2 018 résultats
128p. Hardcover Very good condition good
Publishers cloth. 8vo. 256; 254 pages. 23 cm. First edition. In Yiddish. Two volume set, bound in red cloth, illustrated throughout with dozens of photographs of Yiddish dramatists and actors. Bernard Gorin was born Yitskhok Goydo on April 13, 1868 in Lida, White Russia (today ? ? ? ? , Belarus) . He was a novelist, journalist, critic, and historian of the Yiddish theater. In 1918, decades after the beginnings of the professional Yiddish stage, Gorin undertook the task of writing the first comprehensive history of Jewish theater. The resulting two volume book was entitled The History of Jewish Theater: Two Thousand Years of Theater among Jews. His work contains valuable material on the Goldfadn era and is based on Gorins discussions with Yiddish actors whom he knew in New York. As a writer for the (Morning Journal) , he reviewed plays and was considered a gifted translator of French, Russian, and English classics into Yiddish. Gorin died in New York on his 57th birthday on April 13, 1925. (Yiddishkayt; Bernard Gorin) Subjects: Jewish theater - History. Theater, Yiddish - History. Light chipping to edge of backstrip, light wear to outer edges, cloth covers lightly bumped, otherwise fresh and clean. Good + condition. (YID-16-34)
In 16° br. pp. 346, ben tenuto, data presunta
63pp., brochure originale, 26cm., publié par l'Académie Royale de Belgique, bon état, G56909
Scholars' bookplate to inner cover. Bottom corners lightly bumped. Tear to DJ at foot of spine (repaired from behind with cellotape). Creasing along bottom edge. Chipping to top of DJ spine. ; 224 pages; Using recent narrative theory, this book explores the narrative strategies that sustain the complex relationship between the tragic poet and his sophisticated audience. It discusses how Aeschylus typically shaped these sprawling stories into dramatic form. Then, once established, how these patterns were successively adapted, subverted, capped or ignored by Sophocles and Euripides in the annual attempt to recreate suspense and express fresh meanings relevant to the difficult last decades of the fifth century.
Book is in excellent condition in every respect, with very light shelf wear to covers, solid binding, page block is clean and free of marking of any kind. 352 pages.
249p., frontis. Hardcover Good condition
In 8° br. fig. pp. 180, con foto e ill.ni , ben tenuto
In 8° br. fig. pp. 201, copn foto e ill.ni, ben tenuto
Creases to spine. Very light discolouring to cover. Pages are clean and tight throughout. Used
93pp., 25cm., text in English, bound in modern hardcover (marbled boards, gilt title on spine), Doctoral Dissertation (A Disertation submitted to the Faculty of the Graduate School of Arts and Literature in Candidate for the Degree of Doctor of Philosophy, University of Chicago), stamp at verso of title page, text is clean and bright, [Bound with: 1) COFFMANN, A New Theory concerning the Origin of the Miracle Play, Doctoral Dissertation (idem), 1914, 84pp. & 2) DE VOCHT, Introduction to The Wizard a play by Simon Baylie - edited for the first time from the Durham and London Manuscripts with introduction and notes, 118pp. (containing only the introduction by De Vocht), Louvain, Librairie Universitaire, 1930], T109406
Gift inscription from Eric Handley to G. P. Goold and Philippa Goold on ffep. Light foxing to top of textblock. ; Classical Bookshelf; 127 pages; Classical Greek theatre survives not only in plays that we still read and perform, but also in artistic images. Depictions of performances, actors, and their masks were frequent in classical times and continued to appear even beyond the fifth and sixth centuries A. D. , long after the plays had ceased to be staged. These artifacts, together with the remains of actual theatres and the texts of surviving plays, give us an idea of how Greek drama must have appeared in its heyday. In this book, Richard Green and Eric Handley outline the history of the Greek theatre, drawing on the evidence supplied by the theatres themselves, the surviving plays, and artistic artifacts. They show and discuss painted pottery, notably from fifth-century Athens and fourth-century southern Italy, that records scenes from plays. Terra-cotta figures, mosaics, paintings, metalware, and gems also help them build a picture of Greek theatre. All these artifacts tell the story of Greek drama as seen through the eyes of those admirers who kept its classic moments and traditions alive and who found a place for it in the society of their own times. They help the modern playgoer and reader to imagine what a visit to the theatre in classical Greece might have been like. ; Signed by One Author
Minor shelfwear. ; Classical Bookshelf; 127 pages; Classical Greek theatre survives not only in plays that we still read and perform, but also in artistic images. Depictions of performances, actors, and their masks were frequent in classical times and continued to appear even beyond the fifth and sixth centuries A. D. , long after the plays had ceased to be staged. These artifacts, together with the remains of actual theatres and the texts of surviving plays, give us an idea of how Greek drama must have appeared in its heyday. In this book, Richard Green and Eric Handley outline the history of the Greek theatre, drawing on the evidence supplied by the theatres themselves, the surviving plays, and artistic artifacts. They show and discuss painted pottery, notably from fifth-century Athens and fourth-century southern Italy, that records scenes from plays. Terra-cotta figures, mosaics, paintings, metalware, and gems also help them build a picture of Greek theatre. All these artifacts tell the story of Greek drama as seen through the eyes of those admirers who kept its classic moments and traditions alive and who found a place for it in the society of their own times. They help the modern playgoer and reader to imagine what a visit to the theatre in classical Greece might have been like.
