2 018 résultats
8vo., First UK Edition, on laid paper, with a portrait frontispiece; cloth, gilt back, backstrip a little dulled else a near fine copy in unclipped dustwrapper. Nice copy of the first UK edition of the classic text by the founder of method acting. The US edition was published in New York in the previous year. Uncommon in this condition.
No 7 July 1969. Browning to page margins. Small worm damage on top page edges. Discolouration on top front cover corner.
No 10, October 1969. Browning to page margins. Discolouration on top front cover corner.
No 1, January 1971. 160 pages. Slight browning to cover and page margins. Discolouration and some wear on spine.
Small 8vo, 20pp., stitched as issued, ring binder holes to inner margin.
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. 418 pages, heavily illustrated with full color, full page prints throughout.
xii + 234pp.+ frontispiece (portrait), 25cm., softcover, text in Danish, good, T86373
Publishers cloth. 8vo. X, 375 pages. 21 cm. First Yiddish edition of the Tractatus Theologico-Politicus. Along with Di Etik, also published in 1923, this represents the very first appearance of any of Spinozas works in any Jewish language. Perhaps one of the most controversial texts of the early modern period, the TTP, in its critique of religion and of Jewish "chosenness", is possibly one of the most appropriate of Spinozas works to be translated into Yiddish for secular readers. Translated by N. Perlman, who also translated Jack London, Anatole France, Schopenhauer, and Thomas Paine into Yiddish. Subjects: Philosophy and religion. Free thought. Spinoza, Benedictus de, 1632-1677 - Translations into Yiddish. OCLC Number: 150623442.Spine darkened, touch of wear to foot and crown of spine. Very Good condition. (YID-16-15-E) Xxxx
96 p. Hardcover Good condition; paste-downs foxed
Creasing to top of front wrap and first few pages. Bumping along spine. ; Collection Latomus Volume 265; 491 pages
Very light shelfwear. Else fine. ; Collection Latomus Volume 281; 563 pages
Slight crease to lower rear corner of wraps. Else fine. ; Collection Latomus Volume 291; 575 pages
Very light bump to top of spine else fine. ; Collection Latomus Volume 318; 232 pages
Book shows light wear to covers only. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind. 95 pages with occasional b&w photos; Text features such figures and events as Marty Donworth, William Biglow, Harry Clise Wallace Collins, John Eden, John Edwards, Joshua Green, JC. Haines, Horace C. Henry James Lowman, William McEwan, Alexander Stewart, C.D. Stimson, Adelaide Bausman, Cornish School, Elinor Frink, Nellie Cornish, Catherine Collins Clarke, Susie Smith, Angela Jackling Collins, Laura Green, Kirtland Cutter, Nancy Lane Pelly, Alicia Wetherall, Frannie Backus Hat Tea, Elise Cobb Wilson Ann Turner,
With Index. Illustrated. Black cloth covers, gilt title on spine. No dust jacket. Spine faded and a little marked.
Ex-library copy with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 240 pages.
82 pages. Features: African Jerusalem; A Minstrel's Life; The Diverse Goals of Re-Enactment Events; The Medieval Sword; Performing Medieval Drama in the 21st Century; The Life and Crimes of Gilles de Rais; and more. Moderate wear. A sound copy. Book
In Greek text edited by Richard Jebb, with parallel English translation by Elizabeth Wycoff. Introduction by D. S. Carne-Ross. Illustrated with 8 colour plates and 15 B&W images by Harry Bennett. 144p. Type designs by Jan van Krimpen and printed by Joh. Enschede en Zonen in Haarlem, Holland. Copy #1870 of 2000. Signed by the artist on the colophon page. Bound in a fine linen cover with a classical black and terracotta design by Bram de Does. Title on front and on spine stamped in gold leaf. 144p. Protected in original slipcase. A handsome gift volume. Book
Spine cover detached and missing. Boards are worn. Pp 117-124 are loose but present. Some pen and pencil notes. Pages tanned. Fair. Working copy only. ; English Commentary and Introduction with Greek Text. ; 252 pages
Minor shelfwear to book. Minor rubbing to extremities. Scholar's name to ffep (Robert Brown) with additional name. ; English translations of Sophocles's extant plays. ; 376 pages
Minor shelfwear to book. Light discoloration and rubbing in places. Else VG. Scholar's name to ffep (M. F. Fresco). DJ is tattered, chipped and browned with tears. ; English translations of Sophocles's extant plays. ; 376 pages
Faint foxing to boards and top of textblock. ; Texte Und Kommentare 7; 9.2 X 6.2 X 0.8 inches; 282 pages
Minor shelfwear. Scholars' bookplate to inner cover. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
Wraps are browned. Light chipping to 2 corners of wraps. ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.
Minor shelfwear. Small chip to 1 corner. Scholars' name to ffep (Mark Golden). ; Cambridge Greek and Latin Classics; 282 pages; 'Sophocles, in a play that won only second prize, created a masterpiece that in the eyes of posterity has overshadowed every other achievement in the field of ancient drama. In it he played on certain latent terrors that are part of man's nature in all kinds of societies and at all epochs; terrors whose influence may pervade our lives in ways we scarcely guess ...' These words come from the introduction to Dr Dawe's edition of Oedipus Rex. In an attempt to analyse why this play '...has exercised such a powerful and long-lasting fascination on the human mind' Dr Dawe devotes his introduction to an examination of the content of the story and to the technique displayed by Sophocles in the unfolding of the plot. The commentary deals authoritatively with problems of language and expression. This is an edition for classical scholars, undergraduates, and students in the upper forms of schools. The Introduction requires no knowledge of Greek and may be read by anyone interested in Greek literature and drama.