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pp. xlvi, 252. Illustrated with small woodcut vignettes. Decorated title page. Very mildly age stained. 12mo. Disbound. Scarce First Edition. **PRICE JUST REDUCED! SHAKESPEARE BOX 4
Scholars' bookplate to half-title. Small stain to rear wrpa. Spine lightly browned. Minor wear to corners of wraps. ; Abhandlungen Der Heidelberger Akademie Der Wissenschaften Philosophisch-Historische Klasse Jahrgang 1977 - 1. Abh. ; 504 pages
Minor shelfwear else Fine. ; Contents: Axel Seeberg: From Padded Dancers to Comedy; G. M. Sifakis: the One-Actor Rule in Greek Tragedy; John Davidson: Homer and Sophcles' Philoctetes; Shirley A. Barlow: Euripides' Medea: a Subversive Play? Erich Segal: "The Comic Catastrophe": an essay on Euripidean Comedy; Keith Sidwell: Poetic Rivalry and the Caricature of Comic Poets: Cratinus' Pytine and Aristophanes' Wasps; C. W. Dearden: Pots, Tumblers and Phlyax Vases; A. D. Trendall: An Apulian Bell-krater depicting the mask of a white-haired Phlyax; J. R. Green: Theatrical Motifs in Non-Theatrical Contexts on Vases of the Later Fifth and Fourth Centuries; Christina Dedoussi: Greek Drama and its Spectators: Conventions and Relationships; Alan Griffiths: The Chiton under the Pallium: Two Greek Jokes in Roman Comedies; E. J. Jory: Ars Ludicra and the Ludus Talarius; Pat Easterling: Menander--Loss and Survival. ; Bulletin of the Institute of Classical Studies Supplement 66; 160 pages
Faint creasing to front corner of wraps. Minor shelfwear. Author's dedication to E. W. Handley in pen to half-title. ; Erlanger Beiträge Zur Sprach- Und Kunstwissenschaft Band 50; 196 pages; Signed by Author
Spine very slightly creased. ; An examination of physical contact in Greek Tragedy in Classical antiquity. ; Suomalaisen Tiedeakatemian Toimituksia. Sarja-Ser. B Nide-Tom. 244; 104 pages
Rubbing to extremities. Very light pencil marginalia to a few pages. Minor bumping to top corners. ; Contents: Kamerbeek, J. C. : Mythe et réalité dans l'oeuvre d'Euripide; André Rivier: l'élément démonique chez Euripide jusqu'en 428, Hans Diller: Umvelt und Masse als dramatische Faktoren bei Euripides; Albin Lesky: Psychologie bei Euripides, R. P. Winnington-Ingram: Hippolytus: a Study in Causation, Günther Zuntz: On Euripides' Helena: Theology and Irony, Victor Martin: Euripide et Ménandre face à leur public. ; Entretiens Sur L'Antiquité Classique Tome VI; 290 pages
Gift inscription to R. E. Fantham from author to titlepage. Light wear to corners with 1 corner a little creased. Faint stains (coffee? ) To rear panel. ; Zetemata: Monographien Zur Klassischen Altertumswissenschaft. Heft 117; 220 pages
Very light shelfwear else fine. ; La presente obra miscelànea reùne estudios y nuevas perspectivas de investigaciòn sobre textos fragmentarios del teatro griego. Los autores abordan cuestiones relativas a los ecos paròdicos euripideos en las comedias de Aristòfanes (G. Mastromarco, F. Silva) ; discuten problemas de composiciòn o de interpretaciòn de tragedias fragmentarias , como el Pirìtoo de Critias (A. Melero) , la trilogìa esquilea dedicata a Aquiles (P. Totaro) o la Hipsìpila de Eurìpides (J. L. Lòpez Cruces) ; reflexionan sobre cuestiones textuales del Reso (M. Labiano) ; analizan aspectos estilìsticos como la hipèrbole còmica en los fragmentos de la archaia (L. Rodrìguez – Noriega) o motivos tòpicos como la misoginia aristofànica (J. Martìnez) ; ponen de manifiesto la degradaciòn de formas y de contenidos de la épica homérica en un comediògrafo "menor" como Hermipo (M. Pellegrino) ; examinan cuestiones de la rivalidad poética entre Cratino y Aristòfanes (M. J. Garcìa Soler) ; y estudian el Fortleben de algunas caracterìsticas fundamentales del drama àtico en el teatro actual (Th. Grammatàs).; Prosopa. Teatro Greco: Studi E Commenti 4; 262 pages
Scholar's bookplate to inner cover (G. P. Goold). Minor shelfwear with a bit of bumping to spine and a couple of corners. DJ has chipping and small tears. DJ spine browned. ; 275 pages
111pp. 20 cm. Hardcover Very good condition, paper spine label darkened Sanborn & Clark 30
Foxing to top of textblock. Very Slight spine slant. Faint sunning to spine. Scholar's name to inner cover (Cedric Boulter) with some bibliographical notes. Endpapers tanned. ; There are over 140 illustrations including pull-out diagrams of theatre remains. ; 288 pages; Chapter titles include: The Theatre Before Lycurgus: Evidence of the Plays; Special Problems of The Theatre Before Lycurgus; the Lycurgean Theatre; The Hellenistic Theatre; The Theatre in the Roman Period
Light scuffing mark to back board else fine. DJ spine is browned. Dustjacket has light edgewear with a couple of small chips now protected in plastic sleeve. DJ is price-clipped. ; Argues that the Rhesus is indeed the work of Euripides and argues that it is the earliest extant work of Euripides-- one of the very few plays we possess from the middle of the fifth century BC. ; 394 pages
Scholar's bookplate to inner cover (G. P. Goold). DJ spine is browned. Dustjacket has light edgewear with 2 small tears. DJ is price-clipped. ; Argues that the Rhesus is indeed the work of Euripides and argues that it is the earliest extant work of Euripides-- one of the very few plays we possess from the middle of the fifth century BC. ; 394 pages