Dustjacket has a small piece missing on front panel of Dustjacket. DJ shows minor wear. ; Breaking new ground in interdisciplinary scholarship of late medieval England, this collection of essays celebrates and addresses the work of renowned medieval scholar A. G. Rigg. George Rigg's interests span medieval Latin, Anglo-Norman, and Middle English literature and philology; the contributors to this volume are an international group of colleagues, students, and friends of Rigg's, whose essays are as wide-ranging as Rigg's own interests. The contributions include: new editions of Middle English texts; an overview of the editions of Chaucer from the nineteenth century to the present which expounds editorial trends through the years; studies of major Middle English writings which cross boundaries into social history and the history of the book; a codicological study of the literary and material evidence for the use of scientific and utilitarian texts in late medieval English manuscripts; and related historical studies. Each essay is anchored in the textual realities that grounded Rigg's own scholarship, and bridge the boundaries between traditional academic disciplines - a crossing of interstices in homage to a teacher, friend, and colleague. ; 280 pages
117p. Hardcover Very good condition A thirteenth-century musical drama.
41p. Paperback Good condition, covers detached
4 Vols., 4to, 1752pp.,138 plates, orig. cloth. Very detailed; essential reference.
4 vols., roy. 4to., Second Edition, with 4 frontispieces, titles in red and black , and 133 fine plates of facsimiles; original series binding of dark blue cloth, gilt backs, a near fine set. Much-needed re-issue of the standard reference first published in 1939 as the Bibliographical Society's: Illustrated Monograph 24. Besterman, p.1067; NCBEL IV, p.1049.
Rear hinge weakening and does not sit square. Very light bumping to top corners. DJ has some edgewar and creasing. ; Blackwell Companions to the Ancient World; 9.7 X 7.1 X 1.7 inches; 572 pages; The Blackwell Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy, and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today. Comprises 31 original essays by an international cast of contributors, including up-and-coming as well as distinguished senior scholars Pays attention to socio-political, textual, and performance aspects of Greek tragedy All ancient Greek is transliterated and translated, and technical terms are explained as they appear Includes suggestions for further reading at the end of each chapter, and a generous and informative combined bibliography
180p. Hardcover Very good condition
Scholars' bookplate to inner cover else Book is fine. Dustjacket has minor shelfwear with rubbing to bottom corners. ; Contributors: Bernard Knox, Robert Parker, Martin West, G. O. Hutchinson, Jasper Griffin, P. E. Easterling, Stephanie West, Malcolm Heath, Robert L. Fowler, Netta Zagagi, Leofranc Holford-Strevens, Edith Hall, Richard Stoneman. ; 343 pages; Sir Hugh Lloyd-Jones was Regius Professor of Greek at Oxford University from 1960 to 1989. He has made important contributions to our knowledge of ancient Greece. In September 1997 a group of former pupils and scholars offered him a set of papers on Sophocles in honor of is seventy-fifth birthday. This volume collects those papers, which give varied approaches to the poet, his work, and his influence.
Book is fine. Dustjacket has minor edgewear with rubbing to bottom of front panel. DJ now protected in mylar; Contributors: Bernard Knox, Robert Parker, Martin West, G. O. Hutchinson, Jasper Griffin, P. E. Easterling, Stephanie West, Malcolm Heath, Robert L. Fowler, Netta Zagagi, Leofranc Holford-Strevens, Edith Hall, Richard Stoneman. ; 343 pages; Sir Hugh Lloyd-Jones was Regius Professor of Greek at Oxford University from 1960 to 1989. He has made important contributions to our knowledge of ancient Greece. In September 1997 a group of former pupils and scholars offered him a set of papers on Sophocles in honor of is seventy-fifth birthday. This volume collects those papers, which give varied approaches to the poet, his work, and his influence.
Scholars' name to titlepage (Mark Golden). Else book is fine. ; By imaginatively recreating the play's original staging and debunking the interpretations of various critics, including Aristotle, Ulrich von Wilamowitz-Moellendorff, E. R. Dodds, Frederick Ahl, and John Peradotto, Griffith shows that Apollo is a constant, powerful presence throughout the play. He contends that although we can sympathize with Oedipus because of his sufferings, he is still morally responsible for murdering his father and sleeping with his mother. Apollo is therefore not indifferent and his actions are not unjust. Griffith focuses on Apollo's commandment "know thyself," a commandment Oedipus belatedly and tragically fulfils, to stress both the need for self-understanding in the study of ancient literature and the usefulness of ancient literature in achieving self-understanding. ; 160 pages
Soiling to textblock. Light shelfwear else Near Fine ; Still the most comprehensive book on the subject of the authorship of Prometheus Bound. ; Cambridge Classical Studies; 419 pages
Foxing/dustsoiling to top of textblock. Stapled photocopy review tipped in. DJ spine a bit browned. ; Still the most comprehensive book on the subject of the authorship of Prometheus Bound. ; Cambridge Classical Studies; 419 pages