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18972007060584xbvkBerlin, Verlag und Druck von Max Schildberger, 1897. Titelblatt, gedrucktes Widmungsblatt, 180, V Seiten; (1) S. Druckfehlerberichtigung. - Ornamental gold- und schwarzverzierter roter Original-Leineneinband mit goldgeprägtem Deckel- und Rückentitel, Papierschnitt rundherum marmoriert; 8vo.(ca. 19,5 x 13 cm).
19241141821924 A Paris, chez Henri Cyral, éditeur, Collection Française - 1924 - Grand papier, édition tirée à 1021 exemplaires, exemplaire numéroté sur papier vélin de Rives (N° 22 à 1021), n° 453 - In-8, demi-maroquin à coins bleu, dos à 4 nerfs sauté avec titre, nom de l'auteur, fleurons et filets gravés à froid et en doré - Couverture et dos originaux conservés - Ex-libris EDM.Fries en page de garde - 376 p. - Quelques illustrations hors texte
180894927Grätz bzw. ohne Ort, 1800/1808/1809/1805/1808. 42; 56; 91; 46; 46 S. 17 cm. Privat. marmor. Pp. d. Zeit.
First edition of this important compilation of medieval comedies, most of which are practically impossible to find elsewhere. Beautifully printed on fine laid paper. 8vo, publisher's cloth. Uncut. Near fine. Bossuat 5846 and 5904; Gay III, 953; Brunet IV, 1147; Graesse VI(1), 48.
49687Hachette.1922.In-8,cartonnage éditeur.Ills.par Benett.BE.
180171410Leipzig, Paul Gotthelf Kummer, 1801. 2 Bll., 272 S. Kl.-8vo (17 x 10,5 cm). HLdr. d. Zt. mit RVergold.
19301059526versch. Verlage, (etwa 1918-1930).
191096775Berlin, Schuster & Löffler, [ca. 1910]. 19 cm. Grünmeliertes OLn.
11113in 8 carré demi-chagrin rouge à 2 nerfs et à coins titre, filets dorés, files à froid sur les plats. Faux-titre, titre, IV, 225 pages, une page de justification de tirage , non rogné, tête dorée. 31 illustrations de Charles FOUQUERAY : 12 illustrations en têtes, en couleurs, 12 illustrations hors-texte, en couleurs dont huit avec suite en noir Couverture illustrée en couleurs et dos, conservés. Calmann Levy éditeur 1937.Exemplaire numéroté sur velin à la forme Lafuma, typographie Brodard, pochoir Beaufumé, Hors-texte avec pochoirs de Jacomet
184251823Paris, Beaujouan, 1836/1842. Zus. ca. 2000 S. 12mo. Dunkelbraunes HLn. d. Zt. mit RVergold.
1886YRG-106In-8, demi cuir oranger à coins, dos à nerfs. Janséniste avec date dorée, tête dorée, couverture conservée, 110 pages. Frottements d'usage aux coins et coiffes, dos non conservé. Édition Originale, CALMANN LÉVY. Paris.
180236414ABParis, Herhan (= Oeuvres de La Bruyere, Tome Troisième), X - 1802. 8°. LV, 162 S. mit einem kleinen, runden Titelkupfer, Text: französisch, Halbleder-Einband der Zeit mit zwei kleinen lederrückenschildern mit goldener Rückenbeschriftung, Stéreotype d'Herhan, 2.e Triage der Rücken unten mit ca. 2 cm großer Randfehlstelle, die Rückenkanten stellenz. leicht berieben, sonst ein altersgemäß schönes, sauberes Exemplar (hhgla)
184779749Hamburg, B. S. Berendsohn, 1847. VIII, 328 S. Mit zwei Stahlstichen. Gr.-8vo. 21 cm. Rotes Ldr. m. Ganzgoldschnitt u. goldgepunzten Innenkanten.
