Death' novels.
A clean, unmarked copy with a tight binding. 107 pages.
About the book:- Omar the Tentmaker is a 1922 American silent drama, His fiancé was forced to marry the King, but she eventually escaped and with the help of grand vazir, joined Omar Khayyam. Omar has been wandering about the rage, he is arrested for harbouring a Christion Crusader. When omar is about to be tortured his wife who has finally escaped from prison, recognises him and sends for the Grand vizir who is a former associate of Omars. Omar is freed and finally find happiness. About the Author:- Nathan Haskell Dole (August 31, 1852 – May 9, 1935) was an American editor, translator, and author. A writer and journalist in Philadelphia, New York, and Boston, he translated many of the works of Leo Tolstoy and books of other Russians; novels of the Spaniard Armando Palacio Valdés (1886–90); a variety of works from the French and Italian. He was the second son of the Reverend Nathan Dole (1811–1855) and mother Caroline (Fletcher) Dole, his older brother being Charles Fletcher Dole (1845–1927). After their father died of tuberculosis, their mother moved with the two boys to live with their grandmother in the Fletcher homestead, a strict Puritan home, in Norridgewock, Maine, where Dole grew up. The Title 'OMAR THE TENTMAKER: A Romance of Old Persia written/authored/edited by NATHAN HASKELL DOLE', published in the year 2022. The ISBN 9788121262484 is assigned to the Paperback version of this title. This book has total of pp. 388 (Pages). The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is Drama. Size of the book is 13.34 x 21.59 cms Vol:-
A clean, unmarked book with a tight binding. 419 pages. Full teal blue cloth boards. Slight edge wear and small tears to dust jacket. Attractive small format: 4 3/4"w x 7 1/2"h. Modern Library #276. Rockwell Kent torch bearer design on endpapers and embossed on cover.
A clean, unmarked book with a tight binding. 446 pages. Full dark red cloth boards. Slight edge wear to dust jacket. Attractive small format: 4 3/4"w x 7 1/2"h. Modern Library #158. Rockwell Kent torch bearer design on endpapers and embossed on cover.
BUONE CONDIZIONI
Former owners' names to ffep. Ink notes to inner cover. Heavy ink and pencil notes and underlining to Greek text. Light fraying to spine ends. ; Xx, 98 pp; 98 pages
Scholars' name to halftitle (Mark Golden). Very light shelfwear. ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
Faint creasing to spine. Light shelfwear. Scholar's name to half-title (Robert Brown). ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
Creasing to spine. Light edgewear. Minor shelfwear. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 156 pages
Browning to spine. Small chips and light creasing to spine. Pages tanned. Scholars' name to half-title (Daniel de Montmollin). ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 156 pages
Creasing to spine. Pages tanned. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 156 pages