Minor pencil marginalia to some pages. Faint damp-stain to rear lower board. ; Greek Text with Latin introduction and apparatus. Xvi, 195pp; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; Vol. 1; 195 pages
Minor pencil marginalia to some pages. Former owner's name to ffep. ; Greek Text with Latin introduction and apparatus. Xvi, 195pp; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; Vol. 1; 195 pages
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). ; This unique book features a reproduction of the Phormio of the Bembinus Manuscript, with each of the 50 pages faced with a description to enable the students to experience the novelty and pleasure of reading a fourth-century manuscript. The text contains an edited version of the play, notes, and vocabulary. ; 4to 11" - 13" tall; 150 pages
Spine sunned. Minor bump to head of spine. Scholar's bookplate to inner cover (G. P. Goold). ; Unchanged Reprint of 1875 ed. ; 256 pages
Wraps have light soiling and rubbing. Upper corner crease of front wrap and first few pages. Scholar's name on ffep (R. E. Fantham). ; Beiträge Zur Klassischen Philologie Heft 20; 228 pages
Wraps are browned and scuffed. Light edgewear. Classics scholar's name on ffep (David Bain). Shelfwear. ; Beiträge Zur Klassischen Philologie Heft 20; 228 pages
125p. Uncut and unopened. Printed on hand-set type on Van Gelder paper. Bookseller's label. 8vo. Original vellum like spine over paper boards. Original spine paper label. Extremities of binding slightly worn. Remains of original dust jacket. Hardbound. Limited Edition. Number 341 of only 1030 copies. Signed by the author. Nice copy. George Augustus Moore (18521933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. PRESS/W33
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor edgewear to DJ. ; Cambridge Greek and Latin Classics; 324 pages; Sommerstein presents a freshly constituted text, with introduction and commentary, of Eumenides, the climactic play of the only surviving complete Greek tragic trilogy, the Oresteia of Aeschylus. Of all Athenian tragic dramas, Eumenides is most consciously designed to be relevant to the situation of the Athenian state at the time of its performance (458 B.C.) and seems to have contained daring innovations both in technique and in ideas. The introduction and commentary to this edition seek to bring out how Aeschylus shaped to his purpose the legends he inherited, and ended the tragic story of Agamemnon's family in a celebration of Athenian civic unity and justice. The commentary also pays attention to the linguistic, metrical and textual problems to be encountered by the reader.
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor edgewear to DJ. ; Cambridge Greek and Latin Classics; 304 pages; An anthology of Greek poetry written during the third to first centuries B. C. , the so-called Hellenistic period. Hopkinson makes available to undergraduates a selection of texts that are not easily accessible elsewhere. The volume contains a wide and representative range of poetry, including hymns, didactic verse, pastoral poetry, epigrams, and epics. An introduction sets the poetry in its cultural and historical background, and a full commentary elucidates problems of the language and reference in the texts.
Pages tanned. Clean text. Light chipping to head of sine. Spine and part of wraps are browned. ; Latin Text with italian introduction and commentary; Collana Di Testi Critici Latini; 215 pages
Book is in excellent condition. New. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Text is in English & Chinese. B&W photos, 183 pages. Sticker has been removed from half title page.
Book is in excellent condition except for what appears to be a punch tool mark starting on page 145 and impacted to page 159, cutting a 1/4" x 1/2" rectangle; weird. Book is otherwise very clean with green cloth boards, gilt print at spine, decorative endpapers. Binding is solid and square, covers have sharp corners with a bit of wear, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows light signs of shelf wear, some chipping at the edges with a few very small tears, a scratch mark on the back. Book is lavishly illustrated with large b&w & color prints and photos throughout. Historical presentation of set and costume design as well as lots of very impressive designs of the "modern age." Contents include: Renaissance spectacle, From court to theatre, Rococo, neoclassical, romantic, The Diaghilev era, After Diaghilev, In Russia, Design for today, Traditional design, French style, Modern ballet and modern dance. Set designs by George Amberg, Leon Bakst, Torelli, Theatre, Mikhail, Stage, Sadler Wells, History, Historic, Development, Scene, Scenic, Illustration, Ussr,louis Falco, Dance Company, Nikolais, Les Ballets Des Champs Elysees, Max Ernst, Pablo Picasso, Jean Carzou, Yves Brayer, Marc Chagall, Bernard Dayde, Alexandre Cassandre, Mariano Mercuri, Gino Severini, Corrado Cagli, Achille Perilli, Domenico Purificato, and a great many others, often shown in large format.