Aeschylus; T. G. Tucker (Ed. )MareMagnum
2 018 résultats
Endpapers lightly browned. Slight spine slant. Slight bumps to edges of front board with bumping to bottom corners. Minor edgewear to spine ends. Light pencil to a few pages of greek text. Top edges gilt. ; 255 pages
Former owner's name on ffep. Light bumping to one corner. Spine slightly browned. Pages tanned. ; Greek text with English translation and notes; 266 pages
Spotting to endpapers. Scholar's bookplate to inner cover (G. P. Goold). Spine slightly browned. Pages tanned. ; Greek text with English translation and notes; 266 pages
Series :Biblioteka Klasyki Polskiej i Obcej Contains : Aeschylos [p 21-228] "Prometheus" "Oresteia" translated by Stefan Srebrny / Sophocles [p229-471] "Oedipus" " Antigone "Translated by Kazimierz Morawski; / Euripides [p350-472] "Medea " "Trojan Women" translated by Jerzy Lanowski .274p. (WorldCat lists only 4 copies in N. America] Book
Former owner's name to half-title. Some browning to wraps. 3 stamps to front wrap 'Gratis'; English commentary. ; University of Nebraska Studies: New Series No. 25
in-8. pp(1-3), 4-104. leg. piena pelle, tit. in oro. piccolissimi fori di tarlo che non toccano il testo.
VG/VG . clipped dj. a near fine square copy with no marks or inscriptions. all enclosed in full plastic loose-fitting wrapper, keeping all within clean and crisp. A 72 page introduction followed by excerpts from the plays, notes and a glossarial index
Scholars' bookplate to inner cover. Light bumping to bottom corners. Very minor shelfwear. Dustjacket has minor shelfwear and rubbing. ; Oxford Classical Monographs; 328 pages; The Andromache has long been disparaged despite being a brilliant piece of theater. In this book Dr. Allan draws attention to the neglected artistry of this very impressive and intriguing text. Through careful analysis the Andromache emerges as a play that poses fundamental questions, especially about the polarity of Greek and barbarian, and the morality of the gods. Dr. Allan shows how the play also challenges revenge as a motive for action, and explores the role of women as wives, mothers, and victims of war, be they Greek or Trojan, victorious or defeated. These are among the central concerns that make the Andromache a moving and thought-provoking tragedy, full of suffering, suspense, and moral interest. This book contributes both to an appreciation of the Andromache in its own right, and to a wider understanding of the variety and quality of Euripides' oeuvre.
ix + 476pp., 25cm., br.orig. (dos retauré), pour la plupart non coupé, cachet, bon état, peu commun, publié dans la série "Annales de l'Université de Lyon. Nouvelle série, II.Droit, lettres" fasc.15, K54645
387p., illus. Paperback Good condition
In 8° br. fig. col. pp. 545, ben tenuto
In 4° leg. edit. fig. pp. 239 con num. ill.ni anche col. ; ben tenuto
An interdisciplinary study of the Latin remnants of the German–Latin Play of the Ten Virgins, based on comprehensive research into the medieval liturgical and dramatic traditions. The restored text and music of the Latin chants reveal a complete Latin liturgical drama that may have preceded the surviving macaronic play. ; 9 x 1.5 x 6.25 Inches; 412 pages
22pp., 22cm., stempeltje op titelblad, onopengesneden
A clean, unmarked book with a tight binding. 80 pages, plus color plates. 85 color illustrations and 80 b&w illustrations. 6 1/2"w x 9 1/2"h.
Dustjacket has a couple of small ink stains and is wavy and water stained. Book is clean and bright. ; This book examines the literary and intellectual relationships between Piers Plowman and The Faerie Queene. It links those two rich and problematical poems by showing their development from a common religious and artistic matrix and by assessing their roles in the evolution of allegory. ; 256 pages
4 p. l., 3-125 p. 20 cm. Hardcover Very good condition, some pages roughly opened
93p. Paperback Very good condition
Book is slightly cocked. Dustjacket has minor shelfwear and rubbing. ; Collection of essays range over the whole field of Drama from the function of the mask in the Greek Theatre to the undermining of the Classical Ideal in the Fair Theatres of Paris in the eighteenth century. ; 277 pages
Foxing/dustsoiling to top of textblock. Foxing passim. DJ a bit yellowed. ; Collection of essays range over the whole field of Drama from the function of the mask in the Greek Theatre to the undermining of the Classical Ideal in the Fair Theatres of Paris in the eighteenth century. ; 277 pages
Scholars' name to halftitle (Mark Golden). Very light shelfwear. ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
Faint creasing to spine. Light shelfwear. Scholar's name to half-title (Robert Brown). ; In this volume William S. Anderson sets Plautus, who wrote Rome's earliest surviving poetry, in his rightful place among the Greek and Roman writers of what we know as New Comedy (fourth to second centuries). Anderson begins by defining major innovations that Plautus made on inherited Greek New Comedy (Menander, Philemon, and Diphilus) , transforming it from romantic domestic drama to a celebration of rollicking family anarchy. He shows how Plautus diminished the traditional importance of love and replaced it with a new major theme: 'heroic badness,' especially embodied in the rogue slave (ancestor of the impudent servant, valet, or maid). Anderson then examines the unique verbal texture of Plautus' drama and demonstrates his revolt against realism, his drive to have his characters defy everyday circumstances and pit their intrepid linguistic wit against social order, their Roman extravagant impudence against Greek self-control. Finally, Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek models' and replaces them with a new, confident Roman comedy. ; Robson Classical Lectures; 194 pages
Play based on Socrates and his trial and death in Athens.101p. Blue-Green blue cloth binding faded on spine and edges Faint foxing on end papers, but interior very neat and clean. Book
vii + 140pp., 23cm., cloth, dustwrapper, good condition, T76526
A couple of small dings to top of wraps. Small crease and bump to top corner of front wrap else Fine. ; Lingue E Letterature Carocci / 67; 253 pages