A9780472077502Hardback. New. hardcover
19681219New York: Alfred A. Knopf 1968. First Edition First Printing. Joseph Heller's second book an antiwar play following Catch-22. The play debuted at the Yale School of Drama and then opened on Broadway in October 1968. 8vo 8 1/2 inches / 22 cm. Several small stains to the cloth small bit of offsetting to the rear end paper from the red cloth. A Very Good copy in a price-clipped dust jacket that has some soiling and slight wrinkling to the crown of the spine. <br/><br/> Alfred A. Knopf hardcover books
19742111902160101555Not Available 1974. Soft Cover. Fine. The book is in fine condition. Not Available paperback
pp. (19), 177 + Plates after oil paintings by Michael Ayrton. Designed by Adrian Wilson; printed by A. Colish; set in LEC Special Janson and American Unical; Curtis Antique paper. Bound by Russell-Rutter Co. in brown natural finish cloth, backed in crimson cowhide leather, gold. Folio. Slipcase shows the slightest wear. Number 769 of an edition limited to only 1500 copies, signed by the artist. A very fine copy of these great classic dramas. It would make a wonderful gift. **PRICE JUST REDUCED! W38
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Else Very light shelfwear to book. Dustjacket has minor shelfwear and rubbing. ; 456 pages; This new edition of Choephori takes into account the abundance of recent scholarship on Aeschylus' work. A. F. Garvie's introduction discusses the pre-Aeschylean Orestes tradition in literature and art, the character of the play itself--its ideas, imagery, structure, and staging--and the state of the transmitted text. This edition reprints the Greek text and critical apparatus from the well-received Oxford Classical Text, edited by D. L. Page, and includes 350 pages of commentary devoted to problems of interpretation, style and dramatic technique.
Scholars' bookplate to inner cover. Else fine. ; Text in Ancient Greek; Apparatus in Latin. Xxviii, 218 pp; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; Vol. 1; 1.2 x 8.3 x 5.6 Inches; 218 pages
pp. 155, (3) + An Original Lithograph and eleven monochrome plates by Jack Levine. 4to. Binding by A. R. Horowitz & Sons, in full black natural-finish book linen stamped in gold with a Levine vignette. Slipcased. Designed by Howard I. Galla; printing at the Wild Carrot Letterpress; set in Monotype Walbaum; on Mohawk Superfine Paper. Number 342 of an edition limited to only 2000 copies, signed by both the artist and the editor. A very fine copy of this handsomely produced edition of the great German play. It would make a wonderful gift. W37
Former owner's signature on inner page. Book has shelfwear and rubbing. Light browning to wraps. Some creasing to top corner. ; Greek text with extensive Italian Commentary. Full edition of the fragments. ; Classici Greci E Latini. Sezione Testi E Commenti 1; 183 pages
Some pages uncut. Former owner's signature on inner page. Book has shelfwear and rubbing. Minor wear to corners. ; Greek text with extensive Italian Commentary. Full edition of the fragments. ; Classici Greci E Latini. Sezione Testi E Commenti 1; 183 pages
Very light shelfwear ; Building upon the groundbreaking work of Milman Parry and Albert Lord, "Out of Line" presents a new theory of Homeric composition, focusing upon patterns that extend beyond the boundary of the line and the clause. Matthew Clark takes enjambment as a starting point, analyzing the techniques used by the poet to complete a line that begins with a runover. Clark proceeds to propose two levels of analysis, a "deep-structure" level, which describes the associations of words and ideas before they take metrical form, and a "surface-structure" level, which describes the words as they are employed on any particular occasion. "Out of Line" combines formulaic and metrical analysis, expanding the study of Homeric meter both in practice, by taking into account larger compositional structures such as entire scenes, and in theory, by using the results to test models of formulaic composition. This book is important for students and scholars of Homer, epic, and oral literature. ; 0.83 x 9.29 x 6.19 Inches; 264 pages
pp (8), 56. 4to. 230 mm. Minor worm hole at blank fore edge margin. Later half leather binding; somewhat crudely restored. Still a very good example. Hardbound. This Restoration comedy was first acted late in 1672, by the King's Company at their theatre at Lincoln's Inn Fields, but was not a success with its audience. Apart from the question of the play's quality - many critics have regarded it as a rush job, written mainly in prose with some blank verse - Dryden was suspected of anti-Catholic satire, especially in his choice of a subtitle. This was a sensitive issue at the time, given strong Catholic sympathies among some elements of the royal court - primarily the Duke of York, the future King James II. The cast of the original production included Michael Mohun as the Duke of Mantua, Edward Kynaston as Prince Frederick, Charles Hart as Aurelian, William Cartwright as Mario, and Nicholas Burt as Camillo. The role of Hyppolita, the nun, was taken by Mary Knep; Rebecca Marshall played Lucretia. Dryden drew plot material from a play by Pedro Calderon de la Barca, titled 'Con quien vengo vengo'. The Assignation was first published in 1673 by Henry Herringman; then republished in 1678 and 1692. Dryden dedicated the play to Sir Charles Sedley" - From Wiki. Wing D2243. **PRICE JUST REDUCED! W144